Відео

Great lesson. Your guitar was way hotter than your mic. I had to keep adjusting my volume throughout this video. You are a great teacher.

There is a stage in becoming a musician called "Thinking in Thirds"...you eat, sleep and breath "the odd scale tones"...starting at each of the 7 notes...in every key...this is called “spelling the chord”…eventually you can rattle off the notes in every chord in every key...then you do 7th chords…and then all the extensions, Sus, etc. Don’t forget when playing triads there are 4 adjacent string sets to play them: EAD-ADG-DGB-GBE…Then there are non-adjacent string sets…the fun never stops. Guitar is infinitely more complex than the piano.🎹 <🎸

Wow. You described me perfectly. My car gets pretty banged up. I'm starting to understand why I crash as I come across out of key chords and how to play over them. The problem I have is when trying to figure out songs by ear I may get the 1 4 5 of the song I just can't seem to find the other in key or out of key chords in a bridge or chorus. Perhaps a lesson on how you find those missing chords by ear video would be helpful. Then a follow up lesson on how to play over that section of the song. Ken

Oh my gosh, thank you so much for this lesson!!! ❤️‍🔥🎸❤️‍🔥

This is an excellent lesson! 👍🎸🎼

Well why love piano, cause in piano you don't play of chords, you play the chords and the melody above it. After learning piano I became so much better at guitar improvisation

What are you even on about?

Don’t let the jazz people see this

I love this song. You do an excellent job covering it and explaining how/why it sounds so great.

This Keith guitar lick is in open G tuning, not standard tuning. Nice introductory guitar lesson.

Not helpful at all

Im a music teacher and this inspired me. Great ideas- awesome video

....brain hurts.....in a good way.... excellent lesson... ow...

4:15 6:00

Love it..

Great lesson

Great lesson on a rock & roll classic...

Very sweet ❤❤ I love the sound and the licks

Hi Clayton: I've just started learning triads and your lesson on Beast of Burden opened up a whole new world for me to explore. Very detailed explanation. Thanks for the lesson. Loved it.

For learning purposes, I did some stem separation (AI) so you can hear the isolated guitar from this track - ua-cam.com/video/uvPLKLP0tXQ/v-deo.htmlsi=tcxF43uEpM1XkgRJ (I was amazed it uploaded OK, but it seems the Rolling Stones allow their music to be uploaded to UA-cam... thanks Mick and Keith :)

I have tried developing better relative pitch over the years, and while my ear has improved, I still find it very difficult, despite all the exercises, tips and suggestions. But thanks for the lesson; I will persevere.

Great lesson. Thanks. Love the 'Ram' cap (not my fave Macca album, but definitely worth commemorating).

By thinking you need to explain that the E "shape" played on the 7th fret isn't E highlights the difficulty people have explaining the CAGED method. Have had someone ask me to play E on 7th fret, so of course played E, with root on 5th string. "NO, E!" was the response. "That is E". "NO IT ISNT, that's A!" Of course what he meant was "play B, 7th fret, root on 6th string", but not what he said.

That’s my guitar teacher!!!! Good content man!

I've been digging into your Beast of Burden lesson, and I'm thinking there should be a play like Keith course that would feature the best of Keith. Honky Tonk, Brown Sugar, Can't You Hear Me, Beast of Burden, Tumbling Dice, Shattered would be a start. And bonus, he plays in other tunings. Because if you could play the best of Keith, that's pretty much rock n roll. Then, if you wanted the blues, the best of BB, which you could probably do in a half dozen songs. And then for the jazz chords, the best of Steely Dan. King Charlemagne, Hey Nineteen, Josie, Peg, Dr. Wu, might do it. And if you could do all that, that's pretty much guitar.

Watching you "crash your car" over chord changes reminded me of how I bashed and flailed on the guitar for 20+ years. I stopped playing 10 years ago in frustration. I've been thinking of trying it again. Videos like this give me hope. Thanks!

Always struck me as a very Steve Cropper-ish riff.

Awesome lesson..you mademe pick up my guitar..Thanks!

Bringing up B7 at the beginning is unnecessarily confusing and no B7 does not sound like B

I love the way Keith and Ronnie weave their guitars together around these chords. Always one of my fave Stones songs.

This was such a great lesson for me. It’s exactly what I needed. I used it on my Boss looping and drum machine pedal. I created a loop with these C F G C triads and I played it with different voicings (mainly cowboy and bar codes) and arpeggios. Super fun!

really incredible examination I am not able to understand...

Turn off your snare!😁

Hi just found your channel and was researching the CAGED system. Ive watched through your 6 part series and Im excited to learn your 3 Pillars. Im sure as I progress the answer to my question will show itself but is there a "D" shape educational video?thanks again just subscribed.

great lesson, if one uses melody notes (singing mentally) what you are teaching is what people say so cool. thanks from japan

Hi Claytones, I'm starting to learn how to play the guitar. I'm currently focusing on the major and minor scales using the CAGED system. I would like to move on to playing all the diatonic triad chords for these scales, and I'm also trying to learn the inversions for these triads across the fretboard. However, I'm having some difficulty with this. Would it be possible for you to create a video on these topics?

This is amazing! Thank you!

Tx , great explanations, never stop learning 😬

Really good lesson. I've already learned and use triads a great deal. But this "voice leading" really helped connect some more dots. Thank you.

Andy Summers is in so many ways a master of what you are talking about here...John Frusciante another. Damn there are still Police songs I would love to, but don't dare play live because of the dexterity required and technical consistency it takes in hitting those shapes and changes without effing up.

I really like your approach...and this a hugely important element to get ones head around. I"m going to recommend to some guys I know who are struggling to understand basic guitar theory. Now I am not saying I am deep in theory....I have played for 40+ years and played in heaps of bar bands playing both rhythm and lead over those years...without a lot of guitar theory. I developed my ear and playing chops by just playing a lot and with other "proper" musicians. Now I am going back and taking on more theory...and your way of explaining things is very easy to absorb. I have to say What enabled/enables me to play at the level I do and with real musicians is that over all that time one thing really important thing I learned was TIMING...I don't know if there is anything more important. Of course I learned over time all the other tools...double stops and how to use them...Sliding, bending, Pull-offs, hammer-ons, Arpeggios, And maybe one the most important skills muting...which has so much to do with timing and feel. I still often play with a metronome or click track over top of a backing track. It's interesting to see people post guitar play alongs/covers and how so much of the timing and feel is just wrong and they cant hear it. I know guys who have more musical knowledge than me but cant stay in time and can't find the feel of piece. I decided long ago to do away with Tabs...I feel like they work against developing your ear. Learning to play by ear is hugely important IMO...and when you apply that with some of the neck knowledge you are teaching that's when doors open. My biggest challenge has always been consistency...to play clean with consistency...and I don't know if some people just have more innate talent in that realm or if it's a technique issue for me...maybe a bit of both. Thanks for your generosity.

LOL I saw the joke coming from a mile a way 😂😂😂

Really good , had to sub

What guitar is that?

on a different take, interesting choice of guitars!! ... loving the Hofner Verithin, early 60s. I have my late dad's that was bought from Selmer in the UK in 1963. Almost the same bar the trem.

So good man, similar to learning to read music too. Somehow both playing and saying/reading at the same time really solidifies it in your brain.

Ufff...

Great advice, i was in music school for many years but i struggled with exactly what you mentioned. Brain is lazy machine, so i always memorized fret patterns rather than notes. Thanks!

This is seriously good, are you on Spotify?

Nice🧐