Відео

Thanks❤

I love your channel , thank you so much for all the things you've shared , very very usefull !!🙏🙏🙏

Congratulations on the video! I have a question that many other people may have. For example, the articulation Dude "N" Dude "N" at time 10:11 of the video, the second Dude "N" is made only by removing the tongue of the "N" or we remove the tongue and for the next Dude "N" a new attack of the "D" sound occurs. In this case, generating two movements, one of the removal of the tongue and the other of the new articulation. I usually make the sound of the second Dude "N" only by removing the tongue from the reed. Would that be correct?

Excellent dude...... keep up the great work....shivolar

This is brilliant

13:36 Johnny GRIFFIN, you sound great! lol Right here you unlocked a trick from the bag of countless cats who's technique I've never been able to figure out!! I have since wiped off my chin after my jaw up from the ground. Thanks Johnny!

Nice again👊

Nice info

Hi Johnny, on the off chance you see this, this recording is a tremendous gift given how hard the original album is to find. Your blues playing has always mesmerized me. I remember the first recording I heard of you was Billies Bounce from Live at the Realm. It sounds like there is a lot of Eddie in your playing on that album.

thnx

U're cool

Thanks!!👍👍

Enjoyed seeing you video, great stuff, we can never have too many nerdy sax videos. It's interesting to see your take on the ghost tonging (or as others call it 'dodon dodon'). I'm surprised to see that you only tongue the side of the reed? I was taught (back at music college in the 90s) to place the tongue on the reed (sounds great) - part of a Micheal Brecker analysis session. As you say, the Stan Getz/Oscar Peterson trio really has plenty of amazing examples. Although, one place where I remember really becoming aware of it was in Brecker's solos where he lands on a note muted, and then takes his tongue off.

Thanks for getting this information out 😊aloha coach Mundo

Great explanation and video. Only thing I missed is the articulations on the"dude". Are you tonguing there, or no tonguing just air to start the note?

Great break-down of bebop line rhythm phonetics - much needed!

Thank you for this helpful instruction. I didn‘t understand the difference between ghosting and swallowing- or is there no one?

thanks very much. I appreciate your "there's lots of ways to do it" philosophy.

Thank You

Happy to see Niehaus and Mintzer in the collection.

Always useful and very clear mate! Thank you. Here is BK too 🍁

Thanks from Germany Heidelberg.

Parabéns! Muito útil suas informações.

This is most helpful! I've literally been wanting to learn this for decades! THANK YOU!!!

A lot of these lines remind me of licks Joe Henderson loved to play. Nicely done, thanks.

Amazing man, I owe you a pint.

Thank you for finally making this make more sense. Now let me go practice some Charlie Parker!

Fantastic vid mate. 👍🏻

Crazy I know Ive been known to spend over an hour and a half at a stretch experimenting and reinventing for myself the endless fun that is tone matching with the overtones. Love your exploration here. Thank you!!

Awesome Johnny… Love and light to you mate!

Reminds me of C.Pine, and that can only be a good thing. Nice.

Beautiful! Thanks for posting. I love your tone on soprano.

beautiful song, beautiful soprano sound

Great lesson Johnny! Love it! This articulation is used even on 16 notes, correct? Or is simplified with mostly random major accent on down or upbeat (especially when phrases changes profile)? This articulation must be the same on every tempo, correct? What about legato? In Parker articulation alternate D-T-legato and N, correct? Last: in some point seems you mute completely the note. I use to muting the 50% of the sound of the note, more or less, is that correct? Thank you a lot.

Fino!!!

I pee my pants dude. You should do stand up comedy! 😂Great playing btw. We should have a beer together!

excellent content thank you for sharing

Very helpful! Thanks a lot!

so cool video, thank you so much!!

Do I need to hit the tongue n not necessary? Did I understand correctly? just my English is not very good and I could have missed something

👏👏👏👏👏👏👏👏

I´d wish You were my teacher when I was 10. No one did teach me that stuff. Beeing nearly 47 years old and playing for over 25 years that instrument, it is quite hard to incorporate that new way of tounquing into my playing. But Your lesson was quite helpful! Please continuing the good stuff! Cheers from Germany!

Great educator Johnny, Just groovy and interesting

F.hell, i learn tenox sax, visit lot of yt chanell but founded you channel right now, great video's , btw you sing well:) greetings from Poland

Love your educational vibe dude. Pure jazz.

You is cooking innit ....Love nay bro

3:29

Love this 🤩

Your language is universal friend, even without speaking English I understand. Thank you, hug from Brazil

Very well explained, thanks a lot.