Відео

Poor explanation, but thanks

No matter what you want your soul only chase one purpose even though you accept it or not. In only matter on what is the path you choose ^^

2 words regardless of size "Al Cass".

how many pieces do you play with that C trumpet?

The demonstration of your embouchure movement looked suspiciously like the “smile” method with your corners pulling away from your center. If that is what you did, you want to avoid that because you’ll only get limited success (which I suppose, depends on what you consider “upper register”). When I want to ascend, I focus on keeping my corners firm and maybe even draw them in slightly toward the center, use a tongue arch (which I don’t have to think about, because it’s a reflex), and support the air from my core. It just takes faster air for me to play higher. The faster air makes my lips vibrate at a higher frequency. If I support the air properly, I can play long tones (ten to fifteen seconds) on Double High C. Once you figure out how to do it, it’s not that hard. Yes, it’s more intense than the C three octaves lower (Low C), but if you practice very softly at first, so that you learn the coordination that is necessary to play in upper register, once you have that foundation established, you will have the control that you need to be able to increase the dynamics. Obviously, you can’t just start way up there. You have to work your way up over time, playing as relaxed as possible, but the progress happens faster than you may think. I once read somewhere that playing in the upper register (say, the G above High C, and beyond) was a knack, and once you figured it out, it wasn’t that difficult. That helped me get over the idea that “high notes are hard.” They just take more energy. The notes are a lot closer than you think, so it doesn’t take as much effort as you may assume. I also don’t use a lot of pressure to play, just enough to keep the mouthpiece in place. You can’t muscle or power your way into this range and expect any longterm success. You need finesse and focus, and not force. There is a lot of advice on the Internet (some good, some not so much) on how to increase your range and endurance. One example I found useful was on Mark Zauss’ web site. He has a PDF of range building exercises and a good explanation of how to apply them. You can apply the principles, though, to pretty much any exercises. You could take the exercises in Clarke’s Second Studies, for example, and just continue on in the next chromatic key ascending past the end of the original studies, to as high as you wanted to go.

Invitation quote at the end, very nice

Solar

what instrument is that

Have you ever considered that the Union is watching this video? Why should they go in and fight for musicians and say we want higher wages? We want better benefits. We want stronger retirement. And you're saying to the employer. You're only doing 75%. You know what I heard Wayne? He doesn't play at 75%, especially in the studio. When you sit next to the heavy duty cats.

Thanks Mr Allen. From Brazil .

9:30 unbelievable!!!!!!!!!

Too wordy, and convoluted.

Buzzing is so incorrect.

So much incorrect here. NAMW.

Thanks Mr Allen...

He is a legend!

I love how this trumpet sounds 🤩🤩

Spider man 2 pizza theme!!!

Yall, its not a competition. Yes "extreamly physical" does sound like a comparison, but in this case all hes trying to say is that it requires the use of your body in ways that will strain and exhaust you over many hours of play. Im a drummer, and I marched. Yes it was quite difficult. Hes not saying anythign about it being more physically challenging, this isint a competition

Buddy try metal drums

“Trumpet player tries to appeal out of the court of light instruments as if it isn’t the lightest of the brass”

Enter percussion, there isn’t anything about percussion that isn’t physically challenging

Y'all got nothing compared to the sousaphone's and marching tuba's. Keep on holding your twigs

Y'all got nothing on the tuba's!

I think this applies to most bras instruments

How about the mellophone?

Some kinda of internal compression

His tone is so dark, it sounds like a flugelhorn.

Great!!

Very helpful and beautiful playing!

Lovely playing.

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Day one of asking for a tone base horn channel

I have found the more I practice the better my equipment gets.

Beautiful sound

Ryan was a senior at CSULB my first year there. He and Jon Bradley were really influential in my early trumpet studies. Glad to see Ryan doing well.

Are you tonguing at the end of the pitch bends, or is that reduced air pressure?

I love how Brandon speaks about trumpet playing. Imo his ability to produce and control sound is exceptional. I'd like to see more of him on this channel... Thanks tonebase!

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It's pronounced Louie, it's French. You're saying Lewis

Nice. Going white boy, Hey you wanna make a bet? I bet I can sound just like him. How much you help me keep that.

We benefit from his huge experience, talent, humility and focus on musical sound - thank you

This is very helpful! Thank you! You have a gorgeous tone!

Very practical guidance. I saw a video about the impact of how far the mouthpiece fits into the leadpipe - the person recommended trying it in different positions by shimming with some paper etc. - of course they were selling a solution but it seemed legit. Have you experienced this affecting your sound?

Well said!

Thanks very much for those great explanations. Have a great day!!

What study are you playing mister ?

When I was in high school we went to UAB and waited for Allen in his dressing room. There was a poster of him in the room. A trumpet player and I started making jokes about the poster. Allen walks in behind us and starts making fun of himself. Great guy who was nice to two young dumb musicians

I never noticed, before, that Allen Vizzutti's lips are fuller and fleshier (especially the lower lip) than those of most top-tier players. And, when he played rapid slurs in the Hummel excerpt, I noticed an unusual twitch in his lower lip that made me think that he might have his tongue in contact with it. Can he or anyone tell me if Mr Vizzutti incorporates any unusual feature in his setup and embrouchure?

A great demonstration by a great player. Common sense is often rare, but here is a perfect example of it.