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Utah Desert Remote Observatories
United States
Приєднався 29 вер 2021
Adjustment Layers and Masks
Photoshop is a key part of my astrophotography workflow. Adjustment Layers are a critical part of a nondestructive workflow, and masks are an incredibly useful tool to restrict the visibility of an adjustment layer to just selected parts of the image. This video focuses on using an Adjustment Layer and its mask to bring out hidden details around the edges of the Crab Nebula.
Переглядів: 134
Відео
Solid Fill Layer in Photoshop
Переглядів 2899 годин тому
Photoshop is a key part of my astrophotography workflow. This video focuses on two specific tools, a dark solid fill adjustment layer and the use of an inspection layer to better see what's actually hiding in the shadows.
PlaneWave L500/CDK17 Installation at UDRO
Переглядів 74814 днів тому
December 2024 installation of a PlaneWave CDK17 on an L500 mount at Utah Desert Remote Observatories.
Color Saturation for Astrophotography
Переглядів 57214 днів тому
Photoshop is a key part of my astrophotography workflow. A recent video by Seti Astro did a deep dive into how chroma and saturation work in PixInsight, so this video is focus on how those tools work in Photoshop. It also includes a discussion of color spaces and their importance when working with images from different sources.
Combining Luminosity and RGB in Photoshop
Переглядів 33714 днів тому
Follow along as I process NGC1333 in Photoshop where I show how to combine luminosity and RGB data. For Photoshop, check www.adobe.com/creativecloud/photography/pricing-info.html or Google "adobe photoshop photography plan" It should be around $10 a month (if you pay for the year in advance) and includes Lightroom. I also use PixInsight along with the RC-Astro plugins BlurXTerminator, NoiseXTer...
What is Astrophotography
Переглядів 623Місяць тому
In this video, I share an excerpt from a presentation I prepared for a group of high school astronomy students to answer the question, "What is Astrophotography?" It covers some basic definitions and explains why we color-map images.
Veil HOO
Переглядів 567Місяць тому
Follow along as I process the Eastern Veil Nebula, a popular target that is rich in hydrogen and oxygen and works well for an HOO color palette. I go through the basics of PixInsight image preparation and then finish in Photoshop. For Photoshop, check www.adobe.com/creativecloud/photography/pricing-info.html or Google "adobe photoshop photography plan" It should be around $10 a month and includ...
Photoshop Retouching Tools
Переглядів 713Місяць тому
Photoshop is a key part of my astrophotography workflow. In this video I demonstrate how to use the most common retouching tools to clean up astro photos. For Photoshop, check www.adobe.com/creativecloud/photography/pricing-info.html or Google "adobe photoshop photography plan" It should be around $10 a month and includes Lightroom. I also use PixInsight along with the RC-Astro plugins BlurXTer...
Soul Nebula SHO+RGB
Переглядів 3862 місяці тому
Follow along as I process the Soul Nebula, a popular target that is rich in sulfur, hydrogen and oxygen that works well for an SHO color palette. I go through the basics of PixInsight image preparation and then finish in Photoshop. In this example, I also use a little of the RGB as a base layer for the image. For Photoshop, check www.adobe.com/creativecloud/photography/pricing-info.html or Goog...
Zion Milky Way from a Single Frame
Переглядів 2782 місяці тому
This video shows an approach to processing a Milky Way photo, in this case from a single frame. I use both PixInsight and Photoshop for their respective strengths at different points in the workflow.
Flaming Star RGB+Ha
Переглядів 4552 місяці тому
Photoshop is a key part of my astrophotography workflow, In this video I combine data captured with a one-shot color camera using both a clear glass and Optolong L-eNhance filter along with hydrogen-alpha data captured with a monochrome camera. For Photoshop, check www.adobe.com/creativecloud/photography/pricing-info.html or Google "adobe photoshop photography plan" It should be around $10 a mo...
Setting a Black Point in Photoshop
Переглядів 4902 місяці тому
Photoshop is a key part of my astrophotography workflow. In this video I demonstrate how to use the color sampler tool to set a neutral dark point to help find a good color balance. For Photoshop, check www.adobe.com/creativecloud/photography/pricing-info.html or Google "adobe photoshop photography plan" It should be around $10 a month and includes Lightroom. I also use PixInsight along with th...
Eastern Veil One Shot Color
Переглядів 6253 місяці тому
A common question is how to combine one-shot color (OSC) and dual-narrowband data in an image. This short video show a technique using Photoshop and layer groups. If you don't use Photoshop, whatever image editor you're using probably has similar features and functions so the overall approach should still work.
Setting a Neutral Black Point
Переглядів 3644 місяці тому
Photoshop is a key part of my astrophotography workflow. In this video I demonstrate how to use the color sampler tool to set a neutral dark point to help find a good color balance. For Photoshop, check www.adobe.com/creativecloud/photography/pricing-info.html or Google "adobe photoshop photography plan" It should be around $10 a month and includes Lightroom. I also use PixInsight along with th...
Using Actions in Photoshop
Переглядів 2014 місяці тому
Photoshop is a key part of my astrophotography workflow. In this video I deomonstrate how to create and use Actions to recored keystrokes and commands and then play them back to automate repetitive steps. For Photoshop, check www.adobe.com/creativecloud/photography/pricing-info.html or Google "adobe photoshop photography plan" It should be around $10 a month and includes Lightroom. I also use P...
The Easiest Narrowband Processing in Photohsop
Переглядів 1,3 тис.4 місяці тому
The Easiest Narrowband Processing in Photohsop
Elephant Trunk Combining Data from Two Scopes
Переглядів 2334 місяці тому
Elephant Trunk Combining Data from Two Scopes
WBPP with Multiple Cameras and Nights
Переглядів 4155 місяців тому
WBPP with Multiple Cameras and Nights
True Non-Destructive Editing in Photoshop
Переглядів 2336 місяців тому
True Non-Destructive Editing in Photoshop
Adding Oiii Data to the Squid Nebula
Переглядів 6477 місяців тому
Adding Oiii Data to the Squid Nebula
Some good tips. Had been only using in Pixinsight. Recently installed on PS and looking for just this. Separating the stars from the starless. In order to edit background and not the stars.
By reducing one of the image by 50%, you are tossing away 1/4 of the total exposure time. Wouldn't it be better to use the stacking function in PS?
The choice of 50% is somewhat arbitrary, but it's based on the observation that the total exposure time from both scopes is about the same. The objective is to combine the data by averaging, with 50% coming from one set of data and 50% coming from the other. Setting the layer opacity to 50% does that. It may help to think of adding 50% more rather than throwing 50% away.
Please continue your wonderful tutorials on processing astrophotography
I have a noisy background around an image of the Jellyfish Nebula I am currently processing. I have been wondering about a layer to help clean up the background. This video has given me some ideas.
Great tutorial, Craig! This is very helpful for us shooting in light polluted areas. I’m always fighting trying to get an even background and remove all the blotchiness and color gradients. I really like these short tutorials. Please do more. I would love to see one related to noise removal after applying this technique.
Very useful technique
A nice way to remove the junk on the background, very useful video THANKS Craig
As usual, excellent tutorial. I think you really highlight things that would be extremely difficult to do in pixinsight, and you've made the point several times that photoshop and pixinsight are really synergistic. Photoshop can be daunting, but you have a nice consistency with your tutorials, and I'm glad you take us through step by step.
Great video, thanks.
Thanks so much for this. I think this is some secret magical sauce knowledge you shared there.
This is way too complicated, there must be an easier workflow than this
The purpose of any hobby is to have fun. If a particular technique feels too complicated then don’t use it. There are lots of workflow options and everyone has to find their best fit.
flats are definitely NOT universal. most of the motes you see in an image are on the camera window itself. the dust on the objective is in the infinity space...
No, flats are not universal; they are specific to the scope, camera, filter and current dust spots. I hope I didn't say something that sounded like they are universal.
Brilliant video. The more I watch your channel, the more tips and tricks and techniques I pick up. Keep them coming please!!!
When you connect the eaf belt to the lens focus ring, where do you have the dial set to on the camera? Seems that infinity focus is all the way locked to the left. Just picked up this lens and will be running it through ASIAIR plus. Thanks
Infinity focus is almost all the way to the stop, but the lens actually focuses slightly past infinity.
gm craig, i jumped back into this tutorial again to finish the pickering triangle. when the editing is finished, what is the best way to save the image and you know my ultimate goal is a print.
Save the masterfile as a Photoshop Large Format file .PSB. For printing, save a COPY as a .JPEG
You're the man!
I've seen your pictures on the PI group on the Facebook. I love your work. Thanks for letting us peek behind the scenes :)
Yes craig, I do. What are the specs on this scope. Is this a customer’s or your new telescope
It’s a customer’s PlaneWave CDK17 on an L500 mount.
Wow
Very useful video! Thank you! You should really do one on computer monitor calibration.
Check this presentation I did a couple years ago. ua-cam.com/video/Xm4rYOQMbMY/v-deo.htmlsi=GT-HtRFFL_Yi8iAB
Craig, very interesting tutorial, how would I change pixinsight to adobe rgb. In my amateur photography experience, I have always set my cameras to adobe rgb color space. This brings up another question, can you change color space in the Astro cameras.
In PixInsight you would change the working space to Adobe RGB 1998, however I strongly recommend using sRGB. (I also recommend using sRGB for your cameras too.) Astro cameras capture a RAW file in the FITS file format; RAW files don't have a color space. In regular cameras, the color space setting only affects JPEGs and previews, not a RAW file.
Thank you for another excellent lesson. I saw the video that you were referring to, and while it had value, this goes into a much better explanation of how to utilize color space. You always do such a great job.
Excellent video, thank you! I keep learning more and more from you. I admire colors in your images, especially red which is blood like, but still pleasing and fits the other colors in the image. I am still not there and I cannot produce the colors I like. Moving sliders is a skill that comes with experience.
Great tutorial, Craig! This is very helpful, can’t wait to try it myself. Love your videos!
Thanks for this, as I have been wondering what your method was for adding LUM back in. I have been recently been following your ideas, so have been doing inital work in PI and then bringing tif files into PS for further development. I have only just finished an image where I took tif files back into PI to add the LUM channel. Now I can see how you do it, so next time I will try this method.
Thank you for taking the time to explain this. All the best in 2025! Clear skies!
Nice process
Wow! This was a great tutorial! My PS skills are still very basic, and videos like this are immensely helpful. Cheers!
Thank you Craig for another great video! I normally do Lum in the middle of RGB group and global adjustments and I put it into Luminosity blending mode, but I leave RGB in the passthrough blending mode at the bottom of the layer stack. I have to try approach from this video as well.
Either way will work and give you the same results
in ps the 3rd method i enjoyed the most. the image really came out great so i produced my first print. i think i will enlarge it over 3 gig file!!!
craig, my final image has more cyan in it and less red compared to yours, how could i fix this. excellent tutorial i might add.
Increase the brightness of the Hydrogen group (which is red) and/or decrease the brightness of the Oxygen group (cyan)
gm craig, so i am at timeline-18:20, again i don't have to image solver because i did not do dynamic crop, correct??
Correct. As long as color calibration works, then you're good to go. If color calibration fails, it's usually because you need to run image solver.
craig, if my wpp was set for auto crop, why are am i doing another dynamic crop or do i skip that.
Skip the dynamic crop when using the auto crop option
Outstanding! Thanks for the video.
Very nice lecture with one mistake, typical for advanced deep space imagers: You definitely can do astrophotography without a telescope! Depending on the target, a regular camera lens, even a wide angle lens, is sufficient to do serious astrophotography. Interestingly, images captured with wide angle lenses are used several times throughout the lecture. These images may not be as detailed as those captured with a telephoto lens or a telescope, but they are great to put the astronomical structures into a greater context. Many deep space imagers and advanced landscape astrophotographers use all the described techniques, like tracking, stacking, narrowband filters, and even cooled monochrome cameras in connection with regular camera lenses.
Absolutely. This was a portion of a larger presentation that also covered wide field night sky photography, even with a cellphone. I was simply clarifying what this portion was about.
@CraigStocksArts Thanks for the clarification! 👍
I learned something today! Thank you Craig!
very very informative Craig, really enjoyed this. one day i will have to step into the monochrome camera world. please continue your videos and thank you.
This was again a great tutorial Thanks Craig !
Great presentation for the student
That’s a great video Craig. I don’t really use photoshop in my processing except at the very end, and that is because I don’t know what to do. Seeing this has given me a good starting point. I have never really understood what all the blending modes do, is there a reference somewhere that you recommend that explains their function?
Thank you very much Craig for sharing your Photoshop process: very educational !
Thank you Craig for the great video. It was a good teaching point about plate solving, it was useful, not a problem.
Great video, thanks. I don't understand why Pixinsight takes so long to plate solve, and why, at times it completely fails. My Asiair can plate solve an image with a tiny computer in about 5 seconds, and when I used to use Siril could likewise get an image solution almost instantly. Pixinsight has been notoriously bad at doing this for quite some time!
Thanks for another excellent and very informative video. I always learn from your detailed explanations of processing in PI and PS. A thought on the Image Solving issue you had: I've used the Seti Astro PI script "Blind Solver" and it usually works when I've had otherwise unexplainable issues plate solving.
cool stuff Craig, I'll have to give this a try when I eventually go mono
Looks amazing! Thanks for sharing!
Wow So much changes with few things to do Great video great capturing its so clear unbelievable. My question is : are this data captured with mm camera or one shot color camera .
It was captured with a mono cameras.
@ I do have 2600 mc pro Do you have any videos for one shot color camera and PS workflow? I don’t have PI but I use astap,grexpert,Siril,and Ps as workflow. I’d like to learn on Ps how to combine images of narrowband filters and broadband filters or uvarcut filters .
Thank you for the video. I couldn't really tell out what point do you do the main stretch? And how are you avoiding bloating the stars when you do the stretch? Are you doing a preliminary stretch? How do you keep the "exposure" of each panel the same? Thanks!
I just use a Screen Transfer Function auto-stretch and it keeps them pretty even. Photoshop does the final adjustment whith Auto Blend.
@@utahdesertremoteobservator8328 That is what I've been doing but I find the stars get a little bloated. Are you fixing with StarX or another program?
@@paulsterman7169 Imuse BlurXTerminator before stretching, and usually reduce the stars in Photoshop after they’re separated.
craig, much better results with your help, thanks
Thank you very much. A clear concise way of using these tools in a practical application. We have all watched you use these tools from time to time but you don’t always elaborate on them and today you did. This is a great reference video has a lot of your videos are great reference videos, thank you