Відео

What a voice ,beautiful ,perfect tichnick ,one of the most perfect Leonora.Is G. Verdi dream to have this incredible Leonora !!!!!!Bravoooooooooooooooooooo !!!!!!

Unica insuperabile !!

Salut à Lisette !...merveilleuse voix....J'adore la Fille du régiment...BRAVO !!!!!

WOW! Splendedly done. This is my very top choice for this scene! Miricioiu's voice, Brochler's vocal drama, Commisiona's fine musical guidance - all wedded into one tour de force performance.

Splendid!

Isn't Manon supposed to be dying of thirst in a desert?

Un clásico de Rolando Villazón, bravo maestro

Grande personalità e bella voce: quando avremo il bene di vederla nei teatri italiani?

Very nice!

Well, is average isn't it? I have no problem with a lyric singing Manon Lescaut but the voice doesn't projects and sounds small scaled.

A new star is born!

очень слабо !!!!

1. She’s not a spinto. She’s a lyric. 2. Voice is nothing special. 3. People need to educate themselves how a good voice should be, especially if a singer is given roles out of their natural fach. 4. Eh… Alone in the desert? Not much.

Bravo 👏👏👏👏

Wonderful! Don Ottavio certainly loves Donna Anna but he should assert himself more. No wonder some call him weak, especially compared to Don Giovanni. I admit to being surprised when Don Giovanni attacked Donna Anna when sweet seduction is his method of choice. According to the catalogue, he seduced 1003 women in Spain and hundreds more around Europe.

Fabulous! Shimmering sensuality! Her diction is beautiful and clear; but, nevertheless, thanks for the translation.

Absolutely glorious!

I’ve seen Goerke quite a few times over the years. It’s a voice you have to experience in a large theater; she makes it sound easy. I saw her decades ago in her Gluck/Mozart/Handel days, and now as Elektra, Barak’s Wife, and Brunnhilde. All extraordinary.

Wow - so incredibly powerful. Divine.

Звук пустой, в нем нет эмоций, глаза пустые, один холод

Sublime!!! ♥ Bravissima Asmik ♥

Stunning. A hidden gem from an all-time favorite artist. Thank you!

bravissime, bellissimo duetto

Perle rare di somma bellezza

Together, gentlemen. Together

Love their performance -- I still think the stage direction is so weird and makes aboslutely no sense at all-- BUT, OMG singing from lying down like that and being able to project is amazing...

Rather banal. Too slow and cautious, without the lightness of tone and sparkle this aria requires. The trills, though, are very good, but the variations at the end are nothing to write home about. Compare with Sutherland or Dessay...

❤

Saw her in Paris as Cleopatra 2 weeks ago. Below average. Both singing and acting

A beautiful voice, able to sing in French without nasality (unlike, say, Souzay). But in this song he rushes through "mais quand l'astre inclinait sur sa courbe éclatante", which is its climax and should be caressed.

Beautiful Nelly ! I enjoyed listening to your magnificent voice👏💝💯

Hi Terry. Nice to see you on this. And greetings to you from Madrid.

Wobble, wobble… Dreadful like all the rest.

More evidence that Massenet's music deserves a wider audience. Hoomeyow!!

Eine der wunderbarsten Sängerinnen, die noch nie in Hamburg sang, noch nie, vielleicht in vielen Jahre mit Krückstock, o, Hamburg ....!

Corretta non oltre, inoltre le note acute sono tutte "tirate" e difficoltose

Bravo dem 🎶- Boten- Duo : W.Holzmair & Gerard Wyss !

Sein schönes Timbre erinnert mich sehr an Wunderlich und ich freue mich ebenso über die perfekte Artikulation .Danke auch an Roger Vignoles !

Her sound is hollow and without core. She's pitchy too.

Who???

Very nice! Thank you also for posting the beautiful and evocative set design. If current production designers could only realize that there is a magic in the original concepts of the operas' time and place settings.

poor Toni T.,T

She has an unusual voice. At first it seemed too small or perhaps not warmed up and ready for Strauss. However about two minutes in it seemed to suddenly open into what Strauss needs for this incredibly difficult role. I would love to hear her in person as large voices are not always well served by recording.

Good Lord ❕Who's this tenor? Please...

💎❕

Angela Brower brings L'Orfeo to life with extraordinary energy, humour and craft here. The prologue is so often stiffly delivered and just passes by - whereas Brower leads us into the production like a delicious hors d'oeuvre! Bravo!

Ghastly wobble

The orchestra sounds gorgeous but the tempo is simply too slow for Nylund's voice.

Awful vibrato smeared all over.

exquisita