Відео

Cheers 🔥

Along with “Minstrel…” this is one of the most “jethrotullish” of all albums written by Anderson.

sooooo geil.....🤘👹

The hare has lost his specticals

Robert lowe fazia a diferença. Grande vocalista

31:56-39:20

Wonderful

This is an incredibly underrated album. Takes more than one listen to get it. Always loved this album.

After the disaster of the election and with that idiot Trump becoming president again, daja vu, I had to return to this album and Roger Waters for comfort.

an underrated masterpiece

Jethro Tull - A PASSION PLAY (1973) - From Wikipedia - - A Passion Play is the sixth studio album by British progressive rock band Jethro Tull, released in July 1973 in both the UK and US. Following in the same style as the band's previous album Thick as a Brick (1972), A Passion Play is a concept album comprising individual songs arranged into a single continuous piece of music (which was split into two parts across the original vinyl release's two sides). The album's concept follows the spiritual journey of a recently deceased man (Ronnie Pilgrim) in the afterlife, exploring themes of morality, religion and good and evil. The album's accompanying tour was considered the high water mark of Jethro Tull's elaborate stage productions, involving a full performance of the album accompanied by physical props, sketches and projected video. A Passion Play was negatively received by critics upon its initial release. However, the album was a commercial success, becoming Jethro Tull's second number one album in the United States. The album has since received a more positive critical reassessment. Background Following the release of the critically and commercially successful Thick as a Brick in 1972, Jethro Tull made the decision to record their next album at the Château d'Hérouville studios in Hérouville, France, known in the 1970s for being frequented by artists such as Pink Floyd, Elton John and T. Rex. The band were persuaded by their management and accountants to record their next album in tax exile outside of the UK in order to avoid what Anderson described as "a pretty scary tax regime" of the time.The band planned to make a double album, with concepts as varied as the meaning of life, music criticism and the comparison between the man and animal world. Upon arrival at the Château, however, the band faced a variety of challenges which made the recording sessions difficult, ranging from technical issues with the studio equipment to bug-infested beds and food poisoning epidemics, causing Anderson to give the Château the nickname "Château d'Isaster" Although the band had recorded enough material to fill three sides of the intended double album, the issues living in the studio convinced the band to abandon the sessions and leave the Château.The band considered moving the album's production to Switzerland, for they had just recently been granted Swiss citizenship; however, the decision was ultimately made to return to the UK and completely restart writing and recording of the album (although two tracks from the Château d'Hérouville sessions were later included on the band's 1974 album War Child). Recording Upon returning to the UK, the band began sessions for A Passion Play at Morgan Studios, the same studio where they had recorded most of their last four albums. Anderson felt that "it was better to start again and write a whole new album, instead of trying to somehow regenerate everybody's interest and commitment to something that had already struggled", in reference to the abandoned Château sessions and the decision to start over with new material.The album was written and recorded quickly, as the band had little time before their next tour began. As a result, recording sessions were often lengthy, in some cases lasting all night. Guitarist Martin Barre recalled the sessions as being "long" and "very intense" with Anderson stating that the album needed to be "written and recorded in one block, very quickly". The concept and most of the music were written in the studio by Anderson, with occasional contributions from other members of the band. Musical style Continuing the progressive rock style previously explored by the band on Thick as a Brick, A Passion Play featured the band playing a multitude of instruments, heavily toned with dominating minor key variation, resulting in an album described by author Martin Webb as "quasi prog-rock with complex time-signatures, complex lyrics and, well, complex everything, really". The spoken word piece "The Story of the Hare Who Lost His Spectacles", has its relations in musical terms with Prokofiev’s Peter and the Wolf. Bruce Eder describes Anderson's singing in biblical-sounding references, interwoven with modern language as a sort of a rock equivalent to T.S. Eliot's The Waste Land with the music a "dazzling mix of old English folk and classical material, reshaped in electric rock terms". The album is notable for heavily featuring soprano saxophone played by Anderson, often in place of his famous flute playing. Anderson expressed distaste for the instrument, saying that "It wasn't difficult to learn to play it a bit, but I didn't practice enough, I wasn't trained and it hurt my lip. I hated the fiddling about with reeds, the fact that it was all wet and soggy, straight off I really didn't enjoy playing the instrument." - - - All songs written by Ian Anderson unless stated otherwise. 1973 original release Side one No. Title Length 1. "A Passion Play, part I I. "Act 1: Ronnie Pilgrim's Funeral - a winter's morning in the cemetery" a. "Lifebeats" (Instrumental) b. "Prelude" (Instrumental) c. "The Silver Cord" d. "Re-Assuring Tune" (Instrumental) II. "Act 2: The Memory Bank - a small but comfortable theatre with a cinema-screen (the next morning)" a. "Memory Bank" b. "Best Friends" c. "Critique Oblique" d. "Forest Dance #1" (Instrumental) III. "Interlude: The Story of the Hare Who Lost His Spectacles" a. "The Story of the Hare Who Lost His Spectacles" (Jeffrey Hammond, John Evan, Ian Anderson) 23:09 Side two No. Title Length 2. "A Passion Play, part II I. "Interlude: The Story of the Hare Who Lost His Spectacles" a. "The Story of the Hare Who Lost His Spectacles" (Hammond, Evan, Anderson) II. "Act 3: The Business Office of G. Oddie & Son (two days later)" a. "Forest Dance #2" (Instrumental) b. "The Foot of Our Stairs" c. "Overseer Overture" III. "Act 4: Magus Perdé's Drawing Room at Midnight" a. "Flight from Lucifer" b. "10:08 to Paddington" (Instrumental) c. "Magus Perdé" d. "Epilogue" 21:58 Total length: 45:07 - - - - Personnel Jethro Tull Ian Anderson - lead vocals, flute, acoustic guitar, soprano and sopranino saxophone Martin Barre - electric guitar John Evan - backing vocals, piano, organ, synthesizer Jeffrey Hammond - bass guitar, spoken word (on "The Story of the Hare Who Lost His Spectacles") Barriemore Barlow - drums, percussion, timpani, glockenspiel, marimba Additional personnel - Dee Palmer - orchestral arrangements

Obrigado pelo vídeo camarada! John Bush deixa o anthrax muito agressivo!

An underrated Heep album. Every bit as good as Sea Of Light imo.

Fantástico!! Anos oitenta foram muito ricos na cena metálica mundial!!

Who gets their picture taken in a leather jacket zipped all the way up😂😂

This album is superb!

amanzing

Incredible album. I experienced the '90s and picked this up in 2001. It's been a treasure ever since.

Uma grande banda que tinha tudo pra ser grande infelizmente a coisa não foi pra frente

Can't bear John Bush's voice

What here was recorded after 1982 for MOL?

What is that album cover?reissue?or self made?..I love it..such a slept on album..plus their best with John!!!💯💯🔥🔥

The prog Tull's masterpiece!

Fantastic album, great band ! 🤘🤘🤘 Thank you very much ! 👍👍👍

Oh the 80’s Flashbacks! We loved this song! When it came out, Nena was everywhere. I miss those days.

hab die mir vor 1 oder 2 jahren zum glück nochmal in Zeche Bochum angesehen,eine weitere ikonische Band aus Birmingham die stilbildung für längere Zeit im Genre waren.....und Bob Catley mit seinen 76 Lenzen immer noch gesangsmässig top

TAZ

Glorious!

🔥🔥🔥

Tuve la suerte de verlos en concierto en España de éste LP...impresionante.

A cara do Marillion 👆

saw them in kc mo. beautiful🌷🦋🪴☮🎼

First time I've heard this band, and they sound good 👍

My favourite Tull LP, and one of my favourite LPs.

Послушал пока только первую песню. Впечатляет в хорошем смысле этого слова. 🤟😁

Crestive ways for a young Pawtucket kid with his first car.

Perfect again !!! 👍👍👍

..."Sitting aside a twig of a bush.....a beeeeeeee'. Marvellous.

Good ! Perfect ! 👍

There is nothing terrible about this. It is very adventurous,at a time when the creative juices of Ian Anderson were still in full vibrant form.He has nothing to hang his head for,as I believe that he was given the green light by Reprise to express himself in any manner of creativity that he felt, due to the momentum he was building from his previous works and the subsequent touring, resulting in positive feedback and accolades as well as the growing curiosity from the legions of music lovers just wanting to know what this band was all about. And he did not disappoint. Like 'Thick as a Brick' before it, this one also charted at #1USA. From there,'War Child' placed #2, and 'Minstrel in the Gallery' at #7. The progression of his following efforts and the course that they took are alright with me,as I have enjoyed listening to just about everything he has released on his journey,over time. A prolific and proficient musician and songwriter,I'd say that we have been blessed to have him.

Great group ! 👍 Thanks ! R.I.P Tony Clarkin

Occorrerebbe una pena di buona sofferenza a chi ha staccato barbaramente la coda finale

ამ ლეგენდარულმა ჯგუფმა რატომღაც, უნებლიედ და მოულოდნელად შეცვალა თავისი დროის ყველა ტიპის თანამედროვე მუსიკოსის შეფასების კრიტერიუმები, გაასუფთავა იმდროინდელი მსოფლიო ჟღერადობის კანკელი, რათა აიძულოს ეს იგივე მუსიკოსები გაზომონ თავიანთი ნიჭი და შეუქცევადად გააოცონ თავიანთი გარემო. 🤓

Genau so ist es! Die Rote Karte für die Chaos-Ampel! Bei der Europawahl das BSW wählen!

The line 'Scented cathedral with spire pointing down' Is this a reference to Debussy piano piece?? Politely I bend at my knees..........Lyrics are phenomenal!

Träum weiter

All das was Du sagst trifft es voll: Daher wähle ich die AFD

A Splendid Follow Up To Thick As A Brick...

Pełny pasji doskonały album

This is a brilliant masterpiece! Maybe the best album from Tull.