Відео

Was ist das am Ende? Heisst es, dass der Hoffmann in einem Rollstuhl tot ist? Wie doof...

Чтоб долго не искать - 45:52 😉

32:38

There were some good ideas like the violins on Crespel's walls and the flaming punch. The Muse to Nicklausse beginning and vice versa at the end must be done. In a good conservatoire production from the States which was on UA-cam I think someone brought the costume for the transformation. Here didn't the Muse come out of the freezer wearing a flying machine? Franz which I've played doesn't need to act singing flat in his song. There's a new manuscript for the end of Giulietta. The Septet with Chorus is probably an addition from Monte Carlo. The Jewel aria shouldn't be given in the equally posthumous version based on a tune from the overture of "le Voyage dans la Lune". There's the tune traditionally given to Coppélius, and a beautiful version discovered by Jean-Christophe Keck. One of the best productions ever used the corrupt Choudens edition & famous DANCERS. It is still the film by Powell and Pressburger. There's a mystery about the Muse. Michael Powell recited it (recorded) for Sir Thomas Beecham. The Muse's beautiful music wasn't discovered till much later. She's not on the soundtrack & not all of that was used in the film. However there is a photo of Pamela Brown mime for Monica Sinclair (mezzo)/ Nicklausse, as the Muse, draped in gold tulle. Was it just a publicity shot?

Una meraviglia!

1:10:30

Le livret est en français, et malheureusement peu d’interprètes de cette production le chantent distinctement....

The stage was too big, so the cast seemed lost in it. And the stage design, with those plain walls and that modern photograph of a woman's face, wanted to be "innovative" but it was not inspired.

In einer brillanten, köstlich pointierten und blitzgescheiten Inszenierung, setzen Fally (nahtlos an Gruberova und Dessai anschließend) und Gritskova neue Maßstäbe! Unterreiner (leider fehlt die Glanznummer des Coppelius) das restliche Ensemble und der Chor vom Feinsten! Wieso aber konnte ein so stimmlich rettungslos überforderter Titelheld passieren? Ab dem "G" war jeder Ton um 3-4 Schwingungen zu tief, das kann man auch durch Gebrüll nicht kaschieren. Lästig! Glenn kann mit Zednik mithalten, und das in Klosterneuburg. Chapeau!

Ein herrliches Opernprojekt! Prächtige Kulisse! ua-cam.com/video/qRMxJCLKLjo/v-deo.html

Zum 200. Todestag von E.T.A. Hoffmann ✝️ ua-cam.com/video/hn2h5LVdLek/v-deo.html

Thanks

#😍

🎵🎤🎤✨✨

Kompliment!

Teuflisch verführerisch die Stimme, die tänzerische Balance, Sinnlichkeit... dem orientalischen Bauchtanz ganz nahe khk

Beschissene Kostueme!!! Muesst Ihr alles alte und gute kaputt machen mit euerem modernen Scheiss? Costumes are absolutely horrendous! Hoffmann would have a heart attack if he saw his masterpiece destroyed like that.

Bravo Bravo !!! Excellent performance

Meister Offenbach

real begin: 1:48

Fantastique ! Du grand Art, de la vraie sensibilité, une maestria virtuose, une fabuleuse interprétation, un moment magique !

Bravissima Daniela!

I've fallen in love with this like I fell in love with Jean Cocteau's La Belle Et La Bête. I don't know German any more than I do Latin. But I'll make it through the subtitles.

Sorry barcarolle

1:43:15 Bell nuit (baracolle)

45:54 olympias doll song

Pior montagem desta obra prima.

Bravi

Margarita Gritskova ist umwerfend! <3

toll toll toll! großes schönstes musiktheater

Great vocal clarity, imaginative staging. Bravo. Music can indeed be powerful.

Every aspect of this production was absolutely superb. I was worried that after Fally's superhuman performance as Olympia, the last 85 minutes would be an anticlimax. My worries were totally unjustified!

オッフェンバックの音楽の演劇的な推進力を果敢に引き出している面白い公演。オランピアのアリアはちょっといただけないが、全体に荒削りなところもありつつ好感の持てる演奏。

Très bien chanté. Mais mise en scène, décors et costumes affligeants

WONDERFUL ! WUNDERBAR ! NADHERA !

Браво!!! Великолепно!!! Лучшие "Сказки Гофмана" в моей жизни!!! Всем сердечная благодарность!!!