Відео

Thanks brother 😊

🙏😊

A clone with way better build and component quality.

Thank you very much! Still loving this fuzz

🤣I hear you but it’s very different sounding. The ad999pro is my favorite, ad999 boosts mid frequency when engaged. The ARDX20 from analogman is also very good. I’ve tried a lot. The carbon copy is a great value but does not sound like these.

@@kevincaselle3174 thank you!

Awesome! I’d love to try a Pro. Is that the harmonic trem like the concert? I know the Super has it but didn’t know about Pro.

@@joeriffanucci yes, and the trem sounds so freaking good!

@bobbyblair6862 like a univibe good 🔥

Thanks man! I have to agree with you. My nkt275s are great but I think I’d struggle live with them. Bc183 is solid.

Thanks man. It’s a really interesting one. Creates a very unique thickness and grain character.

They you very much! I love this combination myself. The Gjika tone is another I’m trying to tame😊 I have it on couple of tracks on latest record for the solos. Harmonically dense.

Thanks man!

Thanks for watching 😊

Thanks

I agree. One of my favorites. As far as a #2 goes I’d say Custom Tones Ethos Clean Fusion Deluxe/Overdrive. I’ve been using the Ethos Overdrive live for years. The newer CFD just went on my board. I just did a record with my OD as main gain tones. Here it is if you’d like to hear recorded. linktr.ee/morninggiants

@@joeriffanucci 😍😍

Great question. I’d say the Zenkudo. Although I need to start working with the ss3 again. It’s fantastic for shelving eq with some of my more low end prone amps.

@@joeriffanucci thanks for share!

Thank you!

@@joeriffanucci you are very welcome!!

I’m pretty sure mine has it installed. I have not tried it yet. I’d most likely try a delay in and other reverb in there. The reverb that is built in is really solid.

The clean Fusion deluxe really feels like a culmination of the OD, Fusion and Clean 3. I’ve yet to use mine live but have in rehearsals and it’s been great. Still refining my tones. I used the OD TLE live for years and it’s fantastic.

I just listened on some good studio monitors. There could be a lot of variables in the different videos, but my ear is drawn more to the D side of Ethos Overdrive. I like its clean side as well. Both are excellent, but the overdrive pedal is better for me.

@jeffreyoliver4822 I look forward to hearing what you go with.

I just did a record with the Ethos Overdrive and a Louis Buster for 95% of my tones. Here it is if you’re interested. Pretty much same board as above with the OD instead. linktr.ee/morninggiants

Thx. Nice fusion music

Great question. Every pickup is different but I like about 1/8” from the depressed at highest fret string to top of pickup/pole. The bass side I adjust to volume/eq. I play live a lot with bands and can’t handle a lot of lower mids and lows in the mix. Always refining 😁

Thanks for checking it out.

😆 friend lent it to me. One of the better affordable gains. Isn’t Paul Gilbert into them into his Marshalls?

​@@joeriffanucciI don't know about Paul Gilbert. What I know is that is sounds sweeeeet!!!

@@fabiostabel thanks brother

Thanks man. Great clarification about how the circuit functions. When I use it on this amp I usually turn intensity to max and speed slowest. I may have a few showing it better. I’ll check

Awesome! Thanks man. I envy your Minstrel. Still haven’t made the jump to Kingsley😊

Thank you 😊

@@joeriffanucci Ten four man! It sounds killer! Ive seen these around here and there. They seem like a great 5e3. Im gonna get around to building a 5e3 someday. If sounds like this ill be happy! What kind of speaker you got in there if ya don't mind me asking?

BTW I was looking at another video of yours. You're playing a 6g2 and you appear to be playing a Heritage. I was just wondering if it is an H150? I got one that's my favorite LP type I've ever played. Its a 2000 model

@michaelknight4041 awesome, thanks man. This amp came stock with a 30h oddly. My Columbia has the Jupiter. If you’re interested in hearing this amp in a very different context I released a record recently that has it exclusively for 95% with an Ethos OD for gain. (Also a proper demo. Louis has some of mine on his site also. Here’s my band (weirder stuff 😆) linktr.ee/morninggiants

Yes! I love my brown Fender and Heritage.

Thank you for watching That’s great to hear about yours. What are the specs?

@@joeriffanucci mine is a ‘62-S, 7.5lb, 2 piece alder body, lake placid blue “gone green”, modern C neck with Jescar 6125 medium jumbo frets, 9.5” radius, Alan Dingwall 62 pickups. Absolute dream!

@GuitarReviver sounds great! Haven’t tried those pickups before. I have a Guitar Mill Ash hardtail in Deep Lake Blue Placid.

Thanks man!

I’m with you 100%. I love the bc183 for It’s stability. I use a Mas Effects Sona live but use white dot nkt275 devices at home. The new tube Gjika device I have rivals all transistors devices I’ve used.

I appreciate that. Didn’t know Mike used different bc183s. If you look around on my channel you’ll hear more devices in context. I’ve been into vacuum tube distortion as of lately.

Thank you very much. The blue box on top is called a variac. Or variable auto transformer. It can set voltage. I like to power older amps up the voltage that was more common for when the amp was made. Also power up and down slowly.

@joeriffanucci Yes I thought it was. I think I need one for my Masco as the best from the tubes really cooks the cage something fierce. Yes, I shall have to invest in one!.

Heat not "best",,,,,,bloody autocorrect!.

😊

Thank you very much

Thanks man. Still working on it.

😆 Joe B has a lot of stuff.

Thank you very much

Guitar-super Sweet-super clean-odr Mini-amp

What settings on odr mini? Mine is too bassy please help

@@mickzguarin2647 I think the 12 o’clock position for all three controls is a good starting point. The spectrum adds bass and treble as you turn up. I like to turn down the gain and turn up the volume to taste

It’s a great sound. I could do 6v6 on my Columbia. Buster needs the extra power and low end for current application.

Thanks. It’s a wonderful thing when it’s actually working right.

🤣 Carlos you’re the man!

Thanks for mentioning this. I was jumping the channels earlier on and know of those settings. Amazing how the tone controls sweep on each channel.

@@joeriffanucci Ah… cool… that’s great you’ve tried it. Yeah, the way the controls interact surprised me. Such a great circuit. I dig mine so much. It records so well.

@@ashbody3499 can’t wait to record mine. I run a a Louis Buster (5e3) and Columbia live. Just released a record with the Buster and my Ethos OD as main gain sounds if you’re interested. linktr.ee/morninggiants

@@joeriffanucci Oh man… you’ve got some beautiful amps. The tweed, the blackface and the brown Deluxe… what a combination! Had a listen to your album teaser… killer stuff man. Can hear some Rush and Zappa… anything that reminds me of Frank i find especially appealing!

@ashbody3499 I’m very fortunate to have bought and sold up to these things. Thanks for the kind words on our music. We love Zappa and the world of music that is related.

Yes! I’d love to hear your impressions with the Dumbloid still haven’t tried it.

Sure thing… I’ll let you know how it works out. It’s due in from Japan one month from now. After much deliberation, I chose it over the Dumkudo because it has a cool fuzzy-drive character at higher gain levels. Really appreciate your videos… they’re very helpful.

Did you get any special options? I really like my Zenkudo but it’s not a super versatile preamp. It comes to life when it’s used in a loud live context. Thanks for the kind words.

@@joeriffanucci Sure man. There are very few people demonstrating different overdrive pedals with the Brownface Deluxe. The 6G3 circuit has so much character, so you’re giving guitarists an invaluable resource by documenting your experience. FWIW, I’m using a Barbershop, a Les Lius & a Jan-ray… all fantastic in their own way. There’s a bit of crossover between the Barbershop & Les Lius, but I’m glad I have both. Really looking forward to the Dumbloid. I’ve ordered the one with the extra boost circuit: always useful to have some extra flexibility, plus it doesn’t cost much more.

@@ashbody3499 very cool! Haven’t tried Jan Ray into it yet. I use that exclusively with my Louis Columbia. Had a Les Luis for a minute before the Fender

I have to agree 😊

Loving it. I had the pleasure of trying the working prototype a few years ago and have wanted one since. I’m using it as main gain stage in line in a loop switcher. I have a fuzz and modulation before it.

Thank you for checking it out 😊🤘

Very thick metal 😊

Thank you. I’m very thankful to have these things.

Thanks man. I’m happy to have it back

That I’m unsure of. I think he prefers the 90 watt Celestions. I just did two cabs myself.