Відео

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Piano into one e520 looper, which feed the other one and then it comes back to the first one. When the first one stops recording, it triggers the second one using the aux output into the sync input. The second one does the same so the feed each other over time. Playing with the feedback control to mess with the volume level of each recording when overdubbing

patch is a mess, a real spaghetti. Basically, planar is mixing audio signals and crossfeeding outputs, x & y are modulated, lots of hands gestures and stuff.

I sampled an offset into Assimil8r channel 1, then map CV input 1A to control its level with a external stepped lfo from Quadrax. I cloned channel 1, then varied the amount of modulation of each channel (2 to 4). Each output goes into a different VCO to get different sounds. Each channel is latched to get a loop and 2 to 4 are linked to 1. At the end, i disengaged this link to trig each channel...

... to get this quantized changes in pitch, due to the division of the tempo. LFO 1 EOR1 goes into LFO 2 trig in. Move LFO 2 rate to get this result.

and all it does it bleeps and bloops. patch is something like this. every time i press the gate button on planar, i force e102 to sample an lfo and send its outputs to two filters in self oscillation, both of which and crossmodulating themselves. Said crossmod is being attenuated by the planar joystick. So i can record some gates and movement and get some sounds out of them Im mixing a offset w...

Patch 2 lfos from e355 into compare 2 (size) for generating triggers. One pings the ps3100, which is fed into itself and into e400, the other modulate e400 fm1 and ps3100 input. e400 4pole out modulate ps3100 cv1. All goes into e520 in prime time for glitchness. The into ableton using drum buss to acentuate the bass content. Chords from hydrasynth.

Clickbait Patch goes something like this: drone is e352 in chord mode modulated by planar2 "percussion" is a feedback pathc using the Toppobrillo MF into bifold. Outputs goes back into the MF and also into Compare2, which modulates the MF and trigger Zularic, which triggers two EG that controls FOLD on the Bifold. Mix output goes into Cold mac in a compressor patch, then finally into e520 in co...

Both e355 outputs in LFO2 rate mode into Morpheus (cube 209 "infifths) into e520 (convolution reverb) and second e520 (resample mini delay). Planar 2 scales controls Morpheus frequency and e355 morph. Im changing e355 lfo rate from time to time to get different results. Vladimir Kovalenko wouldnt like this at all

sunday jam with the camera on my shoulder Assimil8r with two sine waves cross fming each other e102 sampling a quantized triangle wave triggered by SSF URA, to assimil8r for canon ish melodies. SSF ura clock modulated by e355 lfo e520 prime delay controlled by planar 2 and resonator at the end

using oscillators to control EG to create rhythms. e352 as master clock syncing e355 and e300 usb osc for triggering BD (e440 in self osc) clap (e950 with noise fm) and hh (white noise). All of that going into e520 convolution reverb for, hum, fun. "pad" coming from Toppobrillo MF Compare2 into Bifold into e520 in resonator algo A little change in e352 freq changes the whole metric, as there is...

I sampled 4 "voices" from the eurorack and then played them in the assimil8r channel 1 & 4 are a percussion recorded from a pinged morpheus filter, via a zularic repetitor clocked by a EOR from quadrax. Channel 1 is -32 semitones, channel 4 is 34 st. (strongshimmer cube 171) Channel 2 is a chord sampled from a e352 in moprh chord. Channel 3 is a sine coming from e950. Both 2 and 3 are sequenced...

Im playing with a sample in the assimil8r controlling its pitch. Im sending it thru the lrmsmslr, S out ( before the e520) to a double distorion (2 SUD toppobrillo MF) just for the fun of it. first e520 has a suble distortion with the DIRT algo, second e520 uses the prime delay algo.

e352 morph mode, freq range low, triggered by Quadrax (Qx), goes into morpheus, then e520 in shimmer reverb and then a 2nd e50 with the resonator algo. Theres algo a kickdrum generated with a resonantif toppobrillo MF that goes thru the same e520s

Estudio de ritmos

2024 01 16 12 14 10

Roloco

Compare 2 vs bifold

E300 Ultra VCO & E440

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Una perdida de tiempo

Warning: It gets loud (e355 e102 Morpheus)

Spectral Sweep sweet!

spectral sweep

e520 sampler vs SeqWah (new delay algo)

NEW E520 Algorithms! Sampler into Resonator (pitch glide) & Eigenverb

Atmosferas de lo mismo

Drone

10 BEST SYNTHS FOR AMBIENT MUSIC 2023 YOU WONT BELIEVE THE LAST ONE