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Labyrinth Catalunya
Приєднався 4 лют 2016
"Labyrinth Catalunya” is an initiative aiming to promote the work of “Labyrinth Musical Workshop” (L.M.W. of Crete/Greece) in Catalunya, Spain, as well as all over Europe. It is based in Cardedeu and it is supported by the non-profit association “Musica Modal a Cardedeu”.
Eléonore Fourniau & Labyrinth Ensemble: Kurdish & Turkish Traditional Songs
These concerts are free to view but your donations are essential. We are relying on the generosity of our audience to make these and future concerts possible.
If you are watching, please visit our website and make a donation. A donation of 10e of everyone that is watching online will help us cover our costs and help us in our mission of providing seminars and concerts of modal music, as well as work and new opportunities for musicians.
Thank you!
Paypal: paypal.me/LabyCat
PROGRAM
00:00 Aşkın şarabını / Music & Lyrics: Alişer Efendi
04:47 Heyder / Traditional Kurdish song, version based on an arrangement by Cemil Qoçgiri
08:11 Evîna Veşartî / Music & Lyrics: Eléonore Fourniau
12:31 Mala we / Music & Lyrics: Seîd Yûsiv
15:59 Gesi bağları / Traditional Turkish/Greek song
22:10 Leylê tu Leylê te ye / Traditional Kurdish song
25:52 Lo Berde / Traditional Kurdish song
Recorded 1st November 2020 at Teatre Auditori Cardedeu
Eléonore Fourniau - voice, saz, hurdy-gurdy
Alexandre Guitart - tombak, bendir, saz, backing vocals
Christos Barbas - ney
Mahdi Gheitasi - daf, dohola
Ignacio Sabadell - double bass
Efrén López - ud, meydan saz, kopuz, buzuq, rabab, backing vocals
Mixed by: Efrén López
Cameras: Susanna Cabiscol, Aleix Cánovas, Pere Prat
Video edited by Susanna Cabiscol
With her rich voice and powerful performance, Eléonore Fourniau sings the people of Anatolia. Flying to Turkey in 2010 with a one-way ticket and a backpack, she fell in love with the cultural diversity of this region and spent more than 6 years studying Turkish and Kurdish music and languages.
Internationally acclaimed for the quality of her interpretation Kurdish music, she also sings in other Anatolian languages (Turkish, Laz, Armenian, etc.) She accompanies herself with a three-stringed lute, the saz, the sacred instrument for the Alevi people, and the hurdy-gurdy, a western instrument of Medieval origin which echoes the mountains of Anatolia or the plains of Mesopotamia under her fingers.
Produced by Associació Música Modal a Cardedeu / Labyrinth Catalunya
labyrinthcatalunya.com/
With the support of:
Ajuntament de Cardedeu
Diputació de Barcelona
Creative Europe Program
Awakening Sleeping Instruments
If you are watching, please visit our website and make a donation. A donation of 10e of everyone that is watching online will help us cover our costs and help us in our mission of providing seminars and concerts of modal music, as well as work and new opportunities for musicians.
Thank you!
Paypal: paypal.me/LabyCat
PROGRAM
00:00 Aşkın şarabını / Music & Lyrics: Alişer Efendi
04:47 Heyder / Traditional Kurdish song, version based on an arrangement by Cemil Qoçgiri
08:11 Evîna Veşartî / Music & Lyrics: Eléonore Fourniau
12:31 Mala we / Music & Lyrics: Seîd Yûsiv
15:59 Gesi bağları / Traditional Turkish/Greek song
22:10 Leylê tu Leylê te ye / Traditional Kurdish song
25:52 Lo Berde / Traditional Kurdish song
Recorded 1st November 2020 at Teatre Auditori Cardedeu
Eléonore Fourniau - voice, saz, hurdy-gurdy
Alexandre Guitart - tombak, bendir, saz, backing vocals
Christos Barbas - ney
Mahdi Gheitasi - daf, dohola
Ignacio Sabadell - double bass
Efrén López - ud, meydan saz, kopuz, buzuq, rabab, backing vocals
Mixed by: Efrén López
Cameras: Susanna Cabiscol, Aleix Cánovas, Pere Prat
Video edited by Susanna Cabiscol
With her rich voice and powerful performance, Eléonore Fourniau sings the people of Anatolia. Flying to Turkey in 2010 with a one-way ticket and a backpack, she fell in love with the cultural diversity of this region and spent more than 6 years studying Turkish and Kurdish music and languages.
Internationally acclaimed for the quality of her interpretation Kurdish music, she also sings in other Anatolian languages (Turkish, Laz, Armenian, etc.) She accompanies herself with a three-stringed lute, the saz, the sacred instrument for the Alevi people, and the hurdy-gurdy, a western instrument of Medieval origin which echoes the mountains of Anatolia or the plains of Mesopotamia under her fingers.
Produced by Associació Música Modal a Cardedeu / Labyrinth Catalunya
labyrinthcatalunya.com/
With the support of:
Ajuntament de Cardedeu
Diputació de Barcelona
Creative Europe Program
Awakening Sleeping Instruments
Переглядів: 124 520
Відео
Nihavend Ayin / Christos Barbas | Labyrinth Catalunya Orchestra
Переглядів 3 тис.3 роки тому
These concerts are free to view but your donations are essential. We are relying on the generosity of our audience to make these and future concerts possible. If you are watching, please visit our website and make a donation. A donation of 10e of everyone that is watching online will help us cover our costs and help us in our mission of providing seminars and concerts of modal music, as well as...
Lavta Seminar / Periklis Papapetropoulos
Переглядів 19 тис.6 років тому
In this video Periklis Papapetropoulos introduces an impressive variety of styles and technics he has adapted on the Lavta, as well as an improvisation (taksim) modulating through 11 different makams! 00:00 Turkish Style Ussak Makam 02:02 Tanbur Style 02:32 Hicaz Human Saz Semai Veli Dede 04:17 Older Oud Style 05:07 Azeri / Tar Style 08:22 Arabic Style 09:10 Rast Saz Semai / Tatyos Efendi Arabi...
Labyrinth Catalunya Concert / 12 abril 2017
Переглядів 1,5 тис.6 років тому
Ross Daly & Labyrinth Ensemble Centre Cultural Cardedeu Ross Daly: lyra, tarhu Omer Erdogdular: ney Zohar Fresco : percussió Tsvetanka Varimezova: veu Nedyalko Nedyalkov: kaval Alexandros Papadimitrakis: oud Periklis Papapetropoulos: lavta, saz Kelly Thoma: lyra Christos Barbas: ney, kaval labyrinthcatalunya.com/
Labyrinth Catalunya - 2017
Переглядів 1 тис.6 років тому
Here is a short "hello" from the last edition of Labyrinth seminars in Cardedeu / Catalunya as a way to welcome a new era for Labyrinth Musical Workshop: After the last summer of 2017, over 50 seminars where realised Greece, Crete and Rhodes by L.M.W., and a new edition was inaugurated in Italy. Labyrinth Italia has just concluded its first very successful version in Forli / Santa Sofia. Labyri...
Hooshang Farahani in Labyrinth Catalunya
Переглядів 1,3 тис.7 років тому
Video edited with the footage of the documentary "Laberint", about the first edition of the Labyrinth Musical Workshop seminars in Cardedeu, Catalunya, May 2016 Credits Music: Hooshang Farahani Lyrics: "Like the soul you are going secretely into my soul" by Yalal ad-Din Muhammad Rumi, Ghazal 1786 from "Dîwân-é Shams-é Tabriz" Directed by: Marc Samper Sound: Dario M. Bellera Cameras: Marc Samper...
lovely
Gesi bağları - the absolute ultimate version of this beautiful melody...congratulations! It's so transcendent and hypnotically done, I can't stop watching and listening. Thank you very much everyone. PS I know many versions of this Turkish song, but I didn't know it was also Greek?! Thanks
Wow. What smooth virtousity
Bravo Eleonore ,,👏👏👏 tous mon respect 🇩🇿
Il y'a beaucoup de tristesse dans la musique turque kurde
Elenor bize dna' sini açıklasa %70 ortadogulu çıkar. Bu fransizlarin kürt sevgisinin de araştırılması lazım?
Elinize sağlık, well done.
Een geweldige zangeres Eléonore🌺🌺🌺🌺🌺🌺🌺🌺🌺🌹🌹🌹🌹مطربه رائعه
Sana saygim sonsuz Eleonore. Güzel insan, bu huzurlu yolda sana baśarılar dilerim Iyi ki varsın, yolumuza ıśık, ümit, aśk sın. Bravo Continues comme ća🫶.
Tı zaf weş be
yaşasın türk - kürt ve ümmet kardeşliği bıraklım bu millyet davasını. İslam kardeşliği yaşasın.
🎼 💖 Leonor..
So the solfege for Turkish is based on their note system on the staff, not on concert pitch. Therefore Arabic level at concert pitch would be DADA or Re La Re La lo to hi whereas same tuning in Turkish would be called Kaba Rast, Yegâh, Rast, Neva so on the Turkish staff and solfege which is written different than Arabic/Western that would be sol, re, sol re low to high I think. Anyways there are different ways to tune lavta, for example even like mandola CGDA lo to hi
Teşekkürler Eleonore❤❤❤
LONG LİVE KURDİSTAN 🇹🇯🥰🖐️
BRAVO ELENORA ...
Идеальный слух и голос!
Phenuomena
Her Hebî hûnermenda hêja... Spas bû ked û emega te...
ua-cam.com/video/P-kY4UmHqnI/v-deo.html&ab_channel=El%C3%A9onoreFourniau Sabri Altuntaş
Tu chantes vraiment bien, bravo Gerçekten çok iyi şarkı söylüyorsun, aferin
Sesi mükemmel, beni rahatsız eden tarafı ise bölücü Kürtleri desteklemesi,
Abiym, nereden bulundingiz buni. Yo 6- barmaq ishimi?
Her dilden harikasın
Her biji heval seetxeş❤❤❤
❤❤
🙏
what ist the name of the Peşrev at 0:00?
❤
Waw, ne normal xweş e❤
Dilê minî dil ❤
❤
What is the name of the song between 11:09-11:31 and where can i find it?
🎉
Imparator aslan
Aslan kardeşim
Действительная родная! ( перевод на русский).
Tek kelime ile haarika
ΕΚΦΡΑΣΗ ΑΠΟ ΧΕΡΙΑ ΜΟΝΑΔΙΚΗ ,ΣΠΑΝΙΑ ,ΑΞΙΟΛΟΓΗ ΜΟΝΑΔΙΚΗ ΝΑΣΕ ΚΑΛΑ ΔΑΣΚΑΛΕ
トルコの伝統楽器ウードの名手による至高の小曲集の演奏で、極上の癒やしをいただいております。
It's not an oud.
Dolmus tasmis ewrenin bütün zerrelerine ulasmis saygiyla…
Lovely! What a sound!
Μπράβο Περικλή!! Η λαφτα, τραγουδά στα χερια σου.
her biji🎆🎇🎇🎆👏👏
Please go on! This quality of music is what we dream of!
Elenora wi dengixewyi xeweşşik te em coşkirin her biji jiştera tu rasti hunermendeki mezin u qimeti tu çend zimana daxvvi hunermendyi diki ev ne kari her kesiye tu insaneki pir yetenekki aqili zanayi hicayi keçka firansi xuçka me yi dellal tu pir şirini bedewi ciyite dilimedani geleke min hes tikir rojeki te bivinim li feqet defrettamin tuneye tu her biji tu her hebi riyate bextite vekiribe bimini xewşi silametyida
Bravo üstadım, makam, kaide üslup adına tebrikler alkışlar size.👍
Zamanın sonsuzluğuna çok değerli yorumlarını bırakırken değerli Elanur ve arkadaşlarını kutlarım, sesiniz sonsuzlukta devam edecek, var olun.
dengê te li dinê be rêzdar elenor birastî gelek xweş dibêje❤❤❤❤
Thank you for streaming. This is wonderful.
"Mala we" is my favorite. Impeccable rendition. Being performed by European musicians makes this rendition even more fascinating.
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