Відео

Big tune

Been listenin all over, great stuff 👌👏

Nice tracks!

Big tune rinse out selecta

Yes congo rinse out the sound

cooooooooool

🤟🏼

skibidi

Super

este tema por : The tallis scholars =quintaesencia divino...🌴🌴🌹🌹🌹🌿🌿🌴

Beautiful! Check this "Pastores quidnam vidistis" by Lagkhner, too, if you like: ua-cam.com/video/SK6VIysEZF4/v-deo.html

Magnificent.

1:56 Agnus Dei II

Clemens non Papa is my favourite fellow Netherlander. Always thirsty for wine, always hungry for food, always lusty for women (which explains his nickname 'not the Pope'.) And above all, always the most magnificent music. Best wishes from the Low Countries and may the great God who doubted in Himself in His dark hours and His holy Mother Consolatrix Afflictorum be always with you and all whom you love.

NICOLAS GOMBERT { LA GORGUE, Nord-Pas-de-Calais 1495~1560 TOURNAI, Wallonie } " MAGNIFICAT PRIMO TONI " . Une merveille de l'ensemble STILE ANTICO, voix vocale magnifique, qui vous fait rêver de cette époque éternel grandiose bravo. NICOLAS GOMBERT compositeur de l'école franco-flamande maitre des enfants de choeur de La Chapelle musicale de CHARLES QUINT, et chantre. Contemporains de CLEMENS NON PAPA et de WILLAERT. L'œuvre de GOMBERT se situe entre celle de JOSQUIN, son maitre, dont il célébra la mort par un motet à six voix {MUSAE JOVIS}, et celle de LASSUS, GOMBERT est certainement le plus grand musicien de sa génération, il a le premier, conduit à son apogée ce style imitatif syntaxique selon l'expression de CHARLES VAN DER BORREN que ses contemporains ont tous suivi. En 1526, il est chantre de l'empereur CHARLES QUINT, puis de 1529 à 1540, maitre des enfants de choeur de la cour impériale, la plus complète et la plus excellente chapelle de la chrétienté, aux dires de l'ambassadeur vénitien. Il suit les déplacements de la cour en Espagne 1537, en Italie, Autriche, et en Allemagne. En 1534, il est nommé chanoine prébendé de la cathédrale de Tournai ou il occupe les fonctions de maitre de chapelle. Ses oeuvres comportent notamment, environ cent soixante motets de quatre à douze voix, huit magnificat, dix messes de deux à six voix, et nombreuses chansons de deux à huit voix. La chanson tient une place importante dans son oeuvre, il les écrits parfois en canon triple {En l'ombre d'un buissonnet} ou quadruple {Qui ne l'aimerait}, ce qui l'éloigne nettement du style parisien en honneur {SERMISY JANEQUIN}, qu'il retrouve cependant, par exemple, dans la clarté de ses cadences. Toutefois, son style personnel s'affirme le mieux dans le motet, à travers la technique de l'imitation, l'art d'éviter les pauses et les cadences trop fréquentés. Il écrivait encore selon le principe de textes différents superposés, ainsi le Motet à la vierge ou il fait chanter simultanément quatre antiennes, ALMA RÉDEMPTORIS, INVIOLATA, AVE REGINA, SALVE REGINA. Deux de ses messes sont conduites sur un cantus firmus à l'antique, les autres messes ont recours à la technique de la messe-parodie. On connaît de nombreuses transcriptions pour luth ou VIHUELA de motets ou de chanson. Merci pour ce chef-d'œuvre de la musique de la Renaissance de NICOLAS GOMBERT compositeur éternel grandiose bravo.

I love this. I was at the performance. But the Benedictus is not there as they did not sing it!

Jacobus de Kerle (Ypres 1531/1532 - Prague 7 January 1591) was a Flemish composer and organist of the late Renaissance. De Kerle was trained at the monastery of St. Martin in Ypres, and held positions as a singer in Cambrai and choirmaster in Orvieto, where he also became organist and carillonneur. After entering the priesthood, he began having his music printed, including a 1561 collection of psalms and Magnificat settings in Venice. He was commissioned to write Preces Speciales set to texts by the Dominican Pedro de Soto for the Council of Trent, which he completed by 1562, and visited the city during the time of the Council in his travels with Otto Truchsess von Waldburg, cardinal of Augsburg. Although he did not take part in their discussions, the performance of the Preces Speciales reportedly influenced the deliberations of the Council Fathers on sacred music. In 1565, he was appointed director of music at Ypres Cathedral, though he would lose this position after being excommunicated in 1567 due to a dispute with another priest. From there he moved to Rome and then to Augsburg, where he was offered a position in 1568 as vicar-choral and organist at the Augsburg Cathedral by Cardinal Otto Truchsess von Waldburg. He stayed there until 1574, when he was passed over for the open Kapellmeister position at Augsburg. After leaving Augsburg in 1575, his whereabouts are unknown until 1579, when he appears in the registers of the Cambrai Cathedral; he continued to move often late in his life, accepting positions in Mons, Cologne, Augsburg again, Vienna, and finally Prague, where he lived from 1583 until his death in 1591. All of de Kerle's extant music is vocal polyphony, and it combines the stylistic elements of the Franco-Flemish school of the generation after Josquin (exemplified by composers such as Adrian Willaert and Nicolas Gombert) with that of late Renaissance Italian composers such as Palestrina. De Kerle did not make as much use of simple homophony and direct text-setting as did many of his post-Tridentine contemporaries, such as Palestrina and Vincenzo Ruffo, nor did he often employ the heavy chromaticism of the late 16th-century madrigal, and his compositions display a measure of restraint and clarity that mark them as heavily indebted to Northern contrapuntal practice. His surviving works include masses for four and five voices (he is known to have composed six-voice masses, but these have been lost), motets, psalms, hymns, and sacred songs. Very little of his secular vocal music has survived; a print of madrigals and one of settings of Petrarch are both lost, though one book of six-voice secular songs is extant, as well as a number of pieces in surviving print and manuscript collections.

Is there a cd existing of this Mass? If yes, where can I buy it?

Wonderful music, beautifully sung. I had not heard of Jacobus de Kerle. Thanks for posting this

Fantastic! Thank you