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Jacob Hofeling
Приєднався 20 сер 2012
Heinrich Reimann - Suite Op. 12, III. Menuetto
The Suite, op. 12 was dedicated to the Leipzig Thomaskantor Gustav Schreck, to whom Heinrich Reimann paid a great deal of attention as a composer. He begins the suite with a 5 voice Prelude, and concludes also a Fugue which (just like the Sonata Op. 10), begins first with a relatively strict execution. Afterwards, Reimann differs from the usual Fugue concept and writes a compacted voice texture with a short replica of the Prelude. Both of the middle movements look back in history by their titles; a Canzona first of all, in the same minor key and with a Scherzando - followed by a toccata insertion, and then a Menuetto in tripartite form with a subdominant key “Alternativo” Andante.
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Відео
Heinrich Reimann - Suite Op. 12, IV. Fuga a 5 voci
Переглядів 2354 роки тому
The Suite, op. 12 was dedicated to the Leipzig Thomaskantor Gustav Schreck, to whom Heinrich Reimann paid a great deal of attention as a composer. He begins the suite with a 5 voice Prelude, and concludes also a Fugue which (just like the Sonata Op. 10), begins first with a relatively strict execution. Afterwards, Reimann differs from the usual Fugue concept and writes a compacted voice texture...
Heinrich Reimann - Suite, Op. 12, II. Canzone
Переглядів 1044 роки тому
The Suite, op. 12 was dedicated to the Leipzig Thomaskantor Gustav Schreck, to whom Heinrich Reimann paid a great deal of attention as a composer. He begins the suite with a 5 voice Prelude, and concludes also a Fugue which (just like the Sonata Op. 10), begins first with a relatively strict execution. Afterwards, Reimann differs from the usual Fugue concept and writes a compacted voice texture...
J.S. Bach BWV 655 Trio super Herr Jesu Christ dich zu uns wend
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Herr Jesu Christ, dich zu uns wend ("Lord Jesus Christ, be present now!", literally: Lord Jesus Christ, turn to us) is a Lutheran hymn from the 17th century. J.S. Bach (1685-1750) made at least five arrangements of this chorale, indicating his special connection with the tune. While in Weimar, Bach composed BWV 632 from the Orgelbuchlein, and BWV 655 from what later became known as the Leipzig ...
Heinrich Reimann - Suite op. 12, I. Praeludium
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The Suite, op. 12 was dedicated to the Leipzig Thomaskantor Gustav Schreck, to whom Heinrich Reimann paid a great deal of attention as a composer. He begins the suite with a 5 voice Prelude, and concludes also a Fugue which (just like the Sonata Op. 10), begins first with a relatively strict execution. Afterwards, Reimann differs from the usual Fugue concept and writes a compacted voice texture...
Max Reger Ach Gott verlass mich nicht, Op. 79b, No. 1
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Max Reger’s collection, Thirteen Chorale Preludes, Op. 79b, include settings of famous hymn tunes such as Ein Feste Burg ist unser Gott, Mit Fried und Freud, Nun danket alle Gott and Auferstehn. Reger writes his chorale prelude on the tune, “Ach Gott, verlass mich nicht,” otherwise known as “O Gott, du frommer Gott.” The melody of this chorale is played in the soprano, with the accompaniment pl...
Max Bruch - Kol Nidrei op. 47, cello and organ
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Written by Max Bruch (1838- 1920), the Berlin based composer. Kol Nidrei, op. 47 was originally written for orchestra and cello with harp in 1880 and premiered in 1881 in Berlin. Heinrich Reiman later arranged this piece for organ and cello, incorporating the virtuosic harp parts in conjunction with the cello part. The piece is styled as an Adagio on 2 Hebrew melodies, and consists of a series ...
Heinrich Reimann - Praeludium und Tripel Fuga in D moll, Op. 31
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Born in Regersdorf, Silesia (now Kłodzko, Poland), Heinrich Reimann (1850-1906) was a German composer, performer, and musicologist active in the late 19th century and early 20th century. Reimann studied composition with his father and organ with Moritz Brosig. Reimann (pictured below) spent time in Leipzig where he associated with Kantors of the Thomaskirche, famous for being J.S. Bach’s church...
Max Reger Schmücke dich, Op. 67 No. 36
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In a letter to the publishers Lauterbach & Kuhn in 1902 when he had only composed 50 of the chorale preludes, Max Reger (1873-1916) wrote, "None are technically difficult and the melodies have been collected by an organist of 30 years experience. I can surely say without any arrogance that since J. S. Bach, no such collection has been published!" Reger wrote the majority of the preludes in Muni...
Heinrich Reimann - Fantasy and Fugue on "wie schön leuchtet der Morgenstern"
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Performed on April 22nd, 2019 at the Bales Organ Recital Hall at the University of Kansas by Jacob Hofeling in his second DMA organ recital. One of the great organ virtuosi of all time, Karl Straube, is well known for his sponsorship of the music of Max Reger. Full of chromaticism, monumental form, and expressive dynamic contrasts, Reger’s music takes its place among the great German Romantic r...
Felix Mendelssohn - Prelude and Fugue in C minor, op. 37
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Performed on April 22nd, 2019 at the Bales Organ Recital Hall at the University of Kansas by Jacob Hofeling in his second DMA organ recital. Serving as a bridge between the Classical and Romantic periods, Felix Mendelssohn (1809-1847) plays a prominent role as a composer of organ music. Especially important for organists was Mendelssohn’s role in the revival of the music of J.S. Bach. Mendelsso...
Antonio Soler - Concerto No. 1 from 6 Concertos for two obbligato organs
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Performed on April 22nd, 2019 at the Bales Organ Recital Hall at the University of Kansas by Jacob Hofeling and Donna Hetrick in this DMA organ recital. Antonio Soler (1729-1783) wrote a set of concertos for two obbligato organs. A Catalan composer, Soler was proficient as an organist at a very young age. Eventually he became the organist at the historic El Escorial. A prolific composer, it was...
Nikolaus Hasse - Jesus Christus unser Heiland
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Performed on April 22nd, 2019 at the Bales Organ Recital Hall at the University of Kansas by Jacob Hofeling in his second DMA organ recital. One of the great influences on German baroque style was Jan Pieterzsoon Sweelinck. One of his students was Peter Hasse, who passed on Sweelinck’s unique style to his son, Nikolaus Hasse (1616-1672). Born in Lubeck, Hasse was well known as a composer of org...
Martin Herchenröder Toccata and Lament (2008)
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Performed on April 22nd, 2019 at the Bales Organ Recital Hall at the University of Kansas by Jacob Hofeling in his second DMA organ recital. Born in 1961, Martin Herchenröder studied organ with Ludger Lohmann and Wolfgang Stockmeier. He teaches as professor of organ and composition at the University of Siegen in Germany. Herchenröder is active as a solo concert organist and a composer. As a mus...
Matthias Weckmann Magnificat Secundi Toni
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Performed on April 22nd, 2019 at the Bales Organ Recital Hall at the University of Kansas by Jacob Hofeling in his second DMA organ recital. Another monumental figure in the north German tradition of organ playing was Matthias Weckmann (1616-1674). Having studied with a number of influential organ composers, such as Jacob Praetorius, Heinrich Schutz, and Heinrich Scheidemann, Weckmann was well ...
Buxtehude Praeludium in A major BuxWV 151
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Buxtehude Praeludium in A major BuxWV 151
Very impressive @5:55, who built this organ and where is it 😀 located????
Hey Jacob!!! I’m your 110th subscriber!!! This is so amazing, keep up the awesome work!!! 🎹🎶🎼🎵
Sehr bewegt, danke
너무 아름다운 감동적인 연주였습니다❤.
素晴らしい音楽をありがとう。
Wo kann man denn die Noten dieser Suite erstehen? Sehr schöne Musik.
Magnifique interprétation. Quelle élégance de style !
A friend of mine sent this link to me. I used the Ukraine national anthem as part of my prelude the last two weeks and would truly love using your piece.
Absolutely! The sheet music is on website in the video description
Thank you so much! That is very generous of you.
Beautiful !
i love already this piece, but now this version with the organ, just one thing to say: WOW
Wowwwww wonderfullllll . Thanks from Argentina
Thanks for posting. I'm using this for church this week and it was helpful to hear your stately and elegant rendition.
Nice legato in Fugue... Almost everyone plays it, like it was Bach - with strong articulation, and non-legato. I like your way of playing this - smooth and romantic. Good work!
Nice performance!. Have you ever listened to Pierre Cochereau's performance at Notre-Dame de Paris? Yours reminds me of it.
I think at about 7:28 you missed a note
First!
FIIIIIRST COMMENTTTTTTT
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Those transitions between sections are so baroque and so awesome! Great work. Thanks for the awesome notes there too.
Hello, big man in the striped shirt, please move it so we can see the person doing the real work here. How about it, huh?
Sounds awesome man!
Best arrangement of this hymn I have ever heard son. Love it!
Totally awesome!
That was absolutely beautiful. Thank you for this. <3
I've been eagerly waiting to hear the Prelude and Fugue on the name of ALAIN! Love the big Cornet!
Wow) Cool melody, especially the ending :) You do well, Jacob!)