Відео

So, if we use the Dante out on the ew-dx, will that give us 134dB of headroom? Will the protective mute function when above 110dB then be bypassed?

How did you do the sound effects?

Chris, very insightful as alway. I still feel the Soundcraft has the simplest cueing system making it perfect for musical theatre. Question, opinion on the Impact? I've installed 3 now, 2 at local schools and one at a community theater. I haven't run into any issues, but not seeing on your list has me wondering why. As a side note I have sent a link to your hour-long soundcraft for musical theatre video to soooo many schools and local theaters. It is a fantastic asset and has helped so many people get more from those consoles. Thank You!!

Awesome setup! Those Anacondas would be invisible to 99 out of a 100 people. I'd like to see more about the lighting system!

How scary!

This video has helped me help my local high school theater so much! Can't thank you enough for sharing.

Cool

I know this is old, but I have the same problem.

Excellent video, This is really helpful. thank you! we r waiting Part 2.

0:17 Ra ra ra ra ra !😂😂😂😂😂😂😂😂

Um, how are you powering the electret microphone with the 8 vdc? Nothing is connected to pin 2...

This is an awesome prop but the end made me laugh

Your knowledge and explanations of how to incorporate this desk for live theatre is spot on. Could you explain the setting up/ storing and editing of cues for a show and how to save the show to a USB drive? I have an upcoming production of RENT at our HS and I would love to take advantage of the cue list so we can have students operate the console for the production. Many thanks!

Nice work!!

Good tutorial, Chris. Nice and concise and you can tell you were prepared for it, but not totally scripted it either. A great balance. Too many UA-cam videos tend to ramble on unnecessarily for 4-5 minutes (or longer!). :) I managed to get a hold of Sophos Free Encryption before Sophos ended the free availability of that product (it's part of their Endpoint Protection program now, I believe). I liked it because of the ability to create encrypted self-extracting executable files, as opposed to (a) some proprietary format that would require the other user to have that special software to extract it or (b) requiring the use of PGP keys. Would you say the encryption features in 7-Zip are comparable to Sophos? If so, then there's really no need for Sophos. That said, if you want to try out Sophos, let me know via a reply or a PM on here and I can e-mail you the installer, if you wish. Cheers, Doug

Would it not be better to split the headset cable into Mic and head phones, ie just connect the microphone to the 7300 mike plug with an 8 pin mike socket and connect the ear pieces to the phones socket of the radio This would require the use of VOX. This gets round your loudspeaker muting problem. If a dynamic mike is used connect a1uF non polarised capacitor in series with the mike. Better still make a cable up from the radio to two sockets. one can be for Mic in and the other for PTT. 73 Nick

Very good video!! Thanks a lot!

Thanks for this video Chris, Anything new sense 2014?

Thank you so much for all these useful tips

one of the best tutorials ever. i have upped my workflow tenfold at least. thank you!!

Thanks! I have worked with the desk before, but I am going to mix a band tonight and I feel very confident after seeing this, this mixer rocks!

really informative video. question though. when using the SIFM, do I need to be at the site in order to use? Or is there a way to input the zip code for this?

amazing video, im doing majority corporate AV at Metro toronto convention center, but also im working the john basset theatre with the exression 3, your video is spot on when having to deal with theater specific solutions, very sharable video

Dats cute

Hi Chris, firstly a big thankyou for producing this indepth tutorial, especially helpful to a relative newby like myself. I just have one question: The venue I am working in is a bizarre shape, very assymetrical, and has random pillars and walls which bounce the sound all over the place. I would like to do a GEQ for Left FOH and a separate one for Right FOH but I just can't figure out how........

Love the video.....and the desk! I think this is a great board for Musical Theater.

Thanks for the video. Very helpful. My new audio gig Ill be mixing on an SI, not really thrilled about that part, but Its what I have to mix on.

Know this video is anchent at this point, but as a fellow SD i wonder if you could make a video on you're workflow in the actuall performance. Used to the oooold analog desk, and dont really use the digital advanteges. Cheers

Excellent video, thank you!

will you make more sound videos?

That "ra ra ra ra ra" was hilarious.

Excellent Input stuff! Can you tell me how to assign the main LR mix to a pair of outputs pls? Is it easy?

Exactly what my CX7 is doing. Did you ever find a fix?

nice

Still finding little places I missed something on the reconfiguring of this but those are small... Overall it's great. the idea of duplicating group masters over layers was a revelation

priceless!

Just finished 3 days of giddily turning my EXP2 inside-out to my own preferences... thanks for this clear simple talk... NOW: is there a way to get FX to follow groups without using a separate FX processor for EACH group...? My thought says that if a vocal mic in vocal group-1 is using FX1, then if ANYTHING in ANY other group uses FX1, the reverb comes back with EVERYBODYS reverb return from ALL groups... or am I missing something...

Did you ever find out how to fix this?? I'm having the same problem!