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Chordacopia
United States
Приєднався 26 вер 2020
chords major minor augmented diminished diatonic chromatic tonic supertonic mediant subdominant dominant submediant subtonic Ionian Aeolian Lydian Dorian Mixolydian Phrygian Locrian
Відео
Chords for Goin' Out Of My Head (Little Anthony & the Imperials)
Переглядів 487 годин тому
Chords for Goin' Out Of My Head (Little Anthony & the Imperials)
Chords for Can't Buy Me Love (The Beatles)
Переглядів 26812 годин тому
Chords for Can't Buy Me Love (The Beatles)
Chords for Suspicion (Terry Stafford)
Переглядів 20412 годин тому
Chords for Suspicion (Terry Stafford)
Chords for A Hard Day's Night (The Beatles)
Переглядів 16919 годин тому
Chords for A Hard Day's Night (The Beatles)
Chords for Little Honda (The Hondells)
Переглядів 4721 годину тому
Chords for Little Honda (The Hondells)
Chords for I Wanna Be Free (The Monkees)
Переглядів 130День тому
Chords for I Wanna Be Free (The Monkees)
Chords for In-A-Gadda-Da-Vida (Iron Butterfly)
Переглядів 2314 днів тому
Requiescat in pace Doug Ingle, magister musicus.
Chords for Baby I Need Your Loving (Four Tops)
Переглядів 11714 днів тому
Chords for Baby I Need Your Loving (Four Tops)
Chords for I Want To Hold Your Hand (The Beatles)
Переглядів 14121 день тому
Chords for I Want To Hold Your Hand (The Beatles)
Chords for And I Love Her (The Beatles)
Переглядів 1,2 тис.21 день тому
Many thanks to www.youtube.com/@britt2001b for creating this glorious remix with McCartney's vocal single-tracked.
Chords for Bits And Pieces (The Dave Clark Five)
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Chords for Bits And Pieces (The Dave Clark Five)
Chords for She Loves You (The Beatles)
Переглядів 78228 днів тому
Chords for She Loves You (The Beatles)
Chords for Needles And Pins (The Searchers)
Переглядів 28628 днів тому
Chords for Needles And Pins (The Searchers)
Chords for P S I Love You (The Beatles)
Переглядів 216Місяць тому
Chords for P S I Love You (The Beatles)
Chords for Walk On By (Dionne Warwick)
Переглядів 266Місяць тому
Chords for Walk On By (Dionne Warwick)
Chords for Things I'd Like To Say (New Colony Six)
Переглядів 135Місяць тому
Chords for Things I'd Like To Say (New Colony Six)
Chords for Bad To Me (Billy J. Kramer & the Dakotas)
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Chords for Bad To Me (Billy J. Kramer & the Dakotas)
Chords for Under The Boardwalk (The Drifters)
Переглядів 214Місяць тому
Chords for Under The Boardwalk (The Drifters)
Chords for Keep Searchin' (Del Shannon)
Переглядів 150Місяць тому
Chords for Keep Searchin' (Del Shannon)
Chords for Time Is On My Side (The Rolling Stones)
Переглядів 235Місяць тому
Chords for Time Is On My Side (The Rolling Stones)
Chords for Last Kiss (J. Frank Wilson & the Cavaliers)
Переглядів 98Місяць тому
Chords for Last Kiss (J. Frank Wilson & the Cavaliers)
Chords for Love Potion No. 9 (The Searchers)
Переглядів 210Місяць тому
Chords for Love Potion No. 9 (The Searchers)
Another great tune ! Thank you
Yes, and another superb remix from britt2001b!
Nice one George.
So much great material to work and play with.
Missing you, Mr Lennon.
A beautiful tune. Jim Morrison's vocal quality is so unique. This was one of those songs that was hard for me to listen to right after he died. Too sad.
Great song. Thanks for the chords !
this is so nice, thansk you dude
Such a beautiful song. I have always loved it since 1966. It was beautiful music from the monkees that I became a musician. Thanks.
Yeah, I'm particularly fond of the ballads--like Sometime In The Morning and Shades of Gray. I can remember collecting Monkees cards in 1966. They were sold in packs of five, with a strip of banana-flavored bubble gum!
Beautiful song, thank you for sharing, like
Yeah, this remix from www.youtube.com/@britt2001b really brings out the beauty of McCartney's vocal, which was spoiled by double-tracking in the original mix. And I love the layering in of the guitar arpeggios beginning with the second verse.
Beatles, cool chord progression, even in their early work
True! There is no precedent for that IV - #VII7 - I (G - C#7 - D) progression in the top 40 songs of the 50s or early 60s. And the bVI - bVII - I (Bb - C - D) progression, which became commonplace in the later 60s and 70s, was pretty rare before 1964. The only precedent I can find is in the instrumental Theme From Exodus, which was a #2 hit for Ferrante & Teicher in 1961.
👏👏👏❤️❤️❤️🎵🎶🎵🎶
Great
Released 60 years ago today. Hard to believe that it got no higher than #24 on the Billboard chart!
It’s “Romeo” not “Rome”
Thanks for the correction!
Haney: Mr. Douglas i'm willing to let you have this for the low low price of five hundred dollars, Oliver: Five Hundred dollars!!!!!!! Iwouldn"t give you five hundred cents! Haney: SOLD!
Reggie Young was incomparable and helped blow this out of the water. R I P
True that! Young's electric sitar work here is even better than that on Cry Like A Baby (Box Tops), released earlier in 1968. Do you happen to know whether it was Reggie Young who played the electric sitar on Gene Pitney's She's A Heartbreaker (also 1968)? The two parts are stylistically similar.
One of my favorite Doors song
Oh shit
Written for his recently deceased Father. Whose Tombstone reads To Know him was to Love him.
Couple of chords missing. There is an Em after the G at "I will go on". And a G7 follows the G after "eternally".
Yeah, on the words “go on” the guitar moves to an Em7 chord, but the bass holds steadily onto the G and the piano keeps banging away on the G chord, so I’d say the overall harmonic effect there is more that of a G6 chord than of an E minor chord in root position. On the last syllable of “eternally” you can clearly hear an F note in the piano giving the G chord its minor seventh, so that G should really be G7. Thanks for the feedback, Elvisleeboy!
Thanks, this was the only accurate chords for this song I could find without having to go into the weeds of google. I just copied what was on the video below for anyone that would like a copy/paste option. He’s a Rebel (Gene Pitney) As recorded by the Crystals 1962 around 118 bpm 4bars (F) F See the way he walks down the street. Watch the way he shuffles his feet. Dm My, he holds hit head up high Bb C When he goes walking by-y-y-y! He’s my Guy! F When he holds my hand I’m so proud Cause he’s not just one of the crowd. Dm Bb My baby, always the one to try the thing they’ve never done, G7 C Db And just because of that they say-a-ay: Gb Ebm “He’s a rebel, and he’ll never ever be any good. Gb Db He’s a rebel cause he never ever does what he should.” Cb Bb7 But just because he doesn’t do, what everybody else does, Ebm Cb Ab7 Thats no reason why I can’t give him all my love. Gb Ebm He is always good to me, always treats me tenderly, Cb Cause he’s not a rebel, no no no, Db Gb. Db7 He’s not a rebel, no no no, to ME! Sax solo Gb | Ebm | Gb | Ebm | Cb | Db | Cb | Db | Ebm Cb If they don’t like him that way, they won’t like me after today, Ab7 Db And I’ll be standing right by his side when they say: Gb Ebm “He’s a rebel, and he’ll never ever be any good. Gb Db He’s a rebel cause he never ever does what he should.” Cb Bb7 But just because he doesn’t do, what everybody else does, Ebm Cb Ab7 Thats no reason why we can’t share a love. Gb Ebm He is always good to me, good to him I’ll try to be, Cb Cause he’s not a rebel, no no no, Db Gb. He’s not a rebel, no no no, to ME! Ebm Gb No, no, no-oh oh! No, No, (Oh, he’s not a rebel, no no no, he’s not a rebel, no no no) Ebm Gb No, no, no-oh oh! No, No, (he’s not a rebel, no no no, he’s not a rebel, no no no) Ebm Gb No, no, no-oh oh! No, No, (he’s not a rebel, no no no, he’s not a rebel, no no no) Ebm fade out.
Great. Thank you ! How about Orange Skies from LOVE 🎶🎼🎸🎶🎼
Thanks so much for sharing the chords with us all. Fantastic song, BJ was wonderful. 🌌🌅🌠🙏🏻🕊
My pleasure, Listairgin! Yeah, BJ Thomas was a marvel. Have you heard his 1966 version of I'm So Lonesome I Could Cry? Better than Hank's original, in my opinion.
Brilliant song! Thank you for the chords. 🌌🌅🌠🕊
Thank you for the chords. Beautiful song, I heard it for the first time in the summer of 1967 while my dad carried me on his shoulders while my mum carried a transistor radio. Precious memories. 🌌💕🌠🕊🙏🏻
Brilliant channel! Thank you for the chords. 🌌👌🏻
Thank you for the chords! Beautiful. 🌌🕊🌅🌠
Essa música é simplesmente linda. Como tudo na voz de Roberta Flack!❤
What beautiful music enters the soul
This song might be the BEST....RIP. G.C.🙏
Awesome! I'm glad I found you! Thank you!
Welcome, Michael! That's some beautiful guitar picking on your channel!
Thank you! @@chordacopia5149
This is beautiful right here man
Agree. Elvis does doo-wop!
Great job, my cover version uses these chords. ua-cam.com/video/QhqqJaGYFnc/v-deo.html I ignored the step up in the last verse.
Well done, I did a cover of this song that shows how these chords can be played: ua-cam.com/video/Nia8q3s9yy8/v-deo.html I have liked and subscribed.
Thank you!! ❤️🔥
The golden time.
RIP sweet lady
Excellent.
Can you do brand new key,c,c/g key
forget jamming to this in florida
The only song of Melanie I knew of was "Look what they've done to my song, ma" I hadn't ever heard "Safe" either. This is a song sung with power... interesting. Thanks for posting.
OMG... this song...! - It must have been 4 or 6 times that I listened to it now, before posting my comments here... - I remember I could catch the chords and passing bass lines "on the fly"...(I used to sit down at the kitchen and, using the cassette player, I repeated Play. Rewind and Fast Forward till I caught the chords...;-) However, I did not consider the diminished chord on measure 5. - I like to see measures 7 and 8, with the overlapping notes of the organ; it's obvious but I though in terms of guitar player only... - "One of sixteen vestal virgins, who were leaving for the coast". That line reminds me of... "The Father, Son, and the Holy Ghost, They caught the last train for the coast" (American Pie, by Don McLean) - The lyrics... again, me not knowing English back then, yet not understanding it now... Obscure lyrics, psychedelic atmosphere, hypnotic feeling, when the Hammond repeats its lines... and suddenly goes an octave higher (I don't know why I always expected the phrasing should/would be an octave lower...(?)) And the wild effects at the end (don't know if with drawbars, Lesley or whatever...) - And all this transcending the language, since I didn't know English back then...! For me... a timeless song, indeed. Thanks for posting this.
Several times in the hours that I spent making this video I became overwhelmed with emotion and had to stop working. Hearing that descending bass line, Brooker’s soulful vocals, and Fisher’s spine-tingling organ strains, I got the feeling that I was listening to a requiem for my whole generation.
@@chordacopia5149 Indeed. To be honest, I did not dare to say that it almost brought me tears to listen to it once and again. When it comes to getting (or trying to get) the meaning of some lyrics, I usually go to "songmeanings" and "songfacts" websites, which I previously did. However, it's not that I learnt of a website, supposedly reliable (I hope the link is not deleted, so I will put it on a next post...
@@chordacopia5149 On the same website, there is an axplanation for the name of the band: "The British rock band, formed in Southend, Essex, in the early 1960s, at first performed as the Paramounts. In 1967 they adopted their new name, said either to represent Latin procul harum, 'far from these things', or to have been the name of someone's cat. But the Latin phrase is dubious, since procul is followed by the ablative case not the genitive!"
Dicen que esta rola la escuchaba muy seguido John Lennon
@@josealcantarquiroz4712 Yeah, Lennon was really fond of the I - iii - vi progression over a 1 - 7 - 6 descending bass line. You can hear it in A Day In The Life, All You Need Is Love, Instant Karma, and Mind Games.
Didn't know this song... uhm... complex, very interesting. The big change from the Intro to the beginning of the song... Curious... It inspires a lot of energy, both during composition and performance, all-throughout... It must have been not easy to transcribe all this... Thanks for posting this.
Lots of tonal ambiguity here. You're naturally inclined to hear the initial A chord of the intro as the tonic--as if the song is in the key of A major. But the Em7 to A progression at the end of the intro sounds unmistakably like a half cadence in the key of D. So it comes as quite a shock when the verse begins on a Bb chord instead of a D chord. At that point it's hard to know what key you're in. Is it Bb? F? C? G? For a long time I tried to make sense of the verse as being in the key of Bb, but I could never quite convince myself. It wasn't until I started to see the verse as being in the key of C that things became clear. The Bb - F - C progression at the beginning of the verse is just the bVII - IV - I progression that you hear in countless Beatles songs (e.g., Hey Jude chorus, With A Little Help From My Friends, Polythene Pam, etc.). And all of the flat chords in the verse can then be explained as borrowings from the parallel minor mode (C Aeolian): Bb = bVII, Ab = bVI, and Eb = bIII--all diatonic chords from the parallel key of C minor. And then, just when you think you've gotten your feet on the ground in the key of C, the chorus darts away into the key of D. And with the beginning of the chorus, you finally get the tonic D chord that you were expecting to hear at the beginning of the verse.
Well done!
Thanks,I can play that on my tele.
Never heard of The Circle... one of the typical sounds of the 60s. Just saw a performance (not live) playing 12-string guitar and a double-neck (bass + guitar) with a drummer. The voices are consistently fine. I find curious the guitar Intro and Interludes; I'm familiar with that syncopation, provided I also play the two-steps bass notes (Travis picking) though, being the picking notes only, I have to count them to get the rhythm...;-) Thanks for sharing this.
Is this an eye chart ? Because I'm failing even with glasses on lol
I'm impressed by the composition, accompaniment, lyrics and the excellent voice of Julius LaRosa. Unbelievable this was produced and recorded in 1955... It sounds to me far more modern... Only I, personally, would have changed one letter of the lyrics... "You are super-duper bravissima" (feminine "a" instead of masculine "o")...;-) Thanks for posting this oldie, which is exceptional.
Yeah, this is such a charming little canzone, sadly all but forgotten now. I had the same thought about 'bravissimo', but that's just the sort of mistake an American would make in trying to impress his Italian sweetheart--and besides 'bravissima' doesn't fit the rhyme scheme!
Never heard of The Vogues. Interesting to listen and see their performances on TV with the aesthetics and dances back then. An easy, happy song where the lyrics message is clear...;-) Thanks for posting this.
I remember this song from the Drew Carey Show back in 1995. It always made me smile when he would open his show with this song. Thanks for this great tune.
Welcome to Chordacopia, my northern friend!