- 7
- 16 597
Peter Ford
United Kingdom
Приєднався 7 січ 2016
So, you've found me? Well this is where I share a bit of my brain knowledge about all things camera, lighting and everything video production related.
Find out more about me and the services I offer, at www.peter-ford.com
Find out more about me and the services I offer, at www.peter-ford.com
How to light cars in a studio space
A tutorial to show the various ways you can light cars in a studio space, covering white studios, as well as filming on green and black.
===============
Table of Contents:
===============
00:00 - Intro
00:59 - Choosing the right studio space
01:47 - Filming on white
07:30 - Filming on green
08:08 - Filming on black
11:20 - Final Thoughts
============================
Equipment discussed in this video:
============================
Manfrotto Genie Mini II and turntable
Smallrig Mini cube lights
Aputure AL-MC
Aputure Amaran P60C
===============
Table of Contents:
===============
00:00 - Intro
00:59 - Choosing the right studio space
01:47 - Filming on white
07:30 - Filming on green
08:08 - Filming on black
11:20 - Final Thoughts
============================
Equipment discussed in this video:
============================
Manfrotto Genie Mini II and turntable
Smallrig Mini cube lights
Aputure AL-MC
Aputure Amaran P60C
Переглядів: 405
Відео
The Ultimate FX6 Documentary Setup
Переглядів 14 тис.9 місяців тому
A breakdown of the best way I've found for configuring a Sony FX6 for classic on-the-shoulder style documentary work. Table of Contents: 00:00 - Intro 00:46 - Viewfinder 02:19 - Base Plate 03:30 - Shoulder Pad 04:36 - Lenses 04:09 - Wireless Video 09:24 - Power 10:45 - Handles 13:02 - Sound 14:13 - Final Thoughts Equipment discussed in this video: Camera - Sony FX6 Viewfinder - FX9 loupe & Voca...
Building the world's smallest studio
Переглядів 4319 місяців тому
How I built the world's smallest fully functional studio space! Table of Contents: 00:00 - Intro 00:17 - The interrupting cat 00:29 - Why build a micro studio? 01:20 - How I built it 03:32 - Lighting 06:42 - Final Thoughts Equipment discussed in this video: Smallrig Mini cube lights Aputure AL-MC Aputure Amaran P60C
Welcome to my channel!
Переглядів 4629 місяців тому
I'm Pete, a London based cinematographer. Welcome to my channel, this is a short introduction about myself and what you can find on my channel.
Thank you! When I record audio with Sony d27 by hot shoe,it’s worse than xlr? Some people including Sony themselves say it can get better audio by hot shoe. It’s strange!
Hello Peter, do you have some test shot of autofocus with this setup ? Please, can you share with me ?
Very well thought out system, Peter. Thank you for posting!
Thanks, Peter. I'm working on lighting cars in 3D and your knowledge gives me basics I was so looking for.
Thanks Peter. I've just bought all the same accessories and I'm really pleased with them so far.
Amazing rig! I am looking for the parts of your left handle with the arri extender etc. but haven't found them online. Help would be greatly appreciated!
Total weight of full setup (without tripod) ?
Great information! Which 1 1/4 inch red screw do you have at the bottom of your transmitter?
FX6 is nearly a camera I would like to have. Just a few things that keep me away. It might be different in the next interation. Audio handle and lack of 3.5mm on body. Also the monitor sucks. I am not in a hurry for a new video camera, will wait to see what comes out in the 12 mo or so.
Really nice setup. I went through a phase like this. Eventually it all pissed me off so much I ripped it all apart and now just use the base camera.
I just don’t use the shoulder 😅 I don’t liked
Ended up buying the FX6 since I have a lot of Sony GM II lenses already from my Sony A7VR. Did you post a list of all the components in your setup?
The best FX6 build out I've seen.... love the way you incorporated the 15mm rail adapters that come with the system as a wireless transmitter mount as well as your super inexpensive should pad rig. Very clever adaptations all around with the flexibility to go small when needed. Thanks for sharing your rig and explaining the various benefits of each part.... well done!
agreed
Thanks for the kind words, much appreciated!
it's still front heavy. You should be able to let your hands go and still balance it on your shoulder. It's not doable on your set-up. I'd go forward.
Love this set up, the only thing for me is I didn't enjoy the experience of using the Tilta doveplate. I sold quickly after I bought for the smallrig VCT system because of how long it would take and how awkward it was to remount the camera on the doveplate.
Great work man
Authentic review of a setup based upon experience.
This is a really nice setup man! If I had an FX6, I think I would just copy your setup here! Also, how great is Vocas!!! I bought a nato rail from them and instantly became a fan!!! Really thoughtfully made products!
Nice build and great video. A couple of observations. I have VCT mounts and full shoulder rigs for my other cameras but for my FX6, my goal was to try to keep it streamlined, smaller and lighter since its such a small and light camera. I too went with an Arri dovetail plate but then switched that out and went to EasyRig. My fully rigged setup similar to yours is only about 11lbs so it is within the weight limit of the EasyRig Mini Max. I will never go back to shoulder mount because I can shoot interviews off of my shoulder, shoot at waist level or even zip down to ground level, quickly and effortlessly. I am now pretty much wedded to the EasyRig, it keeps all of the feel and advantage of handheld but it's much easier on my body and much more versatile. The MiniMax is the small one so I never hit doorways or other obstacles that I think I might hit if I was using one of the larger EasyRigs with the much larger arm over my head. I fully agree with you about the 24-105mm being an ideal FF documentary lens but I went with the Sony version. My other cameras are Canons and I have the EF24-105 f/4.0 IS II, which is a great all arounder lens but as you noted, Canon lenses don't work very well with Sony's AF so I went with the Sony FE 24-105 f/4.0 OSS and its a pretty great documentary lens. I bought it used, barely used off of Ebay for less than $600, great deal. I went with the CAME TV V mount plate which also integrates a top plate much like the Tilta and it has a hardwired 19.5V DC out for the camera. Because of the EasyRig and most of my shooting is interiors, I skipped the loupe and am running an Osee T5+ on some EVF extensions that are mounted to the CAME TV top plate. Kondor Blue has a very nice swivel friction fitting that let's me move around and position the Osee like the stock LCD screen, which I have moved to the rear of the handle as I still need the stock LCD for touch focus and menus. The Osee is kind of functioning as a larger abnd brighter LCD and I just use the stock LCD here and there for touch AF and menus. FX6 is a great documentary camera. It has its flaws and weak points, the build quality is really poor for a pro camera, it's very fragile. Seeing your AT-875r (I use the same mic on my FX6) hanging up there off the stock mic mount made me cringe, the Sony forums on social media show literally dozens of users have accidentally hit their shotgun mic against a doorway and snapped the mount off of the handle, it breaks away REALLY easily and a new handle cost over $1,000 if you do break it off. I would highly suggest you move to a Rycote Lyre suspension mount screwed into a 1/4" 20 on your top plate and remove the stock mic mount, it's a real point of failure on the FX6 and it's not hard to break that mic mount off. I ended up using a 3D printed mic mount from cliffandkajun.com/ and I love it because it's a breakaway mount, part of their mount will snap off if you accidentally bump the mic hard but it can just be popped back into the base, genius!
You didn’t say where you got the shoulder pad from?
This couldn't be more opposite to a documentary rig. You need to move around quick and sometimes to walk/drive great distances with your camera on a shoot day. Lighter/simpler is better, and you couldn't have made it more heavy and complicated :) This shouldn't exist on youtube unless it's a behind the scenes Hollywood film, but somehow youtube is full of it :)
what would you recommend instead?
Would this setup be too heavy for a DJI Ronin?
Love that rod system for your transmitter. I gotta try that out
Great stuff man, just found your channel and I wanted to say your videos are providing great value for both new and experience filmmakers! Thanks for sharing :)
Can you tell me where to buy shoulder pads?
Can you tell me where to buy shoulder pads?
What is that velcro on the top handle for?
You win! Great rig!
That shoulder pad cutout is a game changer. So simple but it makes so much sense.
A balanced FX-6 Doc Setup......FINALLY!!!!! Why has NOBODY else done this?????? Thank You @Peter Ford.
Great video. Just what I need.
Love that shoulder pad setup, overall very sleek setup!
Great video! What LANC cable Did you get for the handle extension? I bought one from shape and it just straight up did not work. Any suggestions?
What a fantastic video!
Honey, I Shrunk the Studio
Joining you here early to learn something hopefully
great video! I imagined this was put out by a much bigger channel.
Thanks! - channel will get bigger in time for sure
Subbed. Yup, subbed.
Hey Peter, thanks for the video. You’ve got some great ideas there and looks like they’re all real world solutions. I run an FX6 for corporate doco work and I just love the Sony 28-135 f4 zoom from the FX9 kit. Sure it’s not faster but it’s a bloody Swiss Army knife of a lens! I only compliment that with a fast prime for b-roll or macros. I love the Tilta gear too.
Thanks for the kind words! - yup, that 28-135 is impressive for what it does. I find 28mm generally a little not quite wide enough for a lot of what I shoot, but that lens has an impressive zoom range - I've used them a few times in studio and live work, they're unbeatable for those kinds of jobs
Amazing video! Thank you for the tips!
You're so welcome!
24-105 is my go to. Nice video!
Looking forward to seeing what you got.
Hi Peter. Here to learn from your experience and support up and coming channels. Subscribed.
Learned so much from this.
and here's your 2nd and 106th 🎉
well , your first comment is here
Cool video. What do you do about the sagging of the viewfinder because of the weight and the flex of the handle? Do you have a bracket to keep the handle stiff? I use the zacuto finder with my FX6 and I have problems with the horizon being off because of this. Bright tangerine is the only one that makes a bracket to keep the handle straight, but you have to use their system, which is really elaborate.
I use a bracket made by Vocas - the LCD screen slides into the bracket, then the bracket attaches to the camera. I recommend it, it works really well. It supports the weight of the screen and a loupe, but its also a friction based system, so you can alter the angle of the loupe without having to undo anything. It's called "vocas FX6 support bracket" if you wanted to look into it
@@peterfordDOP thanks but this does not prevent the plastic handle from flexing from the weight. You need a bracket front the body to the handle like bright tangerine.
Ah, I see what you mean. Can't say I've noticed my handle flexing, but maybe the zacuto finder is heavier?
Interesting points made regarding lighting on green
very helpful, thank you
Glad it was helpful!
Thank you so much for making these videos I love the quality and effectiveness of your videos! Super informative and fun to watch as well! I was wondering if you’d make a video on how you got into the industry and started getting jobs in the cinema/film/tv industry. I’m a current cinema student in college who’s thinking of going to university to continue learning and your videos and what you strive to share to the world seems very interesting to me :)) Thanks again for making these videos they’re awesome
Thanks - that's a good idea for an episode, I'll add that to my list for sure