Відео

Pesima precentacion. 😮

Seriously excellent performance of this. It may become my favorite. The quality of sound and the sensitive technique without losing that momentum in the piece, is superbly executed. You can feel the Beethoven spirit in the playing of this Schubert piece. Lots of Passion ❤

Thank you for this introduction to this Wonderful music. Schubert had that ability to write the most beautiful music also in dark moments, like here. Wonderful playing, Thank you all! ❤

Wonderful

So lucky to have found this!

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Very nice ending where the middle voices thicken the texture as the melody reaches to a higher tessitura. Nice treatment of the contrabass. Probably my favorite instrument in an orquestra. It provides deep resonance to the harmony that is very satisfying.

Sublime 😇

extraordinary!

wonderful! shaw's work is so beautiful

LOBA IS MY BROTHER ♥️

Excelente felicidades. Te amo

Well played!

Впечатляет ваше усердие, спасибо за мелодию!

"PromoSM"

❤❤❤❤❤

Ace

SO FUCKING NICE

the performance draws from all groups winds, strings, percussion result orchestra sounds in a chamber setting pretty connected and intimate

Beautiful.

😎 🤝

🤝🏽😎

Beautiful music

Amazing 🎶💕

Really beautiful music.

💚🤍❤️

🖤🖤🖤🖤🖤

This sounds absolutely fascinating. So sorry to have to miss it!

Beautiful Arrangement

WELL DONE! Sincerely one of the best performances on UA-cam! Well done guys!

This is amazing! Thank you to all of you :D

Art of Elan has enriched my life!

Way to go, Kate!! Y’all started with a “How to” book and CD-ROM. Look what Art of Elan is now. Congrats!!!

San Diego is so fortunate to have musical (and other) arts organizations like Art of Elan, SD Symphony, SD Opera, Mostly Mozart, LJMS (and others) that did not just lie down and give up this year, but still brought inspiration and comfort to so many! A thousand thanks to you all ... and here's hoping that 2021 will develop into a year of recovery for the arts and for society.

Congratulations Bradford, wonderful job!

Nice work on this, Bradford. You should be proud!

Not too fast not too slow beautiful tempo and on a harpsichord !??!?!?! absolutely beautiful!!!!! :D

Arnold Bax! Beautiful

A most interesting trio of instruments!

This makes me feel just like I was with you! And as always, privileged to be listening to you make wonderful music. All I need is some fizzy Portuguese wine!

Wonderful! And complete with improvised percussion accompaniment!

Hi Max and Ian! (Alex sounds great)

Love it--and great multi-tasking!

Ines Irawati is superb!

Undone was commissioned by Westdeutscher Rundfunk (WDR) and was premiered by the JACK and Arditti Quartets at the 2017 Wittener Tage für neue Kammermusik. It began as an experiment with spatial arrangement of a string octet. My initial aim was to create a work using only acoustic sound that would achieve conditions similar to those I have attained in other pieces that rely on digital signal processing and amplification. Seven performers physically located around the hall spatialize, resonate, and echo (in a variety of ways) the music first played by the principal violinist. But while composing the piece, I became increasingly distracted and dismayed by political developments in the United States and Europe, and the work became much more than a formal exercise in acoustic spatialization. My grandfather came to America in 1902 when he was 20 years old, leaving behind his parents and twelve brothers and sisters, most of whom were later murdered during the Holocaust. The synagogue where he had his bar mitzvah was almost completely burned; today, one remaining wall has been integrated into a secular building in a town that is devoid of Jews. Yet because the United States accepted him as an immigrant, my grandfather was able to survive, worship freely, start a small business, and raise a family. Although neither he nor my father ever made much money, I was able to get an excellent education and have enjoyed a comfortable life with many extraordinary opportunities - including this one - to do what I love most: make music. To witness my country elect a racist president and close its doors to refugees, and to read about the rise of right-wing nationalism in Germany and other European countries, has been deeply troubling. As I composed the piece, my thoughts and emotions about my family’s past and contemporary events inevitably began to make their way into my music. Drawing on memories of my own bar mitzvah ceremony, I chose to incorporate references to Ashkenazi haftarah incantation (the way 13 year olds chant sacred texts during their bar mitzvah) to honor my deceased family members. These references, along with the more restrained material from earlier in the piece, yield and ultimately give way to the despair that I and so many others feel about our present geopolitical moment.