Відео

Thank you SOO MUCH for this video. This is exactly what I needed to hear at this point in my career. This interview has calmed many of my anxieties ❤

Yes this video is super valuable.

Amazing composer and amazing interview. Thank you!

awesome composer

I am surprised, that there is no comments here. The information from the ASCAP gentleman is 100% correct,but there are two things to note. The first is the opportunity for a composer to actually get a large "sync" deal and get paid performance royalties via their share from their own performance rights organization (PRO) is VERY small. There is an over-saturation of composers out there. A composer has a greater opportunity to land a direct payout via direct licensing. Some of us out here can't simply skip over opportunities and lose out of money up front regardless of the lack of long term payouts. The other thing to note, is the ASCAP gentleman did NOT clarify that steaming audio and audio in streaming videos that IS NOT "performance based" the PRO / performance rights organizations (ASCAP/BMI,Inc/SEASAC) DO NOT collect "steaming mechanical royalties" from play-at-will audio sites like Spotify.. Which is WAY more common currently than the performance royalties that He mentions from Netflix and Amazon. Those are collected via a digital distribution company or other royalty collection administration organizations like The Mechanical Licensing Collective, Songtrust, SoundExhange and others out there.

Xm radio, the inventor of the Taylor guitar neck ..... Of course Paul Smith of prs, ... And on and on

Let's talk.... Bug me... Let's find ways of finding the ambitious in this gem of a group... To build a thing... I can give this: A weekly online explore ... And collaboration copyrighting songs... Jingles+; w the intent of doing something I'm about to copyright over 100 songs thru 2023, and .. our contacts include 16 who played Woodstock, the founder of . .

Loving this series. Thank you for the valuable information!

Another great interview. So glad these interviews focus on the creative as well as the business facets.

Incredible!

Great interview and excellent advise. I'm a musician that's trying to get into horror movie music, so this was very informational. Thanks

Great questions and great answers! Thanks for making this publicly available!

Very good to hear this!

Amazing webinar ❤ Thanks Pinar for the great advices!

GOLD!!!! Thank you Carter & Joel, for the existence of this unique masterclass--so many topics not often discussed! ❤❤❤❤❤❤❤❤❤❤❤

So awesome. Thanks for this. Great questions, great answers!

A great presentation. A candid survey of the nuts and bolts. So much information packed into 50 minutes. Thank you to Carter and Joel.

Great insights!

Great convo. I really like Carter. He definitely started when the composing world was more favorable to composers. Most composers won’t be lucky enough to piggyback on the careers of genius film directors who can ultimately do whatever they want. The reality nowadays is you’ll be in a situation where you’re hired through a middleman company who has the contract to score a series or film because a real production feels legally grounded working with a middleman. Then you’ll be forced to give up a portion of your writers share to them and very little upfront. With the cost of living on the rise in LA and fees going down and writers share being taken by middle men it’s logistically very difficult to make it as a working composer.

So timely for my classes at Berklee - exactly the things I teach but now I can say “you don’t have to take my word for it!” Thanks!

Nice one!

This is like a free Masterclass. Thank you both!

Brilliant, informative and professionally generous…as always Joel! Thank you! I’m already sharing it. ❤

This was great! Thank you

Thank you for doing this. This is extremely insightful and helpful for composers getting their start and composers in general!