Відео

I hope it's not too hard. I'm hoping it's just a capacitor or small component that is easily replaced. I'll tear into it eventually to see what happened on the inside. I totally got my moneys worth, it's been around forever lol. If enough people want to see me tear into it I'd be happy to do so.

They have flown under the radar for most. The players that have jammed on and owned one, just have positive things to say. I’ll have to see what the difference is in your model. I’m curious to see what is under the hood.😄

@@gearly_beloved The version of the Classic 50 and 30 were designed by the same engineer that did Eddies 5150 line these amps are killer especially the first few years of manufacture they were on the edge in over drive mode and sound clean and sparkly in clean mode take pedals very well ! Later years had effects loops and toned down the edges if you ask me and ive owned about 7 total over the years . The heads are fantastic through a Marshall cab.

Noted my man, any suggestions on fonts you like to see? I just use adobe presets for now but am open to whatever. I'm easy going.

Yes you can, all channels can be multi tracked to your daw of choice. Now as far as studio sessions and setup just be mindful of what outboard gear you might want to use. Decide if you want to use outboard preamps or eq’s, or will re-amp for specific textures and tones. Or will you put them in the chain before the mixer to capture it on the way in. Both are acceptable options. Re-amping can save cash on equipment, because you don’t need to have several of the same preamps. You can individually send to preamp after recording it “dry”. Plugins are also a great way to utilize the ui24 in the studio. Along with the built in effects there are unlimited plugins for different applications as well tone shaping nuances. I hope this helps let me know if you have any further questions. I’m always happy to help. Thanks for the comment.

@@WANOS123 Most of the time that ends up being the case. But a broke 15 year old kid that doesn’t even change their strings, or keep guitar clean. It’s just a waste of time and money. Save that gear for the rest of us junkies to enjoy!🤣

@@gearly_beloved true that I've been there..

I was that 15 year old back in the day. That’s one of the big reasons I worked in music retail for almost 17 years. I never got the help or advice I needed. I made it my mission statement to help anyone with whatever crazy idea on tone. I made sure they would not make the mistakes I made ,going down pointless gear rabbit holes.

@@gearly_beloved I am 40 and only just got back into playing.. bought a board and it's night and day.. just plug and play no setup packup etc..I never used one when I was younger cause I couldn't afford just like you say...

Yah man I totally get that. I build many custom pedalboards for lots of people just like you. Finally established and want to do it right the first time. Hit me up if you ever have any questions or want suggestions on different gear. I’ve used just about everything. I’m turning 41 in November 🙃 where does the time go?🤣 thanks for sharing. Btw what’s your favorite pedal that is on your board?

That actually didn't even cross my mind. Ive been using sharp knives my whole life and accept the risk. It was more my Dad, showing him how not to do things. LoL

I love the ui24 and have used it at many gigs and running many shows fully off of it. The biggest contender is the Behringer x32 air which is expandable. Or you can drop the cash on a Midas 32 and get nicer preamps and routing options. I recommend one of these 3 options as they are all tour proven! Let me know if you have any further questions Im happy to help as always.

Glad you liked it, stick around for many more pointers and time savers.

He is a gear head just like me. This Pedalboard is exactly what the task requires no more no less. Precise is definitely an accurate assessment. Thanks for tuning in.

@@timehunter9467 There are advantages to a simple setup like that for sure. I have tried over the years to like that style of setup. But for me its features are lacking for most of my applications. Still a great board for most.

I'm guessing not that old. He practices 4-5 hours a day, so they don't last long in his world. I'll have him jump in the comments and answer if he can. I'd guess with the loss of attack there is 30-40 hrs on the strings, at the time of the shoot.

@@mrfunkynuts I wish more would come to the same conclusion 🤔🤣

Thanks, we love rig rundowns around here. Not sure everyone else does. There is much to learn from other artists and engineers. everyone has their own process. You can record so many ways. Some tricks work for some and others have to go an entirely different direction.

@@HaydesGrooves thanks what would you notch? Exactly it will just help everyone that wants to learn. Great job by the way. Lavs were a little hot that day. I do this live with no post processing if I can help it.

Thanks you I Love the mix I was able to get. Riding the edge of heavy and clarity is one of my favorite things to do.

I know but it kinda makes sense without the solo…

I did not catch it in the headphones at the studio. All sound on the channel is live capture. I rarely have time for reworks in post. I should have individually bus tracked out, then I could have just hit phase reversal in post. Unfortunately I did not and just used L&R xlr out to my camera. I have now started to implement Daw recordings slowly. As I get more comfortable with new software I will be able to avoid in the future. Luckily you can still hear relevant changes in the tone. The sound could have been better for sure.

Thanks I still think I should change out the speakers to get slightly different punch. I'm just being nitpicky on this but it will help for me.

Way cool my man I think I want to change the speakers out. I want just a little more punch on the low end. The speakers that are in it are just so worn in. But even back in the real early days it sounded great. Even though it was a crappy shotgun mic

Oh hell yah man I’d be down for straddling your board. Fo sho!!👊🏼😂😂🤣 attitude and class baby for the 🏆☠️

Thanks and feel free to reach out anytime. Whatever tone questions you have for any gear I (Alaric) got you. I've done this so long I really was able to do this in my sleep. Question on your tone specifically, what genre do you typically play? This will help me narrow in on a possible rig and fx chain for your Headrush Prime.

@@higstravels You should be able to go into the setting menu under the global section. You will change the “headphones out” to *aux instead of Master/Solo. That way when you go into your Aux sends you will have individual output controls with a little more gain. You can also try hitting the UI at the top right of the mixer display and hit the “aux masters” button and access the independent volume slider for headphone volume. At least that’s how it works on the ui24. Not all of the functions are the exact same. Let me know if you get stuck I can try and do a quick short on it. The mixer is pulling band duty for a bit so I don’t always have easy access when it’s packed up in a touring trailer. Happy to help when I can though.

@@gearly_beloved if you could do a short id really appreciate it

I believe the issue is with the pm1 there is a stereo mix version and a mono dual mix one. If you have the dual input one it takes two inputs that can then be mixed left and right. Some users for example prefer one ear has a click, and mix other the other ear. Hope this helps, if you have further questions please reach out.

@@gearly_beloved thank you sir

Hope that helped you out. Feel free to reach out anytime.

Thanks man I really appreciate the love. Going to make some cool stuff happen, that's FO SHO!

"Then mount it to the board" he whispered into the lavaliere mic

FACTS! lol. Myself included I've never hidden the fact that I'm an average guitar player. I'm the person that you want stage adjacent not on stage with you. (Unless Im running the camera, then you definitely want me up there!) I have always preferred having way more talented musicians play while I dial in the tone. It is more fun for me that way. I get to watch their eyes light up when they hear the tone of their dreams seemingly for the first time. It's a magical moment for me and for them. So calling all players if you have a clean guitar track you want me to dial tones for. Please send a google drive link to the gearlybelovedchannel@gmail.com I would love to re amp the signal and dial tones for how you play. This will in turn give you a better idea on how the amp will sound for how you play specifically. My skills at dialing in tones and my being a goofball on the internet only have slight similarities. Hit me up this will be a great first test in a series I've been wanting to do for a long time.

Well when the amp was in pieces along with the wrong speaker in it… Most would have still passed on it. Plus I was broke and if I end up selling it. The total price will be the sum of all the labor parts and the original 40$ not a penny more. I wanted to rescue the amp. When I am done with it I’ll happily sell it. I want it to go to a young artist getting started to give them a leg up. Or someone else that is in need of an amazing amp for a project but does not have the funds. If you know me I’m always happy to loan out my gear to local gear junkies for a recording session. If it’s the right piece of gear for the epic tone someone wants no sweat. Hit me up #ifyouknowyouknow.

We are on that mission my man. We will showcase as many as we can. The more bands that can hire us the more we can just do because we can. So for us it’s a win win win. Plus I (Alaric) love everyone that has trusted me with something as personal as tone. Helping all the amazing artists get the sickest tones was awesome. Now that the sound is dialed, it’s time to show the work how insanely talented my friends are.

Yoooo thanks so much! Even with the Himalayas in my way is gona happen!

Thanks I will love pedals till the end! All of us at Gearly beloved are about the community. Let’s do this for all of us. Make each other better in any aspect we can.

Thanks man👊🏼 you have been a big part of getting my confidence up so thanks from the bottom of my heart.❤️

That man at 1:30 is very very handsome.

@@Dantheguitar_man long time no see! I saw that part and thought “speaking of local musicians!” I had a flashback of Jake and the heist!

I think his name is Elon Musk, at least that’s what my wife thinks. He totally shreds though.

It's definitely not that high pitch so 7k-8k is usually rolled off. You are correct thanks for bringing that to all of our attention. Thanks for the save. (Nobody's perfect including me lol) I notch 800 because that is where all the mud and noise in the setup is. That has more to do with my camera preamp than anything. Live settings can also take advantage of notching 800 in the vocals to leave room for toms and bass upper end clarity. that way nobody is stepping on toes in the mix.

@@gearly_beloved You're information is right on, just too many zeros in the example!

It was a blast!!!

Thanks for watching me and my friends be dorks on the internet. All of us had a great time.

What kind of device do you want to patch in? That will determine your signal path. You have 8 aux outs and you can use them as you see fit. It has so much in it already so external is not as common, but in certain situations external gear takes it to another level of function and sound.

I'm not sure 100% what you are asking but I'll take a stab at it. If you're doing individual mixes out and the volume is not loud enough. It's probably a gain staging thing or the levels are not mixed properly. I'd love to dive in further but I need more context please. Can you send a screen recording of you running through how you have it set up in the ui24? If not a simple phone recording showing how you route everything to give me a better idea what the trouble is. Thanks for reaching out.

@@gearly_beloved yes I’d love to how can I send you a recording

@@gearly_beloved ua-cam.com/users/shortsP_A0rkYyDZY?si=VZyKaK4Kixne0iev

👊🏼

I can’t help but pedal my man. I have a problem and the only cure is more pedals. 😉

To each their own. I’ve always liked the lexicon reverbs. Just need to dial them in a bit more than some. Side note the new standard seems to be UI Audio. What does everyone else think? What’s your favorite digital reverb and why?

@@gearly_beloved I like lexicon reverb, I have a few lexicon reverb processors for my analog mixers, but I'm not to fond of the lexicon hall reverb they got in the UI24r.. and I also like they're plate reverb better for vocals...

@@crosbyllc5426 plate is my go to for vocals. In most situations I’ve been in the client just didn’t understand what a plate really was and how to use dampers. But once they heard the difference they are usually on board with the plate!!

Sorry thought I hit reply instead of just a comment.

That would be epic for sure. I’d love to get my hands on one.

That would be epic!🤩

I would say its likely based on how quickly its permeating other products like the astro20, x88ir, new syn head, etc.

@@progpogs good point the marketing has been on point. It will just take time to see who end up on top in the long run.

Check out bridge the gap’s music and see who produced the album. That’s why so many options. This is a board for a punk band yes. Just not the caliber your used to hearing today. Your ears will thank you. Thanks for the comment hit me with any questions I’m always down to talk gear.