Відео

another amazing video! I must say thanks for the answer about the missing extra channels when using kernels, I was running by the same problem and couldn’t figure it out, thank you so much for sharing this!

amazing video thanks for sharing!

I would like to know how to create a render pass for Arnold using opscript，please

Thank you, very good tutorial

Nice, I didn't know about the scale to focal length relationship.

Superb videos from Trixter, thank you very much guys.

Thanks Trixter and Tony for this useful tutorial with good explanation. Happy Holydays to all Trixter team and Marry Christmas.!

thx

What shortcut is that you were using for the dot node to make it organized.

Wait so which one was the original audio the french or the english

Thank you! The trick with the card is just awesome! We, actually, used "render to uv" is the very similar case and encountered exactly the drawbacks you are talking about :)

It looks amazing. Unfortunately it is not easy to follow like this. Could you please re do this exercise?

Have a nice day, is the “CsArnoldRenderPreview” node available in a Gaffer version or is it only for your exclusive use? Regards

Guys why is the viewport blurred - copyright related?

Thanks guys! I

Nice tutorial. Not enough training focuses on the basics of inverse transformations and matrices. Things to note, matrices are used to prevent filter hits due to concatenation, this extends to color matrices. I would also explore the STmap approach instead of the texture. It can be challenging to setup, but gives a lot more flexibility. And finally, in this specific shot, I would have considered Splinewarps (and Smart Vectors for details) to match the faces with no requirement for rotomation, modelling, UVing, and/or Facetracker (even though I am a big fan of Keentools).

Awesome workshops and extremely valuable information. Thank you.

That shot of Samuel L Jackson…it’s a blue screen in the background… 😉. I know, I worked on those shots at Method.

thank you for your efforts 🙂love from India

That was actually a very solid tutorial. An interesting extension would be using matrices to to the projections as well. But you may have to build a more complete scanline renderer than nuke's default.

This is really great. I should have look at this before. I would have help me and my team for contact shadow.

the csArnoldRenderPreview is avilable in github or somewhere?

Hi, Awesome workshop as always! Could you please tell me what you have in lens group\gizmo and why the cam input is needed? Thanks!

Awesome workshop, and I love the trick with animating a card so that it follows an object. Also helped me when I had to do some rotos on a moving car, that was a huge time saver! 🙂

Wow, riggers are like programmers in disguise! I wonder what's happening in the FX department. They must have the most fun there!

brilliant thanks Alexey🙏

what a great find, so many handy techniques in this. Also, anyone know the hotkey he was using to switch the Merge node operations?

That -1 scale inverted camera trick is brilliant. Thanks!

Fantastic video. Thank you for sharing this. That answered so many questions for me. Would be great if you could also cover: how to publish the box so it appears in tab menu, and how to recreate your layer selector. Also what would be the best way to create something similar to Katana's Variable Enabled Group?

Extremly helpful! thank you very much

This is amazing content for everyone in the industry. I recently found your channel, and the content you post deserves very much appreciation. Thank you!

No comp department??

Why are you teaching basics using stamps instead of just using Nuke traditional nodes so that those that are still learning can understand how nuke really works?

Hey, on a previous workshop you said that it was better to add only one Glow at the end because it is a lens effect and that it can increase values pretty fastly, but in this one you added various glows during the relight phase. How do you justify this? thanks!

Nice to see some love for gaffer...

one question to the YCbCr Edge Despill section: why do we need this Merge(Over) operation before Coping edge extended chroma components back to the image? I recreated this setup but introduced more semi-transparency in the alpha of the Checkeboard and accually plugging the EdgeExtend output straight into the Copy node gave me better results. Also I'm using Nuke's default's Edge Extend here. By the way, do you know where to find an Edge Extend similar to the group you use here in this example? It seems lighter/simpler than the default one.

amazing!

That's amazing content, thank you for that. I have a question, what do you consider to be a new version of the script? What makes you save a new comp version? It is a new day of work, changes from client, new interations.... I've got curios about your "rule" to save a new version.

Amazing. Thank you!

Alexey is a fabulous teacher! Thanks for sharing these resources.

As you (Alexey) said in the beginning, smoke is a product of combustion, which will include a slight amount of heat and that will cause heat distortion, so blurring or even distorting the background before merging the smoke over would be probably physically correct.

Thank you!

I want to thank you for all these tutorials you guys are putting out <3 Hello from Vancouver!

Great stuff!! I know this is not a related question, but I'm obsessed with your shortcut to break the wires with dot with the merges, how do you do it?

this is gold!

thx,! but why low quality 720p?

Amazing! I thought I was the only FX artist into astrophotography!

So Cool thanks for sharing!

2nd part?

MORE MORE MORE !! learning so much from these