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Wurlitzer Organ Rescue
United States
Приєднався 1 чер 2024
Masterfully Restoring the Bellows of a 100 Year Old Band Organ
Episode 19. This channel documents my mission to Rescue and Restore a Wurlitzer 105 Band Organ # 4055 built in 1928. It was damaged by water and fire and has been stored in bits for over 20 years and needs a lot of TLC if it will ever play again. Organ # 4055 is an example of a historical and cultural icon from a bygone era and deserves to be saved.
Переглядів: 138
Відео
Band Organ Restoration! Reviving 100-year-old Wurlitzer Bellows.
Переглядів 27416 годин тому
Episode 18. This channel documents my mission to Rescue and Restore a Wurlitzer 105 Band Organ # 4055 built in 1928. It was damaged by water and fire and has been stored in bits for over 20 years and needs a lot of TLC if it will ever play again. Organ # 4055 is an example of a historical and cultural icon from a bygone era and deserves to be saved.
I Was Given $1,000's in FREE Organ Pipes
Переглядів 595Місяць тому
Episode 17. This channel documents my mission to Rescue and Restore a Wurlitzer 105 Band Organ # 4055 built in 1928. It was damaged by water and fire and has been stored in bits for over 20 years and needs a lot of TLC if it will ever play again. Organ # 4055 is an example of a historical and cultural icon from a bygone era and deserves to be saved.
Restoring a 100-Year-Old Mechanical Music Machine
Переглядів 352Місяць тому
Episode 16: This channel documents my mission to Rescue and Restore a Wurlitzer 105 Band Organ # 4055 built in 1928. It was damaged by water and fire and has been stored in bits for over 20 years and needs a lot of TLC if it will ever play again. Organ # 4055 is an example of a historical and cultural icon from a bygone era and deserves to be saved.
100 year old Wurlitzer Vacuum Pump Restoration
Переглядів 1142 місяці тому
Episode 15. Continuing the work to restore the 100-year-old Wurlitzer Vacuum Bellows. This channel documents my mission to Rescue and Restore a Wurlitzer 105 Band Organ # 4055 built in 1928. It was damaged by water and fire and has been stored in bits for over 20 years and needs a lot of TLC if it will ever play again. Organ # 4055 is an example of a historical and cultural icon from a bygone e...
The Incredible Restoration of a 100-Year-Old Wurlitzer Vacuum Bellows
Переглядів 1403 місяці тому
Episode 14. Restoring 100-year-old Wurlitzer Vacuum Bellows This channel documents my mission to Rescue and Restore a Wurlitzer 105 Band Organ # 4055 built in 1928. It was damaged by water and fire and has been stored in bits for over 20 years and needs a lot of TLC if it will ever play again. Organ # 4055 is an example of a historical and cultural icon from a bygone era and deserves to be saved.
Restoring 100-Year-Old Wurlitzer Vacuum Bellows
Переглядів 1264 місяці тому
Episode 13. Tearing Down a 100-year-old Wurlitzer Vacuum Bellows This channel documents my mission to Rescue and Restore a Wurlitzer 105 Band Organ # 4055 built in 1928. It was damaged by water and fire and has been stored in bits for over 20 years and needs a lot of TLC if it will ever play again. Organ # 4055 is an example of a historical and cultural icon from a bygone era and deserves to be...
Stunning Restoration of a 100-year-old Wurlitzer Band Organ
Переглядів 1234 місяці тому
Episode 12. Stunning Restoration of a 100-year-old Wurlitzer Band Organ This channel documents my mission to Rescue and Restore a Wurlitzer 105 Band Organ # 4055 built in 1928. It was damaged by water and fire and has been stored in bits for over 20 years and needs a lot of TLC if it will ever play again. Organ # 4055 is an example of a historical and cultural icon from a bygone era and deserve...
Restoring a Wurlitzer 105: The Ultimate Case Rebuild
Переглядів 1235 місяців тому
Episode 11. Restored Wurlitzer 105 Case rebuilt This channel documents my mission to Rescue and Restore a Wurlitzer 105 Band Organ # 4055 built in 1928. It was damaged by water and fire and has been stored in bits for over 20 years and needs a lot of TLC if it will ever play again. Organ # 4055 is an example of a historical and cultural icon from a bygone era and deserves to be saved. Chapters ...
How Many Band Organs Did Wurlitzer Build?
Переглядів 1775 місяців тому
Wurlitzer Organ Rescue: This channel documents my mission to Rescue and Restore a Wurlitzer 105 Band Organ # 4055 built in 1928. It was damaged by water and fire and has been stored in bits for over 20 years and needs a lot of TLC if it will ever play again. Organ # 4055 is an example of a historical and cultural icon from a bygone era and deserves to be saved.
Restoration of 100-year-old Wurlitzer 105 Stopped Organ Pipes
Переглядів 2355 місяців тому
Episode 10. Restoration of 100-year-old Wurlitzer 105 Stopped Organ Pipes This channel documents my mission to Rescue and Restore a Wurlitzer 105 Band Organ # 4055 built in 1928. It was damaged by water and fire and has been stored in bits for over 20 years and needs a lot of TLC if it will ever play again. Organ # 4055 is an example of a historical and cultural icon from a bygone era and deser...
Impressive Restoration of 100-year-old Wurlitzer 105 Case
Переглядів 1126 місяців тому
Episode 9. Veneering Success & Newly Restored Drum Wings This channel documents my mission to Rescue and Restore a Wurlitzer 105 Band Organ # 4055 built in 1928. It was damaged by water and fire and has been stored in bits for over 20 years and needs a lot of TLC if it will ever play again. Organ # 4055 is an example of a historical and cultural icon from a bygone era and deserves to be saved.
Difficult Restoration of 100-year-old Wurlitzer Band Organ Case
Переглядів 1276 місяців тому
Episode 8. Veneering & Finishing the Case This channel documents my mission to Rescue and Restore a Wurlitzer 105 Band Organ # 4055 built in 1928. It was damaged by water and fire and has been stored in bits for over 20 years and needs a lot of TLC if it will ever play again. Organ # 4055 is an example of a historical and cultural icon from a bygone era and deserves to be saved.
Stunning Restoration of 100-year-old Wurlitzer Valve Stack
Переглядів 1336 місяців тому
Episode 7. Fully Restored Wurlitzer Pneumatic Board This channel documents my mission to Rescue and Restore a Wurlitzer 105 Band Organ # 4055 built in 1928. It was damaged by water and fire and has been stored in bits for over 20 years and needs a lot of TLC if it will ever play again. Organ # 4055 is an example of a historical and cultural icon from a bygone era and deserves to be saved. Chapt...
Exciting Restoration of 100-year-old Wurlitzer Pipe Organ Components
Переглядів 3126 місяців тому
Exciting Restoration of 100-year-old Wurlitzer Pipe Organ Components
Magnificent Rebuild of 100-year-old Wurlitzer Band Organ Parts
Переглядів 1637 місяців тому
Magnificent Rebuild of 100-year-old Wurlitzer Band Organ Parts
Fascinating Restoration of a Wurlitzer 105 Band Organ
Переглядів 1927 місяців тому
Fascinating Restoration of a Wurlitzer 105 Band Organ
Ambitious Restoration of a 100-year-old Wurlitzer 105 Organ Case
Переглядів 1777 місяців тому
Ambitious Restoration of a 100-year-old Wurlitzer 105 Organ Case
Exciting Restoration of a Wurlitzer Band Organ Valve Stack
Переглядів 2357 місяців тому
Exciting Restoration of a Wurlitzer Band Organ Valve Stack
Impressive Rescue of 100-year-old Wurlitzer 105
Переглядів 6428 місяців тому
Impressive Rescue of 100-year-old Wurlitzer 105
24 Wurlitzer 165's were made from 1914 up until the sale of #4338 to Griffith Park in 1939. Also 2 Wurlitzer 166's were made. The first in 1915 and it burned in the 1950's, or at least around that time. The second in 1916 and it's fate is a mystery. The so-called "3rd Wurlitzer 166" was actually the only Wurlitzer 175 band organ ever made. It is a 164 with a little more pipes, Deagan "Uniphone Bell Bars", a facade and more percussion. The Wurlitzer 168 was just a 164 with an additional flute rank, again just 1 was made, it was sold to someone in Dallas Texas in 1920 and it's fate is a mystery. In addition Wurlitzer did make 2 large band organs that seem to be mostly forgotten. The Wurlitzer 155 Monster is one, only 3 of them exist, and the other is the Wurlitzer 160 Mammoth, which only 3 were made, 1 original 160 exists, and another organ exists which is a De Kleist(North Tonawanda) Band organ that very similar to a Wurlitzer 160. It has a similar case design and similar pipes to a 160, though it played a pinned cylinder originally(Like a music box). It DOES play Wurlitzer 160 rolls and it's the only band organ that does currently. The 1 original 160 was at Joyland in Wichita Kansas until the park's closure. It's whereabouts are not really disclosed or that well known online at all. They both had their own roll frames. They weren't different models that played the same roll, they played totally their own music. The Wurlitzer 155 had a 100-note roll frame while the 160 had a whopping 122 NOTE roll frame. 10 notes more than the 180. The Wurlitzer 160 and 180 are the only chromatic band organs that Wurlitzer ever made, meaning that they can play in any musical key on all pipes. Most band organs are not chromatic and it was done to get as much sound out as possible without taking up much space, and also because no song has to really be played in their original musical key. And chromatic band organs with lots of instruments are more laborious and expensive to manufacture. If you take out a few notes(And therefore several pipes as well), then it's easier to manufacture and to arrange music for. Unless if it's a tiny band organ that has only 1 instrument like the Wurlitzer Caliola, which only has flute pipes, and is chromatic for that reason and because having only 1 rank per set of pipes is simply the bare minimum in space consumption and labor. I've heard from someone that you live in the UK but your channel description says you live in the US. I would be shocked if I found out that there is a Wurlitzer 105 in the UK, as I don't know of a SINGLE WURLITZER BAND ORGAN in Britain. I would happily take every Wurlitzer band organ model, but what I desire most are the 153, the 155 Monster(2 are private, one's been for sale for 15 years) and the 165. And also the german 36er Ruth and 38er Ruth band organs. Ruth also made the chromatic 39er Ruth, only twice. They were the chromatic and ultimate version of the 38er Ruth. Both of them exist, one in the Ruud Vader collection in Barsingerhorn(Netherlands), and the other in the Speelklok Museum at Utrecht(Also Netherlands). The 39er Ruth was Ruth's only chromatic model. And if only one private 39er Ruth exists... BOI, if it ever gets on sale again, I'll be the next owner and I will not let anyone else buy it. They'll have to fight me for it.
This is amazing! I’ve enjoyed this series! I’m sad that this is the end.
Actually that was just the vacuum bellows. Lots more parts to be restored and assembled so that we will have a complete fully functioning Wurlitzer 105 organ. Stick around and you won’t be disappointed! 🤣
@ Phew! Thank you! Your work is wonderful.
@ One suggestion I have, move the audio back a little bit, as it seems it’s ahead of the visuals.
Great job Michael!
Thank You Mike! I realize I have bitten off more than I can chew, and I hit a real dead end during covid with motivation and energy to finish the projects. Someone suggested I try and start a UA-cam channel to give me a framework for the restoration, and deadlines etc. to force myself to get started again. That was about six months ago and it seems to be working :) Thanks again for your kind comment.
@@WurlitzerOrganRescue I really love watching your progress. I have a few things on my Wurlitzer to finish its restoration. It is hard to get re-motivated. Thanks to you, I have gotten my motivational spark back ! Once I get started, I really enjoy working on it. Mike
I eagerly want to acquire a 105!
It is a great ambition to have, but it can be expensive and time consuming. If you want to try and make some parts to see if you really want to I can send you some plans for a few pipes and other things :) Let me know :) Thanks for commenting.
@@WurlitzerOrganRescue Well, I am only 16, and at my age, a mechanical music instrument is beyond my budget.
@@khmam Then you have lots of time! It is a great hobby. Where do you live?
@@WurlitzerOrganRescue Pennsylvania, not too far away from Joe Hilferty.
Hello. I am watching your videos because I am in love with band organs and would really like to know more about how they work and what goes into restoring them.
Thank you for your comment. Band Organs are very special. I find it amazing that they could be produced that long ago without the use of modern technology. They are simply great engineering timber😇
Your videos always go by so fast. Thank you for sharing.
I enjoy the narration explaining what you're doing!!!
Looks fantastic!!
good video I have always wanted to build a small one
Thanks Professor Vapes!! It is a real challenge, and I wish I had started with something a little less challenging. There are smaller organs, some in kit form, available. I have documented this build from day 1, so please check out the earlier videos. I have learned a lot about the camera and sound equipment I am using, so the production quality is slowly getting better. Welcome to the Channel and please spread the good word :)
Ra here - will try to catch up - I think when all done - it would be interesting to add an optional sound-track where you just tell stories in the gaps...
Interesting idea. I'll need to work on it :)
Looks like that chest top will need to be remade. Its attached with hot glue. Maybe some screws. You can soften the glue with heat or water or steam. Get one part loose, pry it a little and then just follow along.
Thank you. That’s what I was wondering. If the top is affixed with hide glue I can work with it. I could dismantle everything I can, remove the internal springs, pallets and leather and steam it from underneath perhaps in each of the wind channels. Thanks again!
Hi again. I had an idea about removing the top. How about setting up a flattening jig and remove the top in 'slices' so to speak but stop just short of cutting all the way through. Then it will accept heat more easily as its thinner, and steam from an iron might permeate the thin wood a little and help with the removal. Does that sound like a possibility?
Yay! You're back!!!
Howdy 146-A! Yup, back in the saddle after four weeks in Europe touring Christmas Markets and enjoying carousels and Organs. Hope 2025 is working out for you 😇
@WurlitzerOrganRescue glad you had an eventual Holiday/Christmas break. Hope 2025 is well to you too and I look forward to continuing to follow your progress on this project!
More good progress. I'm from Lincolnshire in the UK and have a 1920's Verbeeck fair organ of a similar size to the Wurlitzer you are doing.. I am interested in seeing the much more productionized approach of Wurlitzer Vs the individual craftsman more common in Europe. There are rarely two organs that are the same over here
Hi there Neil, thanks for your comment. Wurlitzers "factory" approach meant that many parts were interchangeable between some organs. The internal workings like pipes, bass, cymbal and snare drum beaters could be used in almost any organ, while vacuum bellows like mine were the same in several models. I have noticed however that the quality of some pieces were not top class. I don't think they ever expected these band organs to last 100+ years and would be really surprised to see the work being done to keep the instruments alive. Hopefully this restoration project will keep this one playing for years to come.
Great video, but missing a few models, and the 148 image is actually a 125.
Thanks for your comment. I am currently restoring an original 105 that was in terrible condition. I also am completing a 105 replica that I have been building for almost 20 years. I have uploaded several videos showing the restoration. Please check it out and subscribe as I will be posting more soon. Thanks again. Michael.
@ I realized I made a typo, but I am already subscribed and love the effort. You’re doing a great thing. I had the honor to meet Bob Humes.
@ThatEverydayEnthusiast I drove from Arizona to Chicago to meet Bob about 15 years ago. He was incredibly helpful. He has quite the setup! Lovely fellow.
You forgot the 164. 3 were made and only one still exists
I'm sorry about that. I researched from some serious sources but must have missed it. I'll try to check where I went wrong when I return home after Christmas. Is the existing 164 yours?
@WurlitzerOrganRescue Yes, lol. I have many videos of it on my channel. I also help out at a music museum, where they have over 200 machines. All 1 collector. Of the 165 band organs, he owns 3 including the last one sold by wurlitzer
@@wurly164 Yup. #4338 the Griffith Park 165.
Lovely to see your enthusiasm and your attitude to keep these pipes together for their real purpose of making music. Best of luck to you. The open wood is 4 octaves and one note, looks like a claribel flute or open diapason. The reed is a clarinet and a good one by the sound (NB, best to not blow reeds by mouth as your saliva will condense on the metal parts and corrode the tongue causing damage, this used to be a sackable offence at some organ companies). Your 61 notes of stopped diapason is a complete 5 octaves and also sound nice. Good find and do please show us what you do with these.
Thanks for your response. Very good advice about blowing the reed pipes by mouth because of the moisture affecting the reeds. I will take it to heart! LOL! Thanks again, and please check out the other videos showing the full story behind the restoration of #4055. Michael F.
61 pipes, 5 octaves on the last set... When I was really into pipe organs years ago, I probably could have looked at those and known the rank... But nope, memory fails. Maybe tibia? but they seem a bit thin.
I can see I'm going to have to google Tibia pipes. I thought ranks were always named after an instrument, ie violins, piccolos etc. I've a lot to learn. Luckily as a pensioner I have the time :) LOL!
@@WurlitzerOrganRescueMany are named that way, but there are also a lot that aren't (more so in church style organs than theatre ones). They're normally separated by tone quality. Diapasons have a fat, slightly reedy tone with lots of low harmonics, the classic "organ sounds". Open Diapason, Principal, Fifteenth are examples. Flutes have a soft, pure tone with few higher harmonics. Confusingly, the Stopped Diapason is a flute! Strings look similar to diapasons but thinner (small scale) which pushes the tone to the higher harmonics for the sizzling sound, and some, like Celestes, are tuned slightly off to give a shimmering beat when combined with other stops. And reeds are pretty self-explanatory!
If the open set is 50 pipes, it's four octaves plus one extra note (or two extra depending on how ya count).
Thanks for the clarification. I'm not a pro and I wasn't sure if all intermediate notes are included in pipe ranks, ie sharps. I know on my W105 the basic melody ranks are only 14 pipes and don't include all the extra :) Thanks again! Michael F.
Thanks. I guess you can divide quicker than I can :) Seriously, I do think the ranks are complete and really want to build them into a unit which can be connected to my 105 by midi. No clue how it will sound, but that's the beauty of being able to experiment !! :) Thanks Michael F.
Yes you need a full 12 pipes per octave! I would have expected 56 notes per rank, or perhaps 61 in rare cases, but I'm not sure if that's standard for Wurlitzers.
Reed rank is most likely a clarinet. A vox rank would have shorter resonators.
Thanks for your reply. Whatever they are they work well and I'd like to try them in a midi solution at some point. I guess there are lots of these ranks sitting in people's storage units! :) Thanks again and thanks for watching, Michael F.
@ any time you can get a rank of organ pipes for free is good, Same goes for any other organ parts (windchest, regulators, blowers). I’m in SE Michigan and got chance to rescue a Wurlitzer 6 rank chest (diapason, viol, viol Céleste, clarinet, orchestral oboe and flute), the bottom half of a 16’ tuba horn rank (about 44 pipes) a 16’ bourdon octave minus two pipes, the two 7 note offset chest for the tuba and some swell shutter motors, all Wurlitzer, all was about to go in the dump🙁
Okay that's a treasure! However, might not be quite as useful as you'd hoped. They're probably from a church organ -- sadly, we're seeing the slow demise of church organs, so pipes like those are readily available. The metal pipes look like "vox humana" pipes to me. The lead sheets on the tops of the open pipes for tuning are called "shades." Don't expect your air compressor to sound right -- the pipes need a large volume of air rather than huge pressure. Think of blowing up an air mattress rather than a bicycle tire. I "accidentally" purchased a decommissioned church organ, everything but the console, and I'm trying to figure out what to do with it! At least I have the blower, bellows, and wind chests! I love your value as a conservationist, but you might even want to consider salvaging some of the pipes for their lovely wood.
Thanks for your detailed reply. I did originally intend to use some of the pipes in my organ and use others for the beautiful, aged timber. When I realized that they were complete ranks I had second thoughts. What happens to them is a bit up in the air, but I do agree with you that it may be more difficult to use them as fully functioning ranks. I have a half-formed idea of building a large windchest on wheels and link it into the W105 with Midi. I see you have some videos on your page with midi solenoids etc. Do you have any experience of building midi solutions? Again, I really appreciate your comments, and thanks for watching. Cheers Michael Fotheringham
@@WurlitzerOrganRescue we have an email conversation started, under my cheddarmonger account, so I'll share whatever info I've figured out!
It's interesting to see how Wurlitzer practice varied from European practices. We tend to cover the outer pump boards and sometimes the working board with a layer of Organ book card, the thought being it will still hold pressure if the wood developed a split. Have a good trip, I hope you can find some organs. If you get a chance try to get to Museum Speelklock in Utrecht or the Draaiorgal museum in Harlem. Both are excellent. I.visited both last month on the Mechanical Organ Owners Association tour
Thanks for your comment. I have always wondered why paper is glued on the inside of the boards. Your explanation makes perfect sense. Thanks for watching :)
Thanks for the mention of COAA As membership Chairman I will help other join COAA
No problem, Gary! I will post to the COAA Facebook page later today. Hopefully it will be of interest to others :)
Hi Michael. I really enjoy watching your videos ! You are doing a great job. I also have a Wurlitzer 105. I will be restoring the vacuum pump. Your video is very timely and helpful. I would like to take you up on your offer of the spring steel giveaway. Can I send you my address for shipping? Do you have a preferred email? Thanks. Mike Van Deventer.
@@Wurlitzer104mikeV Hello Mike. Thanks for your kind words. Of course I can send you some spring steel. Drop me a line at mjfotheringham@hotmail.com and we'll exchange details. Cheers, and thanks again. Michael
They turned out amazing!! Can't wait to hear them playing!
Thank you. I hope to have it finished by simmer 2025 so I can take it to an organ meet with the COAA. I am working on the vacuum bellows at the moment but will make the stoppers and tune them soon :) Thanks again. Michael F.
@@WurlitzerOrganRescue Is there a specific rally where you think you want to?
Interesting video spoilt yet again by 'music'
Hello there. I'm sorry you don't appreciate the music. I decided not to spend the entire video speaking, that would get boring quickly. The music is limited to what I can use without breaking copyright law so there's that as well. The great thing about UA-cam is that you can turn on captions and turn down the volume if you wanted to. Anyway, thanks for watching, I hope you enjoy the next videos a bit more. Thanks, Michael F.
Hey Michael! You can use steam to release hide glue! Messy but quick. I use a household clothes steam iron.
Hi David, Thanks for that tip. I didn't think there was much point in trying to get steam in between two pieces of glued wood, but I do have lots of leather scraps to remove in order to sand and restore the main vacuum boards. I have taken your advice and ordered a steam gun from Amazon. It will be very useful for both the vacuum and wind bellows. Thanks again, Michael.
The heat seems to be just as important as the moisture, so I use a clothing iron at full power to heat up the part while steaming it. You'll find those leather scraps will release and you can pull them away cleanly. With wood-to-wood, if the wood is thin enough, just heating up the part with steam present will help. If you want to be extra adventurous, drop the parts into a pot of hot water (160 - 200 degrees F, doesn't have to be boiling), with your wife's permission of course, and they'll soon release. If you're comfortable with getting the wood wet. I've found it's not a problem.
Looks awesome already!! I can't wait so hear this organ playing!!
Thanks so much. The case was a challenge but turned out well. Did you watch the earlier videos? The very first one shows it all in pieces and how I received it. Please pass the good word about these vids :) Lots still to do but I am quite encouraged knowing others are interested in the progress. Thanks again.
I love that you found and preserved the writing from a builder. That's how to honor the instrument!
It was the least I could do. I find the historical connections fascinating. I will be restoring the bellows soon, and tradition was that they lined the inside of the bellows with newspapaers from that era. I'm excited to see when it was last restored :)
They're not too long just very explanatory.
Thanks. I will attempt to use chapters so anyone can jump through at will :)
Good progress, I was taught to get really good veneer joints by laying both pieces down and then cutting through both. that way any slight angle error is on both and cancels out. interesting that biscuit joints are still biscuit joints in the USA...... thought they might be cookie Joints!
Cookie joints LOL! That's funny. I am originally from the UK so I never thought about cookie joints. I'm gonna use that at the woodshop club! :)
How's the restoration going? Was just curious since you haven't released new videos in a couple of weeks.
Hi there :) LOL, I am just uploading a new video right this minute! I got a bit lazy for a few days and decided to take a rest for a week or so. Thanks for keeping me on my toes. One of my motivations for making the videos was to put a little pressure on me to get on with it. It's working :) LOL :)
Would Corel Draw be the software? I recognize how often I work on it
Hello there. The drawings are by a gentleman by the name of Bob Humes. All the plans are available for free on the Wurlitzer 105 group. I believe he uses CAD software but I'm not sure. If you want to know for sure I'll ask him :)
wow I thought there were more out there
I was also surprised. It seems there are many still in use or in museums etc. The number of replicas are also increasing, mostly thanks to the Stanoszek plans from the 70's and the newer CADS drawings by Bob Humes, which he generously published for free use by anyone who is interested! :)
That's good work. I'm quite impressed with the finish. Coming from a very traditional background I have always used traditional materials to replicate the original processes. Spirit stain, natural varnishes and hot hide glue hammer veneering. I will be interested to see how the pressure sensitive veneer hold up. We got a bit nervous of new wonder materials following a couple of debacles with 'wonder'synthetic pouch materials on plAyer pianos that lasted a fraction of the time good pouch leather does. Hopefully the new cabinet materials are well tried and tested.
I gave the pressure sensitive veneer a try in this video on the drum wings, but after checking it a week later I wasn't happy. The edges were susceptible to lifting up, and after lifting one corner a quarter of an inch I couldn't leave it alone and before long I had taken it all off! I went back to traditional veneer using a 2-part epoxy glue that I learned about doing research online. After some experimentation I am glad to say it is perfectly flat and the edges are solid. So, pressure sensitive veneer is not a good choice for restorations at least.
@@WurlitzerOrganRescue That was my fear, epoxy has enough track record to be trusted. As does original Titebond. Instill prefer using hot hide glue on pneumatics, puffs and pouches though, its so much easier to remove if required
Pallets are the the parts that these pneumatics operate to allow wind to the pipes. I'm not that familiar with Wurlitzer but these look very similar to player piano pneumatics. Given Wurlitzer had previous experience with pianos that makes sense. In Europe the pallets are operated by puffs which are leather pouches with card discs in the centre
Thanks for the explanation. I must have picked up the term pallets from somewhere and thought they were the same as pneumatics - semantics will get me into trouble all the time LOL:)
Natural stain looks better!
Thanks Bruce. I've settled on an easy method that looks good, so I am happy with it. Carpentry is one thing, finishing and staining is a real other animal!!~
Looks like quite a Project Sister Michael. I've got time on my hands now so will get a proper catch up on your project. My late father-in-law used to play his barrel organ around Holland at the various shows he was asked to play at ... the tips earned helped to supplement his pension.
It is an interesting hobby. Once the organ is finished and playing properly, I will have plenty of opportunities around here to show it off. There are lots of farmers markets, car shows and so on that it would be great to exhibit at! Stay safe my friend.
If reincarnation were real, you worked on the assembly line at the Wurlitzer factory in a past life.
Yes Mr. Bruce! I sometimes think I would have fit better into early 20th Century society than the 21st! LOL!!
I hope your garage has a/c.
Sure do! This is summer in Arizona... Over 100 degrees for the past week and for the next ten days as well! Stay cool Bruce.
Some comments/errata on jukeboxes: I think the age of these is also slightly off. 2:40 says “A 1950s Jukebox”. That one is actually the model 1015, which was introduced in 1947. I don’t know exactly how long production of that model continued, but I think of this jukebox as a ‘40s item, not a ‘50s item. As Wurlitzer built them, they play 78 RPM records only. There’s a website that I found on jukebox history, and they imply that Wurlitzer made frequent changes to their model lineup, and thus they might not have continued production of older models after they brought out newer ones. 2:48 says “A 1960s Jukebox”. I couldn’t find a picture matching this one online, but to my eye, the styling looks like something from the ‘50s, not from the ‘60s. You can also see in the video that this one is made for 78 RPM records. From what I can tell (i.e. the website on jukebox history), Wurlitzer had pretty much switched entirely to 45 RPM by 1955.
Thanks for your comments and info. I mostly used pictures that were published by auction houses because of copyright issues, and I took them at their word. You certainly know an enormous amount about Wurlitzer in all shapes and sizes! I am just an enthusiastic amateur who started delving more deeply into things after I retired about seven years ago. I am sorry for the bad captions on some of the pictures. I was actually surprised when I found out that they started out simply importing instruments and selling them to the military. I had no idea! Thanks again for the corrections.
Some comments/errata on theatre organs: All of the ones shown in the video are for very large instruments, not really representative of the mass production in the 1920’s. The majority of the production of Wurlitzer (or any other company making theatre organs) were smaller instruments with only 2 manuals. Wurlitzer’s most popular models were the style B (with 4 ranks) and style D (with 6 ranks). Their main customer base was theatre owners, who were primarily concerned with low purchase price. Their peak of production was 1926, when they were shipping one organ per day. An “early” Wurlitzer organ would at least need to be from before 1925, or to be truly early, from before 1920. By 1928 the coming switch to talkies was widely known, organ production was declining, and Wurlitzer’s product mix shifted to larger instruments that the more deluxe theaters still wanted. 1:28 says “Early Wurlitzer Console”. I recognize that as the organ at LIU. That organ was built in 1928, so it’s really a somewhat later one. It does still look pretty much the same as how Wurlitzer built it. The organ at 0:53 and 1:54 says “Later Theatre Organ Console”. I don’t specifically recognize that one, so don’t know its age, but it does have some obvious modern-day modifications that were made. It has more pistons than Wurlitzer would have put on, and it has pull-out drawers, which Wurlizer almost never made. 2:12 says “Enormous Theatre Organ Console”. This is definitely not a Wurlitzer, and is not representative of anything that exists out in the world. It’s a console for a new custom Walker digital organ, but Walker is only partway through production of the actual sound-making components and the programming.
Thanks for your comments, I am just getting to learn about Wurlitzer since I retired so I appreciate your insightful and helpful comments.
The Wurlitzer that you refer to at 0:53 and 1:54 is now in the Troxy, London which is a Grade II-listed Art Deco music venue. The organ was originally at the Trocadero cinema in the Elephant and Castle area of south-east London - hence the badge on the top of each side of the console. It is the largest Wurlitzer ever imported into Europe from the USA and was installed in the Trocadero in 1930.
@@royhandley3133 Thanks for that great info! It is really interesting to find out more and more about these magnificent instruments. I know the Elephant and Castle well, and many of its pubs! In the 70's I would drive to Brixton from Brighton and take the tube into central London. Stopping off at E&C on the way back :)
Some comments/errata on pianos: The pics that say “Early Wurlitzer Piano” are not early. You can tell visually that they are from the post-war era, because they are short, to make them cheaper for people to put in the suburban houses being built. Pianos from before WWII would be much taller than that. A piano would need to be pre-1910 for it to actually be considered “early”. 0:22 says “Early Wurlitzer Piano”. It’s not early - it looks like it’s from the ‘50s or ‘60s. 0:42 says “Early Wurlitzer Piano”. It’s not early - it looks like it’s from the ‘60s or ‘70s, styled to match the wood paneling that people so often put in their houses then.
Again, thanks for all your comments. I appreciate them very much.
I like these videos they're very informative and explanatory. If i may suggest maybe on future ones you make for your intro you should use audio music of a Wurlitzer 105 since you are restorating a 105 rather than a 146.
Good point. I'll find something appropriate :) Thanks for your input.
I've also heard that some family and friends who are following along have no idea what a Band Organ is or how they are supposed to work, so I'm working on a short video explanation covering that. That said, I am nothing more than an enthusiastic amateur, with no background in carpentry or musical instruments, so constructive criticism is always welcome! :)
@@WurlitzerOrganRescue look forward to seeing the continued future videos and organ progress!
@WurlitzerOrganRescue look forward to seeing that one as well. Band organs are fun machines!
We noticed an uncredited cameo by Maria!
She does keep an eye on me! :)
Hole…y Wurlitzer Batman!?!
Lots of holes, early 19th century engineering in timber!
Any original piece that can be saved and used should not be replaced. The point of antique restoration is to restore what's there using the original pieces, it isn't a race to do it the fastest or easiest way. If you just replace everything then at what point is it no longer an original Wurlitzer 105 and instead just a newbuild with old pipework? I am glad you used as many original pieces of the case as possible instead of just remaking everything and I encourage you to continue this way as the project goes on.
Thank you for your kind comments. I have been amazed at the differing opinions which are so starkly at odds. I decided to save as much as I could before doing a cost/benefit calculation as it were. I am glad I am so far down this path that I can't turn back! Thanks again. I respect everyone's opinion and am making my decisions based on what I think is the right thing to do on balance.
p.s. During the portion when you weren’t speaking I muted your music and played Bette Midler’s cover of “Mister Sandman.”
Maybe I'll use that in another episode. :)
Nothing wrong with replacing old and original pieces with new ones. This is how Herr Doktor Frankenstein got his start. All hail Frankenwurlitzer!
Yes, I'm beginning to see how much extra work my approach is.
Happy Birthday Michael! 🎉
Thanks Mr. Bruce.
Quote of the episode, “I think my organ is in safe hands.” 😂
Yeah answer your question, my opinion. There's no sense in wasting that much time and effort to restore the original lumber if you could fabricate a part faster and probably cheaper. I don't think that that old wood has any historical significance. Although it'll probably burn well.
Thanks for your comment. I'm beginning to think you are right. It's one of those situations where it seemed like a good idea at the time. Unfortunately, I'm now so far down this path that I just need to continue with it. Lessons learned :) LOL