Відео

love this story, love mark twain

Great upload. Thank you

What a novel..!!!

This is captivating.... super enjoying.

Very much appreciated

👍👍 amazing

Great Great Great

Great upload

Sadly chapter 18 is only half uploaded, but thank you very very much <3 Edit: the 2nd half is uploaded after chapter 19, so skip to 43:00 for the continuation of chapter 18

Thank you. Great upload.

Thank for this upload.

Thank you very much

I'm glad that people are reading Sherlock Holmes.

I enjoyed very much

This part of the book is so insanely satisfying

👌👌👌👌👌👌👌👌👌👌

Thank for this uploaded. This story is an Education.

Thank you so so much for this upload!!!

What a great story ! A look into human behaviours .

Much appreciated

If this is not an AI the reading is brilliant. ❤

This chap spot on. Thank you. I got flu this amazing relief.

Thank you!

Ah, it would be helpful if one would check one's work before posting. This jumbled up mess should be removed as it's impossible to follow the stories.

The most famous adaptation - often considered one of the best horror movies in history - is this Freudian interpretation of James’ tale, directed by Jack Clayton and starring Deborah Kerr. The direction and photography are truly unsettling and inventive, tormenting the viewer in stark chiaroscuro tones of black and white - a landscape dominated by shadow and light, good and evil, right and wrong. This adaptation is famous for avoiding cheap thrills and horror for intense psychological dread and terror. The score - made of music boxes, children’s songs, sinister flute airs, and synthetic layering - too, is notably chilling, and the acting is superb. But it is truly Clayton’s masterful vision as a director - watchful, voyeuristic, and invasive - that has attracted so much attention for what most critics consider the best adaptation of the novel. Clayton, like Britten, takes a psychoanalytic approach but remains an apparitionist (it is very hard to doubt that something supernatural is occurring in a house ringing with maniacal laughter in the dead of night), causing the audience to wonder what the insecure, infatuated governess might be projecting onto the specters, but never really calling her into doubt (indeed, this is very hard to do in a film version - James hints at the governess’ odd expressions, emotional overreactions, and misinterpretations, but films seem to gain more power by building faith in the governess rather than wicking it away). Sexuality boils heavily beneath the film, from Quint’s leering, undressing eyes to the final shot of the governess laying her quivering lips onto Miles’ cold mouth. The screenplay was written by Truman Capote of Cold Blood fame. Capote is well known for his flair for the Southern Gothic style of Faulkner and Flannery O’Connor, and his script has been noted for its use of this lens. The whole environment has a very Faulkneresque air, one writer noting that Kerr’s “repressed erotic sensibility [is] counterpointed by shots of lush and decaying plants and rapacious insect life” in a manner that owes a debt to the Southern Gothic tradition. Themes of moral repression, latent evil, and social hypocrisy float effortlessly around Bly as easily as they would a Spanish moss-covered plantation in the Alabama swamps. Peter Bradshaw reviews the film in the following manner: “[It] is an elegant, sinister and scalp-prickling ghost story - as scary in its way as Rosemary's Baby or The Exorcist. It has to be the most sure-footed screen adaptation of Henry James … clarifying some of the original's ambiguities and obscurities, but without damaging the story's subtlety… [The governess] finds something she describes as "secret, whispery, and indecent": the house is haunted by the souls of Peter Quint, a drunken, disreputable valet, and Miss Jessel, the former governess whom he seduced. Without admitting it, the children can see the ghosts as well; the spectres have become their secret, parasitical friends. Flora's pertly knowing innocence and Miles's insolent adult hauteur show how the children become possessed and corrupted by them. Clayton brilliantly uses slow dissolves to create ghostly superimpositions, and the harmless squeals of bath-time fun, or squeakings of a pencil, suggest uncanny screams. The most disturbing scenes take place in daylight: Quint's appearance in the garden is heralded by the sudden silencing of the birdsong. It's a moment that makes your blood run cold. The whole film does that. The Innocents remains the unquestionable masterpiece to which all adaptations must needs be compared - atmospheric, psychological, stark and bleak, and often terrifying, it is one of the best ghost stories in cinema.

2:08:36

doesn't flow with all the descriptions

It's backwards

It's actually called The Hound of the Basketballs.

Thanks so much what a great book and what a nice narrator

27:52 Chapter 76

The audio quality is so much better than in any of the other uploads of this audiobook. This deserves more views.

Thanks for your video GOD bless everyone Barakallah fiikum 😂😂❤❤❤

Thomas Daniel Smith Mark Robinson Kimberly

Hall Lisa Lewis Carol Anderson Sandra

Why are the chapter marks off? I'm sorry, but I have to look for this audiobook elsewhere because of the time stamps, although I like the reader!

White Amy Wilson Daniel Martin David

Hall Thomas Robinson William Young Charles

Nice work, thanks for sharing

Great narrator.

Thank you for the clear and crisp audiobook version of the classic sherlock holmes stories. This way I can enjoy this while commuting. I really enjoyed the narrator's voice~

Thompson David Jones Robert Robinson Ronald

This is good

500 ❤

Garcia Joseph Lee Deborah Martin Richard

Thomas Anthony Martin Cynthia Walker Melissa

Moore Scott Jackson Edward Miller Thomas

Hernandez Maria Martin Brenda Garcia Cynthia

Perez Donald Gonzalez Sharon Thomas William

Lee Donald Jones Jose Young Linda