Відео

16:55 Top 10 metal moments in classical music

The voices are clear and distinguishable from each other; There's no lack of circle of fifths chord progressions; And the dramatic use of the perfect cadence is there. A truly remarkable work! Now I want a fugue in your style!

Wow... this sounds so good!!

He was truly a master of writing for strings!!

I saw this first in 1984, as an art student in Cleveland, Ohio, and couldn't believe my ears; never heard or saw anything like it, thought it was phenomenal, still do.😮😮😮

Horrible hideous music

Capolavoro dell'umanità!!!

Goog! You could anyway check the 18th measure.

I'm guessing this is the BAM performance. Or is it a newer one? Would love to see/hear this live one day. It was my first exposure to Glass way back in the mid 1970s thanks to the original cast recording. I've been a Glass addict ever since.

2:24 audition

20:15 - 20:48 goes so hard (especially 20:28 )

Pretty easy to hear classical musics influence on metal.

안녕하세요 악보 구할 수 있나요?

I like the intro with it's alternating harsh episodes with no tonal center and neo-romantic music...It's not really developed much, but the transitions are striking and very effective. It's juxtaposition is perhaps a sign-post of the two extremes we'll be hearing throughout: The 1st march is Bartokian. The Variations are clearly Brahmsian and are quite beautiful, but perhaps go on longer than they should. Doubtless there is an intention behind this juxtaposition of stylistic extremes which I can't grasp the reasoning of on a 1st listen. Is this intended as polystylism? Just listened to his entire 6th symphony yesterday and was very impressed with all of it, except a short stretch in the last section where a marching band quality becomes a bit too blatant and out of character with the rest of the symphony. There are lots of reasons composers are neglected and no century has more undeservedly neglected composers than the 20th century...but you wonder if it is in the ways some of this very well-written music does not quite hang together that makes performers shy away from it. Does it have a logical consistency or does it push and pull us in too many directions? And are they just too imitative for us to care? It could be the formal aspects of a work like this. It's rather unwieldy for a quartet at 47 minutes, with 3 shorter movements and two rather massive ones. The 2nd march brings us back to his Bartokian mode. The very long finale then alternates strident agitated sections with serenades that now sound like bittersweet paeans to Mahler....the 2nd scherzo sounds like distorted Mendelssohn. Then another Mahlerian serenade. almost quoting the end of Mahler's 9th. The final scherzo is back to the Bartokian harshness, coming full circle to the motif from the opening of the work and repetitive flurry to end. Not sure what to make of it all, but it's not something I would return to because if I want to listen to Bartok, Brahms, Mahler or Mendelssohn then I will listen to them.

what soundfont/vst did you use for the piano sound? It sounds so good!!!

1st two movements left me kind of cold...but starting with the 3rd movement I started to feel this. It's really such a mesmerizing and compelling work. Full of strangeness and dark thrills.

The march is really good, the harmony is so satisfying

But WHO IS PLAYING IT? How absurd not to tell that!

PSYCHO! Bernard Herrmann was clearly influenced by this piece. Especially the finale (IV) and (V).

3rd part🔥

Very fine choice, excellent pieces!

18:00

This copied a lot of licks from 2013 carolina crown

Nice piece ! Well done

필립글래스..!

But who is playing this??????

Najlepsze!

Who is performing here?

This would make a good outer space movie soundtrack. I always thought Stucky would become a good composer but he didn't. He followed what others were doing - lots of motifs, lots of percussion, some minimalism. unnecessary complexity, sound for the sake of sound, nothing memorable, not worth listening to twice.

PERFECTION

Is it modern enough?-Bartók to one of his colleagues after fearing he wasn’t modern enough

👍

The Smartest Guys In The Room (2005).

Jon Fishman sent me

paroles svp

My study of orchestration by Samuel Adler brought me here.

😂

My Lord.... the remarkable bookends I just experienced: I never fail to weep when the chorus begins to sing in Knee Play 1, Train. At the same time, the Counting Crows line shredded me with unexpected laughter. I am now nothing but a block of sentient unflavored gelatin. God Loves Us All.... or just ain't there.

Muzyka mojego życia ❤ Siemion Byczkow >> The Best

Who are the performers?

Esiste un prima e un dopo Einstein on the Beach, perché ha veramente segnato un punto di non ritorno per le arti performative.

16:40

16:43

Like Wagner it is gesamkunstwerk. It has to be experienced in all its mayerial/media forms .

Oh I wish I had gone to New York in 2012 to see it again. 1976 the noise and attention made in 1976 living in Los Angeles I will never forget. How do the singers dothese difficult rhythms and even the counting changes without a score in front of them ? Bed from this opera is revelatory as is Night train . Train makes such a unique unforgettable experience upon first encounter. It is truly music that feels like the world we live in Now esp. the 1970's and 1980's in places where we are confronted with chaos it becomes our scarifying present !

Ah!

A masterpiece. Thanks!

Дарк соулс два лучшая игра серии

Cool! Kinda reminds me of Laurie Anderson.

Who suggested the scheme of the work?