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Cinematic rooms is the only one that didn't sound like the music was being played in a steel box or through an 80's resonant filter..... aaaand it's $400. Looks like I'm stuck dealing with Raum's issues until Native Instruments decides to make their products usable again 😮‍💨 Actually I hadn't heard Blackhole until after commenting. It might be decent if you didn't have it swimming, & it's on sale. I might have to try the demo.

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Wow I love this! Perfect timing as I just created a synthwave channel. Beautiful haunting track! Always love your compositions, amazing production!

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Nice video. I want to ask what about if some tracks(like verbs,delays and parallel auxes)we don't want to send them to mix buss and compress them again with the buss compressors or whatever inserts there will be in the mix buss. How then we can print the mix identical to our mixed song? Thanks again

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I made the mistake of buying this synth, its crap. Lots of glitches and CPU spikes. Totally unreliable. Save your dough and get Surge.

Yeah did you do a null test?

Eventide SP2016 is a killerrrrrrr

I've been a professional mixer for 12 years and I've always used the bounce function. No quality difference. A more practical approach would be to ditch plugins that don't bounce correctly

use a de-esser lawwwddd

Adaptive reverb ? CPU eater so I had to uninstall.

Can the blackhole immersive sound the same? I don’t care for surround sound for now . I just got the immersive & hoping I could get the Alleluia effect you demonstrated.

I like the sound of crystalline, going to look more into it

I didn't know there was a strymon plug-in was on the verge of buying one thanks buddy I get to save few bucks now...

yes thank you so much!! :D

question: if you go to meta pitch presets, you have 02: extreme - the creature... I love this sound, everything about it but I don't like the fact that it tunes to one note, however by turning "robot" off on the slider, it also gets rid of that crunch/ gritt/ autopan effect... how can I get the effect that I want?

1:30 - 5:50 - 6:17

So maybe its time to comparison both of the mixes and then flip the phase and see if there is a different ?

Buenos dias maestro.. Quiero que me diga cual es mejor entre senheizer 650 vsx slate digital o neuman 30 para mezclar y masterizar... Mil gracias🏁🏁🏆🏆espero su respuesta

Isn’t it also a plus if you have analog equipment and want to print

Trouble with bouncing when there is a side-chain can be because of a multi-mono vs multi-channel plug-in. Other discrepencies in sound between bounce and print can be due to not using delay compensation. Workflow issues like having multiple mix versions are easily dealt with through other workflows like "import audio after bounce".

given that there aren't any sonic differences between bouncing/printing - it's actually still faster to offline bounce the mix, import to new track, and create playlists to have your mix history in the session for referencing. same result, much less time spent waiting 🤝

thank you a ton !!!!!!!!!

I got the chance to buy Nimbus and R4 before they were discontinued, I accidently got them in an Izotope bundle for $30. Like wow I'm so lucky, you'd easily spend $400 for equivalents....

Wow, nice video, Blackhole is on sale so I thought I would have a listen and eh, the first few bars and I'm sold.....I'll take a look at Crystalline one day when I get some more pocket money to blow on VST's! 😅

I’ve had professional mixes done and this is exactly how it’s done. Thanks.

Why does not Cherry Audio make a Yamaha VP-1 Clone?

Well, I’ve tried Vahalla room and vintage verb, have the Bigsky hardware, blackhole(on ipad), uad plate140/250 and I just love valhalla vintage verb. Seems to have all I need. Bigsky would be second,but will not buy the software for obvious reasons.

That master look a lil weak 😂😂😂😂

I'm definitely leaning towards the NDH 20s as a daily driver (on the bus, out and about, etc) plus it seems like it's a great tool for mixing and mastering in spite of being a little pronounced in bass. I do love that bass when I'm out though (had some Skull Candy Crushers that delivered that once). These being closed-back with a good seal is a huge pro for me too. The only con for me might be the extra long cord to tie up. I'm curious (for anyone reading), do you know what tracking means? Is that playing an instrument and recording it in real time on a DAW? I'm a bit new to the mixing world. 😕

It appears that we are going back to recording in the old-fashioned manner. All the anti-analog people. its coming a back .

sfz = sforzando (s-vort-zan-do) sustained note with an accent at the beginning

Thanks for this, despite what everyone says, I always wondered why my bounces sounded so weird when listened to away from the project session. I check both one time and noticed massive phase issues and other shit when played together. I printed a track and checked, no phase issues no weird changes, no changes in the wave form or transients either. I get why they do a live print over bouncing. It can be for numerous reasons why a bounce changes the mix, but im glad printing fixes this issue.

so after u have ur print track, u basically still use the bounce function in pt to get that quality out..

Very nice and professional review. Thanks for that Daniel! There are so many great reverbs out there these days. Never mentioned, however, is the MeldaProduction Turbo Reverb, which sounds so incredibly beautiful and can be adjusted forever.

bruh. i can recreate all of this reverbs with fl studio's standard reverb plugin. you youtubers exaggerate everything.

Very impressive! I like the build-up to a wall of sound, and the interesting chords. I composed the following song using Micah's Choir - Sustain Oohs Looped: ua-cam.com/video/SSbsre3EZ0o/v-deo.html For the first minute, it's just Micah's Choir with nothing else, then I add a few other instruments.

Huge fan of Seventh Heaven. BUT...every preset loads at 100% wet and ridiculous. Makes no sense whatsoever.