Відео

I like this! Glad you enjoyed it. 😁

@XxSkydog71xX Borrowed from Robert Frost's classic Stopping by Woods on a Snowy Evening.

@@jimsliverootsculturemusic woods on a snowy evening - lovely

Whose woods these are I think I know. His house is in the village though; He will not see me stopping here To watch his woods fill up with snow. My little horse must think it queer To stop without a farmhouse near Between the woods and frozen lake The darkest evening of the year. He gives his harness bells a shake To ask if there is some mistake. The only other sound's the sweep Of easy wind and downy flake. The woods are lovely, dark and deep, But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep.

@Dad-Gad Thank you and same to you

Thank you. I added all of my influences to this sound in some way. I want to record an acoustic soundscape soon.

Thank you, I appreciate that. Stay tuned

Added to my morning meditation. Love this and can’t wait for more💕

Thank you. I look forward to making them

@@deltajukejoint9156Wow thank you for the compliment

@@deltajukejoint9156 yep, it’s called captain jinx and salty sam by Duke tumatoe

@@deltajukejoint9156 thank you for your comments. I was half treble I think, mids maximum, bass around 2-3/10. Also the guitar volume and tone help out to get Duane’s sound. The bridge tone pot is usually around 3-5 on this Les Paul.

@@XxSkydog71xX love listening to you play, keep that style, very few ever attain the ability to transition like that. I’m not even close to

@@XxSkydog71xX any tips for learning those fast transitions?

@@deltajukejoint9156 thank you. I’m always trying to evolve this style. It’s definitely a ton of fun to play

@@deltajukejoint9156if you have the timestamp for one of the transitions you mentioned I can explain it better probably

@@ジミーページ thank you and I just used a Scarlett microphone through the interface

@@XxSkydog71xX Sweet man! Sounds killer just like your playing!

@@ジミーページ thank you very much

@@maxgibson8828 Much appreciated. I like to add some originality when appropriate 👌

Thank you for the compliment and support!

I am blown away by this comment. Thank you very much.

Thanks Footpeel

Thank you. It was a great challenge.

Thank you. I appreciate this. One of the greatest acoustic passages of all time.

@@DawsonTMiller So basically, I’m just fiddling around with the GarageBand amps and then heavy EQ from there. And I add effects like the Leslie speaker here in this video depending on the song. For TSRTS, it was just a GarageBand British preset with some heavy EQing and mic sim adjustments. That’s pretty much it! Thanks. Most Allman Brothers tones are from an actual amp, either my Marshall or Blackstar with modded speakers

@ awesome dude. I appreciate the insight

@@DawsonTMiller No problem. I’d love to see that Les Paul in your pfp in one of your videos sometime!

@ if I could do Jimmy (or any of the classic stuff I like to play) enough justice, maybe I would… but for now…. No shot

@@DawsonTMiller that middle pickup can get some versatile tones for different genres. Let it rip👌

Thank you. Sounds like you have a great amp setup. I’d love to hear that rig with a Les Paul in the middle position. All the midrange honk one could ask for 😂

Thank you very much

Miss them

I think Page edited that out in the 2007 remaster 😂😂

It is a Recording King parlor. Small bodied and very midrangey. I love it for melodic playing like on Liz Reed. The model # is CF5E.

@XxSkydog71xX Cool! I've got an RP2 cutaway twelve-fret body join, 1931 Martin-style soft-V neck with volute parlor model RK from Eric Schoenberg's shop. It's a sweet, affordable guitar.

Model 626

@@jimsliverootsculturemusic so sick. I love cutaway parlor guitars. Definitely a niche style.

Thank you. It is manufactured by Dietrich Parts

@@XxSkydog71xX 教えてくれてどうもありがとう！