John Lithgow, an actor with multiple Emmys and Tonys, takes on a commanding role in Conclave, directed by Edward Berger. The film follows the secretive process of electing a new pope, with Lithgow playing a cardinal in the Catholic Church amidst a star-studded ensemble. Director Edward Berger, whose All Quiet on the Western Front won multiple Academy Awards in 2023, brings his signature blend of epic storytelling and intimate character work to Conclave. The movie has received critical acclaim, and AwardsWatch has listed Lithgow among the top 20 contenders for Best Supporting Actor in this season’s Oscar race.
Lithgow reacted with humor when informed of the awards buzz during a recent press day. “I’ll try to contain my excitement on the subject,” he quipped, before emphasizing his pride in the project. “We’re all so proud of the film and so delighted that it’s having this impact,” he said. Reflecting on the production, Lithgow recalled a pivotal moment when the cast realized the project’s potential: “We found out halfway through our shooting period that All Quiet on the Western Front had swept at the BAFTAs. When we got that news, we stood up a little straighter. We might just be in something really grand here.”
Despite high expectations, Lithgow was still amazed by the final product. Comparing Berger’s approach to classic David Lean films, he saya, “Just engrossing stories about lofty subjects that are given this wonderful grounding in human behavior and character.”
The ensemble cast of Conclave includes Ralph Fiennes, Stanley Tucci, and Isabella Rossellini, all of whom Lithgow praises for their performances. He also highlights the international scope of the film’s “congress of cardinals.” Berger conducted a global casting search across 40 countries to bring authenticity to the story. “Actors I had never heard of, but from where they came from, they are more famous than us,” Lithgow said. “You just knew you were in a kind of pantheon,” he said describing the experience on set.
The film’s diverse cast underscores its universal themes, delving into the moral and political complexities of the Vatican. Lithgow found particular interest in exploring the humanity of his character. “The most interesting aspect of playing the role was his humanity, both the good and bad aspects of his humanness,” he explained. Lithgow also shared details about a favorite scene that didn’t make the final cut. His fondness for the moment reflects the richness of Berger’s storytelling, even in what was left on the editing room floor.
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