Відео

MUSICA MEDICINA ANIMAE

Ponte a estudiar entonces y buena suerte

@The_IRL_Bard Ojalá tengas suerte y puedas conseguirlo. Entre tanto, te anuncio que Xavier viene a tocar a la Fundación March el sábado 25 de enero a las 12h. Se transmitirá por streaming: www.march.es/es/madrid/concierto/fantasia-iii-vihuela-perla-renacentista

If what you’re looking for when listening to music is perfection in pitch, why on earth do you listen to medieval and Renaissance music on period instruments?? I thought all aficionados knew that *there _IS_ no ”sound of long nails on double strings” with period instruments, _because they’re all played on GUT STRINGS, not metal wrapped ones!_ And, as I’m sure you know, gut strings are perilously unreliable when it comes to pitch by their physical nature, making them extremely difficult to tune, which means that there are frequent disagreements on pitch in any but solo performances! My feeling is that it’s much better for the soul to listen for the amazing artistry virtuosi bring to their art and to try to accept the fact that these instruments are highly temperamental….after all, it’s the sound of the glorious gut strings which most modern ears find enchanting, even those who are highly sensitive to pitch as I am!

Algunos lo tienen como el mejor laudista en España.

​@@marchvivo y tal vez hasta del mundo diría yo

The mood of a creator does nos necessary affects his/her creation in all instances. Sad music doesn’t always implies the composer was sad at that moment, and the other way around.

@@marchvivo Dowland himself signed his name as Dowland semper dorolens.

Listen to 13:45 to 13:52, just as an example of imperfection which takes nothing away from the excellence of the performance. One of the best performances I have ever seen happened when Arthur Rubinstein had a complete memory loss in the middle of an extremely difficult Chopin piece during a recital. He didn’t stop and apologize….he did such an amazing improvisation for some minutes, which sounded so much like Chopin in an attempt to catch the threads of the piece together in his mind, that many in the audience didn’t even realize his performance was “imperfect” in any way! The ovation he got at the end of that piece was spontaneous and LOUD, as much from the admiration people felt for the genius Rubinstein displayed to get himself out of that imperfect corner in which he found himself that it put him on a higher pinnacle than ever! In art, performers who strive for perfection-not making mistakes-are very boring to listen to, for the simple reason that they’re devoid of musicality.

この曲ばかりでなく、ダウランドの曲は、全部そうです❤

@@Catherine-my1uc We do agree with you; Phantasm is superb. Thanks to you for paying attention to our channel.

En castellano, son tres palabras para referirse al mismo instrumento, siguiendo tradiciones narrativas distintas. Los hay de uno o dos teclados (o manuales, como también se llaman). En cambio, el clavicordio, de parecido nombre, sí es un instrumento distinto.

@marchvivo Precisamente por ello dije los 3 nombres por si alguien conocia alguno. Gracias por contestarme

The Danel Quartet was the first one to face the huge challenge of recording the complete Weinberg quartets. This one is the first live complete recording, made last February in Madrid. This isublime music that, sooner or later, will find its place in concert programming, I am sure.