Відео

5:30 very clever trick

I am considering purchasing. Do you still think it's good.I have a q3.

Tomas, what is your DAW of choice? I've moved over to Reaper. Your videos are very enriching, thank you.

Awesome tutorial! Is it OK to apply this to the master fader in a mix or only to be used after rendering the whole take?

For whatever reason I dont like the multiband version of DMG limiter, but TrackLimit is my go too, I just put it on aggressive or Punchy and whatever that eq profile does is the exact sound Im looking for.

i got a noob question, ive been looking on your channel but i cant find how i can see the Kotelnikov interface as you show on your video, i mean the grafic barr fo the gain reduction Db i cant see how much it fluctuates. and i suppose you need another program to display it? can you help me? what program i need to test and see how everything is changing. im new on this trying to Compress louds sounds on my headphones.

To put an L2 in L and another in R, can I open two Blue cats and put one in L and another in R? thank you

The stereo field on headphones, as we perceive it, is never real. Our left hear cannot hear the right side. There are more issues also....On the other hand, having a properly treated room at home is virtually impossible. In the end, maybe headphones are the better solution, but one must know well the headphones. Thanks, nice video mate.

sofia your voice is so calming

are you french ?

Brilliant! Thank you 🙏🕊️

Glue. What a stupid term.

So - if you were trying to set two guitar signals to the same perceived volume - which LUFS measurement would you use?

How do VU meters compare to RMS meters? Do they use a different scale? Thank you :)

I prefer dynamics and mastering that preserves the dynamics then all this over compressed just loud for the sake of being loud any day. The newer version of Tracy Chapman's track sounds bad in comparison to the orig album version in my opin. I cant stand loudness war mastering. I am glad you mention you try and preserve the dynamics, most do not. I notice that many times when it says re-mastered that really just means they destroyed the track by just making the whole thing loud by slamming it into a limiter and did not actually improve the track sound quality, so on that I usually prefer the original I know when I re-master a song because I feel it could be made slightly better then my goal is to make it sound better not worse. But it seems that too many still think just loud is better forgetting about having a nice open dynamic sound. Great video as always.

At 4:45, what does it mean to "give the loudness advantage to the bypassed version"? How does this work in practice?

Thanks a lot

tHIS CHANNEL IS PURE GOLD!!!

This is a truly great excellent guide to this plugin. Thank you!

Great! Subbed today, thanks. Hope this makes my voice sound better in Zoom meeting.

Subbed! Just need a mixer for my USB mic on my iMac on Zoom meetings

Thank you

Do I need a plugin in my DAW to switch between Sum and Dif? And it's not the same, then switching between Mono and Stereo, is it?

I can’t get it to sound good on the masterbus, it either compresses too much or won’t glue the mix, maybe the crest or knee settings have to be tweaked somehow to match a classic VCA masterbus compressor?

The paid version of that TDR comp is $10 on pluginboutique right now. Great video, thanks!

"there are other meters" Me: no thx, im good 😅

Thank you for all your videos! With this technique of matching, are you matching True Peak or Integrated LUFS as you continue to add plugins to each stage? Would there be an audible difference?

i am interested in more deeper mastering tricks or settings

thanks bro! appreciate it :)

Thanks, could you do a demo of using a limiter to highlight mix balance problems - maybe with an example of a mix that's ok vs one that's got problems. Cheers!

Thank you, Thomas.

Great as always. Thank you.

Thanks

Your videos are always so very helpful! Thank you and God bless you ❤

Thank you!

Great plugin, but it hits my cpu very hard...

Thank you very much, sir. 🙏🏾

Spotify WILL turn up files quieter than -14, but will also respect a true peak level of -1, which may not allow the file to be brought all the way up.

Poor DMG Audio always get left out these days, it's all Pro Q and now the Kirchhoff - but they did it first and there's one thing the DMG still has as an option that the other two don't. CONSOLE mode, where all knobs are visible at once. That massively speeds up workflow for me but maybe that's just me.

I really enjoy your videos! Always to the point and always backing up your ideas with facts and good examples. Keep it up!

His version of the song is dull. Tracy seems to be the only person who has ever sung this song properly: to honor the Story. Everyone else seems to think it is enough to strum and intone some words. And yes a proper song dynamic will benefit far better than the horrid "modern" crushed thing. Ha! :-)

Thank you so very much!!

This video has forced me to look more closely at what's happening at one of the first stages... arrangement. Thank you, Sofia and Thomas.

AFAIK -14LUFS (INT) is not a target of the streaming services but a distribution level.

I listened to a lot of metal from the mid nineties on so I gradually noticed productions getting tighter and more rigid (through editing and recording to a click, using samples for drums, pitch correcting vocals etc). At first I liked it: a lot of music benefited from the machine like sound. But from 2000 on bands in that genre sounded more and more alike, and also more and more boring... It's a cliche but editing and to a lesser extent recording to a click destroys the "feeling", and the feeling is what makes most music sounds interesting to my ear. I understand that some genres should sound very tight and editing, for instance electronic dance... But then again I loved that Roisin Murphy's track "Overpowered" has that intentionally badly looped drum track... But maybe because it's refreshing. I'm rambling now. Long story short: In the end I like music that's loose, not edited to death and I wonder if in the end deep down all people prefer that. Music tip! Check out "Dawn of Midi's" album "Dysnomia". It's like minimal electro with lots of syncopation but played by a jazz trio, AND NO EDITS!

Just listened to both on Spotify, normalized, back to back. I think Luke Combs’ version sounds louder-and I think most people would agree-and it’s because of the mix, not the master. The Luke combs version is mixed in the dense, modern style, where the kick/snare transients cut through everything, and the frequencies are super-sculpted for audibility at any playback level and on any device-as opposed to the more organic large format console feeling of the original mix.

Thanks for this! Do you have any guidelines for quiet song sections? That is, how much quieter than the loud sections can they be? I imagine that they can't be too quiet as then the quiet sections won't be audible in noisy environments. Cheers!

Tack :) I'm going to master a song that has a rather high kick and snare, it's not possible to re-mix the song, so I'll try to lower the kick and snare a little without it affecting anything else so much. If I use a limiter now, the kick and snare are affected too much so it's difficult to get the song up in volume. Do you have any tips? Best/Mathias

I enjoyed your presentation thank you.