Відео

Hört das niemand außer mir auf Deutsch? Oder wagt kein Deutsch sprechender mehr sich zu solch hoher Darbietung in seiner Muttersprach zu äußern?

Thanks for the score and the analysis.

anyone else think that 7:01 is like absolutely fire cz I need to know what the dude was on when he made this 😭🙏

Thanks.

🔥🔥🔥

Agerich is formidable.

Lee Susan Taylor Linda Clark Donna

Magnifique et terriblement tragique. Profonde tristesse, indignation pour la perte de sa sœur, et ce désespoir qu'on entend dans le second mouvement et qui secoue... Il a quand-même trouvé le courage de composer cette œuvre. Pour la mémoire de Fanny? Avant de la suivre à l'au-delà...

❤👏🏻👏🏻👏🏻

8:48

The thing about Brahms is that it each time you listen to one of his pieces it gets better.

🎉❤😊

a bit similar to liszt's sonata actually

8:18 <3

death metal on piano

Could someone explain to me the coda

best part here => 34:53

Ashkenazy simply unbelievable in the light, dancing 'Prestissimo' 3rd climax, which makes his 10th optimal. Driven 2nd climax 'Trills' as well. High speed, power plus floating use of pedal to connect sections, and the brilliant recording assist. Despite music so beautiful and unearthly, many pianists rush; also something to be said for taking time to luxuriate in its uniquely pure and inspiring sound world. ua-cam.com/video/D7PLSVzRGMk/v-deo.html

21:03 It’s blinding

Interesting fact: The tonal center of the piece is F, which Scriabin heard red. It fits a lot with the hellish atmosphere of the sonata

Really cool piece I didn't know.

Interesting, a hint of jazz in it! A spooky ending! It grows on you! Cheers!

One of his favorite sonatas. And my favorite, of course!

Giad i found out about This composer even if late.

Just tested it out on my piano It's a useful technique!

10:38 that’s it right there

Very nicely played!

Beautiful, profound playing.

Lovely piece! I wanna get the score and learn it!

Thank you for posting this superb performance of this exceptionally beautiful sonata from the master, Camille Saint-Saens! I have this recording which also includes the more famous First Cello Sonata and the delightful Suite for Cello and Piano, Opus 16. Saint-Saens left us an enormous legacy of fine compositions! thank you

Thanks a lot for uploading

superb.. Mendelssohn is one of the masters of romantic era

1:13

Postrrromanticismo a lo Beethoven. Es como si fuera una prolongación de las últimas piezas de Beethoven en las primeras de Brahms. El lenguaje armónico está más desarrollado, pero sí que hay acercamientos del tipo melódico y contrapuntístico. ❤

Beautiful sonata! Late Scriabin, while not as memorable, is so evocative.

I live in a very small town at the end of the world. Here classical music is not commonly listened nor payed attention to at all. There is a small conservatory -in which I go to- but there isn’t anything too big. You can’t ask much from a small town anyways. However, every year we have an international music festival, in which various musicians around the world -Although mostly pianist- come to perform. It’s nothing short of amazing, mainly because there are no major expectations for them. Nobody here knows them at all, there’s no pressure for them at all so they only focus on playing music. People come to listen to them play these really difficult pieces which no one else in the town is capable of playing -This is not an exaggeration, the best pianist in this town would be my teacher and after that it’d probably be me, and the hardest piece I can play is Chopin’s Scherzo No. 2- and that’s what makes it special. In doing so, the results are one of the most pure sounding festivals I’ve ever been to. This year’s festival, a pianist came. He comes regularly, every 1 or 2 years. He’s always been my favorite. The amount of effort he puts into the interpretation of the pieces he plays has always left me speechless and it has turned me into a big fan of him. I even tried once to get him to teach me piano, but he very clearly couldn’t. He’s too busy traveling and performing in big countries like Germany or France. What he did, however, was doing a 1 on 1 lesson with me which lasted around 2 hours. I played for him the pieces I was practicing at the moment and he gave me his feedback on what I should work on in order to perform them better. After the class ended, he told me something I’ll never forget: “My goal, what I really strive for; I want to tell people with the pieces I play that music must be played with the heart”. A day after we had said class, it was his turn to play again. What did he play? This piece. It was marvelous, I was fascinated. I know this is a violin duo, but the way he played it as the accompaniment showed total maturity over this piece. And so I’ll always remember that performance, I couldn’t even begin to fathom how he’s able to produce those sounds, it was the biggest color palette I had seen in my life. Really; he’s the kind of musician you listen to play and you can’t help but ponder: Are we even playing the same instrument? What have I been doing? This happened a few months ago. 4, to be precise. But I’ll never forget him or what he told me. I don’t think I will ever be marked by someone as much as his words did to me. It’s amazing what music is able to do for people’s souls.

The chord that closes the first movement is special. It takes advantage of the open G/D strings in the cello and the open D strings in the violin and viola; to me, the sound is stoic. The only stopped notes are the Bb in the violin (great for tuning) and the low D in the viola. The voicing in the piano doubles everything, plus an extra low G. Brahms finds a way to make every moment special.

The last movement is probably the most fun thing Brahms ever wrote, and demonstrates that Brahms could have been as crowdpleasing a composer as any had he chose to do so.

thank you for the analysis!

This is just a really bad piece. The thematic material goes nowhere.

I got this piece to play at a summer camp, i absolutely adore it. She definitely knew what she was doing when she composed this

Schumann inspiration

Best recording. Thank you.

gracias youtube

Horowitz had a better coda.

As it is in Mendelssohn's own autograph: "Hilf du mir"

Great piece thanks for sharing!

One of my favorite quartets. The opening is so autumnal! One thing that strikes me a lot: Today I was mentally revising the structure of the opening movement as a model for a quartet I'm composing, and I realized the opening motif is barely repeated. I went to this recording and it turns out my memory wasn't faulty. The motif appears at the start of the exposition and in the codetta as an afterthought. Then it appears in a few spots more in the development, but not much. It's even syncopated during the recap. It's not like B. forgot about it, but it's underrepresented. Maybe I'm missing something. It's so strange! Not unheard in Mozart's sonata forms (esp. early ones) and I think the piece's still a masterpiece and works well, but it's surprising!

Nice analysis

La même élévation de pensée que dans le premier mouvement du second trio piano-violon-violoncelle.