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ssuke17
Приєднався 30 чер 2008
Відео
Brahms Symphony No.1 Cantelli
Переглядів 9 тис.10 років тому
1953 Guido Cantelli Philharmonia Orchestra
Ravel: Bolero, Cantelli NBCso 1952
Переглядів 1,2 тис.10 років тому
Guido Cantelli NBC Symphony Orchestra 20, Dec. 1952
J.S.Bach: Suite (Overture) No.3 / Knappertsbusch, Wiener Philharmoniker
Переглядів 3,6 тис.11 років тому
J.S.Bach: Suite (Overture) No.3 BWV1068 Hans Knappertsbusch / Wiener Philharmoniker 24.06.1944
[Cantelli] Beethoven Symphony No.5 Rehearsal
Переглядів 4,7 тис.11 років тому
Guido Cantelli Philharmonia Orcehstra 1956/05/03, 06/01,04,05
Respighi: "I Pini di Roma", Cantelli
Переглядів 7 тис.11 років тому
Guido Cantelli conducts Respighi's "I Pini di Roma" 1955 live New York Philharmonic public domain
Händel: Largo (Ombra mai fù) from "Xerxes", Cantelli
Переглядів 4 тис.11 років тому
Guido Cantelli conducts Georg Friedrich Händel's Largo (Ombra mai fù) from "Xerxes". The NBC Symphony Orchestra 1953 Dec public domain
Ravel: Pavane pour une infante défunte, Cantelli
Переглядів 1,5 тис.11 років тому
Guido Cantelli conducts Ravel's Pavane pour une infante défunte. The Philharmonia Orchestra, 1952 public domain
Tchaikovsky: Symphony No.6 "Pathetique" Mengelberg
Переглядів 19 тис.12 років тому
1941 Concertgebouw Orchestra
Mendelssohn: Violin Concerto, Heifetz / Cantelli
Переглядів 35 тис.12 років тому
1954 New York Philharmonic Orchestra
Circus Galop for Mobile Phone
Переглядів 2,6 тис.14 років тому
マルカンドレ・アムラン(Marc-André Hamelin)作曲の『自動演奏ピアノのためのサーカスギャロップ(Circus Galop for Player Piano)』(1991-94)を携帯電話に演奏させてみた。 MIDIファイルは www5b.biglobe.ne.jp/~hasekou/etcmidi.htm から頂戴したものです。 音質・画質とも悪いのはご勘弁を。
♥️🎼♥️
Лучше не играет никто. И, видимо,не играл. И не будет играть, потому что лучше сыграть просто нельзя!
Какая каденция, это же чудо какое-то, просто!)
Amazing horn solos DB!!!
アップロードありがとうございました。 6番「悲愴」の曲は メンゲルベルク/ アムステルダム・コンセルトヘボウ管弦の演奏が好きで、 レコードで聴いていました。 アカデミックで好きです。
How can one top this performance with the horn solo played so beautifully by the inimitable Dennis Brain? It was said that Cantelli drove the orchestra crazy with innumerable takes in the recording studio, chasing after the "perfect" performance. This one comes awfully close. He was called "Toscanini's heir." Both Cantelli and Brain died at such a young age, due to a plane and a car crash, respectively. An incalculable loss to music lovers everywhere.
Я думаю, что подобного исполнения концерта. Мендельсона Я больше не услышу. Это уникально и непревзойденно! Браво! 🎶🌿🌺🎶🌿💮🎶🌹🌿🌼🎶🌿💐🎶🌿💐🎶🌿💐🎶🌿
Согласен, прикопаться даже не к чему.
カソリック宗教学的を排除した、科学的の指揮・演奏。 カソリック宗教法人的な、カラヤン/ベルリンフィルの演奏(1963年の録音)、と違い、社会主義を描いたこの曲を表現出来ている。 特に、第1楽章の演奏が、素晴らしい。
Too fast.
Il serait exceptionnel de trouver que l'Orchestre Philhamonique de Vienne joue des pièces de J.S.Bach. Pendant la seconde guerre mondiale, le peuple sous le nazisme eût voulu gagner leur victoire, en écoutant cette suite excellente, juste comme la famille impériale japonaise fréquemment alla au temple shintô à cause de la même raison.
Superb!!
Any slower and it would never have arrived at all! Handel said 'slow and broad' (largo), not a bloody funeral.
But actually Handel said: "Larghetto", not "Largo".
@@canaleteatrale6662 Well, that's still 'fairly slow', not with weights on the feet! But all interpretations are valid, IF they work to glorify the music. This rendering ignores the celebratory aspect of the aria.
I remember a critic saying " Heifetz does not belong to any particular era, he is his own era." I'm not talking about who is the greatest, I'm saying he is one of a kind, and we will never hear the likes of Heifetz ever again. He is unique.
Just three (now four) comments still? 22 Likes and only 1,293 views? What a shame. This performance is gorgeous. XO to all, jls
Maestro Toscanini recommends Cantelli as his successor, which is also reflected in the crispness of his playing. But very unfortunately he died in a plane crash in 1956. This take is one of his few masterpieces. The resolute performance is wonderful despite the confusion over the postwar interpretation. It is regrettable to return that he died in a plane crash.
Magnifico..grazie per essere esistito Maestro.
깐텔리 cantelli bravo!!!
This recording was new to me,but very god news. Heifetz playes like only he could,what more can i say?Thank You. Brynjar Hoff
unbelievable expressivness,forming of worlds,sculptures,souls,unmatched
MENGELGER es grandioso la interpretación de esta magnífica sinfonía es magistral .Vibra mis con sus cuerdas en nuestro interior cada vez que la escuchó lágrimas fluyen de dolor felicidad y regocijo gracias
I have always loved this version! I remember it from my childhood. The voicing is just amazing to me. So beautiful! Thank-you for posting!!!!
Bravo-!!!
Meraviglioso! Maestro, aspetto ricontrarti in Paradiso! Saro tanto felice.
Mengelberg es un director muy imaginativo y consigue que la música "vibre". Muchos críticos lo detestan por su uso de portamentos en las cuerdas (para ser lo menos técnico posible el efecto se oye como un gemido en el sonido), pero esos efectos de Mengelberg son muy propios de él y exigen una cierta disciplina de la orquesta. En resumen Mengelberg con sus ejecuciones tan personales y aparentemente no ajustadas a la partitura nos brinda justamente eso: INTERPRETACIONES de las obras con un sentido de grandeza que muchas veces no se encuentra en las versiones literales de las obras.
Gracias por poner esta interpretación, no la conocía, tengo la versión de furtwangler, lógicamente esta es muy diferente, pero de gran interés, knapp fue de los grandes, esta pulida en el mejor mármol.
Mendelssohn played as Beethoven; chacun a son gout!
Splendida esecuzione, modernissima
grazie: una meraviglia
Heifetz canta e canta. Non è solo técnica. Una tecnica superba. Heifetz cant piú di tutti. Piú di tutti. Tre o quattro minuti meno che tutti gli altri ma sto sicuro che lo stesso Mendelssohn rimaneva estasiato.
Love it 😍
Incredible intonation also. His harmonic and low G string are flawlessly in tune and that's a little unusual. It's a awesome performance.
find this recording is his best of the mendelssohn concerto. convinced me more than the Beecham - recording and the late one. The Toscanini tape has a poor sound quality.
no timpany the first bars, sad.
Über Ihren Einwand bin ich recht verwundert, vernehmen meine Ohren den Paukeneinsatz zu Beginn recht deutlich
兩雄相遇,擦出火花。快而不急,令人敬佩。
Thank you !
Bellissima esecuzione molto Toscaniniana
Concordo. Ma quasi tutti sono più lenti.
1st movement 00:01 2nd movement 13:07 3rd movement 21:57 4th movement 26:35
Grande direttore un dono
Capolavoro assoluto! Questo è Händel, non quello smorto eseguito con gli strumenti originali da incompetenti musicanti della peggior specie.....
Questa esecuzione è molto simile a quella di Toscanini con la NBC. Heifetz corre come sempre e Cantelli non è da meno. Malgrado i tempi è bellissima e straordinaria come quella di Toscanini più tesa e trascinante
The King ❤️❤️❤️
Guido Cantelli was indeed Toscanini's protege and both were Italian but that can mislead. His conducting style was nothing like Toscanini's whose tempi were generally almost too fast (up to 1930s) and subsequently often too rushed (40s and 50s). Cantelli's tempi were in the mainstream with an Italianate warmth.
Brilliant,phenomenal performance of my favorite symphony🎼🎼🎼💫💫💫🎼🎼🎼💫💫💫🎼🎼🎼💫💫💫Top!!!Karajan's interpretation is also perfect!!!Sofisticated,the best adagio lamentoso is from Maestro Karajan!
Very solid, first-rate performance of this work; it's a shame that Cantelli died as and when he did; Toscanini was never told of his death.
Magistral interpretación del infortunado director transalpino al frente de los maestros de aquella memorable Philarmonia. Cuanta armonía, ritmo, timbre, sensibilidad y delicadeza brahmsianas.¡Qué furtwangleriana!
アクセントの効いた明快で意志の強い表現が好きです。惜しまれてなりません♪
meraviglioso
Heifetz plays everything faster -- maybe just to show off -- but his great talent makes everything sound well in my opinion.
Heifetz never played faster than many others to show off! Only because he was convinced it was the better tempo for the music... But for sure, some other musicians can't play as fast as they would if they could, and finally get convinced that their tempo is "more appropriate" to the music... when it is in fact more appropriate to their technical limitations. Just hear the way Heifetz is always telling a clear story with any piece of music, in a very narrative way. Everything is naturally breathing, going forward, sentences after sentences...
Must be one of the best on recorded Brahms ever. Never 'Tiny' Tocanini kind like that. You'd best hear this!
Me resulta imposible aceptar que en ésta interpretación se "elimina lo patético de la interpretación" por parte de un tal Rob. Siendo ésta obra la que en mi sentimiento ocupa el primer lugar, poseo una abundante colección de interpretaciones entre las mejores-entre 12 a 16. Ésta de Mengelberg, siendo de la época de 331/3 rpm en sus ultimos registros de Mengelberg, a la fecha NO EXISTE para mí alguna que la sobrepase en calidad interpretativa incluyendo cualquier último registro. Agradezco que la mantengan disponible.