- 148
- 93 813
Damir Strmel
Приєднався 12 лют 2015
Street Samba Sample 110 bpm
Was 130 bpm a little too quick. Well, here's a slower rendition at 110 bpm.
Переглядів: 12
Відео
Street Samba Sample 130 bpm
Переглядів 173 місяці тому
I am playing all the instruments here. Simple, basic patterns but a joyous sound. Students should be able to recognize and eventually use these patterns to play with a group.
Brasil Batuque Old School Samba Well Done
Переглядів 83 місяці тому
It may be Old School Samba, but man, it swings!
Paradinhas
Переглядів 93 місяці тому
Some basic Call-and-Response patterns that can be organized in different ways to form a routine.
Salsa Backing Track w Montuno Piano 112 bpm
Переглядів 394 місяці тому
Play along with the most basic instrumental parts used in Latin Salsa music.
Salsa Backing Track Clave Tumbao2 124 bpm
Переглядів 214 місяці тому
Salsa Backing Track Clave Tumbao2 124 bpm
Salsa Backing Track Clave Tumbao2 100 bpm
Переглядів 174 місяці тому
Salsa Backing Track Clave Tumbao2 100 bpm
Salsa Backing Track Clave Tumbao2 80 bpm
Переглядів 114 місяці тому
Salsa Backing Track Clave Tumbao2 80 bpm
Salsa Backing Track Clave Tumbao 1 100 bpm
Переглядів 434 місяці тому
Just a couple of basic instrument tracks so you can practice maintaining the tempo and hearing where you're part fits in with the Clave and a simple Tumbao part.
Salsa Backing Track Clave Tumbao 1 80 bpm
Переглядів 194 місяці тому
Salsa Backing Track Clave Tumbao 1 80 bpm
Salsa Backing Track Shekere Clave Cata100 bpm
Переглядів 184 місяці тому
Salsa Backing Track Shekere Clave Cata100 bpm
Salsa Backing Track Shekere Clave Cata 80 bpm
Переглядів 274 місяці тому
Play along with this slow tempo backing track to improve technique and develop an ear for how the parts fit together.
Back to Black (an Amy Winehouse cover)
Переглядів 4810 місяців тому
Back to Black (an Amy Winehouse cover)
Beginning Babel and Back (version )2 - an idea by Damir Strmel
Переглядів 492 роки тому
If everyone is talking no one is listening! This is a shorter version of the original idea: Is not most human speech and, by extension, thought, a mere babbling of inner fears and desires. That is why art exists and is an integral part of culture. Art helps to give us some perspective on the human experience. Like everything else, art can have a dark side as well as an illuminating side. So be ...
Radio Tapes 4B - Old School Calypsos from the 50s
Переглядів 972 роки тому
14 tracks recorded on San Andres island in the western Caribbean in the 1950s. Mostly Calypsos with a few latin rhythms mixed in. You can see how these Calypsos developed into Rock Steady, Reggae, Ska, SOCA, and other Caribbean musics.
Conga in the Streets of Santiago de Cuba 12/29/2018
Переглядів 7502 роки тому
Conga in the Streets of Santiago de Cuba 12/29/2018
The Mixed Style 42 Form Tai Chi with Names
Переглядів 4922 роки тому
The Mixed Style 42 Form Tai Chi with Names
Radio Tapes 4 Side A - KZ's Caribbean Show from Tampa
Переглядів 342 роки тому
Radio Tapes 4 Side A - KZ's Caribbean Show from Tampa
Radio Tapes 3 Side B : Traditional Musics of Puerto Rico
Переглядів 512 роки тому
Radio Tapes 3 Side B : Traditional Musics of Puerto Rico
Radio Tapes No. 2 Side B - New Music in New York 1980 style
Переглядів 392 роки тому
Radio Tapes No. 2 Side B - New Music in New York 1980 style
Radio Tapes No. 1 Side B: Puerto Rican and other Latin Musics
Переглядів 372 роки тому
Radio Tapes No. 1 Side B: Puerto Rican and other Latin Musics
Grooving a Move - The role of Process in learning Tai Chi
Переглядів 952 роки тому
Grooving a Move - The role of Process in learning Tai Chi
Learning the 42 Form: Form 15 Right and Left Heel Kicks
Переглядів 412 роки тому
Learning the 42 Form: Form 15 Right and Left Heel Kicks
Tai Chi 42 Competition Form: Executing the Wheel Kick
Переглядів 962 роки тому
Tai Chi 42 Competition Form: Executing the Wheel Kick
I'd love to hear this, being old. I bet you could have some colleagues help you clean this up. Shame to have to strain to hear the great man. Maybe the noise will desist.
@@okaytoletgo These recordings were made as a reference for me. At the time, I didn't have much of a background in literature so I thought that repetitative listening would be helpful. I used a Sony walkman which was placed on my desk in the middle of the room. I have some fairly sophisticated software that I used in an attempt to isolate Bloom's vocals but there was just not enough Bloom in the original recording to salvage any more than what you hear. May I suggest the use of headphones. That is probably the method which will deliver the most audible rendition of Dr. Bloom.
Do you have a copy of his syllabus, perchance? Thanks for uploading, too!
@@rellman85 Sorry, these tapes are the only record that remains. I have moved about 20 times since 1983. Everything else has been lost in the shuffle.
Thanks. Very entertaining.
Nice job. For Babel must be built and Babel must be destroyed. It is an unending cycle as we live with the knowlege that right now, somewhere out there in the galactic dance of cosmic energy the first mud brick has thudded down at the base of a new tower.
Congratulações , Damir. Great slide film show!
Thank you Celia. Regards to Toni. I love you both.
I have reservations about Bloom, but his views are (almost) always interesting. Thank you for posting this.
Bars🔥
Shame that the audio sounds like an Indian telemarketer
Bloom, like most of his ilk, was more clever than wise. The last thing a worshiper of literature should do is worship publicly at the shrine of Freud. That cult leader claimed to write science and do empirical investigations. Instead, he inverted the scientific process and then lied about it systematically. Bloom, by the age of 40, though probably not much before 40, was clever enough to figure out that Freud's work was scientifically invalid. He even includes Wittgenstein's remarks to this effect in his Critical Views volume on Freud. Instead, he works hard to transform Freud into a literary writer, a psychologist and critic of distinction and originality. Such a creative critic, in contrast to the analytical critic (like TS Eliot), must found his claim to a place in the canon on his authenticity and innovative perceptions. Freud innovates to some extent, though most of what seems such is reworked Shakespeare, Schopenhauer, and Nietzsche--all of whom were more powerful and original than Freud. With authenticity he has no contact. This, his greatest failure, capsizes his entire corpus. He corrupted his career as writer and thinker by devoting it to undermining the enterprise of pure science. He further corrupted his career by subsuming his intellectual work to his efforts to build a cult centered on himself as the immaculate prophet. He was a philosopher at bottom, and precisely the type of philosopher most despised by his unacknowledged hero, a mendacious system builder. Though he carefully refrained from ever mentioning in his published works the name of this man, Nietzsche, he did mention him a few times privately. In a private letter he once confided: "In my youth he represented a nobility I could not achieve." He never even attempted to achieve nobility, only spiritual destruction. Bloom said late in life that he had developed an enormous manuscript, running 2,000 pages, for a book on Freud. He never could finish it. Perhaps this uncharacteristic failure to finish was an assertion of Bloom's unconscious intellectual conscience. He may never have articulated, even to himself, why this project slowly died an effortful death. But Nietzsche and all pragmatic traditions insist that morality perfected is mainly an unconscious operation.
131:38
Thank you 🎉
Cool
nothing special really. he was an overrated slob.
10/10 Best of the Best of the Internet
This is Gold 🥇
26:00
Just listened to this again. It’d be interesting to consider sublimation of those three thinkers.
That's it! In my youth I was absolutely paralyzed by the intimidation I placed on myself. I may have never submitted that "paper." I remember trying to convert the class to a P/F option. That was not possible as the deadline for that option had passed. I believe that I was allowed to switch to Non-Credit. I recall writing a few pages of the paper and upon review, thinking to myself "I'm putting all the right words on paper but collectively they don'/t mean anything. Bloom is going to see through this charade and I will get the F that I deserve." I have been living with this dread of insufficiency since 1983. But, you, Charles, Have arrived at the solution. To employ a surrogate, who has some deeper level of understanding of the subject matter, and have them write my paper. Any volunteers. LOL. Then I could take this paper and make the pilgrimage to Blooms tomb and submit 41 years late. Even with the "late" penalties factored in, I would probably score higher than my original unfinished work. At the very least we could turn this into an art film. Titled "The Last Paper Submitted to Bloom"
Still love these!
Classic interpretation of the classics. What's not to love. These works will continue define us until Cro-Magnons evolve into some other beings, where the line of inquiry into these texts are no longer relevant to existence. My guess is that we will have long been gone from the earth before that shift occurs. Good to hear from you again, Charles. I hope all is well in your world.
These works and his interpretations can save our souls. Do you have your notes from back then? I think your channel is my favorite or top five on UA-cam. Much is similar but much is different personally. Hope you’re doing well too :)
Can’t believe it’s been almost four years since this was posted.
One fraud talking about another.
Elaborate
@@VigiliusHaufniensis Bloom never had a real idea of his own. he made strained attempts eg anxiety of influence etc but this went no where, nor could it since it was just a bunch of his own arbitrary pronouncements -- vacuous. certainly he could never DEVELOP an idea.there are really no arguments. his books are just one little aperçu after another, interspersed with some opinionated "mots". it s all striking poses, dropping names, going off on this tangent or that, displays of his odd personality and affected mode of expression --"alas" "much the this, much the that" "strong" [what does this mean, really? does it mean good? lol] -- and his own personal preferences. why should all this interest anyone.? he likes to provoke, and make rather arbitrary statements that are really neither here no there [further indication of his essential lack of real ideas] eg the waste land is about repressed suppressed whatever homosexuality etc the four 4s are "in the shadow" or some such of Whitman [absurd -- could this nebbish even READ?], and finally he is a complete BIGOT re Blacks [he attempts to hide this by then overpraising Invisible Man -- its good, but lets be realistic] re non-jews in fact for yes he is an entrenched jewish supremacist [I quote from memory approximately "the most profound spirituality of our time which is jewish spirituality" [so much for everybody else all those monastics allover the world etcI think this is from Agon;] he attempts again to disguise this by universalist/humanitarian ink clouds, but dont be fooled. he has no grasp of philosophy whatever, and seemingly no interest in any other arts. Despite his eccentric renown as some sort of speed-reader and memory savant, his range of reference is actually startlingly limited, if you go through the indexes. all of this might be ok, if it were set out in really first rate prose. but it isn't. his prose esp. in the later books is slovenly. it sounds like he just bloviated into a tape recorder. but even the 1970 book on Yeats is already like that. He is all posturing pretense and odd personality. there's nothing there, really. now re Freud: now freud like bloom likes to display his own odd impressions, make big pronouncements re culture etc; some find this interesting and view him as a profound if "stern" or some such wise man. a "moralist" etc. and some might be interested or moved. I'm not among them, but that's irrelevant. supposedly he is thought of as a great prose writer, but I simply don't see it. to me its all quite dull. now turning away from the belles letters stuff-- certainly he made great contributions to the study of trauma. with regard to dreams and the unconscious -- the. main theoretical idea.here the problem is simple: freud like many scientists then -- and now -- and philosphers too -- think of scientific knowl4dge as needing to establish CONTINUITIES however defined; there is a profound bias toward gradualism, incrementalism; nature does not make leaps etc. therefore freud thought that he had to show how supposedly primitive impulses move in a continuous way up into the higher functions. but nature DOES make leaps. a perfect example is human language. as Chomsky points out, it must have started in a very delimited time period indeed a sudden leap. moreover it has the basic form of a "discrete infinity" as opposed to what calls the "continuous infinitiies" of nature itself. it is mathematically impossible to generate a discrete infinity system by gradual tiny adjustments of a continuous infinity [nature per se] there had to be a quite sudden leap [sudden by evolutionary standards] indeed the two most important things that Chomsky ever says are 1] when he says "you shouldn't talk about language learning you should talk about language growth" ir language is the form the brain takes [during that stage of development] and then 2] when he says that language is unique among scientific objects because it is a discrete infinity -- so you can have a 5 word sentence or a 6 word sentence, but not a 5 1/2 word sentence; we could generate a 10,00 word sentence on a computer, but not 10,000.1567... One could do the equivalent of that with any of the functions of the body, but as soon as one is dealing with language that sort of conceptualization is not possible: 5 words, 6 words. there is never 5.93 words. this is the real dualism that must draw attention. our body is part of the realm of the continuous Infinitis; but the higher faculties of our mind --language [and other functions the are included in it -- natural numbers, musical notes etc] are discrete infinity systems at bottom. we live as humans in two realms -- that of the continuous infinites [biology chemistry physics] and that of the discrete infinity systems. there is a funadmental gap between them a difference which is absolute. Freuds bias is to try to understand the second in terms of the first. but this cannot be done. doubtless our mind has different levels as it were, but the understanding of this must be conceptualized in a fundamentally different way, that respects this basic division I think Lacan was trying to do this, but then he runs into other different problems occasioned by his misuse of Sausure and the pseudo-discipline of semiotics. sorry to run on. lol
Thank you for you thoughts, analysis and opinions. You are always welcome to comment on the other topics in the series. I would probably not spend as much time on commentary and criticism and focus on what could enlighten us who are still alive and thinking. There is, apparently, the product of a lot of grey matter displayed in your comment. It is a shame that one must exist in a world run by the unworthy. Alas, that appears to be the nature of Our shared reality. LOL.
@@damirstrmel9930 an attempt at irony, evidently. quite cumbersome.
@@findbridge1790 a poet, I am not.So please forgive the feeble swipe at your assertions. I am not an apologist for Bloom, but I do respect him for his body of work and his life-long pursuit of opening people's eyes to the joys reading and thinking. Whether you agree with him, or not, is irrelevant, as our lives are circumscribed by our birth and our death. Whether we are right or wrong about a given topic makes little difference to to this hard fact. Said in a more poetic fashion: Accepting death allows you to laugh. Live every day as if it's your last (but, don't spend your money that way). LOL
The best professor so inspiring and extremely literary
Bloom's book on the Romantics was life changing!😮
Thank you for posting this 🙏
hello
Hello celestialroad. Intrigued by your comment I visited your home page. After scrolling through your catalog, I thought you might like Mr. Bubble, the East Village band from the mid 80s. Here's a link to my favorite, "Around the World" ua-cam.com/video/JyrGFKqV8cI/v-deo.htmlfeature=shared. You can find this and other obscure East Village videos from the 80s in my playlists under "East Village NYC 1980s"
Freud's writings are very clear. Yes, he changed some of his ideas even discarded them. He discarded Child Seduction Theory, replaced his Topographic Model with Structural one, modified the process of making the unpleasant thoughts manifest to identifying the specific defense mechanism involves in a pathological behavior, etc. Yet, Freud's canon is easy-to- understand unlike the exposition of this Arnoldian mouthpiece. You can explain Freud not by tracing the idea from the Epicurean Philosophy but by explaining Schopenhauer's neo-Kantian philosophy. He doesn't know the topic.
But Bloom isn't 'explaining' Freud through Epicurean Philosophy. He is claiming there is an ancient source to Freud's materialism. That is much more specific, and doesn't preclude a more general claim that Schopenhauer is an important precursor to Freud. The link to Epicurean ideas has to do with the seeming paradox that 'pleasure is a release from excitation' , which Bloom suggests is fundamental to Freud. That is an idea I don't think you'll find in Schopenhauer.
@@teebeedahbow You're wrong. That release of energy came from Fechner and Freud cited him for that. Only Bloom had that "anxiety of Influence" over Freud's sources.
@@teebeedahbow Besides Freud is not all pleasure. His post-war psychology shifted to trauma. Even you don't know the foundation of Freudianism.
@@czarquetzal8344 You have misunderstood Bloom's point. He is NOT saying that Freud's theory of pleasure/excitement comes in some simple way from Epicurus or anyone else for that matter. He is saying it is an essentially Epicurean theory. That is quite a different point. And, the central idea of the anxiety of influence, is that true precursors are unconscious. You may even resist them consciously, but you can't chose them. It is, in fact, a very Freudian theory. Lists of Freud's conscious forebears - those who he may or may not have cited - is a too simple and rather dull project.
@@czarquetzal8344 Neither Bloom nor I claimed Freud was 'all pleasure', whatever that might mean. I wish people would listen and read carefully before commenting.
What's Bloom talking about? The infant doesn't stay hallucinated because the hunger pains creating the tension in the mental apparatus do not disappear but keep impinging on it. He says as much in the 7th chapter of The Interpretation of Dreams..
Thanks very much. Interesting to hear Bloom’s take on what I think of as Emerson’s greatest essay, Experience. His commentary is endlessly illuminating, & he is one of the very few Emerson scholars who can communicate Emerson’s greatness without speaking in platitudes about spiritual inwardness or nature worship. That said, I think he overstates the case that the essay is a polemical deconstruction of empiricism by adopting its own standpoint from the outset. That wisdom, virtue, poetry are not gotten on any dated calendar day, but are the unlooked-for results that slip magically in over the months & years, is not a confession of someone lost in the “blooming, buzzing confusion” (William James) of raw experience unmediated by conscious reflection, but is rather a constitutive aspect of our everyday experience. It may be unhandsome that things, people, death seem to escape our grasp when we clutch hardest for them, but the rough surface contours of experience must be accounted for if one wishes to practice “the true art of life, which is to skate well on them.” There are various levels or platforms comprising Emerson’s experiential framework, and phrenology (empiricism qua strict determinism) is no less ridiculous than the mere intellectual tasting of life. The essay is incredibly subtle insofar as Emerson continually swaps out different lenses, but what emerges is a robust set of tools for navigating what John Dewey (Emersonian philosopher par excellence) will later call “the moving unbalanced balance of things.” I believe that’s from Dewey’s 1925 magnum opus, Experience & Nature, which develops a technical philosophic theory of the layers of experience. Like Dewey, Emerson consistently prioritizes ordinary experience as the foundation and source of material fueling the powerful insights that strike in moments of solitude. Not sure how Bloom can call the essay nihilistic. Read the final lines. The voice of sanity & revelations that we hear in quiet moments at the end of the day after we have dressed our gardens, eaten our dinners, and conversed with our loved ones, is no cynic. I don’t have the passage in front of me, but roughly… Up again, old heart! It seems to say. There is victory yet for all justice. And the true romance which the world exists to realize, will be the transformation of genius into practical power. The great thing about Bloom on Emerson & Whitman is that he never loses sight of that harping on power & electric energy that is Emerson’s original contribution to philosophy. Remember that Nietzsche, a second-rate thinker next to Emerson, most admired Emerson for his cheerfulness of spirit, which is is to say not his naive optimism or failure to appreciate the tragic element in life (did I mention Emerson scholarship sucks?), but his resiliency or “self-overcoming.” My favorite Emerson line is from an 1841 essay: “That which befits us, embossed in beauty and wonder as we are, is cheerfulness, and courage, and the endeavor to realize our aspirations.” Thx again. Really. 🙏
These recordings are truly amazing. I attended these classes. they are uncanny!
Are these "uncanny" because you listen to them now and see in your mind's eye a younger version of yourself in the classroom with Bloom. These classes had, maybe 20-30 students max, so the probability that anyone from that class would would run across this is minute. Do you remember the subject matter of your paper? Do you have any anecdotes of personal interactions with Dr. Bloom? I was in awe of the breadth and depth of his knowledge and how he synthesized meaning and interpretation out of that pool.
hemingway beat up an older man who was drunk
"Out here on the perimeter there are no stars! Out here, we is stoned....immaculate."
But Stevens was twice his size...😮
incredible thing to share, thank you
Lol, ‘sexist’ ‘sexism’ I assume a female student used that ‘ugly none word ‘sexism’’at 57:28 she sat there for 1 hour listening to the lecture and all she could say is ‘sexism’. God help us. There people run the world now.
Are you Kalvert Nelson that went to IU, and played in a quintet with Randy Focht-sax, and Terry Felus-piano?
Yes this is a video of Kalvert Nelson, who studied at IU. In 1989 he reached out to me to say that he would be interested in playing the outdoor festival in Tompkins Square Park that I was producing. I spoke with him a few times on the phone and met him when he performed at the festival. I believe he is living in Europe now.
greetings from Bahrain
Perfect instructional video 👍🏽
I encourage you in your endeavors. This music is a nice interlude. And the images are really nice, too. And the text as well. This music sounds like, is muy bien reflejada, in a lot of popular Mexican songs. Is the almost recently assassinated vice president of Argentina a relative of this Lord Kitchener that you speak of?
Thanks R.C. Lord Kitchener is the stage name for calypsonian Aldwyn Robers. There were alot of guys with stage names beginning with "Lord." Lord Kitchener probably refers to Horatio Herbert Kitchener, an English Earl who was a soldier, war hero, and colonial administrator in Southern Africa, a generation before the singer.
@@damirstrmel9930 Thanks for your reply. I've noticed since writing my comment that the spelling of the name of the Argentina vice president varies from that of the fictive Lord. This adoption of titles is something I'd not suspected. It's helpful to know about this grand practice. As for Calypso music, I recognize it lurking within a lot of traditional Latin music, which I know only casually, like any radio listener. I enjoy your self presentation and am happy to have somehow landed on your channel. Thanks again for your reply.
That was really simple and crystal clear. Many thanks for sharing
I know that you've received many of these comments, but I would be remiss if I didn't offer my sincerest words of thanks for uploading this marvelous series of lectures. Initially came upon them recently after they were uploaded, and I've basically been brooding on the material ever since. I would go as far as to call it life-changing.
Wonderful resource, I’ve used this lesson as a template and resource for my own classes on Whitman
Fabulous! I so needed to hear this. And sadly, its relevance is magnified today. Thank you for sharing it.
a graduate student who doesn't know how to spell "interesting"?
Perhaps the grad student is a lousy editor (actually my typing has been deteriorating as my PD progresses). I should be more thorough but if one makes errors on things that don't really effect the content of the video, does it matter. If the word "intersting" was interpreted by the reader to be the word "interesting" then the intended communication was successful. However, if the word spelled "intersting" was intended to mean something else, then the observation and interpretation becomes more of a Freudian puzzle. Thanks for pointing out the error.
Thanks for posting. I am a philosophy major at DePaul University, and seeing another professor speak is wonderful.
You are very welcome. There are 9 other classes that I recorded and posted to UA-cam from that Spring 1983 semester (if you have not already found them).
Thank you for sharing!
Thanks. I'd love to have this audio when I studied Philosophy at Federal university, in Porto Alegre. Around 1990
Too bad we cannot understand a word he says!
I was gonna say the same thing :/ So unfortunate.
The book on Freud has now been pretty well established as having been ghost-written by Susan Sontag at 19. Published under Philip Rieff's name, her husband. See: Moser's biography. Rieff published nothing of note after. Thanks for these.
10:00 pleasure is a decrease in excitation 13:20 Freud's materialism is Epicurean and Lucretian 16:11 most fundamental in all of Freud 19:32 the greatest pleasure is nothing more than an oxymoron 21:50 Freud addresses the pleasure-pain principle to all mental phenomenon 26:54 Freud insisted that all dialecticians did away with dualism 27:52 the deepest dualism in him is between pleasure and reality 41:58 the engine of change is narcissism 43:20 ambivalence means simultaneity and self-contradiction 49:45 a Freudian drive always has its origin in a bodily urge or stimulus; the stimulus produces tension and the aim of that drive is to get rid of that tension 57:13 mourning and melancholia is an essay on the difficulties of detachment from the loved object 57:50 object means the aim or goal of a drive 1:09:24 the increase in excitation always comes with object-libido; the decrease, with o ego-libido 1:16:22 libido is a mythological, not biological [?] construct [/?] 1:17:22 there is no quantifiable libido 1:18:50 destrudo 1:19:30 ambivalence is one energy that fuel two drives 1:22:55 repression takes place before there is anything to repress 1:24:39 the primal of all primals is ambivalence 1:30:00 repression is always a defensive operation of the ego
Redactor = one who redacts a work especially : editor. 3:00 The Great Redactor ..... The Documentary hypothesis identifies four distinct narratives :- a) Jahwist b) Elohist c) Deuteronomist d) Priestly accounts. And the Great Redactor, who edited the four accounts into one text. (Some argue the redactor was Ezra the scribe)
Ridiculously over-rated literary critic (impressive only to those who didn't major in English) and reported predator on his women students.
sigh, you're a nimrod
I was an English major.
This is seriously good stuff, seemingly, having listened for about 20 mins. But the audio quality isn’t exactly the best. Is there a transcript online?
Anders, sorry about the sound quality. I was in the back half of the lecture hall with a handheld tape recorder. I find it more intelligible with headphones. I don't know if he ever gave this talk again so if a transcript exists it may be in the New School archives.
I don’t know if it’s exactly the same, but the text ‘The Principle of Reason: The University in the Eyes of its Pupils’, published in the book Eyes of the University: Right to Philosophy 2, is of a very similar lecture given in English in the same month as this
This made me smile. Great to see you, Damir!
Adding joy to my friends' hearts, one hat at a time. LOL.
Soukous rules, indeed. Trust me rojak
Do you have a favorite group/singer/guitarist?
Buena Vista Social Club,than in general Latin musics