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As per: ? But not the same as: Your bio statement. It should read this way: It is recommended to use multiple "actually differently phased" single speaker channels, to completely HEAR all sounds, from everywhere, naturally. Headphones only give you TWO of the "millions of different channels", & thus cannot replicate good sound - for a better sound experience. Or in your language - (via Google translate) Se recomienda utilizar múltiples canales de un solo altavoz "en fases diferentes" para ESCUCHAR completamente todos los sonidos, desde todas partes, de forma natural. Los auriculares sólo le ofrecen DOS de los "millones de canales diferentes" y, por lo tanto, no pueden replicar un buen sonido, para una mejor experiencia de sonido. In other words, I can (and do) hear all music far better, when spaced equally around the room, from a vast array of speakers, from subwoofers (many of them) to mids and tweeters. All harmoniously producing a slightly different sine wave phase angle, than any other speaker, hence no speaker is "lost" or heard louder than others" simply becasue way too many are "still pushing air" while others are stopped during voice coil current reversals, meaning, NO sweet spots, no "missing audio" and best of all, a lower SPL needed to listen quiter, to every sound recorded, as they al "play back perfectly" creating harmonics and 2nd/ 3rd & 4th order etc interferences as they all push and pull, out of sync. But then what would I know eh? Having discovered where multiple channels of ANALOGUE audio was "hidden" in a basic 2ch recording. So nah I won't use headphones thanks. I prefer natural multiple channel suround sound.

It starts very good, with (yes) the main beats in the frontal summated mono, whereas the differential "could" have had a LOT more bass notes, (and other singers/ backing vocals, hell even a completely different song track, if put in there - reversed) But apart from that, it's a good clean mix. Sadly many people never use 43.3% of available recording "space" in the many available analogue differential channels. 2:19 is where you "introduced" a rising bubbles sound. IN THE EXACT CENTER REAR, (the master differential) Which is exactly where some deep half-beat kettle drums would have slid in nicely, adding depth and "width" to the original summated mono - that everyone who had an AM radio (back in the day), got to hear. They couldn't receive the 90 degree phase shifted rear center, as it was completely hidden, inside a general single (summated) L+R MONO I've been listening to "clean" surround, via numerous rear channels, since 1965, so know exactly why most "modern recording artists" experience tight crisp but very shallow "sound" with nothing to infill the gaps "between beats" when their heavy hitting bass drum sounds, falter during reversal of the sine waves. IF they had infilled the rears - or even JUST the one main single differential REAR CENTER, they would have "lifted" the baseline high above "nothing.at.all", and allowed a LOT more unusual (inferior sounds) into the infill area, left as a HUGE hollow, between the main left & right speakers. As even speakers must "cross over" the zero point to get to the opposite sine wave peak, letting about a 1/3 or the recording space completely empty. I mean, would you buy a heavy hawser rope, to hold a ships anchor, if ONE of the three main strands wasn't there, leaving JUST a dual stranded rope, with a HUGE missing groove winding (or should I say unraveling) the other two strands? Hell no, but that's exactly what you are expecting, your listeners to do, when NOT includingat least one MAIN all half drumhits, and kettle drums, kick snares andeven other instruments, such as a grand piano, playing away back there, "infilling" the gap when BOTH the two main front channels, go silent, when crossing their zero movement points. Try it next time, hit the ONE main absolute 90degreee phase shifted "rear-differential" with a LOT of the additional sounds you need in there, and become a great re-recording / remastering artist. Think "steam locomotive" They never made them with the two side drivers set at 120 degrees.? Nah they set tham at 90 degrees, so that "one side" was always at maximum push/pull power, while the other cylinder (on the other side) was passing the no movement end of stroke period, meaning NEVER did the locomotive have less than at least 50% power, whilst never achieving full 100% power. THAT was the secret of the steam engine, which had unlimited "most of" it's power - over 2stroke & 4 stroke motors, as they are always "top & bottom ending, at the same time".

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I think I fell off a cliff and landed back in the late 80's or early 90's interesting music

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Buenas tardes 👍

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Original Macho Mix

el primero severo temazo ♥️

Muchas gracias por llevarme a mu juventud❤

😍mi fav.🙌🏻🙌🏻🙌🏻

Saludos 🌹es Audio 8d?👀👀se escucha super👍👍👍

Excelente canción 👍👍👍

Saludos 👍ya me suscribí 🌹

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Espectacular.sonido ok

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Sería cool qué la hicieras con letra... ❤🎉🎉

😮 Nice

Tremendo crack parece grabado hoy en 2024 👏👏👏👏

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