Відео

Why not crop first ? All that unwanted information is just confusion at the colour correction stage.

absolute goat

Excellent! Thankyou

Very good lesson, clear and short, thank you.

one of the best straightforward tutorial watched on one breath

Can this be done in Lightroom? Also, how do you scan your negatives? Thank you.

Great! thanks for sharing. Already phogographed a few films. Now need to process negatives.

Excuse me, what means: "single light colour temperature" at 5:16?

Best explanation I've seen, and very easy to follow. Thanks!

Your Dslr guide - histogram - specific care on red channel. I missed this while dslr scanning.

I cant find the adjustments layers tab

How to get threshold view in Capture One? ALT key doesn't work in C1

Can I do it in gimp or photoscape??

what about scanning?

What a great video! Out of all I watched this one was the easiest to follow. Great pacing

Thanks, that helped :D

Great tips! I was reshooting large size films that wouldn't fit my 135 film scanner, ending up using my phone and a light box; colors came out weird until I came across this tutorial. : )))

I like making zines and photobooks as well. love the piece at 0:06 where you captured activities on the roof. ; )

Can do this also a video ☝?

Dear Tran, Many thanks, greatly appreciated. Cheers Neil

I have data lost from my red channel before i move any of the points on curve, what is the solution to this? I tried rescanning on my epson v370 but its the sae every time. Is this just how the photo was taken, was it something that happened during devoping or is there a way to fix it in ps? Thanks

Thank you so much for this! I tried a lot of different approaches and tools, but this one is working best by far - better than $100 tools...

I'm using a mac and ALT (option) on the curves adjustment doesn't work .. Do you know a mac shortcut?

Great video! Thanks! Now I have to go and re-scan all my colour negatives, wish me luck!

Try scanning a little bit of the blank film outside of the image area, use that for your neutral point. You're welcome!

this is such a helpful video! thank you so much.

I have a kinda similar method but with capture one, and I think it delivers a better start point than this photoshop method. In C1, it's about adjusting the "back" and "white" extreme points also, but using the levels tool for green, red and blue. After that you will get more natural film colors. Finally it's just adjust a little the middle point of each RGB levels in case you want to remove any other cast. So in C1 my workflow is 1) apply lens correction and choose the film curve you prefer (linear, natural, extra shadow), 2) modify exposure level (but only exposure), 3) adjust the RGB level max and minimum 4) adjust WB (preferably depending of film: day for ultramax, tungsten for Cinestill, etc. And finally 5) creative and custom adjustments from there...

What program do you use?

Just found your video. Thank you for sharing this. The best and most simple process I’ve tried so far.

Perfect - Τέλειο!!!!!

Very nice and clean tutorial. Liked~

This is exactly the kind of video I’ve been looking for

I think it's misleading to say »true film colors« because you obviously eyeballing the colors and white balance.

3:45 (for future reference for myself)

And what’s the routine converting B&W negatives?

Outstanding and easy to follow. You made my day as I followed you step by step and ended up with the image I knew was there. Thank-you!

Great guide, thank you!

As you’ve demonstrated very well, there is no such thing as the “true film colors” with color negative film. The end result is always completely subjective, just as it was in the darkroom days.

Great information thanks

It's nothing about "true" film colors... It's about how to tweak some sliders in photoshop to get some usable image.

For Photoshop you should give Negmaster a try 👍

Thank you , really good video.

I'm scanning using canon software and get automatically inverted color negs. But if I like a photo I usually use this way to process it in a more personal, more detailed, and way controllable form.

Good for single image processing and when you really have nothing else better to do. Therefore, Negative Lab Pro still wins, hands down.

No batch processing... I've got zillions of color negs, I'll need a couple of extra lives to do the job...! or be very, very selective, thanks mate...!

Best guide I've seen so far. Thanks ;-)

You achieve nice results, but here's the dilemma: you say "retain true film colors" as if this is objective and inherent to the film (which does have particular color properties), but also "this is all personal preference, so just go with your eye and what you think looks good" when adjusting the color balance. My point is that each film will capture each scene a bit differently, but this always has to be corrected, so the end results when editing color negative will always be subjective, based on what you think looks good. It's both the enigma and fun of working with color negative film!

This is the most accurate method I've tried so far. I've also added another curve adjustment layer on top to get the white balance right with the 50% grey pointer.

Works the same with a levels adjustment too. I was going to buy NLP, but at $99 that's just ridiculous. I'm already paying for photoshop and lightroom, so I don't need more expenses. I'm pleased with the results I get from using a levels adj on the red, green, and blue.

this is fantastic. hope petapixel stops selling everyone negative lab "pro" and posts this!! feels like i have watched 200 of these videos, you win.