Відео

I love the RPG music

Kubert and my malpractice doctor look alike. Surely many people look like them .

I could spend the rest.of my life just watching the Kuberts draw and draw. Thank you for these fantastic videos really enjoy and love all of them.

Amazing! Thank you! 💯🔥

these are incredible thank you.

As a fellow up in coming insanely driven Canadian artist. Mr. Mcfarlane is my hero!

Dude. The cheers at the end gave me chills and actually made me tear up. EPIC. ❤❤❤

As a fan of the Xmen run by Jim Lee and his work, i found it really hard to recreate or copy his style of drawing. Especially as a kid during the 90s, you dont have much reference and learning materials available except the comics itself. But when I first saw Andy's work in Xmen, I got hooked to his art style and found it much more easier to study and apply onto my drawing practice. I followed his work closely ever since and saw it evolve from the Xmen, Ka-Zar, and Captain America. I am still a fan of his up to this day as well as his brother Adam.

The Model Evolution Simulation: (Psalms 104) A specialized form evolves (derives) from another specialized form and henceforth. Just as a specialized detail must evolve (derive) from other specialized details and consequently result in complex specialized details. Just as a specialized texture must evolve (derive) from other specialized textures and consequently result in a complex specialized texture. Just as a specialized figure must evolve (derive) from other specialized figures and consequently result in complex specialized figures. Just as a specialized movement(behavior: state machine) must evolve(derive) from other specialized movements(behavior: state machine) and consequently result in complex movements(behaviors: specialized state machine), . Considering(taking into account) the parameters(criteria and environmental factors) that will influence the evolution(biodesign phenomenon) of our model(detail, shape, figure, texture or background) 2D(image or drawing and video or cartoon) or 3D (hologram or holographic sculpture and claytronic or digital sculpture) Evolutionary Stage I-When evolution originating at the base of the environment(biome: depths and abysmal trenches) environment(of the ocean) reaches the top(surface) of the environment(ocean liquid) environment(biotope) then the life form(biotype) evolves up to the next level of environment (terrestrial biome) environment (lithosphere). Because when (millions of years of evolution) the trophic level (biomass) of the food chain of this life form (biotype) reaches its peak, then this evolutionary life form (biotype) has no way to nourish itself from its environment. Why the food chain has become unsustainable for this evolving form of life (biotype) that "pushes" it towards the next level environment (biome: earth) environment (biotope). Evolutionary Stage II-When evolution originating at the base of the environment(biome: valleys and depressions) environment(terrain) reaches the top(mountains and hills) of the environment(lithosphere) environment(biotope) then the life form(biotype) evolves up to the next level of environment (air biome) environment (atmosphere). Because when (millions of years of evolution) the trophic level (biomass) of the food chain of this life form (biotype) reaches its peak (evolutionary apex) then this evolutionary life form (biotype) has no way to nourish itself ( biomass) from its environment. Why has the food chain become unsustainable for this evolving form of life (biotype) that "pushes" it towards the next level of environment (biome: outer space) environment (biotope). Evolutionary Stage III-When evolution originating at the base of the environment(biome: moons and sidereal rings), environment(of outer space) reaches the top(comets and asteroids) of the environment(siderosphere), environment(biotope), then the life form(biotype ) evolves to the next level of environment (sidereal biome) environment (siderosphere). Because when (millions of years of evolution) the trophic level (biomass) of the food chain of this life form (biotype) reaches its peak (evolutionary apex) then this evolutionary life form (biotype) has no way to nourish itself ( biomass) of its environment(biome: moons and sidereal rings) environment(biocenosis: siderosphere). Why has the food chain become unsustainable for this evolving form of life (extremophile biotype) that "pushes" it towards the next level of environment (biome: space or alien invasion) environment (alien abiocenosis: xenoplanet). Model Involution Simulation: Panspermia (Exogenesis) Involutional Stage I-When evolution originating at the top(planetoids: comets and asteroids) of the middle(siderosphere) environment(of outer space) reaches the base(abiome: moons and asteroid rings) of the middle(siderosphere) environment(abiotope) then the life form (extremophile biotype) evolves to the previous level of environment (sidereal biome) environment (siderosphere). Because when(millions of years of involution) the trophic level(abiomass) of the food chain of this life form(extremophile abiotype) reaches its foot(involutional root), then this involutional life form(extremophile abiotype) has no way of nourishing- se(abiomass) of its environment(planetoids: comets and asteroids) environment(abiocenosis: siderosphere). Why has the food chain become unsustainable for this form of life(extremophile abiotype) in involution that "pulls" it towards the previous level of environment(biome: moons and planetary rings) environment(abiocenosis: outer space) Involutionary Stage II-When the involution originating at the top(mountains and hills) of the environment(lithosphere) environment(biotope) reaches the base of the environment(biome: valleys and depressions) environment(terrain) then the life form(extremophile abiotype) it evolves towards the previous level of environment(terrestrial biome) environment(biocenosis: lithosphere). Why when(millions of years of involution) the trophic level(biomass) of the chain feeding of this form of life(extremophile abiotype) reaches its foothills(involutionary root), then this involutive form of life(extremophile abiotype) has no way of nourishing itself(abiomass) from its environment(biome: atmospheric layer) environment(abiocenosis: atmosphere ). Why has the food chain become unsustainable for this form of life (extremophile abiotype) in involution that "pulls" it towards the previous level of the environment (abiome: terrestrial) environment (abiotope: lithosphere). Involutional Stage I-When involution originates at the top(surface) of the environment(ocean liquid) environment(biotope) reach the base of the environment(biome: depths and abysmal trenches), environment(of the ocean) then the life form (abiotype) evolves to the previous level of environment (ocean biome) environment (hydrosphere). Because when(millions of years of involution) the trophic level(abiomass) of the food chain of this life form(extremophile abiotype) reaches its base, then this involutionary life form(biotype) has no way of nourishing itself from its environment, . Why has the food chain become unsustainable for this form of life (abiotype) in evolution that "pulls" it towards the previous environment level (biome: depths of the ocean) environment (biotope: valleys, trenches and hydrothermal vents).

The Model Evolution Simulation: (Psalms 104) A specialized form evolves (derives) from another specialized form and henceforth. Just as a specialized detail must evolve (derive) from other specialized details and consequently result in complex specialized details. Just as a specialized texture must evolve (derive) from other specialized textures and consequently result in a complex specialized texture. Just as a specialized figure must evolve (derive) from other specialized figures and consequently result in complex specialized figures. Just as a specialized movement(behavior: state machine) must evolve(derive) from other specialized movements(behavior: state machine) and consequently result in complex movements(behaviors: specialized state machine), . Considering(taking into account) the parameters(criteria and environmental factors) that will influence the evolution(biodesign phenomenon) of our model(detail, shape, figure, texture or background) 2D(image or drawing and video or cartoon) or 3D (hologram or holographic sculpture and claytronic or digital sculpture) Evolutionary Stage I-When evolution originating at the base of the environment(biome: depths and abysmal trenches) environment(of the ocean) reaches the top(surface) of the environment(ocean liquid) environment(biotope) then the life form(biotype) evolves up to the next level of environment (terrestrial biome) environment (lithosphere). Because when (millions of years of evolution) the trophic level (biomass) of the food chain of this life form (biotype) reaches its peak, then this evolutionary life form (biotype) has no way to nourish itself from its environment. Why the food chain has become unsustainable for this evolving form of life (biotype) that "pushes" it towards the next level environment (biome: earth) environment (biotope). Evolutionary Stage II-When evolution originating at the base of the environment(biome: valleys and depressions) environment(terrain) reaches the top(mountains and hills) of the environment(lithosphere) environment(biotope) then the life form(biotype) evolves up to the next level of environment (air biome) environment (atmosphere). Because when (millions of years of evolution) the trophic level (biomass) of the food chain of this life form (biotype) reaches its peak (evolutionary apex) then this evolutionary life form (biotype) has no way to nourish itself ( biomass) from its environment. Why has the food chain become unsustainable for this evolving form of life (biotype) that "pushes" it towards the next level of environment (biome: outer space) environment (biotope). Evolutionary Stage III-When evolution originating at the base of the environment(biome: moons and sidereal rings), environment(of outer space) reaches the top(comets and asteroids) of the environment(siderosphere), environment(biotope), then the life form(biotype ) evolves to the next level of environment (sidereal biome) environment (siderosphere). Because when (millions of years of evolution) the trophic level (biomass) of the food chain of this life form (biotype) reaches its peak (evolutionary apex) then this evolutionary life form (biotype) has no way to nourish itself ( biomass) of its environment(biome: moons and sidereal rings) environment(biocenosis: siderosphere). Why has the food chain become unsustainable for this evolving form of life (extremophile biotype) that "pushes" it towards the next level of environment (biome: space or alien invasion) environment (alien abiocenosis: xenoplanet). Model Involution Simulation: Panspermia (Exogenesis) Involutional Stage I-When evolution originating at the top(planetoids: comets and asteroids) of the middle(siderosphere) environment(of outer space) reaches the base(abiome: moons and asteroid rings) of the middle(siderosphere) environment(abiotope) then the life form (extremophile biotype) evolves to the previous level of environment (sidereal biome) environment (siderosphere). Because when(millions of years of involution) the trophic level(abiomass) of the food chain of this life form(extremophile abiotype) reaches its foot(involutional root), then this involutional life form(extremophile abiotype) has no way of nourishing- se(abiomass) of its environment(planetoids: comets and asteroids) environment(abiocenosis: siderosphere). Why has the food chain become unsustainable for this form of life(extremophile abiotype) in involution that "pulls" it towards the previous level of environment(biome: moons and planetary rings) environment(abiocenosis: outer space) Involutionary Stage II-When the involution originating at the top(mountains and hills) of the environment(lithosphere) environment(biotope) reaches the base of the environment(biome: valleys and depressions) environment(terrain) then the life form(extremophile abiotype) it evolves towards the previous level of environment(terrestrial biome) environment(biocenosis: lithosphere). Why when(millions of years of involution) the trophic level(biomass) of the chain feeding of this form of life(extremophile abiotype) reaches its foothills(involutionary root), then this involutive form of life(extremophile abiotype) has no way of nourishing itself(abiomass) from its environment(biome: atmospheric layer) environment(abiocenosis: atmosphere ). Why has the food chain become unsustainable for this form of life (extremophile abiotype) in involution that "pulls" it towards the previous level of the environment (abiome: terrestrial) environment (abiotope: lithosphere). Involutional Stage I-When involution originates at the top(surface) of the environment(ocean liquid) environment(biotope) reach the base of the environment(biome: depths and abysmal trenches), environment(of the ocean) then the life form (abiotype) evolves to the previous level of environment (ocean biome) environment (hydrosphere). Because when(millions of years of involution) the trophic level(abiomass) of the food chain of this life form(extremophile abiotype) reaches its base, then this involutionary life form(biotype) has no way of nourishing itself from its environment, . Why has the food chain become unsustainable for this form of life (abiotype) in evolution that "pulls" it towards the previous environment level (biome: depths of the ocean) environment (biotope: valleys, trenches and hydrothermal vents).

The Model Evolution Simulation: (Psalms 104) A specialized form evolves (derives) from another specialized form and henceforth. Just as a specialized detail must evolve (derive) from other specialized details and consequently result in complex specialized details. Just as a specialized texture must evolve (derive) from other specialized textures and consequently result in a complex specialized texture. Just as a specialized figure must evolve (derive) from other specialized figures and consequently result in complex specialized figures. Just as a specialized movement(behavior: state machine) must evolve(derive) from other specialized movements(behavior: state machine) and consequently result in complex movements(behaviors: specialized state machine), . Considering(taking into account) the parameters(criteria and environmental factors) that will influence the evolution(biodesign phenomenon) of our model(detail, shape, figure, texture or background) 2D(image or drawing and video or cartoon) or 3D (hologram or holographic sculpture and claytronic or digital sculpture) Evolutionary Stage I-When evolution originating at the base of the environment(biome: depths and abysmal trenches) environment(of the ocean) reaches the top(surface) of the environment(ocean liquid) environment(biotope) then the life form(biotype) evolves up to the next level of environment (terrestrial biome) environment (lithosphere). Because when (millions of years of evolution) the trophic level (biomass) of the food chain of this life form (biotype) reaches its peak, then this evolutionary life form (biotype) has no way to nourish itself from its environment. Why the food chain has become unsustainable for this evolving form of life (biotype) that "pushes" it towards the next level environment (biome: earth) environment (biotope). Evolutionary Stage II-When evolution originating at the base of the environment(biome: valleys and depressions) environment(terrain) reaches the top(mountains and hills) of the environment(lithosphere) environment(biotope) then the life form(biotype) evolves up to the next level of environment (air biome) environment (atmosphere). Because when (millions of years of evolution) the trophic level (biomass) of the food chain of this life form (biotype) reaches its peak (evolutionary apex) then this evolutionary life form (biotype) has no way to nourish itself ( biomass) from its environment. Why has the food chain become unsustainable for this evolving form of life (biotype) that "pushes" it towards the next level of environment (biome: outer space) environment (biotope). Evolutionary Stage III-When evolution originating at the base of the environment(biome: moons and sidereal rings), environment(of outer space) reaches the top(comets and asteroids) of the environment(siderosphere), environment(biotope), then the life form(biotype ) evolves to the next level of environment (sidereal biome) environment (siderosphere). Because when (millions of years of evolution) the trophic level (biomass) of the food chain of this life form (biotype) reaches its peak (evolutionary apex) then this evolutionary life form (biotype) has no way to nourish itself ( biomass) of its environment(biome: moons and sidereal rings) environment(biocenosis: siderosphere). Why has the food chain become unsustainable for this evolving form of life (extremophile biotype) that "pushes" it towards the next level of environment (biome: space or alien invasion) environment (alien abiocenosis: xenoplanet). Model Involution Simulation: Panspermia (Exogenesis) Involutional Stage I-When evolution originating at the top(planetoids: comets and asteroids) of the middle(siderosphere) environment(of outer space) reaches the base(abiome: moons and asteroid rings) of the middle(siderosphere) environment(abiotope) then the life form (extremophile biotype) evolves to the previous level of environment (sidereal biome) environment (siderosphere). Because when(millions of years of involution) the trophic level(abiomass) of the food chain of this life form(extremophile abiotype) reaches its foot(involutional root), then this involutional life form(extremophile abiotype) has no way of nourishing- se(abiomass) of its environment(planetoids: comets and asteroids) environment(abiocenosis: siderosphere). Why has the food chain become unsustainable for this form of life(extremophile abiotype) in involution that "pulls" it towards the previous level of environment(biome: moons and planetary rings) environment(abiocenosis: outer space) Involutionary Stage II-When the involution originating at the top(mountains and hills) of the environment(lithosphere) environment(biotope) reaches the base of the environment(biome: valleys and depressions) environment(terrain) then the life form(extremophile abiotype) it evolves towards the previous level of environment(terrestrial biome) environment(biocenosis: lithosphere). Why when(millions of years of involution) the trophic level(biomass) of the chain feeding of this form of life(extremophile abiotype) reaches its foothills(involutionary root), then this involutive form of life(extremophile abiotype) has no way of nourishing itself(abiomass) from its environment(biome: atmospheric layer) environment(abiocenosis: atmosphere ). Why has the food chain become unsustainable for this form of life (extremophile abiotype) in involution that "pulls" it towards the previous level of the environment (abiome: terrestrial) environment (abiotope: lithosphere). Involutional Stage I-When involution originates at the top(surface) of the environment(ocean liquid) environment(biotope) reach the base of the environment(biome: depths and abysmal trenches), environment(of the ocean) then the life form (abiotype) evolves to the previous level of environment (ocean biome) environment (hydrosphere). Because when(millions of years of involution) the trophic level(abiomass) of the food chain of this life form(extremophile abiotype) reaches its base, then this involutionary life form(biotype) has no way of nourishing itself from its environment, . Why has the food chain become unsustainable for this form of life (abiotype) in evolution that "pulls" it towards the previous environment level (biome: depths of the ocean) environment (biotope: valleys, trenches and hydrothermal vents).

The Model Evolution Simulation: (Psalms 104) A specialized form evolves (derives) from another specialized form and henceforth. Just as a specialized detail must evolve (derive) from other specialized details and consequently result in complex specialized details. Just as a specialized texture must evolve (derive) from other specialized textures and consequently result in a complex specialized texture. Just as a specialized figure must evolve (derive) from other specialized figures and consequently result in complex specialized figures. Just as a specialized movement(behavior: state machine) must evolve(derive) from other specialized movements(behavior: state machine) and consequently result in complex movements(behaviors: specialized state machine), . Considering(taking into account) the parameters(criteria and environmental factors) that will influence the evolution(biodesign phenomenon) of our model(detail, shape, figure, texture or background) 2D(image or drawing and video or cartoon) or 3D (hologram or holographic sculpture and claytronic or digital sculpture) Evolutionary Stage I-When evolution originating at the base of the environment(biome: depths and abysmal trenches) environment(of the ocean) reaches the top(surface) of the environment(ocean liquid) environment(biotope) then the life form(biotype) evolves up to the next level of environment (terrestrial biome) environment (lithosphere). Because when (millions of years of evolution) the trophic level (biomass) of the food chain of this life form (biotype) reaches its peak, then this evolutionary life form (biotype) has no way to nourish itself from its environment. Why the food chain has become unsustainable for this evolving form of life (biotype) that "pushes" it towards the next level environment (biome: earth) environment (biotope). Evolutionary Stage II-When evolution originating at the base of the environment(biome: valleys and depressions) environment(terrain) reaches the top(mountains and hills) of the environment(lithosphere) environment(biotope) then the life form(biotype) evolves up to the next level of environment (air biome) environment (atmosphere). Because when (millions of years of evolution) the trophic level (biomass) of the food chain of this life form (biotype) reaches its peak (evolutionary apex) then this evolutionary life form (biotype) has no way to nourish itself ( biomass) from its environment. Why has the food chain become unsustainable for this evolving form of life (biotype) that "pushes" it towards the next level of environment (biome: outer space) environment (biotope). Evolutionary Stage III-When evolution originating at the base of the environment(biome: moons and sidereal rings), environment(of outer space) reaches the top(comets and asteroids) of the environment(siderosphere), environment(biotope), then the life form(biotype ) evolves to the next level of environment (sidereal biome) environment (siderosphere). Because when (millions of years of evolution) the trophic level (biomass) of the food chain of this life form (biotype) reaches its peak (evolutionary apex) then this evolutionary life form (biotype) has no way to nourish itself ( biomass) of its environment(biome: moons and sidereal rings) environment(biocenosis: siderosphere). Why has the food chain become unsustainable for this evolving form of life (extremophile biotype) that "pushes" it towards the next level of environment (biome: space or alien invasion) environment (alien abiocenosis: xenoplanet). Model Involution Simulation: Panspermia (Exogenesis) Involutional Stage I-When evolution originating at the top(planetoids: comets and asteroids) of the middle(siderosphere) environment(of outer space) reaches the base(abiome: moons and asteroid rings) of the middle(siderosphere) environment(abiotope) then the life form (extremophile biotype) evolves to the previous level of environment (sidereal biome) environment (siderosphere). Because when(millions of years of involution) the trophic level(abiomass) of the food chain of this life form(extremophile abiotype) reaches its foot(involutional root), then this involutional life form(extremophile abiotype) has no way of nourishing- se(abiomass) of its environment(planetoids: comets and asteroids) environment(abiocenosis: siderosphere). Why has the food chain become unsustainable for this form of life(extremophile abiotype) in involution that "pulls" it towards the previous level of environment(biome: moons and planetary rings) environment(abiocenosis: outer space) Involutionary Stage II-When the involution originating at the top(mountains and hills) of the environment(lithosphere) environment(biotope) reaches the base of the environment(biome: valleys and depressions) environment(terrain) then the life form(extremophile abiotype) it evolves towards the previous level of environment(terrestrial biome) environment(biocenosis: lithosphere). Why when(millions of years of involution) the trophic level(biomass) of the chain feeding of this form of life(extremophile abiotype) reaches its foothills(involutionary root), then this involutive form of life(extremophile abiotype) has no way of nourishing itself(abiomass) from its environment(biome: atmospheric layer) environment(abiocenosis: atmosphere ). Why has the food chain become unsustainable for this form of life (extremophile abiotype) in involution that "pulls" it towards the previous level of the environment (abiome: terrestrial) environment (abiotope: lithosphere). Involutional Stage I-When involution originates at the top(surface) of the environment(ocean liquid) environment(biotope) reach the base of the environment(biome: depths and abysmal trenches), environment(of the ocean) then the life form (abiotype) evolves to the previous level of environment (ocean biome) environment (hydrosphere). Because when(millions of years of involution) the trophic level(abiomass) of the food chain of this life form(extremophile abiotype) reaches its base, then this involutionary life form(biotype) has no way of nourishing itself from its environment, . Why has the food chain become unsustainable for this form of life (abiotype) in evolution that "pulls" it towards the previous environment level (biome: depths of the ocean) environment (biotope: valleys, trenches and hydrothermal vents).

The Model Evolution Simulation: (Psalms 104) A specialized form evolves (derives) from another specialized form and henceforth. Just as a specialized detail must evolve (derive) from other specialized details and consequently result in complex specialized details. Just as a specialized texture must evolve (derive) from other specialized textures and consequently result in a complex specialized texture. Just as a specialized figure must evolve (derive) from other specialized figures and consequently result in complex specialized figures. Just as a specialized movement(behavior: state machine) must evolve(derive) from other specialized movements(behavior: state machine) and consequently result in complex movements(behaviors: specialized state machine), . Considering(taking into account) the parameters(criteria and environmental factors) that will influence the evolution(biodesign phenomenon) of our model(detail, shape, figure, texture or background) 2D(image or drawing and video or cartoon) or 3D (hologram or holographic sculpture and claytronic or digital sculpture) Evolutionary Stage I-When evolution originating at the base of the environment(biome: depths and abysmal trenches) environment(of the ocean) reaches the top(surface) of the environment(ocean liquid) environment(biotope) then the life form(biotype) evolves up to the next level of environment (terrestrial biome) environment (lithosphere). Because when (millions of years of evolution) the trophic level (biomass) of the food chain of this life form (biotype) reaches its peak, then this evolutionary life form (biotype) has no way to nourish itself from its environment. Why the food chain has become unsustainable for this evolving form of life (biotype) that "pushes" it towards the next level environment (biome: earth) environment (biotope). Evolutionary Stage II-When evolution originating at the base of the environment(biome: valleys and depressions) environment(terrain) reaches the top(mountains and hills) of the environment(lithosphere) environment(biotope) then the life form(biotype) evolves up to the next level of environment (air biome) environment (atmosphere). Because when (millions of years of evolution) the trophic level (biomass) of the food chain of this life form (biotype) reaches its peak (evolutionary apex) then this evolutionary life form (biotype) has no way to nourish itself ( biomass) from its environment. Why has the food chain become unsustainable for this evolving form of life (biotype) that "pushes" it towards the next level of environment (biome: outer space) environment (biotope). Evolutionary Stage III-When evolution originating at the base of the environment(biome: moons and sidereal rings), environment(of outer space) reaches the top(comets and asteroids) of the environment(siderosphere), environment(biotope), then the life form(biotype ) evolves to the next level of environment (sidereal biome) environment (siderosphere). Because when (millions of years of evolution) the trophic level (biomass) of the food chain of this life form (biotype) reaches its peak (evolutionary apex) then this evolutionary life form (biotype) has no way to nourish itself ( biomass) of its environment(biome: moons and sidereal rings) environment(biocenosis: siderosphere). Why has the food chain become unsustainable for this evolving form of life (extremophile biotype) that "pushes" it towards the next level of environment (biome: space or alien invasion) environment (alien abiocenosis: xenoplanet). Model Involution Simulation: Panspermia (Exogenesis) Involutional Stage I-When evolution originating at the top(planetoids: comets and asteroids) of the middle(siderosphere) environment(of outer space) reaches the base(abiome: moons and asteroid rings) of the middle(siderosphere) environment(abiotope) then the life form (extremophile biotype) evolves to the previous level of environment (sidereal biome) environment (siderosphere). Because when(millions of years of involution) the trophic level(abiomass) of the food chain of this life form(extremophile abiotype) reaches its foot(involutional root), then this involutional life form(extremophile abiotype) has no way of nourishing- se(abiomass) of its environment(planetoids: comets and asteroids) environment(abiocenosis: siderosphere). Why has the food chain become unsustainable for this form of life(extremophile abiotype) in involution that "pulls" it towards the previous level of environment(biome: moons and planetary rings) environment(abiocenosis: outer space) Involutionary Stage II-When the involution originating at the top(mountains and hills) of the environment(lithosphere) environment(biotope) reaches the base of the environment(biome: valleys and depressions) environment(terrain) then the life form(extremophile abiotype) it evolves towards the previous level of environment(terrestrial biome) environment(biocenosis: lithosphere). Why when(millions of years of involution) the trophic level(biomass) of the chain feeding of this form of life(extremophile abiotype) reaches its foothills(involutionary root), then this involutive form of life(extremophile abiotype) has no way of nourishing itself(abiomass) from its environment(biome: atmospheric layer) environment(abiocenosis: atmosphere ). Why has the food chain become unsustainable for this form of life (extremophile abiotype) in involution that "pulls" it towards the previous level of the environment (abiome: terrestrial) environment (abiotope: lithosphere). Involutional Stage I-When involution originates at the top(surface) of the environment(ocean liquid) environment(biotope) reach the base of the environment(biome: depths and abysmal trenches), environment(of the ocean) then the life form (abiotype) evolves to the previous level of environment (ocean biome) environment (hydrosphere). Because when(millions of years of involution) the trophic level(abiomass) of the food chain of this life form(extremophile abiotype) reaches its base, then this involutionary life form(biotype) has no way of nourishing itself from its environment, . Why has the food chain become unsustainable for this form of life (abiotype) in evolution that "pulls" it towards the previous environment level (biome: depths of the ocean) environment (biotope: valleys, trenches and hydrothermal vents).

The Model Evolution Simulation: (Psalms 104) A specialized form evolves (derives) from another specialized form and henceforth. Just as a specialized detail must evolve (derive) from other specialized details and consequently result in complex specialized details. Just as a specialized texture must evolve (derive) from other specialized textures and consequently result in a complex specialized texture. Just as a specialized figure must evolve (derive) from other specialized figures and consequently result in complex specialized figures. Just as a specialized movement(behavior: state machine) must evolve(derive) from other specialized movements(behavior: state machine) and consequently result in complex movements(behaviors: specialized state machine), . Considering(taking into account) the parameters(criteria and environmental factors) that will influence the evolution(biodesign phenomenon) of our model(detail, shape, figure, texture or background) 2D(image or drawing and video or cartoon) or 3D (hologram or holographic sculpture and claytronic or digital sculpture) Evolutionary Stage I-When evolution originating at the base of the environment(biome: depths and abysmal trenches) environment(of the ocean) reaches the top(surface) of the environment(ocean liquid) environment(biotope) then the life form(biotype) evolves up to the next level of environment (terrestrial biome) environment (lithosphere). Because when (millions of years of evolution) the trophic level (biomass) of the food chain of this life form (biotype) reaches its peak, then this evolutionary life form (biotype) has no way to nourish itself from its environment. Why the food chain has become unsustainable for this evolving form of life (biotype) that "pushes" it towards the next level environment (biome: earth) environment (biotope). Evolutionary Stage II-When evolution originating at the base of the environment(biome: valleys and depressions) environment(terrain) reaches the top(mountains and hills) of the environment(lithosphere) environment(biotope) then the life form(biotype) evolves up to the next level of environment (air biome) environment (atmosphere). Because when (millions of years of evolution) the trophic level (biomass) of the food chain of this life form (biotype) reaches its peak (evolutionary apex) then this evolutionary life form (biotype) has no way to nourish itself ( biomass) from its environment. Why has the food chain become unsustainable for this evolving form of life (biotype) that "pushes" it towards the next level of environment (biome: outer space) environment (biotope). Evolutionary Stage III-When evolution originating at the base of the environment(biome: moons and sidereal rings), environment(of outer space) reaches the top(comets and asteroids) of the environment(siderosphere), environment(biotope), then the life form(biotype ) evolves to the next level of environment (sidereal biome) environment (siderosphere). Because when (millions of years of evolution) the trophic level (biomass) of the food chain of this life form (biotype) reaches its peak (evolutionary apex) then this evolutionary life form (biotype) has no way to nourish itself ( biomass) of its environment(biome: moons and sidereal rings) environment(biocenosis: siderosphere). Why has the food chain become unsustainable for this evolving form of life (extremophile biotype) that "pushes" it towards the next level of environment (biome: space or alien invasion) environment (alien abiocenosis: xenoplanet). Model Involution Simulation: Panspermia (Exogenesis) Involutional Stage I-When evolution originating at the top(planetoids: comets and asteroids) of the middle(siderosphere) environment(of outer space) reaches the base(abiome: moons and asteroid rings) of the middle(siderosphere) environment(abiotope) then the life form (extremophile biotype) evolves to the previous level of environment (sidereal biome) environment (siderosphere). Because when(millions of years of involution) the trophic level(abiomass) of the food chain of this life form(extremophile abiotype) reaches its foot(involutional root), then this involutional life form(extremophile abiotype) has no way of nourishing- se(abiomass) of its environment(planetoids: comets and asteroids) environment(abiocenosis: siderosphere). Why has the food chain become unsustainable for this form of life(extremophile abiotype) in involution that "pulls" it towards the previous level of environment(biome: moons and planetary rings) environment(abiocenosis: outer space) Involutionary Stage II-When the involution originating at the top(mountains and hills) of the environment(lithosphere) environment(biotope) reaches the base of the environment(biome: valleys and depressions) environment(terrain) then the life form(extremophile abiotype) it evolves towards the previous level of environment(terrestrial biome) environment(biocenosis: lithosphere). Why when(millions of years of involution) the trophic level(biomass) of the chain feeding of this form of life(extremophile abiotype) reaches its foothills(involutionary root), then this involutive form of life(extremophile abiotype) has no way of nourishing itself(abiomass) from its environment(biome: atmospheric layer) environment(abiocenosis: atmosphere ). Why has the food chain become unsustainable for this form of life (extremophile abiotype) in involution that "pulls" it towards the previous level of the environment (abiome: terrestrial) environment (abiotope: lithosphere). Involutional Stage I-When involution originates at the top(surface) of the environment(ocean liquid) environment(biotope) reach the base of the environment(biome: depths and abysmal trenches), environment(of the ocean) then the life form (abiotype) evolves to the previous level of environment (ocean biome) environment (hydrosphere). Because when(millions of years of involution) the trophic level(abiomass) of the food chain of this life form(extremophile abiotype) reaches its base, then this involutionary life form(biotype) has no way of nourishing itself from its environment, . Why has the food chain become unsustainable for this form of life (abiotype) in evolution that "pulls" it towards the previous environment level (biome: depths of the ocean) environment (biotope: valleys, trenches and hydrothermal vents).

The Four Mechanical Design-Style(2 Chronicles 26:15) Mechanical Design-Style of backgrounds(background design-style): kinetic architectures(with mechanically articulated architectural elements) with forms of technological devices and functions of social, educational, political, religious or economic devices(commercial, industrial or extractive).(2) Chronicles 26:15) Mechanical Design-Style of figures (character design-style): social robots (communicative and interactive) and claytronic human-machine interfaces. (2 Chronicles 26:15) Mechanical Design-Style of forms(creature design-style): automotive, aerospace and naval claytronic vehicles(means of transport and locomotion).(2 Chronicles 26:15) Mechanical Design-Style of details (custom design-style): fashionable clothes, costumes, hairstyles, footwear and cybernetic utensils. (2 Chronicles 26:15)

The Four Mechanical Design-Style(2 Chronicles 26:15) Mechanical Design-Style of backgrounds(background design-style): kinetic architectures(with mechanically articulated architectural elements) with forms of technological devices and functions of social, educational, political, religious or economic devices(commercial, industrial or extractive).(2) Chronicles 26:15) Mechanical Design-Style of figures (character design-style): social robots (communicative and interactive) and claytronic human-machine interfaces. (2 Chronicles 26:15) Mechanical Design-Style of forms(creature design-style): automotive, aerospace and naval claytronic vehicles(means of transport and locomotion).(2 Chronicles 26:15) Mechanical Design-Style of details (custom design-style): fashionable clothes, costumes, hairstyles, footwear and cybernetic utensils. (2 Chronicles 26:15)

The Four Mechanical Design-Style(2 Chronicles 26:15) Mechanical Design-Style of backgrounds(background design-style): kinetic architectures(with mechanically articulated architectural elements) with forms of technological devices and functions of social, educational, political, religious or economic devices(commercial, industrial or extractive).(2) Chronicles 26:15) Mechanical Design-Style of figures (character design-style): social robots (communicative and interactive) and claytronic human-machine interfaces. (2 Chronicles 26:15) Mechanical Design-Style of forms(creature design-style): automotive, aerospace and naval claytronic vehicles(means of transport and locomotion).(2 Chronicles 26:15) Mechanical Design-Style of details (custom design-style): fashionable clothes, costumes, hairstyles, footwear and cybernetic utensils. (2 Chronicles 26:15)

The Four Mechanical Design-Style(2 Chronicles 26:15) Mechanical Design-Style of backgrounds(background design-style): kinetic architectures(with mechanically articulated architectural elements) with forms of technological devices and functions of social, educational, political, religious or economic devices(commercial, industrial or extractive).(2) Chronicles 26:15) Mechanical Design-Style of figures (character design-style): social robots (communicative and interactive) and claytronic human-machine interfaces. (2 Chronicles 26:15) Mechanical Design-Style of forms(creature design-style): automotive, aerospace and naval claytronic vehicles(means of transport and locomotion).(2 Chronicles 26:15) Mechanical Design-Style of details (custom design-style): fashionable clothes, costumes, hairstyles, footwear and cybernetic utensils. (2 Chronicles 26:15)

The Four Mechanical Design-Style(2 Chronicles 26:15) Mechanical Design-Style of backgrounds(background design-style): kinetic architectures(with mechanically articulated architectural elements) with forms of technological devices and functions of social, educational, political, religious or economic devices(commercial, industrial or extractive).(2) Chronicles 26:15) Mechanical Design-Style of figures (character design-style): social robots (communicative and interactive) and claytronic human-machine interfaces. (2 Chronicles 26:15) Mechanical Design-Style of forms(creature design-style): automotive, aerospace and naval claytronic vehicles(means of transport and locomotion).(2 Chronicles 26:15) Mechanical Design-Style of details (custom design-style): fashionable clothes, costumes, hairstyles, footwear and cybernetic utensils. (2 Chronicles 26:15)

The Four Mechanical Design-Style(2 Chronicles 26:15) Mechanical Design-Style of backgrounds(background design-style): kinetic architectures(with mechanically articulated architectural elements) with forms of technological devices and functions of social, educational, political, religious or economic devices(commercial, industrial or extractive).(2) Chronicles 26:15) Mechanical Design-Style of figures (character design-style): social robots (communicative and interactive) and claytronic human-machine interfaces. (2 Chronicles 26:15) Mechanical Design-Style of forms(creature design-style): automotive, aerospace and naval claytronic vehicles(means of transport and locomotion).(2 Chronicles 26:15) Mechanical Design-Style of details (custom design-style): fashionable clothes, costumes, hairstyles, footwear and cybernetic utensils. (2 Chronicles 26:15)

The Untimely Light-Dark:(1 Chronicles 28:11; Exodus 35:31) About shapes(mechanical design and custom), figures(character and creature design) and backgrounds(background design) №1 Gray (grisaille) on linear drawing sheet. № 2 Separate the areas of lights (direct, reflected and re-reflected) and shadows (own and projected) on the linear drawing. № 3Map gray areas of tones onto linear drawing. № 4 Cutouts of backgrounds, figures and shapes on a linear drawing. № 5 Detail plans on linear drawing. № 6 Dissolving (gradient or gradient) of gray areas of tones on the drawing. № 7 Texture stains on linear drawing. № 8 High-gloss lights on a linear design. The most terrible and wonderful design. (Judges 13:6,18)

The Untimely Light-Dark:(1 Chronicles 28:11; Exodus 35:31) About shapes(mechanical design and custom), figures(character and creature design) and backgrounds(background design) №1 Gray (grisaille) on linear drawing sheet. № 2 Separate the areas of lights (direct, reflected and re-reflected) and shadows (own and projected) on the linear drawing. № 3Map gray areas of tones onto linear drawing. № 4 Cutouts of backgrounds, figures and shapes on a linear drawing. № 5 Detail plans on linear drawing. № 6 Dissolving (gradient or gradient) of gray areas of tones on the drawing. № 7 Texture stains on linear drawing. № 8 High-gloss lights on a linear design. The most terrible and wonderful design. (Judges 13:6,18)

The Untimely Light-Dark:(1 Chronicles 28:11; Exodus 35:31) About shapes(mechanical design and custom), figures(character and creature design) and backgrounds(background design) №1 Gray (grisaille) on linear drawing sheet. № 2 Separate the areas of lights (direct, reflected and re-reflected) and shadows (own and projected) on the linear drawing. № 3Map gray areas of tones onto linear drawing. № 4 Cutouts of backgrounds, figures and shapes on a linear drawing. № 5 Detail plans on linear drawing. № 6 Dissolving (gradient or gradient) of gray areas of tones on the drawing. № 7 Texture stains on linear drawing. № 8 High-gloss lights on a linear design. The most terrible and wonderful design. (Judges 13:6,18)

The Untimely Light-Dark:(1 Chronicles 28:11; Exodus 35:31) About shapes(mechanical design and custom), figures(character and creature design) and backgrounds(background design) №1 Gray (grisaille) on linear drawing sheet. № 2 Separate the areas of lights (direct, reflected and re-reflected) and shadows (own and projected) on the linear drawing. № 3Map gray areas of tones onto linear drawing. № 4 Cutouts of backgrounds, figures and shapes on a linear drawing. № 5 Detail plans on linear drawing. № 6 Dissolving (gradient or gradient) of gray areas of tones on the drawing. № 7 Texture stains on linear drawing. № 8 High-gloss lights on a linear design. The most terrible and wonderful design. (Judges 13:6,18)

The Untimely Light-Dark:(1 Chronicles 28:11; Exodus 35:31) About shapes(mechanical design and custom), figures(character and creature design) and backgrounds(background design) №1 Gray (grisaille) on linear drawing sheet. № 2 Separate the areas of lights (direct, reflected and re-reflected) and shadows (own and projected) on the linear drawing. № 3Map gray areas of tones onto linear drawing. № 4 Cutouts of backgrounds, figures and shapes on a linear drawing. № 5 Detail plans on linear drawing. № 6 Dissolving (gradient or gradient) of gray areas of tones on the drawing. № 7 Texture stains on linear drawing. № 8 High-gloss lights on a linear design. The most terrible and wonderful design. (Judges 13:6,18)

The Untimely Light-Dark:(1 Chronicles 28:11; Exodus 35:31) About shapes(mechanical design and custom), figures(character and creature design) and backgrounds(background design) №1 Gray (grisaille) on linear drawing sheet. № 2 Separate the areas of lights (direct, reflected and re-reflected) and shadows (own and projected) on the linear drawing. № 3Map gray areas of tones onto linear drawing. № 4 Cutouts of backgrounds, figures and shapes on a linear drawing. № 5 Detail plans on linear drawing. № 6 Dissolving (gradient or gradient) of gray areas of tones on the drawing. № 7 Texture stains on linear drawing. № 8 High-gloss lights on a linear design. The most terrible and wonderful design. (Judges 13:6,18)

He forgot to draw the nipples.

Rational Outline(1 Chronicles 28:11) Reference sketch lines work as exact markers of where to draw lines using drawing reference. Ibid, with all the sketch strokes taken as a basis to draw all the strokes yourself using drawing reference. Rational Sketch of Drawing Composition (Exodus 35:31) Reference sketch lines act as exact markers for where you plan to create lines using drawing reference. Ibidem, with the sketch strokes taken as a basis to create all the strokes yourself using drawing reference. Where do I start and end when drawing a rational drawing or using a drawing reference. Start by drawing from the inside (inner lines) to the outside (outer lines) a rational drawing or using a drawing reference. Start by drawing with the details (strokes of details and textures) of your drawing and ending with the larger ones (lines of shapes, hatches and movement) of your rational drawing or using a drawing reference.

Rational Outline(1 Chronicles 28:11) Reference sketch lines work as exact markers of where to draw lines using drawing reference. Ibid, with all the sketch strokes taken as a basis to draw all the strokes yourself using drawing reference. Rational Sketch of Drawing Composition (Exodus 35:31) Reference sketch lines act as exact markers for where you plan to create lines using drawing reference. Ibidem, with the sketch strokes taken as a basis to create all the strokes yourself using drawing reference. Where do I start and end when drawing a rational drawing or using a drawing reference. Start by drawing from the inside (inner lines) to the outside (outer lines) a rational drawing or using a drawing reference. Start by drawing with the details (strokes of details and textures) of your drawing and ending with the larger ones (lines of shapes, hatches and movement) of your rational drawing or using a drawing reference.

Rational Outline(1 Chronicles 28:11) Reference sketch lines work as exact markers of where to draw lines using drawing reference. Ibid, with all the sketch strokes taken as a basis to draw all the strokes yourself using drawing reference. Rational Sketch of Drawing Composition (Exodus 35:31) Reference sketch lines act as exact markers for where you plan to create lines using drawing reference. Ibidem, with the sketch strokes taken as a basis to create all the strokes yourself using drawing reference. Where do I start and end when drawing a rational drawing or using a drawing reference. Start by drawing from the inside (inner lines) to the outside (outer lines) a rational drawing or using a drawing reference. Start by drawing with the details (strokes of details and textures) of your drawing and ending with the larger ones (lines of shapes, hatches and movement) of your rational drawing or using a drawing reference.

Rational Outline(1 Chronicles 28:11) Reference sketch lines work as exact markers of where to draw lines using drawing reference. Ibid, with all the sketch strokes taken as a basis to draw all the strokes yourself using drawing reference. Rational Sketch of Drawing Composition (Exodus 35:31) Reference sketch lines act as exact markers for where you plan to create lines using drawing reference. Ibidem, with the sketch strokes taken as a basis to create all the strokes yourself using drawing reference. Where do I start and end when drawing a rational drawing or using a drawing reference. Start by drawing from the inside (inner lines) to the outside (outer lines) a rational drawing or using a drawing reference. Start by drawing with the details (strokes of details and textures) of your drawing and ending with the larger ones (lines of shapes, hatches and movement) of your rational drawing or using a drawing reference.

Rational Outline(1 Chronicles 28:11) Reference sketch lines work as exact markers of where to draw lines using drawing reference. Ibid, with all the sketch strokes taken as a basis to draw all the strokes yourself using drawing reference. Rational Sketch of Drawing Composition (Exodus 35:31) Reference sketch lines act as exact markers for where you plan to create lines using drawing reference. Ibidem, with the sketch strokes taken as a basis to create all the strokes yourself using drawing reference. Where do I start and end when drawing a rational drawing or using a drawing reference. Start by drawing from the inside (inner lines) to the outside (outer lines) a rational drawing or using a drawing reference. Start by drawing with the details (strokes of details and textures) of your drawing and ending with the larger ones (lines of shapes, hatches and movement) of your rational drawing or using a drawing reference.

Rational Outline(1 Chronicles 28:11) Reference sketch lines work as exact markers of where to draw lines using drawing reference. Ibid, with all the sketch strokes taken as a basis to draw all the strokes yourself using drawing reference. Rational Sketch of Drawing Composition (Exodus 35:31) Reference sketch lines act as exact markers for where you plan to create lines using drawing reference. Ibidem, with the sketch strokes taken as a basis to create all the strokes yourself using drawing reference. Where do I start and end when drawing a rational drawing or using a drawing reference. Start by drawing from the inside (inner lines) to the outside (outer lines) a rational drawing or using a drawing reference. Start by drawing with the details (strokes of details and textures) of your drawing and ending with the larger ones (lines of shapes, hatches and movement) of your rational drawing or using a drawing reference.

46:39 Greg capullo’s work is insane

When he starts doing the lettering...it blows my mind.

On notation and representation. (Exodus 35:31; Deuteronomy 11:18-20; Chronicles 28:11-13; Proverbs 7:3) Notation is a literal (letter), numeric (number) or cossic (characters) abstraction of shapes, figures or backgrounds. Representation is linear (dimensional), flat (two-dimensional) or volumetric (three-dimensional) figuration of shapes, figures or backgrounds. Observe, understanding much better how design-style of each stroke of letter (writing), number (calculation) or line (drawing) is being made (traced) or created (appeared). Learn by doing much better how the design-style of each stroke of letter (writing), number (writing) or line (drawing) is being done (traced) or created (appeared). Check (see) how you are doing (tracing) the design-style of each stroke yourself and whether it is performing (resulting) exactly or perfectly in accordance (equal) with the design-style of literal stroke (letter), numeric stroke (calculation ), cossic (character) or graphic (line) taught or learned. And correct the path (path, direction and direction) of the line in real time by using the tip of a quill, brush, pen, pencil or mechanical pencil taken (pinched) with your fingers.

On notation and representation. (Exodus 35:31; Deuteronomy 11:18-20; Chronicles 28:11-13; Proverbs 7:3) Notation is a literal (letter), numeric (number) or cossic (characters) abstraction of shapes, figures or backgrounds. Representation is linear (dimensional), flat (two-dimensional) or volumetric (three-dimensional) figuration of shapes, figures or backgrounds. Observe, understanding much better how design-style of each stroke of letter (writing), number (calculation) or line (drawing) is being made (traced) or created (appeared). Learn by doing much better how the design-style of each stroke of letter (writing), number (writing) or line (drawing) is being done (traced) or created (appeared). Check (see) how you are doing (tracing) the design-style of each stroke yourself and whether it is performing (resulting) exactly or perfectly in accordance (equal) with the design-style of literal stroke (letter), numeric stroke (calculation ), cossic (character) or graphic (line) taught or learned. And correct the path (path, direction and direction) of the line in real time by using the tip of a quill, brush, pen, pencil or mechanical pencil taken (pinched) with your fingers.

On notation and representation. (Exodus 35:31; Deuteronomy 11:18-20; Chronicles 28:11-13; Proverbs 7:3) Notation is a literal (letter), numeric (number) or cossic (characters) abstraction of shapes, figures or backgrounds. Representation is linear (dimensional), flat (two-dimensional) or volumetric (three-dimensional) figuration of shapes, figures or backgrounds. Observe, understanding much better how design-style of each stroke of letter (writing), number (calculation) or line (drawing) is being made (traced) or created (appeared). Learn by doing much better how the design-style of each stroke of letter (writing), number (writing) or line (drawing) is being done (traced) or created (appeared). Check (see) how you are doing (tracing) the design-style of each stroke yourself and whether it is performing (resulting) exactly or perfectly in accordance (equal) with the design-style of literal stroke (letter), numeric stroke (calculation ), cossic (character) or graphic (line) taught or learned. And correct the path (path, direction and direction) of the line in real time by using the tip of a quill, brush, pen, pencil or mechanical pencil taken (pinched) with your fingers.

On notation and representation. (Exodus 35:31; Deuteronomy 11:18-20; Chronicles 28:11-13; Proverbs 7:3) Notation is a literal (letter), numeric (number) or cossic (characters) abstraction of shapes, figures or backgrounds. Representation is linear (dimensional), flat (two-dimensional) or volumetric (three-dimensional) figuration of shapes, figures or backgrounds. Observe, understanding much better how design-style of each stroke of letter (writing), number (calculation) or line (drawing) is being made (traced) or created (appeared). Learn by doing much better how the design-style of each stroke of letter (writing), number (writing) or line (drawing) is being done (traced) or created (appeared). Check (see) how you are doing (tracing) the design-style of each stroke yourself and whether it is performing (resulting) exactly or perfectly in accordance (equal) with the design-style of literal stroke (letter), numeric stroke (calculation ), cossic (character) or graphic (line) taught or learned. And correct the path (path, direction and direction) of the line in real time by using the tip of a quill, brush, pen, pencil or mechanical pencil taken (pinched) with your fingers.

On notation and representation. (Exodus 35:31; Deuteronomy 11:18-20; Chronicles 28:11-13; Proverbs 7:3) Notation is a literal (letter), numeric (number) or cossic (characters) abstraction of shapes, figures or backgrounds. Representation is linear (dimensional), flat (two-dimensional) or volumetric (three-dimensional) figuration of shapes, figures or backgrounds. Observe, understanding much better how design-style of each stroke of letter (writing), number (calculation) or line (drawing) is being made (traced) or created (appeared). Learn by doing much better how the design-style of each stroke of letter (writing), number (writing) or line (drawing) is being done (traced) or created (appeared). Check (see) how you are doing (tracing) the design-style of each stroke yourself and whether it is performing (resulting) exactly or perfectly in accordance (equal) with the design-style of literal stroke (letter), numeric stroke (calculation ), cossic (character) or graphic (line) taught or learned. And correct the path (path, direction and direction) of the line in real time by using the tip of a quill, brush, pen, pencil or mechanical pencil taken (pinched) with your fingers.

I really enjoyed this lesson❤❤❤

The Rational Design(Project) Times(Multiplied by) the Intelligent Design(Project) By(Divided by) the Conceptual(Hypothetical) Design(Project) (1 Chronicles 28:11) The Rational Design(Project) Times(Multiplies) the Intelligent Design(Project) By(Divided by) the Conceptual(Hypothetical) Design(Project) The Rational Style Times(Multiplies) the Intelligent Style By(Divided by) the Conceptual(Hypothetical) Design(Project) Rational Action Times(Multiplies) Intelligent Action By(Divided by) Design(Project) Conceptual(Hypothetical) Design Reductionism (Project): Drawing (Project) reduces figures to lines and shapes to strokes. Geometric drawing reduces lines to numbers and dashes to digits. Analytical geometric design reduces design constructs to graphs of lines and numbers to line codes. The Composition Design Constructs: (Exodus 35:31) Traces(Traces) Times(Multiplied by) Marks(Residues) Times(Multiplied by) Stains(Impressions) of Drawing(Project).

The Rational Design(Project) Times(Multiplied by) the Intelligent Design(Project) By(Divided by) the Conceptual(Hypothetical) Design(Project) (1 Chronicles 28:11) The Rational Design(Project) Times(Multiplies) the Intelligent Design(Project) By(Divided by) the Conceptual(Hypothetical) Design(Project) The Rational Style Times(Multiplies) the Intelligent Style By(Divided by) the Conceptual(Hypothetical) Design(Project) Rational Action Times(Multiplies) Intelligent Action By(Divided by) Design(Project) Conceptual(Hypothetical) Design Reductionism (Project): Drawing (Project) reduces figures to lines and shapes to strokes. Geometric drawing reduces lines to numbers and dashes to digits. Analytical geometric design reduces design constructs to graphs of lines and numbers to line codes. The Composition Design Constructs: (Exodus 35:31) Traces(Traces) Times(Multiplied by) Marks(Residues) Times(Multiplied by) Stains(Impressions) of Drawing(Project).

The Rational Design(Project) Times(Multiplied by) the Intelligent Design(Project) By(Divided by) the Conceptual(Hypothetical) Design(Project) (1 Chronicles 28:11) The Rational Design(Project) Times(Multiplies) the Intelligent Design(Project) By(Divided by) the Conceptual(Hypothetical) Design(Project) The Rational Style Times(Multiplies) the Intelligent Style By(Divided by) the Conceptual(Hypothetical) Design(Project) Rational Action Times(Multiplies) Intelligent Action By(Divided by) Design(Project) Conceptual(Hypothetical) Design Reductionism (Project): Drawing (Project) reduces figures to lines and shapes to strokes. Geometric drawing reduces lines to numbers and dashes to digits. Analytical geometric design reduces design constructs to graphs of lines and numbers to line codes. The Composition Design Constructs: (Exodus 35:31) Traces(Traces) Times(Multiplied by) Marks(Residues) Times(Multiplied by) Stains(Impressions) of Drawing(Project).

The Rational Design(Project) Times(Multiplied by) the Intelligent Design(Project) By(Divided by) the Conceptual(Hypothetical) Design(Project) (1 Chronicles 28:11) The Rational Design(Project) Times(Multiplies) the Intelligent Design(Project) By(Divided by) the Conceptual(Hypothetical) Design(Project) The Rational Style Times(Multiplies) the Intelligent Style By(Divided by) the Conceptual(Hypothetical) Design(Project) Rational Action Times(Multiplies) Intelligent Action By(Divided by) Design(Project) Conceptual(Hypothetical) Design Reductionism (Project): Drawing (Project) reduces figures to lines and shapes to strokes. Geometric drawing reduces lines to numbers and dashes to digits. Analytical geometric design reduces design constructs to graphs of lines and numbers to line codes. The Composition Design Constructs: (Exodus 35:31) Traces(Traces) Times(Multiplied by) Marks(Residues) Times(Multiplied by) Stains(Impressions) of Drawing(Project).

The Rational Design(Project) Times(Multiplied by) the Intelligent Design(Project) By(Divided by) the Conceptual(Hypothetical) Design(Project) (1 Chronicles 28:11) The Rational Design(Project) Times(Multiplies) the Intelligent Design(Project) By(Divided by) the Conceptual(Hypothetical) Design(Project) The Rational Style Times(Multiplies) the Intelligent Style By(Divided by) the Conceptual(Hypothetical) Design(Project) Rational Action Times(Multiplies) Intelligent Action By(Divided by) Design(Project) Conceptual(Hypothetical) Design Reductionism (Project): Drawing (Project) reduces figures to lines and shapes to strokes. Geometric drawing reduces lines to numbers and dashes to digits. Analytical geometric design reduces design constructs to graphs of lines and numbers to line codes. The Composition Design Constructs: (Exodus 35:31) Traces(Traces) Times(Multiplied by) Marks(Residues) Times(Multiplied by) Stains(Impressions) of Drawing(Project).

Thank you sir..

How Kubert was considered one of masters for a reason. Thank you for sharing this with us.

0:00 Intro 3:42 Here's Joe! (Brief History of Ink Art and VCR tape instructions) 8:23 Basic Tools 19:14 Brush or Pen? 23:46 Textures 29:45 Light and Shadow 34:37 Lettering 39:59 Pen and Brush 45:20 The Secret to becoming a good Inker 53:50 That's it for now!

About conceptual design project(1 Chronicles 28:11-13) 1 Trait: 1 drawing construct. Dash design-style: sinuous, curved, elliptical arc or serpentine. Draw curves (dashes) on a line (contour or internal) Draw sinuous Sierpinski "S" shapes over curves (dashes) in a line (contour or internal). Draw sierpinski curved serpentine over curvilinear sinuous in line(contour or intena). 1 Trait: 1 drawing construct. Stroke design-style: straight, angle (corner), fold (corner) or straight serpentine. Draw straight lines (strokes) on a line (contour or internal) Draw Sierpinski angles (corners) on straight lines (dashes) in a line (contour or internal). Draw sierpinski folds (corners) over rectilinear sinuous lines (contour or inner). Creation of conceptual (idealistic) drawings of composition in project (design) and style (art) graceful and mild or bold and aggressive: (Exodus 35:31-35) Detailed or hyper-realistic line: The line follows its function in the conceptual (idealistic) design project. Line detailing following your design style. Detailed or realistic and naturalistic stroke: The line follows its function in the conceptual (idealistic) design project. Detailing of lines following your design style. For example: "Spaghetti" web and "cirrus spissatus" web, sweeping and dredging net of the Spider (the True Prophet).(Habakkuk 1:15-16) The texture and shape of the cloud has a flocular (cotton) appearance. The entire cirrus spissatus cloud is a colloidal system (complex, structure) (ice ridges). The cirrus spissatus cloud structure is an opaque (coiled) fractal. The cirrus spissatus cloud chunks are a translucent(impasto) fractal with semi-transparent edges in sierpinski curves(contours). The cloud chunks are a transparent(flat) fractal with transparent edges in sierpinski curves(contours). The cloud body is the opaque(folded) structure of the cirrus spissatus cloud that divides(fractalizes) into larger translucent(pasted) structures with spatial gaps(three-dimensional) between them. The transparent structures are divided (fractalized) into transparent (flattened) cirrus spissatus cloud structures with spatial gaps (three-dimensional) between them. Web "spissatus" of the Spider (the True Prophet): the carded threads are opaque (white), the filaments are translucent (semi-transparent white) and twisted (entangled) cables (web ropes) are transparent (transparent white). (Job 7 :6; Psalms 16:6) The diffracted light takes(illuminates) the place(shadowed surface) of the shadow of the "spissatus" web, at the same time that the diffracted shadow takes(shadows) the place(illuminated surface) of direct(diffuse) light in the "spissatus" web . Format is volume (framework) of shape. For example: a huge Tyrannus Rex dinosaur head with the shape of an ark measuring one and a half meters. Figurato is the volume (framework) of a figure. For example: the body of a Tirano Rex dinosaur with a lifeboat figure for a ship measuring more than seven and a half meters high, 12 meters long, from nose to tail. Detail is volume (framework) of detail. For example: Tyrant Rex's scaly scalp with hood detail (protective cape) joined to the scaly superciliary orbicularis above the bulged bottoms of the eyes.