Відео

I totally get it! When you feel like you've put so much into something and it doesn’t deliver, it’s time to make a change. Heading over to UA-cam University for those Presonus Studio One classes sounds like a solid move. Sometimes you’ve got to do what's best for you, and if that means jumping ship, then it’s all good!

I totally get how you feel. It’s tough when it seems like a product gets rushed out without addressing the core issues or meeting expectations. It can leave you feeling like your investment wasn’t valued. Hopefully, they’ll step up and improve things, but it’s frustrating when you’ve already put your time and money into it.

You make some solid points. It’s tough when a company feels like they’re leaning on the same concepts and not innovating enough. The redundancy in some of their expansions and the lack of major updates definitely gives off that "abandonware" vibe. With how good PC DAWs and other gear like the MPC One+ are, it’s hard to stay loyal when it feels like the innovation has stalled. If NI isn’t evolving, it’s understandable why you’d start looking elsewhere.

It’s true that Dame has acknowledged his own mistakes, and it’s often overlooked that he played a role in the situation too. People love to frame themselves as the ones who made him realize things, but at the end of the day, he’s owning up to his part. It's complicated, and everyone’s got their perspective on it.

@ well said brother

It's crazy how things have flipped. Akai was once the underdog, and now it seems like they’ve really stepped up their game while NI is lagging behind. It’s a reminder of how quickly things can shift in the tech world.

I get it-it’s frustrating when you’ve been waiting for an update, and then it feels like the platform isn’t evolving the way you hoped. If Maschine 3 isn’t offering enough to justify a new controller, moving to Akai might be the right choice for you. Sometimes switching things up is the best move to keep the creativity flowing.

I can see why you'd feel that way. A lot of people were expecting big improvements with 3.0, but if it didn’t deliver on the features people were hoping for, it’s definitely a letdown. It’s tough when you’re waiting for something to evolve and it doesn’t quite meet the mark.

I’m glad you appreciated it! Sometimes keeping things straightforward and to the point makes all the difference. Appreciate you subbing!

It's not about complaining, it's about sharing frustration with a system that doesn’t always serve independent creators well. Everyone’s entitled to express their thoughts and frustrations, especially when it impacts their creative process. It’s okay to voice dissatisfaction.

I totally get where you're coming from. Paying for an update just to stay current can feel frustrating, especially when it doesn't bring the changes people were hoping for. It seems like NI has been resting on their laurels in some areas, like with Kontakt 8. Hopefully, they'll take the feedback seriously and improve, but it’ll be interesting to see how they respond moving forward.

Same bro.. I just went on & got the $29 dollar upgrade while it's still cheap. Something tells me they are going to add some more features & then charge even MORE when it becomes truly appealing, & desirable for users. So logically I would assume that ALL the NEWER updates that wiill eventually comes as time progresses. WE WILL get for free (bkz we've paid already)cfrom here on with MK3. So we took care of a headache for down the road we won't have to worry about possibly PAYING even MORE for, bkz u know how they always do bro. They are going to ADD those features & then CHARGE more for the update is they are going to do fax. It will $99 - $150 once they add the more features being REQUESTED that should already be there So YES, the update is VERY LACKLUSTER, DISSAPPOINTING, & a complete (pun intended) LET DOWN top to bottom with ZERO WOW FACTOR effect! & I am NOT Impressed. But I do appreciate that now with the EASIER FUNCTIONALITY (navigationally) software wise, but It was a real MISS to not add MK2 usage ability at least so we can use our controllers, although you don't need it with MK3 The software RUNS way smoother & I have lesser headaches getting this done. But NOT allowing for MK2 controller use almost negates that benefit bkz it's still more time consuming. Now had you be able to use your MK2 controller like u can still use the JAM, which came out I believe BEFORA MK2, or at least around the same time. SO WHY isn't MK2 able to be crossed graded into MK3 when they did it for The JAM?? These are the things that piss me off. The DECEPTION as If we are getting the things we've been asking for for 11 years WHEN THEY never PLANNED ON GIVING IT TO US!! And most of ALL (90)% of these so called "updates" features are very ARCHAIC & OLD, Basic, fundamental CODING & PROGRAMING At THIS POINT AS FAR AS TECHNOLOGIES with music production software's Hell, their are WAY POORER, BROKER companies who offer an even better product when MASCHINE is at the TOP, BILLIONS being made, yet they won't TRULY SPEND A RED PENNY to improve on their most NOTABLE products KONTAKT & MASCHINE department of N.I!! But the more people got into SOUNDS ,SAMPLES< SOUND PACKS etc the more they neglected the FUNCTIONALITY and features that really STABLIZES & SOLIDIFIES a music production software products LEGACY! They are essentially ABUSING their success, leverage POWER, DOMINANCE & INFLUENCE over the entire market. AS they, N.I now OWN 80% of most ALL SIGNIFICANT SOFTWARE COMPETORS BRANDS PRODUCTS now as they ran a MONOPOLOY on the industry by RETAING ALL top high end PLUGIN DEVELOPERS RIGHTSD to ownership So many people THINK they are using the BRAND that USE to, & always was known for owning it. But NOW THEY ALL SOLD OUT. DIRK at "PLUGIN ALLIANCE" so old 3, 4 years ago after that FLOOD they had at their studios in GERMANY! He almost lost EVERYTHING, then WE SAVED HIM & SPENT $10 MILLION DOLLARS OVER NIGHT & then he fk'd us over & sold us out when he was able to break at a PROFIT MARGIN with NATIVE that essentially made him a MILLIONAIRE now, plus he STILL is getting a FAT CHECK bkz he's on the BOARD of N.I executives smh & this is what ALL, or most companies have done, TOOK THE EASY ROUTE but it ENDED an era of the BOUTIQUE level plugin devs. Like the G LEAGUE of the NBA in comparison to the NBA If you will So now that NATIVE INSTRUMENTS OWNS MOST ALL THE COMPANIES we the consumer can no longer PRESSURE THEM to give us feature advancements bkz their COMPETITORS are now all their PARTNERS or they flat OWN that developer & his software concepts & idea's This is WHY we NEVER see, & probably never WILL see aby true progress with MK3 software. They WILL just keep STRING US along not bkz they want to, but bkz THEY SIMPLY CAN!! When you OWN EVERY DIGITAL DOWNLOAD SOFTWARE MUSIC PRODUCT< COMPANIES< & BRANDS their is nothing you can do but ACCXPET IT bkz others will STILL FILL theri pockets with $$$$$ So they are WILLING TO TAKE THAT LOSE with MASCHINE USERS! Bkz they feel they DON'T SALE enough of those units anyway, & that goes for KOMPLETE keyboad controllers to They will ONLY support the MOST EXSPENSIVE high end products bkz that's what makes you BROKE, ie EMPTIES your pockets with the HIGH END PRICE POINTS! Just like with this MK3 update. They are essentially saying that "IF YOU DON'T BUY AN MK3 (controllers) or a KOMPLETE S midi controller the you are NO <LONGER APART OF OUR ECOSYSTEM! & that's fk'd up. But I've decided to MOVE ON to MOC as I've waited far to long fkin with N.I anyway To many chances & not enough conformity. Always disappointed opposed to being impressed & enough is enough!@! The ONLY WAY THIS WILL EVER STOP IS TO STOP SPENDING $$$$$ WITH NATIVE INSTRUMENTS & MAKE THEM LOSE BIG ENOUGH PROFIT MARGINS that they will then HAVE to start listening or RISK GOING DEFUNCT qas we shy away from the products and STAY ADAMANT with our CONSUMER SPENDING DOLLARS! The PROBLEM is is that we do what WE JUST DID & STILL GIVE THEM OUR $$$ FOR DOING A POOR JOB JUST BKZ as you said bro "To keep up". But that's giving them a PASS bkz they then feel JUSTIFIED u feel me smd. I wish that I could grab one of their TOP EXECUTIVES by the fkn NECK & & choke the living chicken shyt out of them bkz this shyt is ridiculous, unnecessary & uncalled for bkz they know that they can do BETTER than this bkz the TECHNOLOGY IS THEIR FOR EVERYONE TO STEAL & USE coding wise, that's WHY I don't understand why N.I just won't give us those COMMON DAW FEATURES as If the are STILL IN DEVELOPMENT & no one knows how to applicate them This is BASIC FKN CODING that has been around for CENTURIES now literally. Yet WE DON'T HAVE those minimal, BASIC features and are PAYING A FORTUNE to use their outdated software apps. SO if we keep buying, spending, & paying for LACK LUSTER software products then that is exactly what tf they are going to keep delivering to us yes In ELEVEN YEAR INCRIMENTS at that smdh. MONEY TALKS, or rather NOT SPEMNIND your $$ and fkin them PROFIT MARGINS up Is what gets their ATTENTION, aka TALKS!@! But all this COMPLAINING YET NOT WILLING TO WALK AWAY AS A STATEMENT INTETIONALLY MADE FOR THE COMPANY TO TAKE NOTICE THAT WE MAKE THEM, THEY DON"T MAKE US!! If we don't SPEND then EMPLOYEE SALARIES can't be paid!! PRODUCTS CAN'T BE DEVELOPED & improved in budget terms etc.. Once the STOCK STARTS to plummet the stock holders will become AFRAID & say DO SOMETHING to save our profits & investments bkz we'd rather be getting SOMETHING than NOTHING!<<This is what MUST bew done, otherwise we WILL NEVER get what we are asking for WHEN WE ASK for it to be delivered In rational time from

Glad you feel me!

I get your frustration. It's a little surprising that something like MIDI FX routing isn't fully supported yet, especially when you consider the range of tools and options available today. While the tempo change and improved MIDI note feedback are nice touches, they don't make up for the bigger gaps, especially with workflow limitations. The bounce feature, which feels more like a workaround than a true innovation, definitely doesn’t hit the mark after all this time. It's easy to feel let down when the updates feel more like tweaks than true advancements, especially when critical features like MIDI routing remain so clunky. Hopefully, future updates will address these concerns.

@@javierperez3292 totally agree on the midi routing .. it’s unbelievable that they can’t implement that …

I get your frustration. It’s tough when companies discontinue support for older models, especially when you’ve invested in them. The MK2 was a solid device, and it’s understandable that you don’t want to pay for something that might be outdated soon. I also agree that key and BPM detection is a basic feature that should be included by now. Sticking with your MK2 on 2.18 with Serato sampler sounds like a good workaround until they figure out how to improve their offerings.

Thank you! Appreciate it!

Sounds like you've built a powerful setup with Cubase, Logic, Ableton, and all those synths! It’s great that you've found a workflow that works for you and gives you the flexibility Maschine couldn’t. Sometimes it’s about finding the right tools to elevate your creativity.

They definitely act like their stuff doesn’t stink. It’s like they’re not listening to the people actually using their gear every day. That attitude is going to catch up with them if they don’t step it up!

I get it - the Maschine Studio and Jam are still killer controllers. Hopefully NI steps up their game with the next release!

@WeCreateMusicTV Studio and Jam is the reason I will not go Standalone

Haha, I feel that! Sometimes the “upgrade” just isn’t worth it. If version 2 is working for you, might as well stick with what’s solid instead of dealing with the hassle.

buy it second hand .. it’s a great tool 👍

Given that the Maschine MK3 was released in 2017 and there are ongoing discussions about a potential MK4 release, it might be wise to hold off on purchasing the MK3 right now. Waiting for official announcements could ensure you invest in the latest technology.

Absolutely, grabbing it second-hand is a smart move! You’ll get all the benefits of the MK3 without dropping the full price, and it’s still a solid piece of gear. Great way to get the most bang for your buck!

@@ZETONEproductions Yeah that's not a bad idea.

@@WeCreateMusicTV I've already got the Mikro mk3, so I bought a Komplete Kontrol M32 today to get the knobs 😁 Glad I caught this video. Thanks!

Totally get that-waiting for updates can be frustrating, especially when it feels like nothing major is happening. Switching to the MPC might be the move if you’re looking for faster improvements and more frequent feature updates. Might just be the change you need!

Glad I could nail it! 💯

I get where you're coming from-it does feel like the updates lately haven’t been groundbreaking. If Maschine is being phased out, it’d be nice to see something fresh and innovative, but until then, it’s tough to get excited about updates that don’t address the core issues. Hopefully, they have something big in the works.

Mah. Maschine is a content platform for them. Its probably the second most important product for them after Kontakt. Without it, why would most people bother buying expansions? They'd just get a Splice plan. Instead, Lol. NI is spread too thin and has trouble developing most of their products. Look at Massive X, Reaktor, Battery, etc... This issue is not unique to maschine. Maschine+ is unfortunate because it really needed Push 3 specs. it, 8GB RAM. NVME slot. That would have allowed them to port mostnof their instruments over and enable the installation of full komplete content onto the standalone. The current M+ hardware was underpowered and imposed limitations on how content had to be handled there. I also think the design of the software is limited fundamentally by the design of the hardware. Its easy for Akai to redesign their software because most of their MPCs have a single 7"+ touchscreens. You just create a small screen interface for everything. NI has these two screens with buttons and knows. Major changes to the UI can throw the hardware and software out of sync. The design of the MK3/+ hardware is a limiting factor for the software development team.

You nailed it-they had plenty of time, yet delivered just the basics. At the end of the day, an update isn’t going to make or break anyone already making great music. Choosing gear for its current value rather than future promises is solid advice. Akai’s definitely figured out that consistent updates keep people invested; NI needs to catch on if they want to keep up.

That’s what I used to say about the PS Vita. Buy it, and more games will follow 😅 Off topic it just came to mind

No point in buying something for what it may be in the future. NI has had a lot of time to try to catch up with AKAI, but has chosen not to do that…

@@hvhvgitaar They sure have had plenty of time, that’s no joke. A lot of people buy things for what it might bring in the future though. Early adopters. And companies count on a certain number of those people

I get where you’re coming from, but charging for basic compatibility updates on older hardware feels a bit off. It’s tough to justify paying for what should be standard maintenance-features and improvements should follow regardless of whether people shell out for an upgrade.

@ I agree

Exactly! No need to pay extra for the basics when the MK2 is still getting the job done. Sometimes sticking with the reliable gear you already have is the best move.

I see where you're coming from, but Maschine Central doesn’t fully make up for the lack of Kontakt. It's a nice add-on, but it’s still not the same as having the full Kontakt Library on the Maschine Plus. If NI really wanted to step it up, they’d find a way to bring the full Kontakt experience to the standalone.

@@WeCreateMusicTV I agree, I read that Kontakt would be too demanding for Maschine Plus, dunno how true that is. Like many said before... so much potential but so little improvements and even Setbacks.

@@YannRudy Yeah, it's frustrating. The potential is there, but the lack of improvements and even setbacks make it tough to stick with.

Appreciate it! Sometimes you’ve just gotta keep it real. The Maschine 3 update had some hype, but yeah, it didn’t quite deliver what people were hoping for. Glad the video resonated with you!

I get what you're saying, but even if it’s aimed at newer users or those with the basic package, long-time users deserve meaningful updates too. And while the stem separation is a nice feature, limiting it to four parts feels restrictive, especially when other platforms offer more detailed stem control. NI could really elevate the experience by making these updates valuable across the board.

It's great to hear that your MK3 has been such a valuable part of your setup. However, waiting a decade for an update that doesn't address key features like genre-based filtering for packs and time-stretching for sample playback is understandably frustrating. The lack of custom chord sets also limits creative flexibility. While the new sounds and stem-splitting feature are positive additions, it's clear that there's room for improvement to meet the needs of dedicated users like yourself.

Sure, the piano roll is a nice addition, but calling it "crazy" might be a stretch. FL Studio’s piano roll has way more advanced features and flexibility, so NI still has a ways to go to match that level of control. It’s a step in the right direction, but it’s not quite on FL’s level yet.

Thanks for the thoughtful perspective! You raise some solid points-Akai's history with VIP and Advance was definitely a letdown, and it’s frustrating when a major part of your setup becomes obsolete. NI’s Kore situation was similar, so both brands have had their stumbles. As for the GUI, I totally get it. Consistency is key for a lot of people, and a familiar interface can be more valuable than a flashy redesign. If reliability and a stable layout matter most, that’s worth considering when choosing a setup. I've used Live all the way from version 4 to 11, and I've definitely seen it evolve. Sometimes sticking with a familiar interface is ideal, but for me, a fresh GUI can really kickstart creativity and bring new ideas to the table. It all comes down to personal preference and what keeps the inspiration flowing. I’m glad the review gave you something to think about before making the leap. Taking time to weigh all sides is definitely the smart move!

That’s funny that’s what they said about aka I 10 years ago

Kitmaker allows MPC users to use Maschine expansions by converting the files.

Totally agree-Maschine’s sounds are top-notch, but it can’t quite stack up to the MPC when it comes to workflow and arrangement. The MPC Live 2 is a beast, even if it doesn’t have as many built-in sounds. Having both is a solid setup-you get the best of both worlds!

Haha, true! It’s wild how things have come full circle. Ten years ago, Akai was the one getting called out for lacking sounds, and now they’ve really stepped up their game in other areas. Just goes to show how much the gear landscape keeps shifting!

Yeah, Kitmaker is a game-changer for that! Now MPC users can get all those Maschine sounds in their workflow by converting the expansions-definitely a win for combining the best of both setups.

Totally understand-that feeling of getting just a sample of what you actually wanted is frustrating. They really could’ve given us the full Kontakt library, more Guitar Rig effects, and all the Play Series stuff. It’s like they only went halfway with it, which is a letdown for sure.

The CPU in that device is underpowered. Thats its core issue. RAM capacity is also a concern. You don't have much to work with once the firmware (OS) is loaded and running. Maschine+ needs a MK2 with at least a quad core i3 and 8GB RAM with an SSD Expansion Bay to hold content. If they do that, they could port more instruments over and allow you to install all your Komplete content onto the device. It basically needs Push 3 specs.

Totally get it. It really does feel like NI’s been running short-staffed or something-things just seem to be moving slower with Maschine. Those layoffs a while back probably didn’t help either. I get why you’re cautious about sticking with them for the long haul; if they’re not keeping up, it’s hard to fully trust they’re committed.

Couldn't agree more. The real mark of a standout brand is how they support and respect their customers over the long haul. When that’s lacking, it makes it hard to stick around, no matter how good the gear once seemed. Sounds like you’re done with NI for good-and honestly, I don’t blame you!

@ exactly! Looks like they don’t have that in mind, just short term profits on weak products.

Much appreciated! Thanks for checking it out!

I feel you-if NI keeps dropping the ball, they’re going to lose loyal customers who are fed up. It’s frustrating when stability is an issue, especially when other platforms like Pro Tools, Logic Pro, and Ableton are handling things better. Going back to Akai might be the move if they don’t step it up.

@@WeCreateMusicTV I spent good money on them only to get sub standard updates and after every update maschine studio became more unstable I have work arounds I've developed then I bounce stems to mix in protools because it can't handle basic third party tools my mash studio is totally un usable I was hoping for a MK4 or studio 2 with this new programme I was let down on all accounts.

@@stephenmaxam Totally get where you're coming from. You invest in gear expecting solid performance, but dealing with constant crashes and limited third-party support is just draining. Having to bounce stems to Pro Tools just to get through a mix shouldn’t be necessary. And yeah, a new MK4 or Studio 2 would’ve been a game-changer-but here we are. It’s a letdown, for sure.

People need to remember how music was made. If you don't have enough to do your craft by now you should use FL. USE what you LIKE. EVERY classic dope song was made with less. 🤷🏿‍♂️

@@allmightyts8252 i use what i paid for

Totally agree. It’s such a basic function that should be there by now, and not having it really messes with the workflow. Hopefully, NI addresses this in an update soon because it’s definitely overdue!

Agree

Can you do that in MPC?

Haha, I see you’re making the right moves! Excited for you to get your hands on the MPC-it’s about to take your setup to a whole new level. Can’t wait to hear what you cook up with it!

If u have the money the live 2 is crazy

@@juniorhunter7268 I use to own MPC Touch, Live 2 Retro & MPC one Retro problem was the software usually crash while making a beat in Cubase so I sold them…

@@juniorhunter7268 For sure! If you’ve got the budget, the Live 2 is a beast. The standalone power and versatility are on another level-definitely worth it if you’re ready to invest. I already own the MPC One, MPC Key 37 and the MPC X.

Thanks! I get it-Kontakt and the Play Series are solid, but I totally see why you’re all about the MPC now. It’s tough to beat that hands-on feel, especially for standalone. You’re definitely in good company with that choice!

The stem separation is definitely a solid upgrade, especially since other platforms have been offering similar features for a while. Hopefully, Native Instruments keeps up the momentum and continues refining the software over the next few months.

@@WeCreateMusicTV I believe they will also a lot of people forget NI was putting out back to back updates and when akai wasn't giving an update for years. I have both maschine/mpc. And the stand alone thing was the only thing that help mpc stand out and now they keep pushing out updates so NI will start focusing on more stuff to add for the software and hardware as well

@@rashadhaynes5690 You're right; Native Instruments has a history of consistent updates, especially when Akai's development pace was slower. The standalone capability of the MPC series did set it apart, but with Akai's recent surge in updates, it's clear they're aiming to maintain that edge. This competitive environment should motivate NI to enhance both their software and hardware offerings, benefiting users of both platforms.

You make a great point! Maschine 2.0 is still solid for many, and those small updates could have kept it competitive. The fear of buying new gear right before a new release is real, especially with Maschine potentially due for a big upgrade. If you’re considering a controller now, it might be worth waiting a bit longer or even looking into secondhand options-just in case the MK4 drops soon. That way, you’d be set without having to worry about replacing it too soon!

Get a used mk3

@@jhsmith1183 Facts!!!! I am sure that there are a bunch of used MK3s in pawn shops, Facebook marketplace, etc.

NI don't care about anything but selling expansions and Kontakt instruments

@@X-101 It definitely seems like Native Instruments is heavily focused on expansions and Kontakt instruments, which can feel frustrating for users hoping for more meaningful updates or improvements. It’s all about their bottom line, but that doesn’t make it any easier for creators who rely on the software for their work.

I feel stupid for leave Akai. I thought the MPC was outdated and Maschine was modern . Complete opposite. Maschine is so behind

@@Houseneggah It’s easy to feel that way when expectations don’t match reality. Akai’s MPC has really held its ground in terms of power and features. Maschine might have seemed like the modern choice, but it’s clear that it's not evolving as fast as some would hope. Sometimes, going back to what works can save a lot of frustration.

Since the early days of hip-hop and rap, authenticity has been rooted in MCs writing their own lyrics. In this culture, credibility as an MC often hinges on being the author of one’s words, making it controversial to call oneself a rapper without writing original material.