- 39
- 38 455
Stephen Keech Music
United States
Приєднався 1 тра 2013
Stephen Keech is a producer and film composer based in Nashville, TN. He spent his early days as the singer for the metalcore band, Haste the Day, and currently creates cinematic music for Film, TV, and Media. Stephen strives to create meaningful and interesting compositions that complement the visual and narrative context of each project while invoking an appropriate emotional response.
www.stephenkeech.com
www.stephenkeech.com
Відео
Ep 5: Seven Ways to Make Money From Your Music
Переглядів 128Рік тому
Are you passionate about creating music but also need to pay the bills? In this episode of the Modern Composer Podcast, join Stephen Keech as he shares seven tried-and-true strategies to turn your musical talents into revenue streams. Whether you dream of getting your music featured in films and TV or simply want to make a living doing what you love, Stephen's insights will help you navigate th...
Ep 4: What Makes a Track Licensable?
Переглядів 68Рік тому
Have you ever wondered what you can do to make music supervisors, editors, and filmmakers want to license your music? Welcome to the Modern Composer Podcast, Episode #4: "What Makes a Track Licensable?" In this episode, Stephen delves into the intricate world of crafting licensable music and explores vital factors that define a track's appeal in visual mediums. Highlights: Understanding Mood: D...
Episode 3: 5 Tips For Success in Music Licensing
Переглядів 68Рік тому
In this episode of The Modern Composer podcast, I talk about 5 tips that will help you start your journey into licensing your music. Get the free guide, 4 Simple Steps to Get Your Music Licensed - www.themoderncomposer.com/4simplesteps Take The Sync-Process Challenge - www.themoderncomposer.com/sync-process-challenge
Episode 2: How to Create a Career in Music Licensing with Cody Martin
Переглядів 63Рік тому
Episode 2: How to Create a Career in Music Licensing with Cody Martin
Episode 1: Get Rejected, Become a Better Composer
Переглядів 80Рік тому
Episode 1: Get Rejected, Become a Better Composer
Scoring a 30 Second Film in 10 MINUTES!
Переглядів 2132 роки тому
Scoring a 30 Second Film in 10 MINUTES!
EPISODE 4: How I Went from Screaming in a Metal Band to Composing Music for Media
Переглядів 3812 роки тому
EPISODE 4: How I Went from Screaming in a Metal Band to Composing Music for Media
Episode 3: The Mystical Art of Systemized Mixing
Переглядів 2682 роки тому
Episode 3: The Mystical Art of Systemized Mixing
Mixing a Half Measure Track: Step by Step Walkthrough
Переглядів 2262 роки тому
Mixing a Half Measure Track: Step by Step Walkthrough
Episode 2: The Bass Sucks & Embracing My Voice as a Composer
Переглядів 3192 роки тому
Episode 2: The Bass Sucks & Embracing My Voice as a Composer
EPISODE 1: How to Record Fat Drums in a Little Room
Переглядів 29 тис.2 роки тому
EPISODE 1: How to Record Fat Drums in a Little Room
Stranger Things Season 4: Diegetic Vs Non Diegetic Music
Переглядів 2,5 тис.2 роки тому
Stranger Things Season 4: Diegetic Vs Non Diegetic Music
10 Things You Need to Start Writing Music For Film and Media
Переглядів 3612 роки тому
10 Things You Need to Start Writing Music For Film and Media
Perfectionism is Ruining Your Creativity
Переглядів 1162 роки тому
Perfectionism is Ruining Your Creativity
How to Score Your Own Film | Using My Free Pack of Dark Pads and Sound-Design
Переглядів 932 роки тому
How to Score Your Own Film | Using My Free Pack of Dark Pads and Sound-Design
How to Stay Creative and Overcome Writer's Block
Переглядів 672 роки тому
How to Stay Creative and Overcome Writer's Block
A Look Into My Recording Studio and My Workflow
Переглядів 4252 роки тому
A Look Into My Recording Studio and My Workflow
🤩🤩
🙌🏾🙌🏾
Thank you so much!! 💐💐
Truly invaluable advice and insights! Thank you both 🙏🏻😁
Are Bechstien Grands worth it anymore when we have Casio?
This has been very helpful. I appreciate you using Davinci too. Thank you 🙏🏾.
Glad it was helpful!
Sup
I'd say that if you line up all your hits then it's pointless to use real drums.Quantizing is why drums suck these day. No push/pull or character.
When I’ve recorded great drummers there’s no real reason to quantize. I am not a great drummer. So I quantize. :) with that said, it’s still a preference thing. If you don’t want to grid it, don’t.
Relatable
I'm from Belgium and the market here is saturated..
Yes. You cannot replace the sound of real drums or the feel of a good human drummer.
I love Mojave Audio mics. One of their mics was the first mic that gave me that feeling that they were doing just a little magic that the other mics weren't doing. It was a black 301, which they were all black back in the day. I'll never forgive myself for selling it either. That even sounds crazy, I found some magic and I sold it. I want one of the Tube mics of theirs. That'll be my expensive posh LDC mic eventually. Cool stuff
Drum stick floor tom leg. Do it.
This series is really great! Thank you for making these. I'm also a composer for sync and it's inspiring to see your process.
Once they're in a mix, electronic drums don't sound drastically different than acoustic ones. And you can MIDI them up to vsts such as Addictive Drums if you want to anyway. Between that and amp plugs such as Amplitube, I don't have to limit myself to only certain times of the day to mess around making my awful 3-chord garage rock anymore. Win/win.
I would add if you’re just going to grid everything anyway then why go through the process of playing “live” in the first place. Let the machine do it cause that’s what it sounds like after you take all the soul out of the performance. We’ve lost the ability to here the soul in imperfections .
Once chupped and put to grid your drums ain't "real" anymore. It sounds very good........but keep the "real" out of your discussion. It is not.
Yes, they are 100 percent worth it. Not for just the acoustic replacement. But the size of the impact and sound. There is so much about why acoustics drums need to stay in music.
nah
I completely agree.
Acoustic drums as opposed to what? It's not like there is (functionally) such a thing as a non-acoustic kit these days... at least not if you're doing it correctly. It's not like they would ever vanish, even if all the kits in the world burned down.
Definitely worth finding a great room for recording drums. The room sound is so much part of the overall image. Take it as a daisy chain. Each component is integral to the final sound. Song > Arrangement > Drummer > Drum kit and snare choice > Room > Mic choice and set up > Preamps > Stem processing > drum bus > master bus > mastering. Have fun recording and mixing!
Or if you're on a budget and want massive flexibility, you'll just go with Superior Drummer 3. Plenty of possibilities as far as bleed and room sound is concerned, so much so that I just use it randomly on tracks that don't have any drums. Just hearing that snare resonate makes it feel like the most authentic recording, and then there's the convenience of being able to go into it note-by-note.
@@minhuang8848 Dont make boring albums with the same software as other people. Record real drums.
Those ribbons were on OH are actually in blumlein, not XY:)
Correct!
Yes....no matter what the situation....
Just a tip, you probably already know this but just in case…you can create an aux track (or another audio track with monitoring enabled) and send the kick drum to it and add trigger to that. That way if you edit the original tracks at all the changes will automatically carry over to trigger.
Also thanks for the video!
Thanks for the tip!
Real drums are good those that can play them, otherwise get an e-kit, or better yet, just get a computer.
I have old drums and rebuilt them perfectly with evans drumhead sounds has much has dw kit i made sound test no diff just put lot of love and it works awesom
I always go with the minimalist approach setting up mics on a kit. Do you prefer more or less mics on the kit?
It depends on my resources and the style of music! I prefer fewer mics placed correctly over tones of mics and options that aren’t in the right places.
I record my drums in a untreated tiny office and they sound great.
I made it two minutes into the video and got a mysterious hankering for Pressure the Hinges - very cool to see what you’re up to these days!
Haha thanks! Are you coming to any of the shows coming up?
Excellent point. Decent overheads and samples really work. But the more I mess with velocity and saturation the more I realize how much you can get away with in the box.
You can definitely get away with a lot of you can get really detailed!
Real drums always sound better and are more responsive. There is art in how they are mic’d
And tuned and played! It’s the full package.
nope wrong
Thanks you too!
Keep making content bro. This is great
Appreciate it
Maybe you fixed it after but the snare sample is delayed a bit because of the trigger plugin, loses tightness
Great Video !
Thank you!
The current technology for programming drums with something like Superior Drummer 3, DrumLab, etc is pretty incredible at this point. More bands/artists than you would think use this tools to either add to or as the singular way to capture their drums with impressive results. That said -- if you have the space and the know how why wouldn't you just record the real thing? It's more fun and your ability to shape your sound into something that's more unique is greater.
It's also a lot easier to play the real thing in some ways, editing dynamics and making fills sound natural is infuriating to me, doing it for real is seamless and always sound better,same for shakers and tambourines.If i'm not going for ultra polished programmed drums esthetic i find it a lot more efficient to just bang the damn things myself.Granted real drums are a big investment in time and money but it ends up paying dividends i find..
@@redwithblackstripes Agreed, I like the real thing better too and don't go crazy editing, but, in order to do the real thing you need to know how to play or have friends that do. Some people do the solo thing and end up doing the programmed drum stuff because they simply can't play, don't have the room or both.
Most people can't play drums as good as the extensive grooves and patterns SD3 has or you'd have to hire a real drummer
@@justin.johnson Agreed. My preference is always a "real drummer" and recording it yourself if you can, but SD3 is pretty incredible.
@@billyhughes9776 and way more fun too
If you know what youre doing with samples, the difference is in audible. Especially if parts are played on an e kit.
I just recently came across your videos. I really enjoy what I have seen so far. I am a Fellow musician and "content creator" and just wanted to encourage you and thank you for the inspirational work.
Awesome, thank you!
Just found your channel and loving the content. Look forward to more!
I really liked the detour into tiny tape room, thanks for that
You bet!
Everybody replaces the acoustic kit sounds with samples. Sample Sounds are way better and isolation is perfect. But to capture ‘the performance’ characteristic you still need a drum kit for the transients in the first place - it faster to play than program midi. Some of the comments are from drummers confusing the sound aspects versus the performance.
What do you mean by that? As in performance characteristics? I mean, sure, it is faster to sloppily put down a jam and then fix it after the fact, but if you're proficient at programming, the only advantage is how you can bring your idioms through in your playing slightly more - arguably not so much since you already consolidated it into your in-the-box workflow. The only thing I can think of that egregiously isn't possible with sample kits is a brush-based snare with all the articulations, and even then you could at least emulate the sound and performance. Other than that, you can make 200-buck e-kits sound like the most expensive acoustic set in the world - every one of them - and that's before you get really creative with it. It is difficult though, programming the same way you play is a bit like emulating iconic drummer styles: you can make it happen, but you need to really have a good grasp on the nitty-gritty of the craft.
@@minhuang8848 it’s just been my experience that real drummers might hit the snare slightly ahead of the beat during a chorus to create tension, or behind the beat leading up to a drum fill. Or they might double hit a snare in jazz or funk, or they might flam the hi-hat to add motion. You can program all these humanizing factors - and I have - but it’s tedious.
recording good drums is extremely hard. mostly the room is the biggest factor. then mics, pres, compressors and the quality of the drums and heads and tunings are also a factor. Not to mention the drummer of course. there is a reason SD3 and edrums are popular. It is hard to get a good, dry sound. To me it is absolutely worth going into a studio for a couple days. forgot to metion tape. it really does drums justice to hit the tape.
Short answer, YES!. You cannot compare acoustic to e-drums no matter what anyone says. I owned the very latest TD50x K2 set with all the digital blah blah. It was a great set, and I even spent a LOT of time getting THE sound I wanted, including making a brush set (which none exist on it from Roland). I have a small room, with great mics and a little bit of treatment around walls and in corner bass traps. My 7 piece set translates really well, and of course gives me 100% dynamics and sound that an e-drum set cannot. That being said, I know some very clever guys making the new e-drums work closer with LOTS of midi setting tweaks and macros in certain DAWs. At the end of the day though, you use what you've got and what works best for you :).
"No matter what anyone says" So just ignore the facts and dig your heels in even further to shout at that cloud then? Ever consider that you're just shit at setting up the E-Drums?
Right on! Congrats on a great sounding and looking podcast!!! Love Cody Martin and his music. I have used his music in some of my films and its really wonderful! He has a brilliant mind and its awesome to see the behind the scenes!
I agree! Cody is great and I was so glad to have him on. Thanks for listening!
Great content. Can't wait for more episodes.
Thanks, Brandon!
That is my bro and I am very proud of him
Interesting. Waiting for more.
More to come!
Nice Ep! :0)
Thank you!
Good to see you back man! Great episode.
Thanks!
Great video. Solid playing!
Loved watching the journey to your current endeavor.
"For God so loved the world he gave his only begotten son that so whoever believes in him shall not perish but have everlasting life"