Відео

Very good question and yes there is a specific reason to not do that. While you could get away with this, you would be sacrificing details in other areas as you are tweaking the whole height. Let's say you are doing this for just the displacement map itself, it's not that much of an issue as you you generally want to keep your displacement map in a mid range and slightly blurry anyway. However to derive normals from that, you would notice differences. It is especially noticeable for such small details as refining the range for one element might not work for another. All in all it can still be done, but in this material I would focus on a separate normal pass where I reintroduce a lot of layers to get the normal correct and this creates some overhead as you need to maintain two separate passes rather than funneling all through your height.

@@kaikizzle oh yeah this is awesome. So far I've worked by always checking normal maps with extremely high intensity while building my heightmap. So at the beginning part of my graph even for simple shapes it would be connected to a normal node with intensity of 20-30. And then I would kind of set my heightmap details from grunge and blends to extremely low values since I would instantly see how it's reading in normals. Overall it's been a while since I watched a tutorial for substance, and the video was extremely awesome. Any plans about new videos? Would love to see more stuff from you

Yeah this is a valid and good technique. The new histogram equalizer is also quite helpful in that regard :). New videos are already in the making, lots of stuff to cover haha

Hey danke dir! Klar, Blender ist mein Steckenpferd und auch aus der Not entstanden, das wir damals kein Geld für Lizenzen hatten. Ich arbeite zur Zeit bereits an einem tutorial :)

@@kaikizzle Ja mega! Da bin ich am start :)

No waaay that's so cool! 😁👌🏼 Let's stay in touch! Was the course any good? :D

Sure thing! This map is one of many grunge maps exclusive to substance painter. However you can simply find them in the installation folder and move to designer :)

Klasse Julius, freut mich das es endlich gezündet hat und dein schritt erfolgreich war! :) Ja die regelmäßigkeit ist schwierig aber dadurch bleibt man dran. Der eigene Schweinehund ist und bleibt ein steter Begleiter, da hilft nur ins kalte Wasser zu springen. Danke dir und weiterhin viel Erfolg!

@@kaikizzle Danke! Dir auch :)

Haha thank you! Sure why not, I'll note that down and get one done :)

You are welcome :)

I have to thank you!

Thank you!

Happy to hear! Once a week I'll update on the playlist :)

Thank you so much! I will keep up uploading, all the positive feedback really motivates me :)

dont let your memes be dreams

Haha thank you!

Coming, coming 😂👌🏼 takes some time to set it all up

"uhm uhm" lamo at first i thought was i missing something

@aakashshekhawat hahaha yeah.. 😂 being decent at materials and horrible at editing

Appreciate the feedback and thank you :)

Awesome! Be sure to link it in the comments so we all can have a look 👌🏼

Nice to hear ✌🏼 anything you might want to have covered of me and make a video about?

@@kaikizzle pixel processor!

@@cbegaming805 Oh I can see that. However I am more proefficient in the classic use. I would only be able to cover some basics as well as how to apply certain math formulas, rather than complex stuff. :)

@ then I love to learn about designer using switch nodes, optimized graph and Zbrush to designer using ID maps

:)

Happy to help :) If you have any questions or wishes, let me know.

If you want/need to be professional. In most aspects the output is just not usable

@@roberte1966 Yeah that's the point. AI is a great tool to be used within workflows of classic crafting.