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DCS @ Cine Gear Expo 2024 - Focus On Cine Lenses from the Buyer's POV, A Panel Discussion
This is coverage of the annual DCS Lens Panel from Cine Gear Expo 2024. Moderated by Cinematographer and DCS Founder, James Mathers along with Mathew Duclos of Duclos Lenses represented lens manufacturers include (in alphabetical order): Angénieux, ARRI, Atlas, Canon, Cooke, Fujinon, Infinity Photo-Optical, Leitz, Sigma, and ZEISS.
Переглядів: 75

Відео

DCS @ Cine Gear Expo 2024 - Fujifilm
Переглядів 21Місяць тому
Fujifilm’s Pamala Bloom shares the concept behind the Duvo series of zoom lenses including the 25-1000mm, the 24-300mm, and the new Duvo wide angle 14-100mm portable zoom. She also shows off the X-H2S camera which pairs nicely with the economical MK series of zooms, as well as mentioning the GFX100 II series of medium format cameras which pair well with Premista zooms for higher end cinema work...
DCS @ Cine Gear Expo 2024 - ZEISS
Переглядів 51Місяць тому
Tony Wisniewski presents the new ZEISS Nano high-speed cine prime lenses, (T1.5 throughout,) made specifically for mirrorless full frame cameras . They are designed to be compact, lightweight, and versatile for a wide range of shooting situations. They are currently available in six focal lengths (18mm, 24mm, 35mm, 50mm, 75mm, 100mm), in E-mount with more mount options to come. Tony also gives ...
DCS @ Cine Gear Expo 2024 - RatPac Controls
Переглядів 18Місяць тому
RatPac Controls’ Nick Stabile shares the company’s philosophy which is to make set lighting more efficient by controlling the power and data for managing complex lighting setups. He also share details on a couple of new products including the Slingshot for precise low-wattage wireless control made possible by MOSFET technology and the new 208V Hot Link, a compact electrical power distribution b...
DCS @ Cine Gear 2024 - Leitz Cine
Переглядів 20Місяць тому
Seth Emmons from Leitz details the large variety of cinema lenses they are currently delivering including the new Hugo and Elsie series as well as their very high-end and high-speed Summilux primes, as well as Leitz Primes and Zoom, plus the Summicrons and Thalia lines. He also delves into their philosophy of keeping up with the large variety of new lens mounts concentrating on the short flange...
DCS @ Cine Gear 2024 - SIGMA
Переглядів 74Місяць тому
The President and CEO of SIGMA, Kazuto Yamaki discusses how his family owned company finds the right balance between price, quality, and character of their lenses and gives an overview of their products including the new and Extremely Fast F1.8 Zoom Lens for Full-Frame Mirrorless Cameras, their very complete Cine Primes and their small, but high resolution FP camera. Recorded June 7th on the Wa...
DCS @ Cine Gear Expo 2024 - Rosco Lighting
Переглядів 43Місяць тому
Rosco’s Emily Stadulis presents the DMG LION that features a self contained focusable 13” fresnel lens system and swappable LED engines, a MIX LED Engine for fine tuning color and a PUNCH LED engine that optimizes lumen output. This is designed to also future-proof by being able to easily upgrade as LED technology advances by swapping advanced LED engines when they become available without repl...
DCS @ Cine Gear Expo 2024 - Jagoteq
Переглядів 14Місяць тому
Jagoteq's Eric Eggly presents their new fiber optic laser lighting solutions and points out the many advantages over legacy technologies. Flexible and cool to the touch, fiber can carry soft even light in strands laid out over 100’ from the light engine. Plus, the laser light engine has very low power consumption and can easily run off batteries. Recorded June 8th on the Warner Bros. backlot as...
DCS @ Cine Gear Expo 2024 - ARRI Hi-5 SX
Переглядів 17Місяць тому
ARRI’s Tobias Tobias Frischmuth introduces the single-axis Hi‑5 SX hand unit for wireless camera and lens control. It can work practically any cinema lens/camera package and can be easily upgraded to higher functionality via optional software licenses. It is weatherproof and exceptionally durable with an intuitive touchscreen interface. Recorded June 8th on the Warner Bros. backlot as part of t...
DCS @ Cine Gear Expo 2024 - Atlas Lens Company
Переглядів 44Місяць тому
Two Co-founders of the Atlas Lens Company, Dan Kanes and Scott Dewald, share a little history of their company which has been devoted to designing premium lenses for anamorphic cinematography including the Orion and Mercury Series. They now also have a new "Speed Booster" adapter.. Recorded June 8th on the Warner Bros. backlot as part of the DCS coverage of Cine Gear Expo 2024.
DCS @ Cine Gear 2024 - Dedolight California
Переглядів 19Місяць тому
Marianne Exbrayat, President of Dedolight California details their two reflective cinema lighting systems, the Lightstream with a fixed surface and the Eflect with multiple mirrors on a bendable board which both take advantage of Dedolight’s unique parallel beam lights including the DPB70. Recorded June 8th on the Warner Bros. backlot as part of the DCS coverage of Cine Gear Expo 2024.
DCS @ Cine Gear Expo - Cineo
Переглядів 19Місяць тому
Cineo’s Joseph Mendoza shares details about their new R10 Bi-Color LED with a power draw of 800watts and output comparable to larger HMIs with a liquid cooled LED Tower light engine that will be swappable to a full color version. The unit is self contained at about 50lbs and IP65 weather rated. Recorded June 8th on the Warner Bros. backlog as part of the DCS coverage of Cine Gear Expo 2024.
DCS @ Cine Gear Expo - Cartoni
Переглядів 15Місяць тому
Cartoni's Steve Manios gives an update on their latest products including a rail clamp support for 75/100mm bowl base heads and a new dovetail system to quickly move from one camera platform to another, as well as a new line of Advanced Encoded Fluid Heads. Recorded June 8th on the Warner Bros. backlot as part of the DCS coverage of Cine Gear Expo 2024.
DCS @ Cine Gear Expo - Lee Filters, (a Panavision company)
Переглядів 12Місяць тому
Jeffrey Reyes shares a little of the history and details the latest products from Lee Filters, which is a division of Panavision. The interview was conducted on the Warner Bros. backlot June 8th as part of the DCS coverage of Cine Gear Expo 2024.
DCS @ Cine Gear Expo 2024 - AJA ColorBox
Переглядів 14Місяць тому
AJA’s Tim Walker gives James Mathers an update on their new ColorBox, a color management solution for accurate on-set HDR/SDR monitoring with a variety of video processing options. Recorded as part of the DCS Backlot Perspectives series at Cine Gear Expo 2024.
DCS @ Cine Gear Expo 2024 - Infinity Photo-Optical
Переглядів 49Місяць тому
DCS @ Cine Gear Expo 2024 - Infinity Photo-Optical
DCS @ Cine Gear Expo 2024 - Anton Bauer
Переглядів 19Місяць тому
DCS @ Cine Gear Expo 2024 - Anton Bauer
DCS @ Cine Gear Expo 2024 - Godox
Переглядів 27Місяць тому
DCS @ Cine Gear Expo 2024 - Godox
DCS @ CINE GEAR Expo 2024 - Introducing the LUMIX GH7
Переглядів 75Місяць тому
DCS @ CINE GEAR Expo 2024 - Introducing the LUMIX GH7
DCS @ Cine Gear Expo 2024 - Introducing the Canon EOS C400
Переглядів 80Місяць тому
DCS @ Cine Gear Expo 2024 - Introducing the Canon EOS C400
BLACKMAGIC DESIGN DAVINCI RESOLVE & MORE - Bob Caniglia - NAB 2024
Переглядів 423 місяці тому
BLACKMAGIC DESIGN DAVINCI RESOLVE & MORE - Bob Caniglia - NAB 2024
CANON 27x7.3 Handholdable Servo Drive Zoom Lens - Paul McAniff - NAB 2024
Переглядів 143 місяці тому
CANON 27x7.3 Handholdable Servo Drive Zoom Lens - Paul McAniff - NAB 2024
CANON FLEX Series of Cinema Zoom Lenses - Matt Irving - NAB 2024
Переглядів 423 місяці тому
CANON FLEX Series of Cinema Zoom Lenses - Matt Irving - NAB 2024
NANLITE - Barry Garcia - NAB 2024
Переглядів 343 місяці тому
NANLITE - Barry Garcia - NAB 2024
AJA - Abe Abt - NAB 2024
Переглядів 93 місяці тому
AJA - Abe Abt - NAB 2024
Welcome to DCS NAB 2024
Переглядів 23 місяці тому
Welcome to DCS NAB 2024
TIFFEN FILTERS - Gorky Bolanos - NAB 2024
Переглядів 133 місяці тому
TIFFEN FILTERS - Gorky Bolanos - NAB 2024
ANTON/BAUER - SALT-E Dog - Paul Dudeck - NAB 2024
Переглядів 383 місяці тому
ANTON/BAUER - SALT-E Dog - Paul Dudeck - NAB 2024
ATLAS LENS CO. - Scott Dewald - NAB 2024
Переглядів 143 місяці тому
ATLAS LENS CO. - Scott Dewald - NAB 2024
FUJIFILM ELECTRONIC IMAGING - Michael Bulbenko - NAB 2024
Переглядів 203 місяці тому
FUJIFILM ELECTRONIC IMAGING - Michael Bulbenko - NAB 2024

КОМЕНТАРІ

  • @daylight5500
    @daylight5500 5 днів тому

    Half a Century, Baby! Many Happy returns.

  • @cin8films
    @cin8films Місяць тому

    Thanks for this video James. I was not able to make it out to CineGear this year so I appreciate this interview.

  • @MIDIGrade
    @MIDIGrade 2 місяці тому

    A heart warming interaction. Thank you for the great interview! I'm still relying on Wave and gyros. Introducing pan motors might finally do it for me so I'm really looking forward to testing it out.

  • @6wingsfilmstudio319
    @6wingsfilmstudio319 2 місяці тому

    ❤❤❤❤🎉🎉🎉🎉

  • @goddyab
    @goddyab 3 місяці тому

    The Legend Himselve, Thank you, every time i bow to pick up my Rig/SLED, i say thank you for this master piece and amazing inovation thaat keep coming, happy 50th Birthday

  • @reticulan5
    @reticulan5 3 місяці тому

    Still no S1H2 or S2H

  • @juliusvalentinas
    @juliusvalentinas 2 роки тому

    What was workinf fine in v5.1 Cortex now scans full range if you test v5.4, they do not answer emails. Have they got any real clients with such support? 15000$ for this kind of support?

    • @MTIFilm
      @MTIFilm 2 роки тому

      We're so sorry to read that you didn't receive the support you needed! Please call us directly at +1 323 465 6478 so we can either get your issues resolved (if they haven't already been).

  • @chronicoverland2734
    @chronicoverland2734 3 роки тому

    Jaymie can hold her ground.

  • @blackicestudios
    @blackicestudios 3 роки тому

    what's the price of these ?

    • @blackicestudios
      @blackicestudios 3 роки тому

      @Dave Docimo already in production and shipping ?

    • @blackicestudios
      @blackicestudios 3 роки тому

      @Dave Docimo yup. which is why i'm asking about it. Cost saving avenues galore. An M40 with ballast is around 20K anyway .... The REFLEX claims 6K output ... would love to see it in operation.

  • @GermanDisla
    @GermanDisla 4 роки тому

    Fiilex should be a household name for everyone in lighting, they’re really pushing technology in the LED space. Can’t wait to get my hands on one some day for my shoots.

  • @ProfessaJ
    @ProfessaJ 4 роки тому

    omg

  • @AlexArdenti
    @AlexArdenti 4 роки тому

    Great video. Thank you!

  • @MuwexTech
    @MuwexTech 4 роки тому

    It should have been RF mount.

  • @dcd6115
    @dcd6115 4 роки тому

    It’s a “wish list of everything filmmakers want”. Where is the interval mode? Even their C200 can shoot timelapse. I think it’s a big mistake not giving this camera timelapse capabilities.

  • @AceHardy
    @AceHardy 4 роки тому

    🎬🎥

  • @rivieramayagaffer
    @rivieramayagaffer 5 років тому

    Where are these guys? I want a couple of these to replace M40's and up...

  • @brmoogma
    @brmoogma 5 років тому

    ...and the G2 is still not available.....

  • @walidhoyek
    @walidhoyek 7 років тому

    This is a dream come true, I only know about ACES just recently, what I didn't quite understand is, would ACES be a software to download or a hardware that one can buy and connect it to cameras, I went to the website but seems confusing and a bit hard for me to comprehend, regards.

    • @DigitalCinemaSociety
      @DigitalCinemaSociety 7 років тому

      Yes, there is software of sorts in the form of a variety of Interchange Formats such as Input Transforms for different cameras you may be using, and Output Transforms to basically get everyone on the same page in regard to color no matter what system you're using, (as long as that manufacturer is working with ACES, and most are). To find out more, I would suggest you check out ACEScentral.com, a Filmmaker’s portal to all things ACES that was set up recently by the Academy. There are discussion forums with dozens of experienced members who check the boards regularly and have pledged to help new ACES users get started, as well as ACES Partners to offer guidance about how ACES plays with their products. Check it out at: www.ACESCentral.com Best, James Mathers

    • @walidhoyek
      @walidhoyek 7 років тому

      well thank you very much James, I will do so definitely, have a nice day, Walid.

    • @stobenkin
      @stobenkin 7 років тому

      Thanks for your question. Basically ACES is a way of approaching color and file management in your production and post production workflows. It is comprised of a set of SMPTE standards, best practices (when encoding, handling and viewing files) and sophisticated color science to help ensure that your project will maintain the highest color fidelity (and color consistency) possible, given the limits of the original source material. Typically, you encode into the ACES color space using software that already has the ACES color science 'build it' (i.e. it's a 'pull down' in the menu) and then you make sure to keep the material in ACES until you create your final deliverables. There a many benefits to ACES and you can find out more on ACEScentral.com. There are also links there to the AcademyACES UA-cam channel. I encourage you to follow Jim's suggestion and sign up at ACEScentral.com (it's free), read a couple of the posts that are relevant for your situation and feel free to post questions, there are lots of people that can help you get started. Steve Tobenkin Marketing/Adoption Lead - ACES you can reach me on ACEScentral.com !

    • @walidhoyek
      @walidhoyek 7 років тому

      Steven Tobenkin awesome,thank u so much Steven, really appreciate that:))

    • @stobenkin
      @stobenkin 7 років тому

      See you on the ACEScentral.com forum!

  • @davidmthekidd
    @davidmthekidd 7 років тому

    love it.

  • @ParisHolmesFilms
    @ParisHolmesFilms 8 років тому

    This seemed to be the most interesting.

  • @DigitalCinemaSociety
    @DigitalCinemaSociety 8 років тому

    Ryan Smith of K5600 presents their latest HMI fixtures as part of the Digital Cinema Society's 2016 Cinema Lighting Expo held February 20th at the IATSE Local 80 stage in Burbank, CA.

  • @giovannifacci
    @giovannifacci 8 років тому

    Thanks!!! really informative

  • @StudioSolutions
    @StudioSolutions 8 років тому

    Loved it. Can't get enough of these episodes. :-) So glad to see things done well.

  • @Bgroundfilms
    @Bgroundfilms 9 років тому

    Wow.. Great demo.. I can't wait to get my hands in that New Vericam..