Відео

Podrían poner la pantalla en funcionamiento, de manera que se pudiera ver a los cantantes y el Escenario en Directo?.. Ganarían mucho, ya que muchas gentes nos apuntaríamos a seguirles su canal. Ya que estoy contactando con Vds, quiero dejar reflejada una pregunta sobre obras PRECIOSAS cantadas por voces tan Preciosas y Elegantes como (Pavarotti con Kiri Te Kanawa) en Óperas de Rossini, de Donizetti, de la Saga de los Strauss (como Der Zigeunerbaron "El Barón Gitano", "Las 1001 Noches", "Índigo y los 40 ladrones"), así como Óperas de Verdi (Rigoletto, la Traviata, il Trovatore, Un Baile de Máscaras). Ésas obras me gustarían muchísimo conseguirlas, para lo que si se pudiera seguir de alguna forma los Códigos del disco, (código parecido a lo que en los libros es el ISBN) les estaría muy agradecido. ¡¡Muchas Gracias de antemano

Jose Carreras is a lovely man - and with such a glorious voice.

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Once again we have to correct the historical revival of the bel canto composers. Callas and Serafin initiated this revival in the 190's. Both Sutherland and Bonynge acknowledged the impact that Callas had on the expectations of opera houses to present the great bel canto repertoire. Sutherland brought the most perfect voice supported by incredible technical mastery [as evidenced here in the Handel] to the repertoire and kept the renewal going and expanding after Callas. If you read the historical reocrds of opera there have always been the Callas type voices [highly emotive but not always perfectly manageable] and the Sutherland type voice [technically perfect but only somewhat emotionally effective]. Opera must have both to survive and one hopes occasionally for perfection but never achieves it.

🇧🇬💐💞YES👍, MAESTRA TE KANAWA, ABSOLUTELY!!!🐘🍀🦄🐞🦉🏡♾🌞🌈🎼🎶🎵🎶

🇧🇬💐THE FIRST AND PLATINE TENOR FOREVER!!!🐘🍀🦄🐞💞🦉🏡♾🌞🌈🎼🎶🎵🎶

🇧🇬💐💞MAESTRA TEBALDI IS INCREDIBLY MUSIKER!!!!🐘🍀 🌹MADAM BUTTERFLY IS MY LOVELY OPER!!!🦄🐞🦉🏡♾🌞🌈🎼🎶🎵🎶

🇧🇬💐💞YES MAESTRA, MAESTRA SCHWARTZKOPF IS INCREDIBLE!!!🐘🍀🦄🐞🦉🏡🤗♾🌞🌈🎼🎶🎵🎶

🇧🇬💐THIS IS INCREDIBLY MUSIK AND INTERPRETATION !!!🐘🍀🦄🐞🌞🌈🎼🎶🎵

🇧🇬💐I THING, THAT PLASIDO DOMINGO IS THE SECOND TENOR, MADAM MAESTRA TE KANAWA!!!🐘🍀🦄🐞💞🦉🏡🤗♾🌞🌈🎼🎶🎵🎶

🇧🇬💐 YES, MAESTRA TE KANAWA!!! 🐘 🌹EVERY THING IS WONDERFUL!!!🍀🦄🐞 🌸WONDERFUL MOMENTS WITH YOU!!!!🦉🏡♾🌞🌈🎼🎶🎵🎶

🇧🇬💐THE FIRST TENOR!!!🐘🍀🐞🌞🌈

🇧🇬💐YES, MY MAM LOVE TOO MADAM PIAF VERY, VERY MUCH.🐘🍀🐞🌞🌈

🇧🇬💐MAESTRA, WONDERFUL!!!🐘🌹BRAWISSISSISSIMO MAESTRA!!!🍀 🏵 BRAWISSISSISSIMO!!!🐞 🌺 BRAWISSISSISSIMO MAESTRA TE KANAWA!!!🦄 🌸EVERYONE PIECE IS PLATINE !!!🦉🏡🌞🌈🎼🎶🎵

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Te amo osito mio ❤❤❤❤❤❤❤

Дорогая ❤любимая М ирелла френи

Марио Ланца Великий на все времена звучать ему😘❤❤💘

Ancora è ancora MARIO LANZA È... È RIMARRÀ PER SEMPRE IL SOLO GRANDE GRANDISSIMO TENORE... Nessuno potrà superare la sua forza dolcezza sensualità in ogni sua espressività canora.. sia essa lirica che canzonettistica.

Unbelievable that he is so low. We in NZ grew up with Mario's music. For me, He is a candidate for Number One.

Interesting choice. She recorded often with Jose.

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What a singer !

MARIO LANZ'S VOICE WAS SO POWERFUL & CONTROLLED NO ELECTRONIC ENHANCEMENT WAS NEEDED EVEN IN CONCERT HALLS. AUGUSTINE LAURA, COMPOSER OF "GRANADA", WAS IN RECORDING STUDIO WHEN MARIO RECORDED HIS COMPOSITION. FIRST TIME LAURA HEARD MARIO LIVE WHICH BROUGHT TEARS TO HIS EYES. HE WAS ASTOUNDED BY MARIO'S VOICE, LATER SAID THAT WAS THE QUINTESSENTIAL RENDITION OF HIS PIECE!

So interesting and unexpected. Kiri’s primary focus seemed to be purity of tone and precision of vocal production, while Gwyneth reveled in the huge ocean of sound she produced. But I always thought they were both very honest singers, trying to communicate their characters through the music in very different ways.

The Great Mario Lanza. We will never know, if he decided to leave pictures and really focus on opera. He wasn't even in his full prime when he past.

my name is ARNITa Musalo wife of the great undiscovered tenor JOHN MUSALO MADAM TE KANAWA CLAIMS THERE WILL NEVER BE A SECOND MARIO LANZA VERY TRUE but those who have herd my husband john sing might despite that claim hear him sing here on you tube your self singing Matinatta and loves a many splendored thing and so in love and stella by starlight then tell MS TE KANAWA YOUR THOUGHTS PLEASE !

A warm even voice and wonderful artist.

This is a warm and expressive sound.

Lovely voice and fine interpretess.

I love his tone and style.

Excellent singing.

yes madame it was very big known those who herd it he inspired me his daughter Elisa said i reminded her of her dad put some songs on you tube john musalo, matinatta, loves a many spendored thing ,so in love, and Stella by starlight if any one is curious !

I heard Joan live as Lucia, Gilda, Violetta, Norma, Maria Stuarda concerts etc. She was soooooooooo special.

Marvellous to hear Joan Sutherland's glorious voice, of course.

It would have been wonderful if each of the recordings was identified in the transcript that accompanies this. I always like to know when a particular song or aria was recorded and whether it was a studio or a live performance.

Joan Sutherland did not started all the Rossini, Donizetti, etc. It was Callas who started that and the main reason why Callas became famous - because she revives Bel Canto and Joan Sutherland follow Callas 10 years after!

Why have I never heard of this man before? He's great!

The "Ma quando vien la sol" etc from Boheme sets me in Happy Tears.

Wow!❤️

I can assure Madame Te Kanawa that Lanza's voice was large enough for opera. I heard him in The Kings Hall, Belfast on Saturday March 29 1958 .Now that venue was a big ugly warehouse- type building which at that time was used for big boxing promotions, and it was the only venue that could accomodate the 10,000 odd ticket holders. It was totally devoid of acoustics, and he sang from the boxing ring accompanied by Callinicos. The amplification was primitive and could only be used for announcing the songs and arias. He performed unamplified and alternated his numbers in four different directions. On the night he was in great voice , although grossly overweight and not very healthy looking. The general concensus afterwards was that he easily filled the four corners. My own assessment of the voice was a Lyric Spinto. Also he seemed to project the voice effortlessly. Finally if the voice was not big enough, why would Koussevitski show interest, or why would Rosati take him on, surely he would have told him, the voice was not big enough. Indeed his loss to opera was a shame.

Love Margaret Price's voice. Wonderful artist.

While it is not in dispute--the sheer beauty of Te Kananwa's voice it is more that a little ironic that she regards ES so highly. For ES the text was very important but one does have the feeling that Dame Kiri hasn;t probed this aspect of either songs or arias. Probably a year or two in a German company would probably have been beneficial.

Truly a voice of the spheres. Sublime as Violetta,Gilda and Norma.She brings joy to my life.

The moderator KTK says she doesn't no if ML voice was big enough for opera but she loved his records and movies. This is classic addition by subtraction. She no's being a recording artist her self that there is no ML machine that generates that powerful voice just for him.Much smaller voices have had much success in opera, Because at the time of his death at 38 he was on the verge of live opera career. It is condescending to even suggest otherwise. Richard Tucker , and many other artists proclaimed, he would have taken the Opera world by storm. Ian kaye

Потрясающая, уникальная!

Никогда не появится 2-й Ланца - он всегда будет только- 1=м и единственным Великим Ланца!!!

I LOVE this! Thank You Catherine <3

Such a great and refined artist. Gone too early.

Tebaldi had a glorious sound - nobody has that kind of voice today.SHE WAS UNIQUE.