![Antsy Chirps](/img/default-banner.jpg)
- 350
- 1 710 678
Antsy Chirps
Приєднався 12 бер 2017
This is a music educational channel for classical singers. The piano accompaniment parts are done on Logic Pro X. If you catch any mistakes, please let me know and I will fix it as time allows.
* No material on this channel is monetized nor will ever be.
* If you are a student, you may use any of the videos that contain my original piano accompaniment for educational purposes, including on recordings.
* If you have unique requests, please email antsychirps@gmail.com.
All works on the Antsy Chirps channel are from original piano playing and free services like IMSLP, the biggest freely accessible music score library online. If you can afford to, please help support the IMSLP services through membership and/or donations as it can help those who cannot afford to buy music access educational resources. Thank you!
imslp.org/wiki/IMSLP:Subscriptions
* No material on this channel is monetized nor will ever be.
* If you are a student, you may use any of the videos that contain my original piano accompaniment for educational purposes, including on recordings.
* If you have unique requests, please email antsychirps@gmail.com.
All works on the Antsy Chirps channel are from original piano playing and free services like IMSLP, the biggest freely accessible music score library online. If you can afford to, please help support the IMSLP services through membership and/or donations as it can help those who cannot afford to buy music access educational resources. Thank you!
imslp.org/wiki/IMSLP:Subscriptions
Відео
Handel: Ah Spietato (piano accompaniment) from Amadigi
Переглядів 1,9 тис.Рік тому
Handel: Ah Spietato (piano accompaniment) from Amadigi
Donizettti: La morale in tutto questo (performance accompaniment track) Don Pasquale
Переглядів 91Рік тому
Donizettti: La morale in tutto questo (performance accompaniment track) Don Pasquale
Donizettti: La morale in tutto questo (practice accompaniment) from Don Pasquale
Переглядів 56Рік тому
Donizettti: La morale in tutto questo (practice accompaniment) from Don Pasquale
BELLINI (10 of 15): Malinconia, Ninfa gentile
Переглядів 192Рік тому
Lyrics: Malinconia, Ninfa gentile, la vita mia consacro a te; i tuoi piaceri chi tiene a vile, ai piacer veri nato non è. Fonti e colline chiesi agli Dei; m'udiro alfine, pago io vivrò, né mai quel fonte co' desir miei, né mai quel monte trapasserò. Translation: Melancholy, gentle nymph, I devote my life to you. One who despises your pleasures Is not born to true pleasures. I asked the gods for...
Inoccenzi: Addio Sogni di Gloria diction
Переглядів 143Рік тому
Inoccenzi: Addio Sogni di Gloria diction
Innocenzi: Addio Sogni di Gloria (piano accompaniment and voice studies)
Переглядів 917Рік тому
Quando ragazzi felici andavamo alla scuola When happy kids we went to school Con la cartella a tracolla ed in tasca la mela With the shoulder bag and the apple Per il futuro avevamo un vestito di gala in your pocket We had a gala dress for the future Quante speranze di gloria di celebrità How many hopes of celebrity glory Ma inesorabile il tempo tracciava (ch) il cammino But inexorably time mar...
John Moriarty Diction: Lesson 1 (vowel tongue placement)
Переглядів 72Рік тому
John Moriarty Diction: Lesson 1 (vowel tongue placement)
DICTION: Soft and Hard Consonants (from John Moriarty)
Переглядів 68Рік тому
DICTION: Soft and Hard Consonants (from John Moriarty)
13 of 15 BELLINI: Almen se non possio (from Composizioni da Camera)
Переглядів 420Рік тому
13 of 15 BELLINI: Almen se non possio (from Composizioni da Camera)
VERY OLD COMPOSITION: Q1 2018 Track 2 of Another Cast
Переглядів 46Рік тому
I am not completely certain I have made any progress in composition :-/
BTM #1: Agonist vs Antagonist muscles (singing while sucking in air)
Переглядів 60Рік тому
BTM #1: Agonist vs Antagonist muscles (singing while sucking in air)
VO2 max approximation test (cardiovascular oxygenation is important to singing)
Переглядів 40Рік тому
VO2 max approximation test (cardiovascular oxygenation is important to singing)
TOSTI ~ Ideale (melodia) piano accompaniment
Переглядів 283Рік тому
TOSTI ~ Ideale (melodia) piano accompaniment
BELLINI: Sogno d'infanzia (accompaniment)
Переглядів 816Рік тому
BELLINI: Sogno d'infanzia (accompaniment)
Puccini ~ TURANDOT: Tu che di gel (Liu's aria before her death)
Переглядів 240Рік тому
Puccini ~ TURANDOT: Tu che di gel (Liu's aria before her death)
Amy Beach: (Silent Love) Ich sagte nicht (piano accompaniment)
Переглядів 281Рік тому
Amy Beach: (Silent Love) Ich sagte nicht (piano accompaniment)
ROSSINI: Una voce poco fa (sheets w cadenza)
Переглядів 290Рік тому
ROSSINI: Una voce poco fa (sheets w cadenza)
ROSSINI: Una Voce (piano accompaniment; performance track)
Переглядів 53Рік тому
ROSSINI: Una Voce (piano accompaniment; performance track)
ROSSINI: Una Voce Poco Fa (cray cray cray version w c7 ending)
Переглядів 87Рік тому
ROSSINI: Una Voce Poco Fa (cray cray cray version w c7 ending)
(description of QUE in Logic Pro X) Una Voce Poco Fa ~ take 2
Переглядів 16Рік тому
(description of QUE in Logic Pro X) Una Voce Poco Fa ~ take 2
ROSSINI: Una voce poco (w Logic Pro x screen)
Переглядів 32Рік тому
ROSSINI: Una voce poco (w Logic Pro x screen)
DONIZETTI: Quel guardo..., So an'chio la virtu magica (accept edited from Schirmer)
Переглядів 63Рік тому
DONIZETTI: Quel guardo..., So an'chio la virtu magica (accept edited from Schirmer)
YOU ARE A SAINT!
(Acid reflux will damage thevocal cords.) You don't have the stamina to stay in this tessitura yet. The vocal cords are tight and exhausted. Develop a beautiful sound at a lower lyrical range then slowly introduce higher repertoire. The voice must be be lower centered to be truly relaxed. Try not to lift at all until high B natural. It takes stamina and strength to do this. To sing a high G above C you must be able to vocalize to Bb above it. If you can't you can not sing the piece.
yeah I have a severe issue with my neck from an assault where I was positionally asphyxiated and my chin pinned against my chest and my vocal cord crunched :-/ I do thank God every day for even being able to make a sound! ua-cam.com/video/nngLBIMyhaA/v-deo.html
Fews advices: You can't try to sing this kind of extremly hard arias, it's technically too difficult for your level, it could be really really damaging for the any voice. You need to pratice the most on the breath for the next 6 months, because actually your breath don't support your voice for helping to sing the notes, you create the notes directly on your vocal chords, you must never do that ! And it's also the reason why your voice dind't sound full and open like actual opera voice, because the breath is not supporting the flow of the sound. Just do that for the next 6 months and don't sing things more complicated than voi che sapete, sposa son disprezatta, laudate dominum, Pie Jesu by Fauré and try to have the most continue vibrato, with large space in the chest allouer to the breath. If you continue to sing things that is way way too much for your breath support (EVEN IF you CAN sing these high notes, when you over-use your vocal chords) you will really damaging your voice.
yes, I realized my vocal health is the issue! I actually have physical damage that happened in an assault (and had to see a doctor a few years ago)
@@antsychirps Alright take care and have rest :)
It has been suggested that I sing with a smaller part of the voice and I think it is true that it would help. I can here that as I get tired, my sound gets sloppier and more disbursed. Probably does not help to expect a functional range of Bb3 and G6.
The lesson is also that when you sing larger voices pieces, you end up stretching the apparatus to over 100%. One need to learn to use a much smaller part of the voice.
I don't ask, eternal gods all the sky for me is clear. But my grief consoles at least, some ray of pity. He does not understand my ills nor the terror that fills my chest, who of a wife the keen affection, who does not have the heart of a mother. Io non chiedo, eterni dei tutto il ciel per me sereno. Ma il mio duol consoli almeno, qualche raggio di pietà. Non comprende mali miei né il terror che m’empie il petto, chi di moglie il vivo affetto, chi di madre il cor non ha.
Why do I take the tempo so fast in the second part? Because it is supposed to be a mother's expression of frustration and grief, not of beauty (and it sounds very boring when sung slowly). Why would a composer compose a sequence of notes and then put triplets on it the second time for emphasis? Because Mozart wanted to express torment, which requires a fiery approach as opposed to something pretty.
So the piano part is uber-edited and the voice has nothing... it is exported straight out iPhone 12 Pro video (the most true sound I have gotten out of any type of recording equipment, including the cheaper recording interfaces).
Haha, someone suggested I play the piano accompaniment while singing this. My response is that if I were that competent at piano (a lot of editing of the piano part in Logic Pro X, thanks Tim) and did not have a hand injury, any one in fact who could do that, would be conducting.
Very pretty
Thank you! 😊
Thank you so much for everything :’) This account has everything i need and more! You definitely deserve more recognition ❤️
I was privileged as a kid to receive so much amazing instruction that I wanted to share everything I learned and what I am seeking to learn. Glad you are enjoying the channel.