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Bulgaria
Приєднався 27 жов 2016
Veronica Simeoni & Sofia Soloviy - E sia! Non risponde... (F. Cilea, Adriana Lecouvreur)
The video recording was made during the Gala concert dedicated to the 90th anniversary of Raina Kabaivanska, 15.09.2024, Plovdiv (Bulgaria).
Conductor: Naiden Todorov
Orchestra of the State Opera Plovdiv
Born in Rome, Veronica Simeoni completed her musical and artistic training under the guidance of Raina Kabaivanska, with whom she studied - after graduating in singing from the Conservatory of Adria - at the Accademia Chigiana in Siena, at the Istituto Vecchi-Tonelliin Modena and at Sofia State University.
Thanks to her musical talents and her charisma as a performer, Veronica Simeoni deals with a very wide repertoire, ranging from Rossini and Belcanto to Verdi, Verismo and even contemporary and rarely performed titles, with a particular predilection for the French repertoire with such titles as La damnation de Faust Berlioz (at Teatro dell’Opera in Rome staged by Damiano Michieletto under the baton of Daniele Gatti), Meyerbeer’s Africaine (Sélika at Teatro La Fenice in Venice conducted by Emmanuel Villaume), Les Troyens (Didon at Palau de Les Arts in Valencia conducted by Valery Gergev and with stage direction by La Fura dels Baus), Les Contes d’Hoffmann (Giulietta at Teatro alla Scala in Milan).
During her carreer sha has been part of many outstanding productions in the world leadinh opera houses, such as Werther (Charlotte) at Metropolitan New York, Don Carlo (Eboli) and Aida (Amneris) at Opernhaus Zurich, La Forza del destino (Preziosilla) staged by Christof Loy both at National Opera Amsterdam under the baton of Michele Mariotti and at ROH Covent Garden London conducetd by Sir Antonio Pappano, Norma (Adalgisa) at Teatro Real di Madrid, Nabucco (Fenena) at Teatro alla Scala, Il trovatore (Azucena) at Teatro La Fenice di Venezia and at Opéra de Bordeaux, Guillaume Tell at Rossini Opera Festival Pesaro staged by Graham Vick, Roberto Devereux (Sara) at Deutsche Oper Berlin and at Bayerische Staatsoper Munich, Anna Bolena (Seymour) at Opernhaus Zurich, Maria Stuarda (Elisabetta) at ABAO Bilbao, Carmen at Sydney Opera House, Henze’s The Bassarids with stage direction by Mario Martone (winning production of Premio Abbiati) for the season opening of Teatro dell’Opera di Roma, Cavalleria rusticana (Santuzza) at Teatro San Carlo di Napoli.
Veronica Simeoni is also very committed in a wide concerts repertoire, from Rossini’s Petite messe solennelle (Rossini Opera Festival conducted by Alberto Zedda) and Stabat Mater (La Scala with Riccardo Chailly) to Beethoven’s IX Symphony (Accademia di S. Cecilia with Lorin Maazel, Teatro San Carlo di Napoli with Zubin Mehta), and to Verdi’s Messa da Requiem (San Pietroburgo with Yuri Temirkanov, Maggio Musicale Fiorentino with Daniele Gatti, Washington with Gianandrea Noseda, Concertgebouw Amsterdam with Michele Mariotti), to masterpieces of the chamber music repertoire such as Wagner’s Wesendonck-Lieder, Mahler’s Wunderhorn-Lieder, Sostakovičs Six lyrical poems, words by Marina Cvetaeva.
About her recordings, 'Voix d'espoir' has been released in 2019 with pianist Michele D'Elia for the Maggio Live series and it is dedicated to the vocal chamber music by Berlioz, Debussy, Fauré and Reynaldo Hahn.
Sofia Soloviy was born in Lviv, in western Ukraine, where she began her musical studies at the age of four, completing them at the Mykola Lysenko Music Academy, where she graduated with honours in singing, piano and musicology. In 2000 she moved to Italy, where she studied with Raina Kabaivanska and William Matteuzzi at the Academy of Lyrical Art in Osimo, followed by courses at the Rossinian Academy in Pesaro and at the Chigiana Music Academy in Siena with Gianluigi Gelmetti, Gustav Kuhn and Alberto Zedda. She has won awards in fourteen international competitions, among them the Corradetti Competition in Padua, the Ziino Competition in Rome and the Deutschlandsberg Tagliavini Competition in Austria; she was awarded first prize and the Audience Award at the Viotti Competition in Vercelli.
Sofia Soloviy performed in operas in Athens, Ljubljana, Liège, Luxembourg, Madrid, Marseille, Muscat, Naples, Nice, Rome, Venice and Vienna, and has also participated in numerous opera festivals. She has worked with the conductors Roberto Abbado, John Axelrod, Maurizio Benini, Ivor Bolton, Giampaolo Bisanti, Ottavio Dantone, Gabriele Ferro, Christophe Rousset, Oksana Lyniv, the stage-directors Abbas Kiarostami, Davide Livermore, Vera Nemirova, Krzysztof Warlikowski and Pierluigi Pizzi and the composers Matteo D’Amico, Yuri Lanyuk, Krzysztof Penderecki and Myroslav Skoryk.
Her discography includes recordings of Cherubini’s Lodoïska (Polskie Radio), Gomes’ Salvator Rosa (Dynamic), Monteverdi’s Il ritorno d’Ulisse (Brilliant Classics), the Mozart/Strauss Idomeneo and Strauss’ Salome (both Dynamic), Rossini’s Le comte Ory (Naxos) and Vivaldi’s L’incoronazione di Dario (Naïve), Moriarty’s Missa Adsum! (Toccata Classics), Hermann’s Complete Surviving Music (Toccata Classics) .
Conductor: Naiden Todorov
Orchestra of the State Opera Plovdiv
Born in Rome, Veronica Simeoni completed her musical and artistic training under the guidance of Raina Kabaivanska, with whom she studied - after graduating in singing from the Conservatory of Adria - at the Accademia Chigiana in Siena, at the Istituto Vecchi-Tonelliin Modena and at Sofia State University.
Thanks to her musical talents and her charisma as a performer, Veronica Simeoni deals with a very wide repertoire, ranging from Rossini and Belcanto to Verdi, Verismo and even contemporary and rarely performed titles, with a particular predilection for the French repertoire with such titles as La damnation de Faust Berlioz (at Teatro dell’Opera in Rome staged by Damiano Michieletto under the baton of Daniele Gatti), Meyerbeer’s Africaine (Sélika at Teatro La Fenice in Venice conducted by Emmanuel Villaume), Les Troyens (Didon at Palau de Les Arts in Valencia conducted by Valery Gergev and with stage direction by La Fura dels Baus), Les Contes d’Hoffmann (Giulietta at Teatro alla Scala in Milan).
During her carreer sha has been part of many outstanding productions in the world leadinh opera houses, such as Werther (Charlotte) at Metropolitan New York, Don Carlo (Eboli) and Aida (Amneris) at Opernhaus Zurich, La Forza del destino (Preziosilla) staged by Christof Loy both at National Opera Amsterdam under the baton of Michele Mariotti and at ROH Covent Garden London conducetd by Sir Antonio Pappano, Norma (Adalgisa) at Teatro Real di Madrid, Nabucco (Fenena) at Teatro alla Scala, Il trovatore (Azucena) at Teatro La Fenice di Venezia and at Opéra de Bordeaux, Guillaume Tell at Rossini Opera Festival Pesaro staged by Graham Vick, Roberto Devereux (Sara) at Deutsche Oper Berlin and at Bayerische Staatsoper Munich, Anna Bolena (Seymour) at Opernhaus Zurich, Maria Stuarda (Elisabetta) at ABAO Bilbao, Carmen at Sydney Opera House, Henze’s The Bassarids with stage direction by Mario Martone (winning production of Premio Abbiati) for the season opening of Teatro dell’Opera di Roma, Cavalleria rusticana (Santuzza) at Teatro San Carlo di Napoli.
Veronica Simeoni is also very committed in a wide concerts repertoire, from Rossini’s Petite messe solennelle (Rossini Opera Festival conducted by Alberto Zedda) and Stabat Mater (La Scala with Riccardo Chailly) to Beethoven’s IX Symphony (Accademia di S. Cecilia with Lorin Maazel, Teatro San Carlo di Napoli with Zubin Mehta), and to Verdi’s Messa da Requiem (San Pietroburgo with Yuri Temirkanov, Maggio Musicale Fiorentino with Daniele Gatti, Washington with Gianandrea Noseda, Concertgebouw Amsterdam with Michele Mariotti), to masterpieces of the chamber music repertoire such as Wagner’s Wesendonck-Lieder, Mahler’s Wunderhorn-Lieder, Sostakovičs Six lyrical poems, words by Marina Cvetaeva.
About her recordings, 'Voix d'espoir' has been released in 2019 with pianist Michele D'Elia for the Maggio Live series and it is dedicated to the vocal chamber music by Berlioz, Debussy, Fauré and Reynaldo Hahn.
Sofia Soloviy was born in Lviv, in western Ukraine, where she began her musical studies at the age of four, completing them at the Mykola Lysenko Music Academy, where she graduated with honours in singing, piano and musicology. In 2000 she moved to Italy, where she studied with Raina Kabaivanska and William Matteuzzi at the Academy of Lyrical Art in Osimo, followed by courses at the Rossinian Academy in Pesaro and at the Chigiana Music Academy in Siena with Gianluigi Gelmetti, Gustav Kuhn and Alberto Zedda. She has won awards in fourteen international competitions, among them the Corradetti Competition in Padua, the Ziino Competition in Rome and the Deutschlandsberg Tagliavini Competition in Austria; she was awarded first prize and the Audience Award at the Viotti Competition in Vercelli.
Sofia Soloviy performed in operas in Athens, Ljubljana, Liège, Luxembourg, Madrid, Marseille, Muscat, Naples, Nice, Rome, Venice and Vienna, and has also participated in numerous opera festivals. She has worked with the conductors Roberto Abbado, John Axelrod, Maurizio Benini, Ivor Bolton, Giampaolo Bisanti, Ottavio Dantone, Gabriele Ferro, Christophe Rousset, Oksana Lyniv, the stage-directors Abbas Kiarostami, Davide Livermore, Vera Nemirova, Krzysztof Warlikowski and Pierluigi Pizzi and the composers Matteo D’Amico, Yuri Lanyuk, Krzysztof Penderecki and Myroslav Skoryk.
Her discography includes recordings of Cherubini’s Lodoïska (Polskie Radio), Gomes’ Salvator Rosa (Dynamic), Monteverdi’s Il ritorno d’Ulisse (Brilliant Classics), the Mozart/Strauss Idomeneo and Strauss’ Salome (both Dynamic), Rossini’s Le comte Ory (Naxos) and Vivaldi’s L’incoronazione di Dario (Naïve), Moriarty’s Missa Adsum! (Toccata Classics), Hermann’s Complete Surviving Music (Toccata Classics) .
Переглядів: 67
Відео
Sofia Soloviy - Un bel dì vedremo... (G. Puccini, Madama Butterfly)
Переглядів 16728 днів тому
The video recording was made during the Gala concert dedicated to the 90th anniversary of Raina Kabaivanska, 15.09.2024, Plovdiv (Bulgaria). Conductor: Naiden Todorov Orchestra of the State Opera Plovdiv Sofia Soloviy was born in Lviv, in western Ukraine, where she began her musical studies at the age of four, completing them at the Mykola Lysenko Music Academy, where she graduated with honours...
Baia Saganelidze - Acerba voluttà (F. Cilea, Adriana Lecouvreur)
Переглядів 4628 днів тому
The video recording was made during the Gala concert dedicated to the 90th anniversary of Raina Kabaivanska, 15.09.2024, Plovdiv (Bulgaria). Conductor: Naiden Todorov Orchestra of the State Opera Plovdiv A Georgian Mezzosoprano Baia Saganelidze was born on the 22.08.1994. in Tbilisi, Georgia. Baia Saganelidze is a student of Raina Kabaivanska at the Conservatorio di musica “Vecchi Tonelli” sinc...
Toni Nežić - O tu, Palermo... (G. Verdi, I vespri siciliani)
Переглядів 2328 днів тому
The video recording was made during the Gala concert dedicated to the 90th anniversary of Raina Kabaivanska, 15.09.2024, Plovdiv (Bulgaria). Conductor: Naiden Todorov Orchestra of the State Opera Plovdiv In 2021 Toni Nežić became an alumni of Accademia Teatro alla Scala under the guidence of one of the most prestigious mezzo-sopranos in the world- Luciana D’Intino. Most recently he sang the rol...
Veronica Simeoni - Condotta ell'era in ceppi (G. Verdi, Il trovatore)
Переглядів 7728 днів тому
The video recording was made during the Gala concert dedicated to the 90th anniversary of Raina Kabaivanska, 15.09.2024, Plovdiv (Bulgaria). Conductor: Naiden Todorov Orchestra of the State Opera Plovdiv Born in Rome, Veronica Simeoni completed her musical and artistic training under the guidance of Raina Kabaivanska, with whom she studied - after graduating in singing from the Conservatory of ...
Aleksandrina Mihaylova - È strano... Sempre libera... (G. Verdi, La traviata)
Переглядів 44428 днів тому
The video recording was made during the Gala concert dedicated to the 90th anniversary of Raina Kabaivanska, 15.09.2024, Plovdiv (Bulgaria). Conductor: Naiden Todorov Orchestra of the State Opera Plovdiv Aleksandrina Mihaylova was born on April 10, 1998 in Bulgaria. She began her musical training by studying piano in the city of Shumen. At the age of 14, she started studying opera singing and p...
Baia Saganelidze - Stride la vampa (G. Verdi, Il trovatore)
Переглядів 10728 днів тому
The video recording was made during the Gala concert dedicated to the 90th anniversary of Raina Kabaivanska, 15.09.2024, Plovdiv (Bulgaria). Conductor: Naiden Todorov Orchestra of the State Opera Plovdiv A Georgian Mezzosoprano Baia Saganelidze was born on the 22.08.1994. in Tbilisi, Georgia. Baia Saganelidze is a student of Raina Kabaivanska at the Conservatorio di musica “Vecchi Tonelli” sinc...
Reinaldo Droz - Recondita armonia (G. Puccini, Tosca)
Переглядів 29828 днів тому
The video recording was made during the Gala concert dedicated to the 90th anniversary of Raina Kabaivanska, 15.09.2024, Plovdiv (Bulgaria). Conductor: Naiden Todorov Orchestra of the State Opera Plovdiv Reinaldo Droz was born in Barcelona, the state of Anzoátegui in Venezuela. He studied at the Simon Bolivar conservatory . In 2017 made his debut as Nemorino in the opera L’elisir D’amore from G...
Reinaldo Droz - Nessun dorma (G. Puccini, Turandot)
Переглядів 40428 днів тому
The video recording was made during the Gala concert dedicated to the 90th anniversary of Raina Kabaivanska, 15.09.2024, Plovdiv (Bulgaria). Conductor: Naiden Todorov Orchestra of the State Opera Plovdiv Reinaldo Droz was born in Barcelona, the state of Anzoátegui in Venezuela. He studied at the Simon Bolivar conservatory . In 2017 made his debut as Nemorino in the opera L’elisir D’amore from G...
Reinaldo Droz & Aleksandrina Mihaylova - O soave fanciulla (G. Puccini, La bohème)
Переглядів 63028 днів тому
The video recording was made during the Gala concert dedicated to the 90th anniversary of Raina Kabaivanska. Conductor: Naiden Todorov Orchestra of the State Opera Plovdiv * * * * * * * * * * * * * * * * * Reinaldo Droz was born in Barcelona, the state of Anzoátegui in Venezuela. He studied at the Simon Bolivar conservatory . In 2017 made his debut as Nemorino in the opera L’elisir D’amore from...
Casa museo "Luciano Pavarotti" a Modena | House of Luciano Pavarotti in Modena
Переглядів 4,4 тис.Рік тому
Casa museo "Luciano Pavarotti" a Modena | House of Luciano Pavarotti in Modena
Federica Lombardi - Quando m'en vo'
Переглядів 10 тис.7 років тому
Federica Lombardi - Quando m'en vo'
Giacomo Puccini - La bohéme (second act)
Переглядів 1,4 тис.7 років тому
Giacomo Puccini - La bohéme (second act)
Giacomo Puccini - La bohéme (final scene)
Переглядів 12 тис.7 років тому
Giacomo Puccini - La bohéme (final scene)
Fabio Sartori & Sonya Yoncheva - O soave fanciulla
Переглядів 4 тис.7 років тому
Bulgarian soprano Sonya Yoncheva and Italian tenor Fabio Sartori perform the aria "O soave fanciulla" from the first act of the opera "La bohéme" by Giacomo Puccini. Teatro alla Scala, Milano 2017 Conductor: Evelino Pidó Director: Franco Zeffirelli
Sonya Yoncheva - Si, mi chiamano Mimí
Переглядів 6 тис.7 років тому
Sonya Yoncheva - Si, mi chiamano Mimí
Sonya Yoncheva & Fabio Sartori - Che gelida manina; Si, mi chiamano Mimí; O soave fanciulla
Переглядів 8 тис.7 років тому
Sonya Yoncheva & Fabio Sartori - Che gelida manina; Si, mi chiamano Mimí; O soave fanciulla
Giuseppe Verdi - Gloria all'Egitto ad Iside ("Aida")
Переглядів 2,9 тис.7 років тому
Giuseppe Verdi - Gloria all'Egitto ad Iside ("Aida")
Giuseppe Verdi - Va, pensiero ("Nabucco")
Переглядів 1557 років тому
Giuseppe Verdi - Va, pensiero ("Nabucco")
Giuseppe Verdi - Or co' dadi, ma fra poco (Soldiers' chorus, "Il Trovatore")
Переглядів 2,5 тис.7 років тому
Giuseppe Verdi - Or co' dadi, ma fra poco (Soldiers' chorus, "Il Trovatore")
Peter Danailov, Mariana Pentcheva & Deyan Vatchkov - In braccio al mio rival; Giorni poveri vivea
Переглядів 5727 років тому
Peter Danailov, Mariana Pentcheva & Deyan Vatchkov - In braccio al mio rival; Giorni poveri vivea
Zvetelina Vassileva & Peter Danailov - Udiste? Come albeggi...
Переглядів 7887 років тому
Zvetelina Vassileva & Peter Danailov - Udiste? Come albeggi...
Petya Ivanova & Boyko Tzvetanov - Qui di sposa eterna fede
Переглядів 1927 років тому
Petya Ivanova & Boyko Tzvetanov - Qui di sposa eterna fede
Mariana Pentcheva - Mon coeur s'ouvre à la voix
Переглядів 8957 років тому
Mariana Pentcheva - Mon coeur s'ouvre à la voix
Deyan Vatchkov - Le veau d'or (Rondo of Mefistofele)
Переглядів 6327 років тому
Deyan Vatchkov - Le veau d'or (Rondo of Mefistofele)
Zvetelina Vassileva - Ebben, ne andrò lontana
Переглядів 3227 років тому
Zvetelina Vassileva - Ebben, ne andrò lontana
Pietro Mascagni - Gli aranci olezzano ("Cavalleria rusticana")
Переглядів 3,5 тис.7 років тому
Pietro Mascagni - Gli aranci olezzano ("Cavalleria rusticana")
Boyko Tzvetanov - La mia letizia infondere
Переглядів 2747 років тому
Boyko Tzvetanov - La mia letizia infondere
Страхотна си,скъпа Александрина❤
I think Domingo is a very good Calaf
BRAVISSIMA!!!!!!!BRAVISSIMA!!!!!!!!!!
"Ed ogni notte nasce, ed ogni giorno muore", di petto (chest). E dà i brividi ! 😢😮
Maestro, tu nous manques et on ne t’oublie pas. Ta voix divine nous tire les larmes et j’espère que tu es au Ciel et que tu chantes avec le choeur des Anges.
Анна прекрасно исполняет Турандот!!❤ Не надо никого сравнивать!! И завидовать тоже не надо!😮
Canta muy bien. Pero no tiene la voz adecuada para esa aria.
Resulta un poco morboso ver la casa de alguien que ya no está, es como imaginarlo haciendo vida diaria en esas estancias y por tanto romper su intimidad, pero al mismo tiempo nos da cuenta de lo importante que es conservar tanto lo grande como lo pequeño de algún antepasado querido y hacer de todo eso nuestro Museo particular. Conozco poco a Pavarotti pero me agrada especialmente su forma de cantar y lo que transmite como persona. La casa, Muy bonita, en su arquitectura, colorido, diseño y decoración interior, es muy italo-mediterránea y refleja muy bien lo que parecía ser su personalidad. 😃💖
Io invece non ho mai trovato la Ghena cosi stupefacente. Molto volume ma timbro piuttosto ordinario. Ho preferito altri soprani un po piu' rifiniti nel ruolo di Turandot. E poi il volume per cantare Turandot lo avevano tutte senno' stavano a casa.
Най великата оперна певица за всички времена е РАЙНА КАБАИВАНСКА❤❤❤❤❤❤❤❤❤
Un massacre !!
very good
Wearing microphones?! Is this outdoors?
In a sport hall.
What's there to say ? She is magnificent.
❣
Tandas Comerciales Pasiones 22 de Abril 2021
29:53
Il baritono - bella voce poca tecnica . Il mezzosoprano - vibrato e vocalità poco professionali, la mia nonna a 90 anni cantava con una vocalità più giovanile … Il basso è un baritono . benvenuti nel Conservatorio !… il vecchio
1 Vibrato fastidioso 2 Pronuncia scarsa 3 Impostazione della voce poco professionale. Non mi piace affatto. il vecchio
Dimitrova just annihilated Domingo here.
Poor Placid Sunday. No one can hear him.
Tandas Comerciales Pasiones 22 de Abril 2021
29:53
Para mi sería lo más grande y emocionante llegar a conocerla. Debe ser como sentir que todavía está. Yo lo amo con todo mi ❤
No me interesa
then why remark,
Domingo totally screwed Ghena on that high C right at 5:17. He didn't have it and she did. He came off of it so early that she didn't get to sustain it that way she could have.
Placido doesn’t stay up in the chest and keep the acoustic box like she does. The brunt of the force is on his cords and not his lungs. It’s unfortunate he wasn’t taught properly or just didn’t listen.
@@toscadonna I try not to get too technical here on UA-cam. I know this aria really well because I play it for my wife on a regular basis at the piano. We're going to submit a live raw PV version of it on my channel. Ghena though is her favorite Turandot. What a voice.
@@canalesworks1247Ghena was my teacher’s teacher. She’s stupendous.
Domingo un bebe de pecho comparado con la Dimitrova!!
Pura potenza e belleza!
Why so hurry? Lack of concentration and emotion. A very disappointing performance from Sonya.
Purtroppo anca un commento adeguato e la ripresa video , pur dettata da grande amore per Pavarotti, è inadeguata. Sarebbe meglio rifarla con un minimo di regia! Il mio commento è dettato da amore per la musica.
Dimitrova is so stunning in this role.
Страхотна
La.apodada REINA DE MILAN y tarzan colgado de las lianas........
When Ghena turns around to destroy the world with “Straniero Ascolta,” I was sure she’d have lasers in her fingers and fire coming out of her mouth.😂 She’s unbelievable. What a voice and the technique to match it.
👍🏻👍🏻👍🏻 🤣🤣🤣 i agree!
The best Kalaf was Franco Corelli.
con federica capisci quello che canta una cosa rara grande italiana brava
Absolutely fabulous!! Thank you New York!
Какого года запись? В каком театре?
Гелена Димитрова величайшая певица современности!
Piu vedo questo video e piu mi rendo conto di quanto è brava federica la piu bella soprano in circolazione ❤❤❤❤❤❤
Кто исполняет партию тенора?
Placido Domingo
Federica è bravissima e bellissima è un incanto sentirla avrà un grande futuro ❤❤❤❤❤❤
merci pour cette belle visite / grazie per questa bella visita
This is not a voice ! This is an erupting volcano ! It covers everything , even Mingo ! The....Do less tenor !!! 😀
Solo il grande Corelli avrebbe potuto essere un degno Calaf accanto a lei. Immensa.
Mario Del Monaco and Caruso would have been up to the task. They had great technique.
@@toscadonna Giacomini and Martinucci also good but not at the Corelli level.
Mariana is awesome! I just wish the tempo was slower, especially during the first part.
Mariana Penceva - vibrato fastidioso, registro acuto inesistente , vocalità poco professionale, no comment . il vecchio
@@bodiloto I like the vibrato and I don't care that much about the high register.
@@theonlygoodlookinghabsburg2081 Una domanda sola con molto rispetto naturalmente,volevo chiedere ma Lei capisce qualcosa dell’arte lirica ?… Saluti cordiali il vecchio
Pavarotti: The legend
Justesse, voyelles, difficulté apparente.. Technique floue. Difficile à écouter.
If this is from the Metropolitan Opera, hopefully Domingo cracks his high C like he did the night I was there. In the video release they spliced in a High C. In my opinion that was fraud. The few times I heard him sing Calaf, he always cracked the High C. Not sure why he actually took on the role
Ci sono stato, emozione unica ❤