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pauline texier
Приєднався 6 вер 2012
"Der Holle Rache" Königin der Nacht - Mozart, Die Zauberflöte - Pauline Texier Soprano
Pauline Texier Soprano
Orkester Nord, direction Martin Wåhlberg
Orkester Nord, direction Martin Wåhlberg
Переглядів: 84 268
Відео
Grétry, Céphale et Procris (air et suite) - Pauline Texier, soprano
Переглядів 1,5 тис.8 місяців тому
Pauline Texier Soprano Orkester Nord (Martin Wåhlberg)
"Comme un éclair" - Grétry, La Fausse Magie - Pauline Texier Soprano
Переглядів 2 тис.8 місяців тому
Pauline Texier Soprano Orkester Nord (Martin Wåhlberg)
Pauline Texier // Sophie "Frère, voyez" / Werther, Massenet
Переглядів 7442 роки тому
Pauline Texier // Sophie "Frère, voyez" / Werther, Massenet
Pauline Texier // "Arpa gentil", Corinna
Переглядів 5535 років тому
Air de Corinna, Il Viaggio a Reims, G.Rossini/ Direction : Marco Guidarini, Mise en scène : Emmanuelle Cordoliani
Bastien et Bastienne Teaser
Переглядів 1895 років тому
Bastien et Bastienne // Académie de l'Opéra de Paris // Bastien : Juan de Dios Mateos Segura, Bastienne : Pauline Texier, Colas : Andriy Gnatiuk, Mise en scène : Mirabelle Ordinaire, Scénographie : Philippine Ordinaire , Direction : Iñaki Encina Oyón
Glitter and be gay // Pauline Texier
Переглядів 1,1 тис.5 років тому
Aria of Cunégonde from Candide ( L. Bernstein) // Orchestre de Paris // Conductor : Lucas Macías Navarro, Stage director : Emmanuelle Cordoliani
Ich schwebe op.48 Richard Strauss / Pauline Texier - Thibaud Epp
Переглядів 4757 років тому
Ich schwebe op.48 Richard Strauss / Pauline Texier - Thibaud Epp
Amor op.68 Richard Strauss / Pauline Texier - Thibaud Epp
Переглядів 4917 років тому
Amor op.68 Richard Strauss / Pauline Texier - Thibaud Epp
A.E.M. Grétry / L’Amant jaloux, Air de Léonore / Pauline Texier
Переглядів 7 тис.7 років тому
Concert des révélations de l'Adami 2015, Sophie Teulon au piano
W.A. Mozart /Air de concert "No, che non sei capace" / Pauline Texier
Переглядів 3,9 тис.7 років тому
Concert des révélations de l'Adami 2015 - Sophie Teulon au Piano
Debussy par Pauline Texier et Thibaud Epp I Le live de la matinale de France musique
Переглядів 3147 років тому
Debussy par Pauline Texier et Thibaud Epp I Le live de la matinale de France musique (Clair de lune et Pierrot, extraits des Chansons de jeunesse)
merci pour ce chant, il donne envie de réécouter du Gretry.
Una voz hermosisima, limpia, generosa, vibrante y, sin duda, con una fuerza inmensa para este fragmento histórica. Una belleza mozartiana en su voz. Gracias
Lyrics please 🙏
her voice is a little to soft, but she hits the notes for sure.
Mi sembra un po’ acidula e traballante
Поражает сочетание силы голоса и удивительного мягкого тембра. И все это огранено филигранной техникой. Браво!!!
Beautiful!!!
Wonderful!!!❤
Un usignolo 🌹❤️
I love period performances! I think it brings the best out of Mozart! ❤
Как легко она это делает!
Nota mil
Simplesmente maravilhoso, amo assistir ela cantando.
Bravo
❤
❤
0:49 the way he smiled while watching her <3
❤ Maravillosa❤
Magnifique époustouflant bravo
Stunning. Outstanding performance.
I think that we all need to gradually come to accept that Mozart probably did not have Edda Moser in mind when he composed this. Agility, precision and range were clearly what he favoured in his high-pitched, agile sopranos, and the qualities he exploited in most of his prima donnas from Mitridate and Lucio Silla to Die Zauberflöte. When he wanted a big, dramatic voice, he wrote for it: e.g. Electra in Idomeneo and Vitellia in La Clemenza di Tito. Indeed, the ‘prettiness’ of the melodies given to the Queen may have been an intentional effect, highlighting her seductive deceit and cold intentions. A light voice works perfectly well for the Queen, and often much better than a singer with a deeper voice made to strain and screech. See what happened to Damrau’s voice - impactful performance, bad technique, short-lived voice. Not to mention that current perceptions about the “Dramatic” and what it looks/sounds like cannot be assumed to not have been influenced by tendencies developed in the 19th and 20th centuries. This is not to say that Moser and Damrau are not fine too, but that standards should perhaps be better placed on technical ability rather than just the colour of a singer’s voice.
She's the real thing. A gorgeous voice, real musical sensibility, intelligence. Brava!
la perfeccion
Beautiful
What a voice!unbelievablly wonderful.
what a beautiful voice wow!
Me gusta mucho la interpretación.
You seduce people with such a voice
Meeeegaaa ❤❤❤
Best I ever heard
Bombastisch❤😘
Bravo Pauline !!!
Just amazing; poised and accurate in Mozart's most sadistic aria for a soprano.
Super talented, yet as equally annoying!
The best interpretation I've ever heard.
Try the Performance of Edda Moser. Outstanding and a bit more Mature.
Where was this performed? The acoustics are fantastic. The period instrument orchestra superb. And the coloratura ... I listen in delight mixed with awe at such beauty.
Brava!!!!
Majestic voice...
モーツァルト本人の聴いていた音もこんな感じだったのだろう。
So clear and pure like a crystal.
Ausgezeichnet. Loved it.
amazing resonance ! my god !
wowwwww
Love
I like Rush, Yes, Kansas, Iron Maiden, Dio, Blackmore's Rainbow, and... Pauline.
Beautiful!!
This is one of the most accurate and clear versions I've heard of this aria, she's exceptionally good. Sometimes precision can be as intense as sheer volume. She lives it too, which helps. Brava!
To all those who have criticised this singer - could you do it any better?
Diana Damrau already did it!!!🎉
We are here to hear, not to sing.
I’m not German but doesn’t she mispronounce some words?
No, this is one of the best pronouciations of "Der Höllen Rache" on the internet. Its very, very well and clear sung.
Wonderful. Thank you.