Відео

EXCELENTE!! GRACIAS POR COMPARTIR.

EXCELENTE!!! GRACIAS!!

EXCELENTE!!! GRACIAS POR COMPARTIR.

Yawn

❤

EXCELENTE MUSICA, !!

GRACIAS!! EXCELENTE!!

Masterful

EXCELENTE!!! GRACIAS POR COMPARTIR.

Incredibile Helmut Walcha; riuscì a imparare a memoria tutta l' opera organistica di Bach. Suonava divinamente.

KARL RICHTER, EL MEJOR INTÉRPRETE DE BACH JUNTO A HARNONCOURT

33:31

BWV 806 00:04 I. Prelude 02:02 II. Allemande 04:35 III. Courante 05:54 IV. Sarabande 08:41 V. Bourrée I & II 12:22 IV. Gigue BWV 807 14:33 I. Prelude 19:44 II. Allemande 22:14 III. Courante 23:37 IV. Sarabande 26:41 V. Bourrée I & II 30:25 IV. Gigue BWV 808 33:04 I. Prelude 36:43 II. Allemande 39:09 III. Courante 40:53 IV. Sarabande 44:43 V. Gavotte I & II 47:32 VI. Gigue

Je lis des "on devrait...”, “on devrait...” - mais on, on ne devrait rien du tout - quand on est présent lors de l’exécution on distingue parfaitement les trois provenances des sons.. et ce jeu de répartition du discours musical sur trois sources est suffisamment subtil et riche pour étonner, fasciner et plaire.. Ne reprochons pas à Mozart de ne pas être Beethoven.

always excellent. How marvelous to have this ensemble. and a beautiful piece.

14:30

Ottimo...Karl

E bravo karl...praticamente come è sempre

The most authentic interpretation since the days of Brahms himself, who had encouraged the young Backhaus to perform this work. This should be compulsory listening for any pianist preparing the work for performance today.

Masterpiece. Harpsichord or whatever other instrument, what a testament.

The best interpretation I have heard

1:30

좋은 연주가 좋은 음악 감사드립니다. 행복하세요.

ごちゃごちゃ言わず、バッハはこれでいい。

Agghiacciande

pls upload all of them pls

Si Pollini est un grand pianiste , reconnaissons que la musique contemporaine n est VRAIMENT PAS SON DOMAINE !

1:00 start

18:15

❤FANTÁSTICA ❤

Paris, Théâtre du Châtelet, June 20-21, 2001 Quotation: Pierre Gervasoni (from "Le Monde", June 23, 2001)

This would be one of the earliest recordings of the Schumann opus 17. Backhaus was one of the artists who bridged the gap between nineteenth century and and today's piano playing. His playing is instantly recognisable and is compelling listening.

❤n.1😊

Grandissimo Clavicembalista! In certi “levare” si avverte la sua ipertrofica sensibilità dovuta alla cecità sopravvenuta in giovane età. Potrebbe essere la registrazione dei primi anni “60 che fece utilizzando il “piccolo” Organo Barocco Silberman della Chiesa di San Giovanni, a Strasburgo od anche il Grande Organo Schnitzger della Cattedrale di San Lorenzo ad Alkhmaar in Olanda. Sentendo il “vellutato farinoso” dei bassi, propenderei per l’Organo Silberman.

That's real minimalism for you! (Not the sado-minimalism of today...)

Non voglio neanche immaginare un’altra versione di questa sonata, n.1❤

Wonderful. ¿ Could be possible the score ?

I was there! You don't hear much Bussotti these days...

Juste très moche et démoniaque. Ils appellent ça de la musique.

The recording date is 1985, March 16

It’s profoundly difficult because it’s a crappy piece of music.

Artista extraordinario del piano.

sodelicious............................

Pura fantascienza per i comuni mortali… ho provato a memorizzare da ragazzo le prime pagine… impossibile… si fa prima e memorizzare l’elenco telefonico di una media città…

I'm in complete agreement with @bobgold57. This is definitely his greatest recording for me as well. His playing is so supple and expressive, even within the context of his usual unsentimental rhythmic directness. Much more so than his Brahms solo recordings from the same period.

Leave us such precious memories ❤

sodelicious............................

Toco en Barcelona en Octubre de 1989 esta obra ...de momento no la entendí por su modernidad, a dia de hoy transcurrido los años ya la entiendo. Felicito al compositor y naturalmente a al grandioso pianista.....

Sublime Maurizio Pollini dans ce merveilleux prélude de Bach

Ok; who won?