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gɹinblat
United States
Приєднався 21 тра 2017
new music
Sunghyun Lee: Riddles and Fiddles (2024)
Sunghyun Lee (*1995)
Riddles and Fiddles, for cello and ensemble (2024)
Uschik Choi, cello
Hwajune Kim, flute
Megumi Nakajima, oboe
Pablo Piñeiro Mundín, clarinet
Olivia Palmer-Baker, bassoon
Robyn Blair, horn
Jinhyoung Kim, trumpet
Noah Perkins, trombone
Grzegorz Chwalinski, percussion
Shan-Chi Hsu, piano
Isaac Bifet, violin
Elijah Spies, viola
Emmett Jackson, double bass
Raimonda Skabeikaitė, conductor
Moritz Fischer, sound director
German Première, 17 September 2024, HfMDK Frankfurt
I simply wanted to create music that brought together the raw elements of things I have liked since I was very young. Additionally, I wanted to move away from the mechanical and angular progressions that are a key feature of my works-compositions made up of various free and open fragments-and write music that feels a bit more organic.
For me, the goal of all composition is the process of overcoming my limits and exploring new paths. This time, I wanted to use the cello as a solo instrument for two main reasons: as a sort of compositional exercise dealing with the balance between the cello and the ensemble, and to write "melodies" utilizing the various expressive possibilities of the cello.
The work is composed of three parts:
The first part is a prelude that highlights the virtuosity of both the ensemble instruments and the cello.
In the second part, the cello poses various questions and riddles to the ensemble. The ensemble instruments respond to the cello in a way that gives a mechanical feeling-like broken machines, they ignore the cello's input. However, the cello keeps questioning, acting as a catalyst that drives powerful musical progressions.
The third part is a noise-timbre study between the cello and the ensemble. This ultimately transforms into electronic sounds, with the cello becoming "robotized," almost like a machine (but broken, crazy machine), concluding the piece.
Photo by Jieun Kim
Official Composer Soundcloud
soundcloud.com/sunghyunlee_composer
This video has a purpose of promotion, not for profit.
If you have any complaints about copyright issues, please write me a direct message at dhdmlwls02(at)gmail(dot)com before submitting a report to UA-cam. Then I will delete the video as soon as possible.
Riddles and Fiddles, for cello and ensemble (2024)
Uschik Choi, cello
Hwajune Kim, flute
Megumi Nakajima, oboe
Pablo Piñeiro Mundín, clarinet
Olivia Palmer-Baker, bassoon
Robyn Blair, horn
Jinhyoung Kim, trumpet
Noah Perkins, trombone
Grzegorz Chwalinski, percussion
Shan-Chi Hsu, piano
Isaac Bifet, violin
Elijah Spies, viola
Emmett Jackson, double bass
Raimonda Skabeikaitė, conductor
Moritz Fischer, sound director
German Première, 17 September 2024, HfMDK Frankfurt
I simply wanted to create music that brought together the raw elements of things I have liked since I was very young. Additionally, I wanted to move away from the mechanical and angular progressions that are a key feature of my works-compositions made up of various free and open fragments-and write music that feels a bit more organic.
For me, the goal of all composition is the process of overcoming my limits and exploring new paths. This time, I wanted to use the cello as a solo instrument for two main reasons: as a sort of compositional exercise dealing with the balance between the cello and the ensemble, and to write "melodies" utilizing the various expressive possibilities of the cello.
The work is composed of three parts:
The first part is a prelude that highlights the virtuosity of both the ensemble instruments and the cello.
In the second part, the cello poses various questions and riddles to the ensemble. The ensemble instruments respond to the cello in a way that gives a mechanical feeling-like broken machines, they ignore the cello's input. However, the cello keeps questioning, acting as a catalyst that drives powerful musical progressions.
The third part is a noise-timbre study between the cello and the ensemble. This ultimately transforms into electronic sounds, with the cello becoming "robotized," almost like a machine (but broken, crazy machine), concluding the piece.
Photo by Jieun Kim
Official Composer Soundcloud
soundcloud.com/sunghyunlee_composer
This video has a purpose of promotion, not for profit.
If you have any complaints about copyright issues, please write me a direct message at dhdmlwls02(at)gmail(dot)com before submitting a report to UA-cam. Then I will delete the video as soon as possible.
Переглядів: 575
Відео
Isabel Mundry: Signaturen (2022/24)
Переглядів 57414 днів тому
Isabel Mundry (*1963) Signaturen, for 2 pianos, percussion and two string groups (2022/24) GrauSchumacher Piano Duo Johannes Fischer, percussion Ensemble Resonanz Peter Rundel, conductor World Première of the final version, 08 September 2024, Musikfest Berlin '24 Signaturen sind Einschreibungen, Zeichen, die sich in andere Zeichen hineinlegen oder in ihnen aufblitzen. Im Mittelalter verbanden s...
Isabel Mundry: Depuis le jour (mit Blick auf Sweelinck) (2012)
Переглядів 40114 днів тому
Isabel Mundry (*1963) Depuis le jour (mit Blick auf Sweelinck), for string orchestra and two percussionists (2012) on texts by Thomas Kling Johannes Fischer & Rie Watanabe, percussionists Ensemble Resonanz Peter Rundel, conductor Eine neue Musik zu komponieren, bedeutet unumgänglich, sich in Form von Annäherung oder Abgrenzung gegenüber älterer Musik zu positionieren. Jeder neuen Komposition is...
Lisa Streich: MEDUSE (Fassung für kleines Orchester) (2023/24)
Переглядів 53621 день тому
Lisa Streich (*1985) MEDUSE ≫Elle est belle et elle rit.≪, for trumpet and orchestra (2023/24) Simon Höfele, trumpet WDR Sinfonieorchester Sylvain Cambreling, conductor World Première of the version for small orchestra, 22 June 2024, WDR Funkhaus When I read Hélène Cixous' 'The Laugh of the Medusa' (1975), it made me reflect on the different Medusas that exist. The Medusa from Greek mythology, ...
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Переглядів 34921 день тому
Philipp Maintz (*1977) der zerfall einer illusion in farbige scherben, for orchestra with obbligato accordion (2023/24) Nenad Ivanović, accordion WDR Sinfonieorchester Sylvain Cambreling, conductor World Première, 22 June 2024, WDR Funkhaus alles hat damit begonnen, daß mich eine amsel im park unterhalb des ljubljanski voller inbrunst angesungen hat - und mir ein schauer über den rücken gelaufe...
Unsuk Chin: Alice in Wonderland (2004/07)
Переглядів 568Місяць тому
Unsuk Chin (*1961) Alice in Wonderland, Opera in one act and eight scenes (2004/07) libretto by David Henry Hwang and Unsuk Chin, based on the Lewis Carroll's books 'Alice in Wonderland' and 'Through the Looking Glass' 00:00:00 Opening Scene: Dream 1 00:05:49 Scene 2: Pool Of Tears - A Caucus-Race and a long Tale 00:23:46 Scene 2: The Tale-Tail of the Mouse 00:26:54 Scene 3: The Rabbit Sends in...
Cathy Milliken: Earth Plays V: Ediacaran Fields (2022)
Переглядів 482Місяць тому
Cathy Milliken: Earth Plays V: Ediacaran Fields, for large orchestra (2022) Basel Sinfonietta Titus Engel, conductor Danish Première, 07 June 2024, KLANG Festival '24 The Ediacaran fossil world reveals the perfect symmetry of these once soft bodied creatures. In a sense, they could be understood as a peaceful co-existence of cells that assemble to become a larger organism. They are preserved in...
Maja S. K. Ratkje: Considering Icarus (2021)
Переглядів 475Місяць тому
Maja S. K. Ratkje (*1973) Considering Icarus, for solo trombone and small orchestra (2021) Stephen Menotti, trombone Basel Sinfonietta Titus Engel, conductor Danish Première, 07 June 2024, KLANG Festival '24 William Butler Yeats once wrote a poem titled To a Friend Whose Work has Come to Nothing (1931). In 1960, the American poet Anne Sexton wrote the following poem, as a part of her first publ...
Gemma Ragués Pujol: TRUST ME (2024)
Переглядів 381Місяць тому
Gemma Ragués Pujol (*1993) TRUST ME, for orchestra and text performer (2024) Gemma Ragués Pujol, text performer Basel Sinfonietta Titus Engel, conductor World Première, 07 June 2024, KLANG Festival '24 Photo by Alexander Banck-Petersen Official Composer Website www.gemmaragues.com/ This video has a purpose of promotion, not for profit. If you have any complaints about copyright issues, please w...
Ylva Lund Bergner: dOWN (2024)
Переглядів 3732 місяці тому
Ylva Lund Bergner (*1981) dOWN, for orchestra (2024) Basel Sinfonietta Titus Engel, conductor World Première, 07 June 2024, KLANG Festival '24 Photo by Alexander Banck-Petersen Official Composer Soundcloud soundcloud.com/ylva-lund-bergner This video has a purpose of promotion, not for profit. If you have any complaints about copyright issues, please write me a direct message at dhdmlwls02(at)gm...
Lara Poe: Laulut maaseudulta (2024)
Переглядів 4822 місяці тому
Lara Poe (*1993) Laulut maaseudulta (Songs from the countryside), for soprano and orchestra (2024) Anu Komsi, soprano Royal College of Music Symphony Orchestra Sibelius-Akatemian sinfoniaorkesteri Sakari Oramo, conductor World Première, 25 August 2024, BBC Proms '24 Photo by Chris Christodoulou Official Composer Website www.larapoe.com/ This video has a purpose of promotion, not for profit. If ...
Thomas Adès: Aquifer (2024)
Переглядів 1,7 тис.2 місяці тому
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Hans Abrahamsen: Concerto for Horn and Orchestra (2018/19)
Переглядів 7242 місяці тому
Hans Abrahamsen (*1952) Concerto for Horn and Orchestra (2018/19) 00:00 I. 04:03 II. 12:06 III. Stefan Dohr, horn BBC Philharmonic John Storgårds, conductor World Première, 07 August 2024, BBC Proms '24 Photo by Andy Paradise Full Score cutt.ly/HA_concerto-for-horn-and-orchestra Composer Information cutt.ly/hans-abrahamsen This video has a purpose of promotion, not for profit. If you have any c...
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Переглядів 1 тис.2 місяці тому
Cassandra Miller (*1976) I cannot love without trembling (Viola Concerto) (2022) Verse 1: To love purely is to consent to distance Verse 2: I cannot love without trembling Verse 3: Buried deep under the sound of his own lamentations is the pearl of the silence of God Verse 4: Absolutely unmixed attention is prayer Cadenza: Stars and blossoming fruit trees: Utter permanence and extreme fragility...
Morton Feldman: Coptic Light (1986)
Переглядів 6252 місяці тому
Morton Feldman (1926-1987) Coptic Light, for orchestra (1986) Lucerne Festival Contemporary Orchestra Beat Furrer, conductor Having an avid interest in all varieties of arcane weaving of the Middle East I recently viewed the stunning examples of early Coptic textiles on permanent display at the Louvre. What struck me about these fragments of coloured cloth was how they conveyed an essential atm...
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Переглядів 1,4 тис.2 місяці тому
Francisco Coll: Cello Concerto (2020/21)
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Переглядів 4812 місяці тому
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Переглядів 3592 місяці тому
Cheryl Frances-Hoad: Cello Concerto (Earth, Sea, Air) (2022)
Ferruccio Busoni: Piano Concerto in C major, op. 39 (1901/04)
Переглядів 5652 місяці тому
Ferruccio Busoni: Piano Concerto in C major, op. 39 (1901/04)
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Переглядів 1,8 тис.3 місяці тому
Georg Friedrich Haas: 11.000 Saiten (2020)
Iannis Xenakis: Synaphaï (1969) [*MUST HEAR]
Переглядів 1,2 тис.5 місяців тому
Iannis Xenakis: Synaphaï (1969) [*MUST HEAR]
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Переглядів 3705 місяців тому
Matthew Grouse: Solos and Tuttis (a vestige of an unheard season) (2020)
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Переглядів 1,1 тис.5 місяців тому
Veronika Reutz Drobnić: Remembrance (2023)
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Переглядів 8515 місяців тому
Ikumi Yamauchi: Valse inégale et absurde (2023)
One of my favorite works from Poppe!
I was at this show lol
Boolshyte. Pseudo-Webern.😅
if this sounds like Webern, you need to re-evaluate your life and ear right now.
@BetonBrutContemporary lol. I should have said ersatz wannabe Webern; sorry. It rubbish me the wrong way. And lack of ears is precisely what is required to like this pseudomusic.
@ Poor justification for a lousy snob. Go listen to Beethoven if you're not ready for this kind of stuff..
@@BetonBrutContemporary Beethoven is the hell.........
@@dabeenjeon8107 I Like Beethoven
Great composition, great work, great orchestra, great soloists. Modern music should pe performed this way.
sodelicious....................................
Great horn player!
Loved it!
"The beauty lies in being overburdened." exactly what I love about Poppe's music
must of been a nightmare to transport and tune 50 pianos... if i was a composer i would not write for an ensemble like that...
Thanks for making this available. Shame about the advertising interrupting it!
❤❤
Das ist sehr genial. Ich werde mich tief dort hinein begeben. DANKE fürs mich finden.....
yeah Ligeti created this same sound world in the early 1960s. And he didn't done need 50 pianos to do it neither
sodelicious..................................
more of the same after Atmospheres..... ( 1961)... so much for " modern "
Sweelinck❤
Mundry ♥
sodelicious...........................
erstaunliche Klangwelten!
음악은 들어서 즐거워야한다. 불협화음의 연속.. 오래전 세종에서 세계초연 바이올린 쏠로를 들은적있는데 몬 듣겠더라.
sodelicious.........................
Stimmt
sodelicious.......................
Beautiful! ❤
goo goo g'joob
The last section of this piece shines like the moon through the glare of Feldman's Coptic Light...
Fantastic version of this opera.
庄严、肃穆、悲喜交加、很有深度！喜欢！
Who can lisening this 😂
1. 23:20 2. 1:01 3. 21:32 4. 3:58 5. 23:17 6 23:17
Great Uncle Otto will be turning in his grave... and not in a good way!
wow, very nice piece by I composer I did not know at all. Will have to listen to a lot more of her works for sure!
Uma obra contemporânea criativa e que explora as belas sonoridades do trombone. É cheia de mistérios. Gostei muito!!
Bravo Maestro.Filidei !! Historical concerto for Viola !!
There's something about the consistent, hushed melancholy that reminds me of Silvestrov. Really affecting when heard in light of the program note, too - mourning at a distance, further mediated and distanced by the compositional process.
sodelicious............................
Ooo, thanks for this! I've only ever heard the Sally Matthews/Kent Nagano recording (and many times at that), this should be interesting!
Why care about sound if you don't try to form it into something? Why care about the world if you can't make something out of it? Such unmoving music. Why care about violence if you can't move us to tears? 😢 Seeking meaning but finding none, seems to be this composer's journey.
sodelicious............................
Hall Daniel Jones Donna Walker Anna
great piece, terrific performance.
It's more like a lullaby than a capricious
superb
marvelous
very good
rare piece
Interessanti, ma preferivo i primi 6, non so perché.
saikou
nice if you love noises
excellent
Fantastic