Відео

I loved this song already, and now I found a big band version with a killer trombone line? Incredible!

And--- I see that you're a trombone player. Now it all makes sense!

Count Basie would love this!!

Is there a pdf of this available anywhere?

That's so much work. 😮 Great chart. Truly.

the sax improv was questionable but coool

So underrated! Sub button smashed!

I like this! How could a get a recording I could download to my mp3 players?

These really are everything I hope for when I look up arrangements. Maybe more of a melody in it than a scatter of lovely bebop style notation, but buy in large lovely all fhe way through. The dissonance is infectious, very reminiscent to..a few songs I have on my mind.

I'm glad Trombones think this is a solo the entire time haha! I think saxophones, trumpets, and trombones may have been playing three different songs in volume. Saxophones are at PP Trumpets at MP And dear Trombones have achieved the sound barrier.

Love that little repetitive lick at 80, Doug!

Well done! 😀

Great writing!

This is awesome. Thanks!

This chart goes so hard

Wonderful writing!!

beautiful score!!!

This is amazing! You should arrange a jazz balled of “If We Were In Love”

You made this? Big dawg this is FIRE 🔥🔥

This is such a killer chart! Does the alto sax really switch to harpsicord near the end there?

The Bass Trombone part is epic! I love playing low nots on it in jazz. It's super fun.

a classic!

Loving the charts

Great chart!

I love this arrangement of invitation, this sort of funk/hip feel brings such a new life to the standard. This key also remind me so much of the key invitation was wrote in for the airmen of note arrangement (which I'm pretty sure it is). But well done with this piece, you've really nailed it!

Fire song 🔥

Available for purchase?

Great writing and imagination, bravo.

I really like the soli saxophone part! Can I have permission to play for Instagram reels covers?

Crazy.

Nice

Lets go Bass Trombone!!!

wow that was AWESOME!!! is there anywhere we can view your original manuscript? also did you get a copyist at the time, or did you hand write the parts yourself? would love to hear more!

Where can I find the score

Awesome! Letter C and Letter R: Bass Bone/Bari Sax/Bass plays top space G instead of written Ds (octave skips)

Great recording

nice arrangement!

Groovy!

Woah 😳

One of my favorites from working under you at SSU! A very creative chart.

I enjoyed playing this under you at SSU. Thank you!

Thanks for this video , it helps me a lot ! What do you recommend for spread voicings when the root is in the lead note?

Hey, just curious, you talk about substituting a root note, and I'm not super familiar with that. I understand full chord substitution, switching the 1 for the 3, etc., But I'm unsure of which notes are the best for substituting a tonic note. It seems to me like you are often using the 9th? And you recommended the 11th in some circumstances. Along these lines, would the 13th and 7th also be good substitutions? You also refer to the 11th as a good substitute for the 5th, would that also mean that the 13th would be a good 3rd substitute? Or would you want to even substitute a 3rd?

well explained - exactly the way I would have written it - to be super correct the #9 in the F7(#9) would rather be a g# 🤓 - however, every musician would prefer to read the a flat in such a situation :-)

These videos are great. Thank you very much.

Thanks! I love that Gary Lindsay approach 👍👍

This is a gem!

Really cool!

I loved playing this tune

Hi Douglas! Thank you very much for the video! In the third system, the E7alt voicing should be Drop 2+4? Because it's only in Drop 2. In Fm7b5 you take it as F#, it seems to me that it is not right. Sorry for my English