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Nicolas R - Composer Pianist
Приєднався 17 лип 2011
Reaper - Comment enregistrer une session AVEC tous les fichiers sons inclus
Cette vidéo décrit comment sauvegarder une session Reaper en incluant tous les fichiers médias pour éviter que ces derniers soient introuvables si vous l'ouvrez sur un autre ordinateur / l'envoyez à quelqu'un
Переглядів: 26
Відео
Nicolas Roulive - Bubbletea Dream for ensemble, electronics and video
Переглядів 155Рік тому
Listen with good headphones or loudspeakers Premiered on May 6th, 2023 at the Usine Kugler in Geneva by Ensemble Vortex Rada Hadjikostova - violin Anne-Laure Dottrens - viola Aurélien Ferrette - cello Rubén Castañeda - double bass Anne Gilot - bass clarinet Chris Moy - electric guitar Antonin Jaccard - percussion Daniel Zea & Nicolas Roulive - electronics and video
|LOUD ALERT| N. Roulive - 4 axis for modular synth and live video
Переглядів 772 роки тому
Recorded from live performance on February 22th in Neuchâtel, Switzerland Sound : David Poissonnier
|Suicide Circus| for bass clarinet, cello, ensemble and electronics (2019)
Переглядів 2623 роки тому
Performed by Marie Mercier (bass clarinet), Laure Magnien (cello), ensemble 21 of HEM Geneva, Guillaume Bourgogne (cond.) and David Poissonnier (electronics) @institut Jacques Dalcroze in June 2019 as part of Bachelor Exam of the composition class of HEM Geneva
Orchestration - A. Scriabin - Vers la Flamme, poem op.72
Переглядів 6 тис.3 роки тому
Score on sale and other enquiries at nicolas.roulive@hotmail.fr Performed in Geneva on October 1st 2020
G. Ligeti - Etude 14A "Coloana fara sfarsit"
Переглядів 4564 роки тому
Arrangement for piano four hands by Nicolas Roulive Piano primo : Nicolas Roulive Piano secundo : Etienne Coron The music published is dedicated solely to the purpose of education and non-commercial use. If you believe that any copyright infringement exists about, please let me know immediately before submitting a claim to UA-cam. I will immediately remove the disputed video accordingly. Thanks !
Xavier Palà i Nosàs - Candy Pops (2018)
Переглядів 2255 років тому
Self-made score follower of Xavier Palà i Nosàs "Candy Pops" for alto flute, cello, electric guitar and percussions Recording on December 2nd 2018 at Studio Ansermet, Geneva, Switzerland Concert "Ljubljana" Soloists from Ensemble Contrechamps Nataša Marić - flute Sébastien Cordier - percussion Virginia Arancio - e-guitar Martina Brodbeck - cello David Poissonnier - sound engineer
Nicolas Roulive - "Suicide Circus" (2019)
Переглядів 5145 років тому
Self-made score follower of Nicolas Roulive's "Suicide Circus" for bass clarinet, cello and electronics (2019) World Premiere recording - April 14th 2019 in Neuchâtel, Switzerland Marie Mercier - bass clarinet Laure Magnien - cello Nicolas Roulive - electronics David Poissonnier - sound engineer April 14th in Neuchâtel, Switzerland Publication authorized by Marie Mercier and Laure Magnien Thank...
Nicolas Roulive - "An hour is a Sea" (2018)
Переглядів 6495 років тому
Self-made score follower of Nicolas Roulive's "An hour is a Sea" for soprano and ensemble (2018) Premiere at HEM Geneva - May 4th 2018 After texts by Emily Dickinson, Kobayashi Issa and Chiyo-Ni Dedicated to Noélia Blazquez Ibañez and Ricky Hon Soprano : Noélia Blazquez Ibañez Conductor : Brice Lebert Piano : Mathis Calzetta Violin : Lusine Harutyunyan Cello : Nao Shamoto Flute : Catarina Pesso...
The best orchestration of op.72 so far
Fantastic!
Amazingly rich and sinister. Well done!
Nice
Wow that’s beautiful. One thing I’ll say is that I would’ve preferred a xylophone, and marimba presence for the repeated eight notes in the high registers (5:56 for reference). I would’ve also preferred the tempo to be a bit faster especially at the part I mentioned. This is just my personal taste though. This is so beautiful. Well done!
I'm in awe Thank you so much for this Do you allow the use of this audio for a video-score with the original piano sheet? (Yes, I may be interested in buying your score later, but that's a different subject)
Epic arrangement and recording, although why the little fadeout at the end? Why can't the sound fade out by itself completely? It's always like this with pieces put up on UA-cam. People cut off the end. I don't understand. <--- (very mild version of what I actually think of this practice)
Hey thank you so much for your comment ! Can't be more agreeing with you, I've just received the mix as it is and couldn't make it to get the rushes and remake a mix without fadeout, pity but well :)
Tu as joué cela où ?
Outstanding orchestration, sir! In my opinion, far superior to Leytush's. The muted horns at the beginning are perfect. The opening section needs winds, not strings. I particularly admire how you changed the fourths in the bassline to steady quadruplets. Scriabin's use of quintuplets is surely to facilitate the hands moving across multiple registers. No doubt he would have made them steady quadruplets as you did had he orchestrated it (Leytush has the timpani play quintuplets as in the original, and it just sounds goofy). And your layered string arpeggios in the final climactic section are inspired, far more effective than simple tremolos. Well done!
Great job, Nicolas ! Who are the performers ?
The person who wrote this has clinically gone insane
BRAVOOOOO, Maravelous orchestration. Wonderful, wonderful.
Definitely something I would want to experience live!
I love it thanks for sharing
this is absolutely amazing
Promo`SM 🔥
Yo this is fire (literally)
What a gorgeous score! Hats off! I appreciate the hard work you've put into this.
Thank you man !
Oh my god this is so beautiful !!!
thank you !
SUUUUUUUPER !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
The best orchestral version of this. Definitely how Scriabin would have done it.
It is as if this came out of a movie, impressive work there.
thank you man !
this is an unbelievable arrangement, i usually cannot listen to orchestrations of this piece as none have done justice, but this sounds like he originally wrote it this way. amazing transcription and incredible performance!
fine! who is the arranger?
me :)
I am interested in buying full score + parts for this piece.
Thank you ! Please contact me at nicolas.roulive@hotmail.fr about this :) !
How did you get an orchestra to perform it? Was it commissioned? Great orchestration!
Thank you ! It was played by my university’s student orchestra :) they were really spectacular !
Superb. The atmosphere is captured perfectly from the beginning, as in the darkest piano performances of this piece. The instrumentation chosen seems to be perfect - the thin tone of the original theme when it enters, the brass used to emphasise those repeated notes towards the climax - and the bells to bring out the final upward scale are a touch of genius. Everything feels and sounds right about this!
thanks man !!
@@Nykho1409 You produced a fantastic piece of work here! For a fantastic piece. Think the composer would have approved!
Indulgent textures, reminiscent of Prometheus almost. A bit slow for my taste, especially in the opening chorale. Still the best orchestration of it I've heard yet; is the score available anywhere?
Thanks ! Yep, I will publish it soon :)
Amazing orchestration! I kind of prefer this to the original, tbh :)
Agree it's hard to un-hear this, now you've heard it. Vers la flamme was meant to be Scrabin's 11th piano sonata, but who really knows?
You should make it available on Spotify maybe!
Wooow I love it! That's sooo interesting!
Déteste pas...
You orchestrated it? It's great btw.
Yes I did it two years ago almost :) Thank you so much!
Absolutely wonderful!!! Warmest congratulations!!!!
Thank you greatly. The first I learn of the piece being orchestrated. Have you see Vladimir Horowitz explaining, then playing the piano piece on UA-cam?
Holy hell, this is fantastic!
Aww thanks so much!!
Great orchestration, it definitely has a Scriabin tone quality. Awesome job!
Thank you so much !
@@Nykho1409 Keep up with the good work.
excuse me, but since i can't comment on your other video. Did you orchestrate vers la flamme? It's my favourite orchestration of this piece, by far. Merci beaucoup :)
Hi Antonio ! Sorry for late reply. Yes I did orchestrate it :) Thank you so much for your kind comment !! I wish to orchestrate much more of this amazing composer by the future :) cheers
@@Nykho1409Do you happen to have a score of it? I'd love to study it.
Suuuuuper! <3
Euh... C'est du bruit ou de la musique ? Quelle epoque pourrie, on a coulé !
Merci pour votre commentaire constructif. Je comprends que tout le monde puisse ne pas être touché par telle ou telle musique, mais n'est-ce pas là un lieu propice d'échange d'idées qui aille plus loin que la critique gratuite primaire? De tout temps la musique a été sujet à scandale ou à rejet car il ne convenait pas au "goût de l'époque" (et ce depuis Jean-Sebastien Bach dont les contemporains pensaient qu'il était "trop moderne"! Voir les biographies sur Bach..). Bien sûr, cela parait absurde aujourd'hui car la musique de Bach est partie d'un patrimoine historique et donc sujet à une écoute acquise. La musique tonale ne nous pose plus beaucoup de questions (mise à part le Jazz) car nous baignons dedans depuis quasi notre naissance. Mais dés que cela sort d'un cadre acquis et confortable, alors bien entendu cela pose toujours un problème à un moment. Peut-être est-ce là l'occasion de se confronter à notre manière d'écouter et de définir ce que nous représente pour nous tel ou tel son dans son essence? Je sens dans votre critique que vous identifiez la "musique" à quelque chose d'agréable, et le "bruit" à quelque chose de désagréable sans logique pour vous. Mais en y réfléchissant, n'y-a-t-il pas des "bruits" qui vous plaisent ou de musique qui vous irritent? Personne ne peut vous obliger à aimer tel ou tel son, de même que personne ne peut vous obliger à aimer tel ou tel aliment, mais je serais curieux de vous voir développer votre réflexion bien au-delà de cette simple remarque, car une critique gratuite sans argumentation n'offre bien malheureusement que très peu de valeur et de stimulation à échanger. Mais si toutefois vous teniez juste à vous défouler après une mauvaise journée, alors je vous remercie d'avoir choisi cette chaîne!
@@Nykho1409 , Votre musique est belle
C'est... contemporain...