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3 on each side

Thanks! I usually angle the bottom speaker at the highest tilt possible (0 or 1), and just eyeball it from there..

@@danielmarceau6745 Thank you. My HDL6-A arrived. Just waiting of flybar to arrive so I can try the angles

I bought them from a local distributor in Dallas TX called Sound Productions

@@danielmarceau6745 would they sell to a buyer in Arizona?

Thank you for sharing! Glad to hear! 😁👍

I was contracted in to mix the audio on this event. This is not my production design or equipment.

Totally agree. I am working towards buying the Avantis w GX4816.

@danielmarceau6745 yeah the SQ has such a small screen. Only thing I hate but the touch screen is nice

Bass low cut was probably between 50 - 70 hz if I remember correctly

Thank you sir! In the live world I eq the bass based on how the bass tone sounds through the PA combined with the room/environment. I don’t have a go to preset but I do tend to seek out the clarity and boost that a little. Also eliminating any overly resonant frequencies in the low/low mids goes a long way with letting the bass cut through well. Hi pass filter out the super lows. That’s my 2 cents

@@danielmarceau6745 thx

Not yet, but my buddy has 14 of them and I hope to do a show with them at some point.

Yes, I will try my best to do that. I have been thinking about doing an RD NET video showing how I use it.. Thanks for the feedback

I would love to see the video on how you use RDNET . Great job squeezing these speakers and making them sound killler!@@danielmarceau6745

@@danielmarceau6745 just purchased 12 hdl6a’s and traded in my 8006’s for 9006’s couldn’t be happier now. I really did not like the 8006, it was missing a entire octave of the music even in deep mode, and it was as big and heavy as the 9007

@@TylerMarletteNY congratulations! That’s a great system

Thank you! Yes that is correct but all the subs evenly spaced apart. We went with 8’ apart on this one.

I have worked on both 9007 and 9006. I’ve been told that 9007s don’t pair very well with the HDL 6 or 26. The 9006 I actually prefer for most band situations because of tonal advantages. However, the 9007 does a better job of shaking the earth, and depending on what your event/application is either sub is amazing. I did work with 8006 with the band a few times And they were fine but I think the 9006 might be better. I have not AB compared them.

@@danielmarceau6745 it would make sense the 9006 sounds tighter being a 18”, what was the crossover frequency you where running in this?

@@TylerMarletteNY 30Hz - 80Hz

@@danielmarceau6745 Thanks for the info! please keep the videos coming

In all honesty they are super impressive however there is a difference in the low mids compared to my old PAS dual 15” rig. But the 26As will blow your mind if you haven’t heard them in person before. Especially when paired with 9006s or 9004s. These are incredible boxes

Yeah I’m running 4 15” 3 way jbl srx tops switching to 6 or 8 hdl-6s crossing over at 100hz hopefully I have enough low mid

@@TylerMarletteNY my opinion is that you will be pleasantly surprised with the range of the HDL6s. I was also intimidated making the investment. I own the 26s and they default crossover at 75hz. I typically xover at 100hz

what’s the ratio of 9006’s to hdl-26’s for balanced peak spl? one of the companies I talked to said 4-6 26’s per 9006

@@TylerMarletteNY I would say 3 tops to 1 sub.

I think roughly in the ballpark of 16’ This was a throw-n-go production that I just mixed..

I believe they were Audix D series

The more expensive models have been very durable throughout my experience.

@@danielmarceau6745 which one u recommend for band ? n how many?

@@mizaelbautista6151 For a band I recommend any of the speakers that have RDNet. Just depending on the size venues that the band plays is what determines which speaker to go with.

@@danielmarceau6745 i just bought 4 DAS 208A but not sound like the way i wanted maybe im not connected right on my mixer . i was thinking return it get another brand . u got any video of how to conect it?

@@mizaelbautista6151 those are great speakers. Maybe there is an issue from the factory? Have you tried different mixer, cables, power etc?

Thanks! No processor in the signal chain.

I agree

Possibly. This was not my production. I was only the A1 on this.

Not likely. The HDL6’s are pretty capable especially for their weight and size. I have the same exact size rig and with enough height they can throw very well

9004 is half the driver count and half the amp, it’s just a 9006 cut in half

Great question. I don’t honestly know the answer to that. One of my networking partners does corporate audio in arenas/stadium’s throughout the county. They run 12 hdl26a per side and he said they muted the house feed one day and the 12 a side filled the entire arena. That said, 9 a side will cover a lot. I have an event with 10 26a per side booked covering a crowd of 6,000 people.. This video was the 6a’s not the 26a’s but they are both great. Hope that helps.

@@danielmarceau6745 thanks for answering, i have been listening to 6 hdl20 per side and it covered 5000 people on open field, it was good sound so i tought 9 hdl6 per side could cover maybe 7000 people which is amazing, but nobody has that system over here, so if anybody knows what is the coverage of this system please answer i am interested in buying 16 hdl6. Thanks.

​@@danielmarceau6745 i am curently working with dynacord speakers and i covered 5000 people with 4 cobra2 tops per side it worked amazing, so when i compare specs of those speakers i think 8 hdl6 per side should be able to cover audience of 6000 or 7000 people no problem, but i would love to hear someone experienced with hdl6.

Yes, I think so.

Lol, not nearly enough in my opinion. I think we only had like 6 - 8 18”s. I was contracted in to A1 so this is not my production.

Lol, not nearly enough in my opinion. I think we only had like 6 - 8 18”s. I was contracted in to A1 so this is not my production.

I only see 4 single 18’s. Probably would have done better couples together in front of the stage. But sometimes not an option for other logistic or aesthetic reasons

@@jessecoonen7881 there were a few more on the side fills by the projection screens

Those poles were the less expensive poles I could get my hands on at the time. I now use and recommend the gator hydraulic poles. They get the tops over heads mounted on a single 18 sub. In this video I was using dual 18s

Thanks.I’m also thinking about Ultimate Sp 100.

No doubt about it! I recently worked with the 9006s stacked and they coupled great. You could feel the punch from far away….

Absolutely, but not on this event. We just went local at this gig.

8 dual 18s

@@danielmarceau6745 are they rcf sub 9006 as?

@@carlotheatheist no sir I believe they were McCauley dual 18’s

Thanks!

No issues on this act. I had a decent amount of headroom..

I agree 👍

We had 8 dual 18s. I need to ask the production company about the make/model. I just remember that the subs were not RCF.

No, just a dual 18 in each side..

No power alley .?

Yes, I do run aux subs.

Thank you!

Excellent

Thank you! They sound excellent flat. I usually make minor adjustments to the main EQ in most environments. I have worked with the HDL-6s as well and I personally like the 26s much more.

@@danielmarceau6745 the hdl 26 sound much louder then hdl6 or the difference is small?