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DP Deconstruct
United States
Приєднався 5 лют 2021
Why We Added RED to Our Arsenal, and How to Know When You Shoud Upgrade Your Gear!!!
We dive in to our mindset to when to upgrade, and why. We also talk in-depth about our decision to adopt the RED ecosystem into our current lineup and what made us go about deciding to go this route
Переглядів: 232
Відео
Three Tips to Up Your Outdoor Production Game
Переглядів 225Рік тому
In this video, Aaron covers three things he focuses on when filming in natural light only to make sure his production quality doesnt suffer. Follow these tips to improve your productions when doing a run and gun style shoot!
NiSi Athena Prime Lens Review
Переглядів 13 тис.Рік тому
We just bought a set of NiSi Athena Prime Lenses and in this video we are going to go over our thoughts on this stellar set of Cine Prime Lenses from NiSi!!!
TWO EASY WAYS to Convert Log Footage to Rec.709 in Davinci Resolve!!
Переглядів 850Рік тому
There is a lot of anxiety when it comes to shooting in LOG, simply because of the fear of not being able to get the footage in to a good starting point to build a grade off of. Another reason for not shooting in LOG has been because of quick turn around times and wanting to reduce the amount of time needed for post production. This tutorial covers both of these topics and shows you how to keep ...
Ep 4. Demystifying Filming/Editing in Log
Переглядів 132Рік тому
In this podcast, we cover fears and hesitancies of shooting in a Log profile. We go in to what makes filmmakers hesitant to shoot in it, why there isn't reason to fear, and some workflow tips to make the back end of production with Log quicker and more accurate. Check it out and let us know what else we can cover on this topic to help you all out more! Used in this Episode: Sony FX6 www.bhphoto...
DP Must-Have’s: Which One Are You? #shorts
Переглядів 59Рік тому
#shorts Which one are you? - Hard Case - Backpack Why? 9 times out of 10, we’re gonna grab our SKB ISeries 2011-7’s so that we know our gear is safe and we can focus on other, more important things! Let us know your setup in the comments!!
Ep. 3 Covering Lenses: What, Why and When to Use Them
Переглядів 151Рік тому
In this episode we cover lenses. - What makes a good lens? - Why does a good lens matter? - When to use what lenses? - Photo vs Cine Lenses? There will be more discussions on lenses, so if you have any questions be sure to leave a comment and we will do our best to answer it or cover it in a future episode!
Episode 2: Breaking Down the Shot - How We Got This Shot With 8-Bit Footage!
Переглядів 133Рік тому
In our first podcast, we cover our approach and thought process behind how to capture realistic photos at night. Gear used for this scene: Aputure 120D 'no link available' Aputure Light Dome SE with Grid www.bhphotovideo.com/c/product/1622464-REG/aputure_amolightdomese_lantern_90.html Supon Video Light www.amazon.com/SUPON-LED-L122T-Portable-Dimmable-3300K-5600K-Compatible-Camcorder/dp/B01NADFA...
Episode 1: Breaking Down the Shot - How We Shot This Nighttime Recovery Photo
Переглядів 137Рік тому
In our first podcast, we cover our approach and thought process behind how to capture realistic photos at night. Gear Used to Take this photo: Nanlite Mixpanel 60 www.bhphotovideo.com/c/product/1504383-REG/nanlite_15_2010_mixpanel_60_bicolor.html Nanlite Forza 60D www.bhphotovideo.com/c/product/1640134-REG/nanlite_forza60_kit_nforza_60_led_monolight.html Sony a1 Mirrorless Camera www.bhphotovid...
BTS - How We Got the Shot - SPYPOINT Product Videos 2021
Переглядів 2443 роки тому
We go behind the scenes on how we setup the lighting and camera for our indoor shots for the SPYPOINT Product Videos for 2021. Matt explains the reasons we went with the Sony Alpha A7Siii over the Sony FX6 Cinema Camera for this shoot, and our mindset of how / why we set up the shot the way we did! Check us out on Instagram! ICT Creative Group: ict_creative_group Matt Lowry: inst...
great video! answered many questions I've had for quite a while.
Will it have the same issue with the meike pl to rf drop in nd mount? When using the 25mm lens?
What made you select these over DZO?
10:30 Sorry man but it's not the 2000s anymore. "Made In China" doesn't mean anything nowadays, it's about quality or not. It's hard to hear you saying that like that as well if you get what I mean ;) Take care
When it comes to glass, there is an irrefutable difference in Asian countries and China is at the bottom, Japan at the top.
Coming back to finish this ! It’s 3 AM currently. Good stuff gentlemen
The Creator is the movie you were referring to. It was great ! 6:24
Bought the whole set of this lens due to the reviews. Regretted it, the color shift is more than 200-300 pts in terms of white balance, but what's worst is their bokeh, though there's not much onion ringing, their bokeh is so dirty, looks like it has cancer. But really depends on what you're shooting, if you're shooting outdoors with no bokeh balls, then you'll be fine. As always, YMMV.
Great review! It helps a lot!
can u i use this with bmp 6k pro that has ef mount thx
Finally, a channel that does reviews but actually uses the products in production not just random kid making UA-cam videos in a cool little over lit office. 👏🏼🙌🏼
Great job! Thanks!
Thank you for sharing!
Have you heard anything about the Novoflex PL to RF adapter?
Thanks for the review. What lens company did you mention at 0:59?
late reply, but I believe it's 'Dulens' after playing with a few phonetic spelling tries in google.
Get over the "made in china" thing, dude. The future is chinese.
Americans. More than half the stuff in the frame is made in china 😂😂😂
Ikr. They could've named the lens set by a Chinese philosopher, e.g. Laozi, instead of Athena, but they didn't in order to cater to the global market.
Any way to adapt those PL variants to EF with some of the available adapters? Or is their rear end just not fitting with those adapters? Would love to use those on my Ursa mini EF!
I have the same question. Have you got an answer? I asked Nisi, they said it won‘t work. Then someone on Crimson Engine said it works on his C300 III.
@@yvesbernas1772 The correct answer is: In the majority of cases it will not work. The rear of the lens will collide with the inner parts of the lens mount or sensor cover glass stack. On some cameras it can work, but it will always be a tight fit and can change from lens to lens. One focal length might work with some minimal clearance, but e.g. a wider lens will not. The only way to see if it works with your combination is as follows: get VERY accurate measurements (diameters and depths) inside the lens mount AND of the lens segments, that will sit inside the mount.
@@AlexRian_ Thanks. Would you happen to know if the lenses would work with the C200 ?
Loved this podcast! The Burano looks SO good. Definitely will be a competitor to the Raptor, although the Raptor still has it's place.
It’s definitely something we’re interested in seeing more on in the coming months!!
Hey guys, as a long term creative here, I really appreciated the business angle of adding a RED system. Your take is refreshing in a sea of gear hype.
Wanting to get the NiSi Athena as well. It really bothers me that those mounts that has drop-in filters would be such a hassle that you won't be able to use the PL mount smoothly just because of the rear-end hits the drop-ins. I hope NiSi makes a specific mount for the Athenas for PL mount specifically that could also compensate its rear-end being able to use a mount that could allow drop-ins.
I can tell you it was a big disappointment for us. They lenses are worth it but this is definitely an inconvenience for sure.
Same as well. Would buy them otherwise
I guess most video productions these days can't escape Chinese brands anyway. DJI, Aputure, DZO, Nisi, Laowa, Vazen... just to name a few, and even that purple adapter you are using are also made by a Chinese company. But, I guess what you were really trying to say is that having that imprinted on the lens body reduces production value for the average clients. That's a perception very difficult to change, at least in the geopolitical context the world is in today :(
just cover it with neon tape and label it… boom now you look like any other blockbuster lens
The movement of the back lens element when focusing is definitely something to consider with these lenses. I don't own them, but have considered picking up a set and was doing some research when I came across Phil Holland's instagram post about that issue. The Breakthrough Filters DFM RF to PL does have clearance for these lenses. But the KipperTie Strata, Revolva and RED eND RF to PL do not. Also it seems from your experience the MoFage adapter does not. Unfortunate, since the Breakthrough is so expensive, when looking for options for behind the lens filter solutions.
Thanks for the information. Always good to know that the breakthrough will work!
Do you think the Breakthrough E mount to PL would work?
@@Velspire sorry I have no idea.
Great review, thanks for sharing! Seem like amazing lenses, especially for the money ( a steal when you consider the market ).
Excellent Tutorial ... The entire color management conversation can be sooo complicated. You made it easy!! I've watched this tutorial 3 times and each time I learn something new, or get a deeper understanding. Keep up the great work and keep inspiring!!
Thanks for that! Appreciate you watching and commenting!
Great Stuff Aaron! Keep it up!
Thank you! More to come!
Love the breakdown! I'm curious your thoughts on keying from the near side as opposed to the far side of the face. You almost never see people keying from the near side like you did here. This looks good because the light is high enough to still maintain some shadow, especially with the hat. But it's a unique choice and 'breaks the rules' so to speak. Was that decision intentional or did it just work out that way? Also, 100% agree 16:04 - So many people share videos in LOG or LOG that has been ever so slightly altered. There is one specific TV show I won't mention that airs episodes of their show in a nearly LOG profile. Drives me nuts.
Galin, Lighting from the key-side was definitely intentional. We do typically shoot shadow-side. But on this we wanted the lighting to be less dramatic and more light and airy, but still show the vibe of the room we were in. A great way for us to do that was to shoot from the key-side. We went with something close to Loop Lighting for the key, and that still gave us that shadow and depth you always want to see in a good lighting setup, and it kept us from having a flat, non-dynamic look. The whole conversation around LOG is a huge pet peeve of ours, and we really had to restrain ourselves when it came up during the recording haha!! Glad we're not alone!
Seriously enjoy these conversations and break downs. 👊🏼
Thank you! We are definitely enjoying making them and putting them out!
These are so great guys! Keep 'em coming!
Thanks! Will do!
Great stuff here fellas. Certainly ramped my inspiration to go buy some nice light and get creative. Really looking forward to more episodes
Great to hear! Thanks for watching!
Thanks for the video hope to see more!
More to come!
Enjoyed the info fellas! Keep it up
Thanks! Will do!
Liked and subscribed! Already can’t wait for the next ep
Thanks!!
Fantastic into guys!! You guys rock!!
Thanks so much!
Love the video! Great info
Thank you! We hope to start putting more out. If there’s something you want covered, please let us know and we will break it down