- 7
- 513 340
David Salai
Приєднався 20 вер 2007
Відео
John Scofield - All the things you are
Переглядів 123 тис.15 років тому
John Scofield All the things you are (written by Jerome Kern) ( en.wikipedia.org/wiki/All_the_Things_You_Are ) From album "Flat Out" (1988) John Scofield - guitar Anthony Cox - bass Terry Lynne Carrington - drums
Keith Jarrett Trio - Golden Earrings
Переглядів 42 тис.15 років тому
The song of the film "Golden Earrings" ( www.imdb.com/title/tt0039428/ ) played by the greatest jazz trio of all time, from the album "The Cure" (1990) Keith Jarrett - piano Gary Peacock - bass Jack DeJohnette - drums the song was written by Victor Young and Ray Evans
Sylvain Luc - Sous le Ciel de Paris
Переглядів 110 тис.17 років тому
Sous le Ciel de Paris Sylvain Luc guitar Andre Ceccarelli drums Rémy Vignolo bass
Bireli Lagrene & Sylvain Luc - Softly as in a morningsunrise
Переглядів 135 тис.17 років тому
SOFTLY AS IN A MORNING SUNRISE Bireli Lagrene guitar Sylvain Luc guitar Andre Ceccarelli drums Rémy Vignolo bass
thanks a lot...
Subscribed ❤.
Carcassonne ?
Pénible ce gloubiboulga de notes qui dénature le thème d'origine.
Ça swingue grave
❤
Merveilleux Musicien que Sylvain Luc. Brillant guitariste. Exceptionnelle Présence. Des idées musicales qui semblent infinies, traduites par une technique qui est au delà de la pure technique mais qui n'est que le prolongement de son Être. On réalise bien tout cela dans cette Superbe interprétation. La plus belle version instrumentale (pour moi) de cette composition, et quel solo !!! Je pense à ses proches et à cet autre Musicien Exceptionnel qu'est André Ceccarelli et qui a perdu un de ses amis. Merci de nous avoir fait vibrer de cette Musique qui était en toi. Reposes en Paix Sylvain 🙏🏼 Cette Présence Musicale sera toujours à nos côtés ❤
I think and feel the same! ❤️
Cette version est incroyable. Je ne sais pas si c'est l'âge de la vidéo, mais la Godin a une sorte de léger drive qui donne vraiment une autre dimension à son jeu, très, très aventureux. Vignolo et Ceccarelli absoluments incroyables, et Sylvain qui emmène le morceau où il veut... Et ces voicings de l'enfer quand il s'accompagne/accompagne le chorus de contre, au secours.
Rip pour sylvain 🙏
Really!? 😭😥😨it cannot be! 💔😞
Et cecarelli il fait le job !
R.I.P.
RIP, maestro. 😞😞😞
RIP master. Your contribution is forever.
damn man Terri Lyne Carrington is 23 on this, she is absolutely demolishing those damn drums
Exactly !!!! This is just one of the many obvious ways you can tell she was born to play !!!!! ❤️❤️❤️❤️💎
❤❤❤
❤❤❤
Sylvain Luc is the Steve Vai of Jazz Guitar
Yes, and Mike Tyson is the Tiger Woods of boxing
que dire....un sommet.
Sylvain Luc ne pense pas notes ni musique , il joue tout simplement . Il fait corps avec son instrument. C'est ça le génie.
Impressive playing skills. But they suck the lyricism straight out of this piece. I prefer Emily Remlers version.
Why don't this guitarist play on time? Unnecessary articulation.... Showing off is not a good thing in the long run
コルトレーンのサックスの影響を受けたからじゃないでしょうか
The Picasso of modern guitar. Spellbinding.
Yes !
Holy Shite!!! That was burning! Their solos were stylistically completely different from one another. How completely cool was that?!
1:39
The best
La première fois que je l'ai vu sur scène, il y a plus de vingt ans, j'ai mis une semaine à m'en remettre. Depuis, il est mon dieu absolu, LE musicien qui correspond exactement à ce que j'ai envie d'entendre.
Same here.🙂
Amazin version!!! Genius
❤
Fast tempo
MASTER!
am i the only one who thinks that his sound on that record was kind of similar to Mike Stern‘s? Because if i would‘t know that is Scofield playing, in the beginning i would think it‘s Mike 😛 But awesome sound anyway ✌🏽
Da Kure Mike uses the chorus effect. John doesn't
nope. Quite easy to tell them apart.
@@cgds1974 but i think he has chorus on this record...with a bit of crunch...
@@scottnewellguitar but i think he has used the chorus effect here
I couldn't ever mistake John for Mike or vice a versa. "Chorus " has nothing to do with it. Note choices and phrasing separates them like night and day, as with all the greats.
Those first 30 seconds...
Mozart would like it.
Thanks! It's a beautiful recording, I am going to listen, study and dig the shit out of it!!!!
Can someone tell me where I can find the transcript of this solo?
"Contemporary Jazz Guitar Solos" by Michael Kaplan (2016, Berklee Press) currently $11.55 on Amazon
Mouais, seuls les amateurs de jazz apprécierons ce genre de jeu dissonant et sans queue ni tête, perso c'est pas mon cas...
Il faut ouvrir son coeur et son esprit. Vous connaîtrez alors une joie ineffable.
Pour le jeu "dissonant" et "sans queue ni tête", là j'ai un peu de mal à vous suivre ... De toutes façons rien ne vous oblige à l'écouter ...
Vous ignorez ce que veut dire "dissonant", sans animosité aucune. Quant à "sans queue ni tête", c'est le cas de 99% des hommes et femmes ici bas, pas d’inquiétude de ce côté là donc.
Very nice. For my money,, Ray Bryant is the one who makes this piece other worldly, and his own.
Wonderful. So musical and alluring.... draw you in with the laid back cool then blow your mind with a long fast run. Great tone, great notes, great player
listening to this, i feel satisfyingly confused...
This play's original piece is Django Reinhardt's "Impromptu".
what kind of ibanez is that?
Matthew Ryu early modofied ibanez george benson signature
As200 ?
how do you get a chorus tone like this
During this period John used a Boss CS-2 (Stereo Chorus) made in Japan. Very important: he was always really playing in stereo with two amps. Important mention the RAT Distortion pedal. Sco used (occasionally he still does) the RAT with a moderated amount of drive (set around 9 o’clock, where the pedal works more as an overdrive). In the middle of the 90’s John jokes that he got into the “Alchorus Anonymous”. He stopped using the CS-2 and playing in stereo. He adopted a VOX AC30, which gives him the sound slightly crunchy, so he stopped using the RAT too. He still has a chorus in his pedal board, an analog chorus Ibanez CS9 with the controls set to the max to get a Leslie sound, but this pedal is used occasionally as an effect, not as part of his tone. I hope this helps.
Ops, I meant to say a Boss CE-2 (stereo chorus) made in Japan.
@@zepapires very interesting ! I always wondered ..
This is the song I have heard so many Jazz players cover. I call this the most covered Jazz song hahaha.
in flat out album, he express his own jazz guitar style, Basically, based on swing rhythm , play guitar cord solo play. Most people feel confused and complex, but simple.
damn.
Savage.
So many Jazz musicians have Covered this song. BTW this is not the original song. What... Is this the most covered Jazz song?
Thanks for sharing. I forgot how great he is for a solid second
No you didn't
Yes I did
Most amazing. Mastery of the classical style, and the jazz plectrum style, and the steel-string acoustic style, and he's a maniacal bassist as well.
It's amazing how John has all the chops in the world ,and has e albums like "A GO GO" which are so cool,and more like Drum grooves with great rhythm/lead guitar
When I was student in The Netherlands I heard this recording first time in our jazz history lesson. How to loose your self and the form in a standart song was the subject. Years after I asked John during a workshop in Hilvirsum he said about this recording that ' we just get to gather and play the songs we know " :) great mastery bless him !
Hi Onur: I remember playing this in your lesson. I still do and one of my students used this YT in his essay. That's how I got here.