Відео

Harding's underpowered, chamber Mahler. Totally pointless and largely featureless. What a comedown for this venue!

Do people from Spokane talk like that?

The secret sauce of Mahler’s music is his Jewish heritage. The harmonic and the orchestral language is not much different from that of Strauss’s, but it’s the Middle Eastern melodies and sensibilities that create the tenderest moments in his music. Those elements are absent in the seventh. My least favorite symphony by far. I think he was playing a joke, one that I don’t get.

Thank you. Much appreciated.

un grandissimo... le. sue direzioni. ti. coinvolgono capisco. perché è stato. nominato direttore. dell Orchestra di Roma

A symphony must embrace everything, even outdoor rain

Hello, where can we watch this documentaries?

Also my desert island piece. Von Karajan w. Crista Ludwig and Rene Kollo.

This recording should be banned!

39:37 --> Gustavo Gimeno

Mahler’s gifts of pure genius were God given! His music transcends anything of this earth! Happy Heavenly Birthday Maestro Mahler! ❤

A me non piace questo come conduce...😂😂😂...sembra un cavallo matto con quei gesti eccentrici .....li consiglio di ascoltare Toscanini, Franco Ferrara ecc ecc...assurdo 😂...era meglio che suonava il violino!?😂

Mahler certainly used irony -and possibly even a bit of contempt, in using the marking 'Burlesk', in (if memory serves) his 9th. 'Burlesk' would have horrified Bruckner as almost blasphemous! ('Burlesk': farcical travesty of a serious or sacred topic; emotional irony and contempt.)

Interesting that Mahler prioritized 'getting Bruckner symphonies into the repertoire', over respect for Bruckner's musical integrity. Of course, at one level, Mahler was right; music unplayed is nonexistent music. In a way, it's catering to (then) current musical tastes, rather than hoping Bruckner would later, find greater acceptance. Which of course he did. Thanks for the discussion!

thank you for posting this beautifully crafted and inclusive video. inspirational

Gustav Mahler (1860-1911) Symphony No. 1 in D Major, _Titan_ Royal Concertgebouw Orchestra Daniel Harding, conductor Concert from 2011

What wonderful and moving testimony to the music of this staggering and absolutely overwhelming genius!

Amazing! There's nothing as fresh as the first symphony

Happy Birthday Gustav Mahler- Your music has helped to stir and awaken those deep human feelings. We love you.

Feliz cumpleaños Gustav Mahler, gracias por el regalo de tu música. Saludos desde México 🇲🇽.

Ouvindo aqui em Vila Nova de Gaia, norte de Portugal, às 21:14, Lorraine Hunt Lieberson cantando divinamente: "Ich bin der Welt abhanden gekommen" do aniversariante Gustav Mahler. Sim, minha emoção é total e absoluta.

Mahler's music has enriched my life by an incalculable amount. Thanks to the Mahler Foundation for a lovely video.

Great video. Can someone tell me where the gentleman at timestamp 5:28 is? My German is rusty, but I thought I heard something about Duernstein or the Drei Zinnen? Would love to do this hike, and would like to know how to get there.

Juro, a vida com as músicas de Mahler é muito mais feliz. Viva Mahler!

Happy Birthday, Gustav Mahler. Your music has enriched the lives of generations of people around the world, and continues to do so. Thank You for sharing your creative genius.

Thank you so much for this tribute to Gustav Mahler. I cannot help thinking sometimes about what our concert programmes would look like, if Gustav Mahler had lived to be 80. ❤

Gustav Mahler s music is absolutely Heavenly

¡Que bonito cumpleaños a Gustav Mahler! ❤

Olá nao recebi notificação desde vídeo... Parabéns pela comemoração 🇧🇷🎉👏🏻👏🏻

Thanks to Morten, Marina, and the MF team for putting this together - inclusive of the delightful revised birthday 'sonata' at the top of the program. Happy 164th birthday Gustav Mahler, while if only you could be here today to witness how much love and respect your music now has worldwide! With warm greetings to all fellow Mahlerites from Sydney, Australia.

And Bruckner was devastated when he learned of Wagner’s death. He dedicated his Seventh to The Master.

I've heard that Mahler re-orchestrated all the Beethoven symphonies, except the 4th...do you know if there is a specific reason for this? Did he not like to program it or even like it??? I can't imagine that is the case-it is a brilliant symphony...or is it possible that Beethoven found the perfect balance (in terms of orchestration) with his original published score of the 4th??? Any insight into this would be much welcomed and appreciated...love the show btw!!!

Mahler and Beethoven? Why not try Heavy Metal and Haydn? Or Punk Rock and Schubert? Or Country & Western and Mozart? Or Grunge and Bach? Or Disco and Tchaikovsky? Or, frankly, any other combination of the aesthetically displeasing with the artistic?

Happy 100th birthday today (26-05-24), Baron H-L de la Grange, while sincere thanks for your fantastic Mahler scholarship and written works over many decades further to the understanding which you have now and forever bequeathed to the world as it concerns Gustav Mahler's music, his life, and his legacy.

A huge thank you for adding the subtitles.

Thanks for sharing with us.

Thank you for these wonderful conversations. Those who love Mahler are part of a soulful, timeless lineage of music, art, nature & human connection. I imagine that Mahler, had he witnessed the appreciation of his life & works today, would be happy to know that his legacy has stood the test of time & means the world to so many. Happy summer, everyone. Be safe & peaceful out there!

Também gostaria de entender 👍🏻🇧🇷

You have not activated the subtitles. 😪. So I can't understand this video.

Thanks for sharing with us here.

I want to correct one thing I mentioned doing the show. I misspoke when I said that it was in 1876 that Bruckner spoke to Wagner about the dedication of the Third Symphony. It was actually in 1873. (Bruckner was also invited to Bayreuth for the first performance the Ring Cycle in 1876.)

This was incredibly intriguing, thank you!

Thanks! So fascinating.

A very interesting discussion. I've always found Mahler's affection for Bruckner rather heartwarming. Bauer-Lechner's memoir relates how Mahler made a point to visit his old mentor at Bruckner's apartment in Vienna whenever he was in town.

Do we know what make and model of piano would have been in the hut originally? Thanks.

Are you still around?

The whole F trumpet issue is really interesting. There's a lot of debate over Mahler's possible use of them. Moving over to Wiener F horns, the famous Roland Berger (Vienna Philharmonic) had a whole bunch of older and slightly different Wiener horns, and all they played differently. He would switch between them, depending on just exactly what he was going to be playing. Bernstein learned this when he went to visit Roland Berger one day. Berger is actually credited with saving the use of the Wiener F-horn in the Vienna Phil. The question of authentic trombone is even more tricky. Makers are just beginning to do the necessary 'archeological digging work' on Austro/German trombones of that period. Jay Friedman in Chicago has taken interest in this.

And I really hope that you will have in Amsterdam a “meet the artists” or an introductory talk.

Great interview. Looking forward to attending your concert in Amsterdam on September 12.

Fantastic interview and I can't wait to hear the recording!