Відео

Damn

is it easier to paint over it than direct on the canvas? Which advantages do you get from it?

the brushes i know it alone do nothing, but which one did you choose to paint it ?

This intriguing discussion towards the end, I will look as never before in museums of art.

Lots of gems in there, thank you both!

Awesome information, yesterday I was able to buy your book Oil Painter’s Color Handbook. Just starting to read it, such a great book and I know I will learn a lot. I have a question about the different wheels, can you still use all of them for color schemes? Like, analogous, complementary, split complementary, triadic, etc.. It seems to me that those schemes only work for the traditional wheel. Do you use those schemes with the Munsell wheel, for example? How? Do you talk about them during your workshop?

This is a great podcast, i subscribed.. the only thing i worry about with teaching this to my students is that i want color to be more intuitive. I only use a primary palette and i absolutely teach using complimentary color to get your neutrals but i dont think its realy relevant whether or not a color mixed with another gives you a perfect neutral. I dont know why anyone would care about that. You have other colors on your palette, color should not be mixed in isolation anyway, you test it on the painting, if it needs to go even more neutral just add whatever third color you need to push it there Right? So whats the point of knowing which pigments give you a perfect neutral gray. Im not sure it matters.

Awsome

It's like painting on the bottle

Thank you so much. This felt like a quiet, intimate moment learning from a master! Can’t wait to get your book on color. I have enjoyed your first publication very much! 🥰

I just love it. Great information Very inspiring ❤️

Nice . You and S. Waddell,J. Collins ......

Tom, Is there any chance that u ever lived in Newfoundland ? Cynthia 🌷

Without reading. T.C. came to my mind. The odds !?!!

Hey Todd, what's with the horrible LOUD ads every couple minutes. Used to enjoy listening to your interviews, but not any more.

Also would be so helpful to mention the colors you’re using.

Brilliant

Cheer~~~cloth, curtains, or clothing hanging in loose folds.😊

My favorite Dalessio work is his sketch of Bethesda Fountain NY Central Park. His use of sight size has stayed with me for years, very helpful.

Marc, love your painting. If you have some free time take a 90 minute ride south from your home to St. Bertrand de Cominges. Some very interesting places to see and paint. At the cathedral explore the carvings of the misericordes beneath the seats of the choir there.

Been looking for this! 😊

It’s funny to hear your own voice, I really do have a Chicago accent. Ha

I take classes with Tom at his studio and loved the interview! It was very fun to listen to while I did my drawing practice.

wow.I love your work. I watch each one of your short videos 3 times at least.

This explanation is great! Its the first one that talks about color mixing more like science rather than alchemy.

22:22

This is the best podcast I've seen on color wheel. Thank you, Todd.

Interesting to hear him talk about his plein air approach. I have noticed on the odd video that exists on YT that he is the most faithful artist to the scene, of those I have seen. His colors are near perfect. And it is almost jarring. He will place a note, particular for a sky, and I sometimes feel it is wrong. But then I notice it is dead on. One of the YT video I love has him painting, doubtless a spectacular scene in the Alps. But on that day it is a near whiteout. And he just marches on, rendering this white landscape of snow and fog. Spectacular.

Wow! Just wow!

It's like watching magic happening. Thank you for sharing.

This is a wonderful explanation of the color wheels and how they instruct multiple concepts. Very well done! Thanks for making the video!

I'd love to see the landscape paintings. If they look anything like the cows in the darkness if the night on the website, must be fantastic.

"How did you start teaching?" "Against my will" 😂😂😂 Love this series Todd, thank you so much!!

Where is the highlight?

Do you paint in oil?

Which brush do you like? Is that a Trekkel taklon round? BTW, I just got your still life book. Love it.

Great portraiture at work here. Really like the style and pallet of these paintings. Todd knows who's good, for sure.

Nice one, great interview. are these available as an Rss link?

Nice Todd, are these available as podcasts ?

No videos of meaningful length for 6 months?

I do acryllic underpaintings (for the super vibrant colors) and oil over top (depth & richness) and was lucky to get this color from Golden Acrylic, though I've yet to use it. No oil yet, though. I was so thrilled when a new OPAQUE bright blue came on the scene but, due to it's scarcity, I'm hesitant to even start, concerned I may fall hard for a color that's impossible to get. Any idea if there's a special reason this color is rare or if it's intentionally "rare" to build hype?

Love the analogies!

Bravo, Todd!!! Beautifully explained. Thanks!

Tr quedo rehermoso❤❤❤

Love watching your tutorials! What is the name of the green color that you used for the foreground? Thanks so much!

Awesome demo, thank you so much Todd (love your still life book, going to get your colour book in the new year). Just wondering if you put the highlights in alla prima as well, or do you let the painting tack up a little bit before adding them on? I've started letting my paintings dry a day or two before adding the highlights, otherwise they can turn into a smeary mess if I'm not super careful, just wondering what you'd normally do. 😊

Is the background grey gesso painted?

Wow que lindo 😉

I'm looking for a particular painter. Maybe he already died, I don't know, he was not young when he made the videos; but they were the best analyzes of color matching and the specific use of black, overturning the theory that black should not be used. Specifically, he talked about black and its historical importance in paintings. I need help finding it.